Supertramp-Ain't nobody but me (1.1979.Paris) Remastered by RudenkoArt

According to Roger Hodgson, Supertramp had several reasons to record a live album at the time, including a desire to introduce their pre-Breakfast in America works to USA listeners and a mutual sentiment that some of their songs were pulled off better live than in the studio.[6] However, he admits that the chief purpose of the album was to buy time; the band was under pressure to produce a suitable follow-up to the immense success of Breakfast in America, and needed to get off the treadmill of touring and recording for a while in order to consider their direction for such an album. Taking such a breather meant the next studio album wouldn't be finished until 1981 at the earliest, and so something was needed "to fill the gap."[6]
The album's set list contains almost all of the 1974 Crime of the Century (except for "If Everyone Was Listening"), three songs from Crisis? What Crisis? (1975), two from Even in the Quietest Moments (1977), three from Breakfast in America (1979) plus "You Started Laughing", the B-side to the track "Lady" from Crisis? What Crisis?. The hit "Give a Little Bit" was played on the tour but not included because, according to Hodgson, "we were shocked when we listened back to the live tapes to find how bad all the versions were. There just wasn't one version that we felt that we wanted to put on the album."[6] Other songs that were on the tour's set list but not on the album are "Goodbye Stranger", "Even in the Quietest Moments", "Downstream", "Child of Vision" and "Another Man's Woman". All of these tracks, including "Give a Little Bit", later showed up on the second live disc included in the deluxe anniversary edition of Breakfast in America and on the 2-CD/DVD set Live in Paris '79.
Rick Davies - lead and backing vocals, acoustic and Wurlitzer pianos, Hammond Organ, ARP Omni 2 Elka and Oberheim synthesizers, Hohner Clavinet, harmonica, tambourine;
Roger Hodgson - lead and backing vocals, acoustic and electric guitars, pianos, synthesizers, bells;
John Helliwell - saxophones, clarinet, synthesizers, organ on "Goodbye Stranger", percussion, backing vocals, spoken intros;
Dougie Thomson - bass guitars, backing vocals on "Bloody Well Right", "Fool's Overture" and "Two of Us", organ on "School", additional synthesizer on "Fools Overture";
Bob Siebenberg (as Bob C. Benberg) - drums, percussion, backing vocals on "Two of Us".
The 2002 A&M Records reissue was mastered from the original master tapes by Greg Calbi and Jay Messina at Sterling Sound, New York, 2002. The reissue was supervised by Bill Levenson with art direction by Vartan and design by Mike Diehl, with production coordination by Beth Stempel

[@coolhand7479]

Only a true blooded Supertramp fan have such an unparalleled skill in editing

[@Ch00choh]

I am here to cry

[@filiperocha4466]

Tenho este album em vinil. É simplesmente fabuloso! 🎈🎼💙💛

[@mathematrucker]

One of their very best songs.

[@theresa42213]

There actually not playing the song here ...but MAN! Rogers playing is just SO impressive.

[@arthurrudenko9606]

@@theresa42213 Why? They played this song at this concert, and many other songs that were not released on video
ua-cam.com/video/hEyLNUF4vh8/v-deo.htmlsi=l2wJ7L3G5rZgHmF_
Here this song

[@theresa42213]

@@arthurrudenko9606 ~ Thank You! l just love these guys! Another man's woman on this album is INCREDIBLE!

[@arthurrudenko9606]

@@theresa42213 set list of this concert
1. "School" 5:41
2. "Ain't Nobody But Me" 5:24
3. "The Logical Song" 3:56
4. "Bloody Well Right" 3:42
Side two
No. Title Length
1. "Breakfast in America" 2:57
2. "You Started Laughing" 4:02
3. "Hide in Your Shell" 6:54
4. "From Now On" 7:06
Side three
No. Title Length
1. "Dreamer" 3:44
2. "Rudy" 7:08
3. "A Soapbox Opera" 4:51
4. "Asylum" 6:51
Side four
No. Title Length
1. "Take the Long Way Home" 4:57
2. "Fool's Overture" 10:57
3. "Two of Us" 1:25
4. "Crime of the Century"

[@luketomo5167]

Loved this tour! Saw it at the Spectrum, Philadelphia.

[@crisolreina2370]

Que vuelva roger 😢

[@alfonsobarcenaspozos1958]

Wunderbar!

[@balazsernhaft8337]

classic song , one of my favourites

[@arbitelli]

que belleza de tema, genios totales

[@mymoonams]

Beautiful

[@goethegomez6493]

La mejor ingeniería de sonido para la época. Mi pieza favorita desde que tenía 10 años de edad. Supertramp para mí fue la mejor banda de rock sinfónico de esa época. Excelente reedición... God bless you brother from Venezuela 🇻🇪

[@SolihullRog]

Brilliant!

[@dougpeters1625]

Thank you for this, much appreciated!

[@rumahero71]

Good job!!!

[@jaimehernandezpereira7094]

Se supone que esta y otras canciones del paris ,estaban perdidas las imagenes

[@AlanHomobono2]

👏🏻

[@progmeup]

Very, very clever :D

[@marianobertonasco5861]

Jajajajaja esta perfectamente hecho, es increible como hay silabas ue encajan, pero no gente, es falso, pero admirable el trabajo y la dedicacion, parece real

[@fernandodevecchi2597]

Well done Arthur Rudenko, could you do something like this with soapbox opera

[@arthurrudenko9606]

I've already done all the tracks from this concert, like this one

[@themagicroundabout2528]

Fantastic track ! Is that Donald " Duck " Dunn on the bass ?

[@arthurrudenko9606]

Yes)

[@jacknio6032]

Kinda close! That’s Dougie Thomson

[@pault8470]

@@jacknio6032 ok Dougie duck Thompson lol . What a tune

[@PaulaJames-e3t]

@@pault8470😂😂😂😂

[@RexAlfieLee]

So so good...