It’s such a shame the one with just the interior glaze didn’t survive.. the contrast between glazed interior and hardened, groggy, fired exterior was captivating. By far my favorite
I like the rough textures of the groggy clays. It's a shame that the one that looks almost greenish doesn't keep that colour once fired. That bowl split in half is what Bob Ross would call "happy accident", creating great expo material.
I thought so too! The green tone was really quite interesting. The cracked pot is currently being shown in an exhibition at YSP, it isn't for sale, but it's a fascinating object to show alongside all the others as it helps give you an idea of the pots anatomy.
My favourite part of your videos are when you open the gas kiln and the pieces sing twinkling hellos to you. I imagine it's the temperature change and the glazes? It is such a sweet sound, like a little choir of pottery pieces. Happy new year Florian and thank you for sharing your work with us!
This is one of my favorite videos you’ve made. I think this is a perfect demonstration of how an artist’s materials doesn’t define their work, but rather the character and making process defines an artist’s body of work. Thanks for making videos for all of us, and have a wonderful New Year!
Glad to hear so, I'll make a note of that. I think generally my videos could do with a bit more experimenting/trial and error, it certainly makes them more interesting to narrate! Thanks so much for taking the time to watch and Happy new year!
i love the pink grog clay, it's so ironic and beautiful to me the idea of a prestine yet sharp shape that's also rough i just love the whole story about this clay body, it's painful to work with it tears the tools and the clay itself fights against being put in a nice enclosure, it wants to be itself in all of the stages of making, and that touches me in a very deep way who would imagine that i would be saying this about a bowl, belive that's the meaning of art
The larger flakes of the green pot you show at the finish are extremely satisfying in that inside shot, specifically the way some lines continue across the arc of the inside like crossing twigs, defined by the bases or tops of specific crystals. In between where the 'twigs' intersect, the larger flakes bloom. I hope to see more of that! Happy new year!
I love the colours of the grogged pink, but you're right it does look a bit rough even with the glaze because of how course it is. I wonder if you can get the same clay with less grog in it so you get those colours with a smoother finish.
The pot that cracked looked absolutely gorgeous Honestly, having it on display in a case to show off the pot itself would have been cool, but it's not something that could have been used outside of education
The grogged pink piece is gorgeous. I agree it isn't as refined as your other pieces but I do love the rustic look of it. Although I'm not sure my hands would be able to withstand the grog on the wheel. As always your work is truly amazing.
The grogged pink is really lovely and I wonder if you could get the refinement you wanted with the slightly more plastic, less grogged formula? I appreciate the process where you change one variable. As a hobby potter it feels like I change all the variables each time and that produces some nice accidents but is never predictable.
I want to try mixing it half/half with my usual, smoother body - that might work. I like only changing small things at once, and letting those tiny steps lead to gradual changes, as compared to rushing into altering too much at once, I think I need to embrace that more with my porcelain work as that feels like a lot of stabbing in the dark.
@@floriangadsby I was also wondering with the grogged pink, if you wanted the glaze more even would it be possible to dip it in glaze twice? Or would that put too much glaze on the pot so that it would cause problems firing??
Honestly I really like them all, if I had to pick a favorite it would be the third one in the higher resolution photos, that silvery grey really caught my attention with how much depth there appeared to be in the glaze.
The little lines of text you added to define some of the terms and words that you use in your narration are SUCH a lovely touch! However, if I may suggest: some of them disappeared a little too quickly for my (perhaps below average) reading speed, so maybe leave them onscreen for just an extra second or two? All in all, I just loved this video. That unglazed grogged pink was so beautiful-especially the cross-section where it almost looked like silver glitter on a black background. All of them turned out so beautifully, especially in the high-res photos you included. Happy New Year, and I can’t wait to see more from you, Mr. Gadsby!
Good advice! Thank you and glad you like their inclusion, there’s lots of pottery jargon. Hence the glossary in the back of the book I wrote. Thanks for watching! 🙌🏻
Honestly could not choose a favorite out of these pieces, I find each one to be uniquely stunning. Thank you so much for sharing your amazing work and process, wishing you a safe and happy new year!
Hey Florian, how do you decide whether you’ll fix an undulation by trimming the rim versus by trimming the base? I often end up with undulations when I throw tall, so it’s great to see your process for handling them! Happy new year to you and Ciro!
In practice, sometimes fixing the base completely eliminates the need to fix the rim, which, given the option, I'd rather interfere with the base, as there's potentially more that can go wrong turning the lip. So, if trimming the foot fixes it, then great, if not, I'll then do the rim. WITH that being said, sometimes I can immediately identify that it's just the rim that needs fixing, if the wobble is very subtle, so I'll start with that. Basically, sometimes doing one works, sometimes both are needed. Happy new year to you too! Thanks for watching!
The second bowls is my favourite, the way the glaze is and the shape is beautiful. Then 3,4,1, I love the blue tone is favourite colour last bowl. Very interesting I learned so much. Thank you.
I have a bag of the grogged pink and it was just too rough for my hands to cope with on the wheel - might just mix some with some reclaim and see what I get. Thanks for this level of detail, Florian - it's so, so helpful!
I would love to see a 50/50 mix of the Grogged Pink and the David Wright - I think it would be a great mix of the qualities that you like of each. Maybe even a 1:1:1 mix of your usual stoneware clay with the other two? I'm excited to see how you experiment with mixing these on future bowls.
What a great video Florian. I have been trying out some different clays and it is really helpful to hear your professional take on how they all differ and the implications with throwing and trimming implications .., 😊
Using a soft piece of clay to pick up the trimmings jnside the bowl is genius! I don't know how I never thought of that myself. I am always struggling to pick little bits out of my foot rings when I am trimming. Thanks for the tip!
What ends up happening to the reclaim from when you are experimenting with different clay bodies? I would love to see any piece that you make with the Frankenstein clay that comes out. Happy new year. It was lovely to watch your videos over the past year and reading your book.
Florian, i'd love to hear a bit more about your thoughts on the process to choose different clay. I feel completely overwhelmed by the choices (local and international). It is very difficult to understand the quality levels and what to expect especially as a beginner. Thank you so much for sharing all this knowledge! And happy new year all the way from Canada.
I love the large scales of the smooth bodies, I also especially love the high grok body. The dark brown that can be seen under the green gives a great deal of detail. Although I have to agree that it is unlike the rest of your work in its rough appearance, and yet the contrast between the sharp lines and the course glaze is enticing. I want to feel how the glase undulates and chagües texture under my fingers.
Hi Florian - HNY from Australia 😀 Recently discovered your channel and really enjoy your videos. Reminds me of my childhood - my mother had a small pottery studio at the back of the garage. Thank you 😀 Peta
The bowl that split was my favorite. I really like the contrast of the glazed interior vs the unglazed exterior. It really worked with the lines of the design too. Curious if you are able to glaze the inside a different glaze from the outside from a logistical standpoint?
Your process always seems so effortlessly perfect from beginning to end. Complex simplicity! It's like pottery therapy for me. Could you tell me more about the crackle glaze you are using? Thanks for sharing and educating.
Can you do a video with a test on the groggy clay, where you fettle the glaze smooth on half and leave the other half with craters? I think that would be an interesting and informative video. I usually try to smooth out the glaze. Sometimes it messes up the glaze and I have to patch it. It would be good to know if it is actually doing anything useful.
*WHO WOULD HAVE THOUGHT* a pottery channel would have 1.44 MILLION subscribers or that Bernadette Banner's channel on hand sewing would have 1.66 MILLION What an amazing world we live in.
I love the crazing on the second high-resolution photo. But I think my favorite is the Grogged Pink (I think that's what it was called) which I really was not expecting, as that really was my least favorite of them in their raw state! LOL
It’s unfortunate about that purple one you only glazed on the inside because that raw clay color on the outside after the firing is gorgeous! But you’d never be able to use it as an actual bowl without the glaze on the inside I imagine?
so cool to see all these amazing new clays you're working with it's a shame that one pot broke in half, but it is cool to see the cross section, speaking of which I was wondering if you'd ever heard of the Japanese Art of Kintsugi. It is a centuries-old technique that involves fixing broken pottery with a special tree sap lacquer dusted with powdered gold, silver, or platinum. The technique is also known as Kintsukuroi which means “golden repair”. Instead of camouflaging the cracks, the technique emphasizes the fractures and breaks by highlighting them with gold seams, giving the repaired piece a unique appearance. Kintsugi is not only an aesthetic principle but also represents prevalent philosophical ideas such as wabi-sabi, which calls for seeing beauty in the flawed or imperfect. which i think would be an interesting thing to try and explore with the broken one rather than have it go to waste.
Have you ever attempted something like kintsugi on any of your cracked stoneware. Just seeing that one that cracked, especially with its two tone finish, I bet it would have such a striking look. The iron oxide glaze is already beautiful, and gold would pair nice with the green of reduced iron oxide.
I love the “pink” clay. I like the complicated texture the speckles create. It’s a shame the half glazed bowl split in half. Most of my work involves only around half of the piece being glazed. So I like clay bodies that have lots of character and are their own glaze in a sense. Great work!
For only glazing the inside, especially with gritty clay, would it not be a good idea to wax the edge? Seems like it would reduce the cleanup work by quite a lot.
The grogged pink body bowl os stunning! It looks very witchy and magical. I can see why you it doesnt fit woth ypur style, but perhaps it might look better with a more fluid glaze? Also I was curious, what instead of a glaze you used a clay silt to paint over the Electric Kiln Fired pots? Can you get the best-of- both worlds? The texture from one body but the color of another?
I definitely like the rougher one. Looks way more natural and artistic if I can say that rather than too controlled or polished. And the one with too few flecks feels a bit fake-ish due to the low number of them idk if it makes sense
There's something that I like about each of them. But for you, as the artist, whether any of them are successful really depends on what you were aiming for.
How heavily do you reduce and when do you start body reduction? That bowl that broke looked like it was black-cored, indicative of too much reduction. Perhaps the clay body is higher in iron?
In a kiln load. How many of your pieces work and how many don't.. I always have a couple stunning pieces, the majority as predicted, and them a few complete fails due to warping uneven glaze or cracking. Is this the same with you?
Whats your usual stoneware clay is? Its so unique and the texture is amazing , im trying to find an answer through your videos but can't find where you mention the brand and type of the clay you usually use 😞
please could you make an instagram post showing each bowl, its clay body and which colour glaze you used? its useful to know what makes each outcome here different! happy new year + thanks for uploading these helpful videos :•)
I have a growing pile of pieces I have made that just aren't good enough to give away to friends/family, including test clay/glaze items. Can't imagine you have that same problem :)
Disclaimer: I know absolutely nothing about pottery, just curious For the bowl with the raw (non-glazed) exterior, couldn't you have painted some of that wax emulsion on the outside of the rim to stop the glaze from coating it?
I’m no expert but I’ve seen other potters rinse their bisque ware prior to glazing which is supposed to allow for a smoother finish. Have you ever tried this ?
Completely aside from the inestimable value of the tests you've run here (both the technical bits involving working the clay and the narrative bits), it's a grand relief to be able to listen to and absorb your commentary without being consciously careful to filter out sales pitches for some sponsor or other. Those have ruined a whole lot of the UA-cam series that I started watching when they were small-time and intimate. As soon as some headhunting advertisers co-opt them, it all goes to hell.
your work is really great... i just dont like those green glaze... dunno why... they ones I liked the most in those was the one that broke and the one that you didnt liked :(
25:53 that one’s my favorite, the pattern and colour is so nice
The bowl that cracked in half, the one that was only glazed on the inside, was oh so beautiful.
Maybe next time he could glaze the inside and an inch down the rim on the outside.
It’s such a shame the one with just the interior glaze didn’t survive.. the contrast between glazed interior and hardened, groggy, fired exterior was captivating. By far my favorite
I like the rough textures of the groggy clays. It's a shame that the one that looks almost greenish doesn't keep that colour once fired. That bowl split in half is what Bob Ross would call "happy accident", creating great expo material.
I thought so too! The green tone was really quite interesting. The cracked pot is currently being shown in an exhibition at YSP, it isn't for sale, but it's a fascinating object to show alongside all the others as it helps give you an idea of the pots anatomy.
@@floriangadsby It was the perfect split for your exhibition. Eager to see what you bring next year! Have a good evening!
What’s that Japanese practice of repairing something with gold?
Kintsugi @@obsoletecd-rom
@@obsoletecd-rom it's called kintsugi, and the traditional process with urishi takes a couple months.
My favourite part of your videos are when you open the gas kiln and the pieces sing twinkling hellos to you. I imagine it's the temperature change and the glazes? It is such a sweet sound, like a little choir of pottery pieces. Happy new year Florian and thank you for sharing your work with us!
This is one of my favorite videos you’ve made. I think this is a perfect demonstration of how an artist’s materials doesn’t define their work, but rather the character and making process defines an artist’s body of work. Thanks for making videos for all of us, and have a wonderful New Year!
Glad to hear so, I'll make a note of that. I think generally my videos could do with a bit more experimenting/trial and error, it certainly makes them more interesting to narrate! Thanks so much for taking the time to watch and Happy new year!
Some of us make test tiles while Florian makes test bowls. Absolutely brilliant work! I particularly liked the grogged pink for its dark luster.
i love the pink grog clay, it's so ironic and beautiful to me the idea of a prestine yet sharp shape that's also rough
i just love the whole story about this clay body, it's painful to work with it tears the tools and the clay itself fights against being put in a nice enclosure, it wants to be itself in all of the stages of making, and that touches me in a very deep way
who would imagine that i would be saying this about a bowl, belive that's the meaning of art
That Dark groggy one came out badass, I love it. Clay looks awesome and the glaze over top came out super cool.
*I LOVED THE GROGGED PINK* something about it was very primeval to me.
The larger flakes of the green pot you show at the finish are extremely satisfying in that inside shot, specifically the way some lines continue across the arc of the inside like crossing twigs, defined by the bases or tops of specific crystals. In between where the 'twigs' intersect, the larger flakes bloom. I hope to see more of that! Happy new year!
Love that dark red one.
I love the colours of the grogged pink, but you're right it does look a bit rough even with the glaze because of how course it is. I wonder if you can get the same clay with less grog in it so you get those colours with a smoother finish.
The pot that cracked looked absolutely gorgeous
Honestly, having it on display in a case to show off the pot itself would have been cool, but it's not something that could have been used outside of education
The grogged pink piece is gorgeous. I agree it isn't as refined as your other pieces but I do love the rustic look of it. Although I'm not sure my hands would be able to withstand the grog on the wheel. As always your work is truly amazing.
The grogged pink is really lovely and I wonder if you could get the refinement you wanted with the slightly more plastic, less grogged formula? I appreciate the process where you change one variable. As a hobby potter it feels like I change all the variables each time and that produces some nice accidents but is never predictable.
I want to try mixing it half/half with my usual, smoother body - that might work. I like only changing small things at once, and letting those tiny steps lead to gradual changes, as compared to rushing into altering too much at once, I think I need to embrace that more with my porcelain work as that feels like a lot of stabbing in the dark.
@@floriangadsby I was also wondering with the grogged pink, if you wanted the glaze more even would it be possible to dip it in glaze twice? Or would that put too much glaze on the pot so that it would cause problems firing??
Honestly I really like them all, if I had to pick a favorite it would be the third one in the higher resolution photos, that silvery grey really caught my attention with how much depth there appeared to be in the glaze.
I love the care you take in your craftsmanship. You also have the talent of being able to precisely explain what is happening.
Florian, your work is fascinating. You work in a meticulous and calculated process that produces amazing results
Happy new year, Florian. It’s been a pleasure watching your UA-cam videos this year. Here’s to the next one 🥂
HNY! Thanks for supporting me and my channel over the year, I appreciate it to no end!
You’re welcome! I’d love to support you even more by buying one of your pots, but maybe 2024 will be the year for that!
The 2 very light colored ones are my favorite
The little lines of text you added to define some of the terms and words that you use in your narration are SUCH a lovely touch! However, if I may suggest: some of them disappeared a little too quickly for my (perhaps below average) reading speed, so maybe leave them onscreen for just an extra second or two? All in all, I just loved this video. That unglazed grogged pink was so beautiful-especially the cross-section where it almost looked like silver glitter on a black background. All of them turned out so beautifully, especially in the high-res photos you included. Happy New Year, and I can’t wait to see more from you, Mr. Gadsby!
Good advice! Thank you and glad you like their inclusion, there’s lots of pottery jargon. Hence the glossary in the back of the book I wrote. Thanks for watching! 🙌🏻
I really enjoyed this video, Florian!
The line up at 11:50 is stunning! The colors, textures and shapes are beautiful.
You can really hear the pots pinging this video
Honestly could not choose a favorite out of these pieces, I find each one to be uniquely stunning. Thank you so much for sharing your amazing work and process, wishing you a safe and happy new year!
Hey Florian, how do you decide whether you’ll fix an undulation by trimming the rim versus by trimming the base? I often end up with undulations when I throw tall, so it’s great to see your process for handling them!
Happy new year to you and Ciro!
In practice, sometimes fixing the base completely eliminates the need to fix the rim, which, given the option, I'd rather interfere with the base, as there's potentially more that can go wrong turning the lip. So, if trimming the foot fixes it, then great, if not, I'll then do the rim. WITH that being said, sometimes I can immediately identify that it's just the rim that needs fixing, if the wobble is very subtle, so I'll start with that.
Basically, sometimes doing one works, sometimes both are needed.
Happy new year to you too! Thanks for watching!
Happy new year, Florian!!! Protect your hands with tape!!! Thanks for your craft!!!
Thanks for the end of the year gift Florian, i wish you a happy and creative new year!
You're welcome! Thanks for watching and very happy new year to you too!
Happy New Year Florian 🎉 I really loved this, such a pleasure following your work.
Beautiful work! Thanks for sharing and I love seeing your dog in the videos. I am a dog fanatic, they are the best people on earth.
The cracked pot looks amazing. Great for a perm example for showing the cross section
Thank you for your beautiful and soothing channel. Happy new year!
Your work is so beautiful, it’s the finest artwork.
The second bowls is my favourite, the way the glaze is and the shape is beautiful. Then 3,4,1, I love the blue tone is favourite colour last bowl. Very interesting I learned so much. Thank you.
You are a consummate craftsman. Your pieces are absolutely beautiful.
I have a bag of the grogged pink and it was just too rough for my hands to cope with on the wheel - might just mix some with some reclaim and see what I get. Thanks for this level of detail, Florian - it's so, so helpful!
I love the grogged pink glaze. I love the rustic quality of it and its dark metallic colour.
I love the grogged pink!!
I would love to see a 50/50 mix of the Grogged Pink and the David Wright - I think it would be a great mix of the qualities that you like of each. Maybe even a 1:1:1 mix of your usual stoneware clay with the other two? I'm excited to see how you experiment with mixing these on future bowls.
What a great video Florian. I have been trying out some different clays and it is really helpful to hear your professional take on how they all differ and the implications with throwing and trimming implications .., 😊
Awesome video. I love the experimentation with the clays. Maybe it’s because I just can never find my 1 favorite yet. Thanks for sharing
i think i like the one you called "muddy" 24:48 best. the rim really stands out to me
love to see this kind of experimentation!
Pleased to hear that! Thanks so much for watching, friend!
Loved the video! Would have been interesting to see the bubbled glaze and how it would have come out had you not smoothed it before. :)
This was really interesting and great timing - I’m currently in the process of choosing a new clay to work with! Thank you 🙂
Absolutely fantastic work! I also appreciate your explanation throughout the video. It's inspirational.
Using a soft piece of clay to pick up the trimmings jnside the bowl is genius! I don't know how I never thought of that myself. I am always struggling to pick little bits out of my foot rings when I am trimming. Thanks for the tip!
I live the clays. You can see the profile through the glaze. I this your colours are my fav colours.
What ends up happening to the reclaim from when you are experimenting with different clay bodies? I would love to see any piece that you make with the Frankenstein clay that comes out.
Happy new year. It was lovely to watch your videos over the past year and reading your book.
Florian, i'd love to hear a bit more about your thoughts on the process to choose different clay. I feel completely overwhelmed by the choices (local and international). It is very difficult to understand the quality levels and what to expect especially as a beginner. Thank you so much for sharing all this knowledge! And happy new year all the way from Canada.
I love the large scales of the smooth bodies, I also especially love the high grok body. The dark brown that can be seen under the green gives a great deal of detail. Although I have to agree that it is unlike the rest of your work in its rough appearance, and yet the contrast between the sharp lines and the course glaze is enticing. I want to feel how the glase undulates and chagües texture under my fingers.
That grogged pink fires up to such a gorgeous colour. Very mahogany esque
Hi Florian - HNY from Australia 😀 Recently discovered your channel and really enjoy your videos. Reminds me of my childhood - my mother had a small pottery studio at the back of the garage. Thank you 😀 Peta
Wonderful! Thanks for the detail and for sharing your thought processes!
The bowl that split was my favorite. I really like the contrast of the glazed interior vs the unglazed exterior. It really worked with the lines of the design too. Curious if you are able to glaze the inside a different glaze from the outside from a logistical standpoint?
Your process always seems so effortlessly perfect from beginning to end. Complex simplicity! It's like pottery therapy for me. Could you tell me more about the crackle glaze you are using? Thanks for sharing and educating.
I'd like to see the grogged pink with a thicker glaze coat. The darker clay breaking through with the wild surface texture is quite pretty.
i would really love to see a mix of the pink groggy and the David Wright, i wonder if both extremes were to create a happy medium? excellent video!
Can you do a video with a test on the groggy clay, where you fettle the glaze smooth on half and leave the other half with craters? I think that would be an interesting and informative video.
I usually try to smooth out the glaze. Sometimes it messes up the glaze and I have to patch it. It would be good to know if it is actually doing anything useful.
*WHO WOULD HAVE THOUGHT* a pottery channel would have 1.44 MILLION subscribers or that Bernadette Banner's channel on hand sewing would have 1.66 MILLION
What an amazing world we live in.
Craft is taking over!
Absolutely Stunning.
I love the crazing on the second high-resolution photo. But I think my favorite is the Grogged Pink (I think that's what it was called) which I really was not expecting, as that really was my least favorite of them in their raw state! LOL
It’s unfortunate about that purple one you only glazed on the inside because that raw clay color on the outside after the firing is gorgeous! But you’d never be able to use it as an actual bowl without the glaze on the inside I imagine?
so cool to see all these amazing new clays you're working with it's a shame that one pot broke in half, but it is cool to see the cross section, speaking of which I was wondering if you'd ever heard of the Japanese Art of Kintsugi. It is a centuries-old technique that involves fixing broken pottery with a special tree sap lacquer dusted with powdered gold, silver, or platinum. The technique is also known as Kintsukuroi which means “golden repair”. Instead of camouflaging the cracks, the technique emphasizes the fractures and breaks by highlighting them with gold seams, giving the repaired piece a unique appearance. Kintsugi is not only an aesthetic principle but also represents prevalent philosophical ideas such as wabi-sabi, which calls for seeing beauty in the flawed or imperfect. which i think would be an interesting thing to try and explore with the broken one rather than have it go to waste.
Have you ever attempted something like kintsugi on any of your cracked stoneware. Just seeing that one that cracked, especially with its two tone finish, I bet it would have such a striking look. The iron oxide glaze is already beautiful, and gold would pair nice with the green of reduced iron oxide.
I love the “pink” clay. I like the complicated texture the speckles create. It’s a shame the half glazed bowl split in half. Most of my work involves only around half of the piece being glazed. So I like clay bodies that have lots of character and are their own glaze in a sense. Great work!
So interesting. I think that darker clay would be cool for bonsai pots. Actually love them all, but what do I know.
For only glazing the inside, especially with gritty clay, would it not be a good idea to wax the edge? Seems like it would reduce the cleanup work by quite a lot.
i liked the dark purple brown bowl
So beautiful!
Would you ever try your hand at kintsugi? that broken pot would look splendid :)
so interesting and enjoyable to watch. thanks
Thanks
The grogged pink body bowl os stunning!
It looks very witchy and magical. I can see why you it doesnt fit woth ypur style, but perhaps it might look better with a more fluid glaze?
Also I was curious, what instead of a glaze you used a clay silt to paint over the Electric Kiln Fired pots? Can you get the best-of- both worlds? The texture from one body but the color of another?
Oooh - would you ever repair a cracked pot like that one glazed inside? It looks like a prime candidate for Kintsugi ❤
I definitely like the rougher one. Looks way more natural and artistic if I can say that rather than too controlled or polished. And the one with too few flecks feels a bit fake-ish due to the low number of them idk if it makes sense
There's something that I like about each of them. But for you, as the artist, whether any of them are successful really depends on what you were aiming for.
I used to throw with Raku clay back in high school so I know how that feels, with really rough clay.
I love the dog clips they are so cute❤🐕🦺🐕🐶🦴🐾
How heavily do you reduce and when do you start body reduction? That bowl that broke looked like it was black-cored, indicative of too much reduction. Perhaps the clay body is higher in iron?
would u ever use a slip made of different clays instead of changing the clay body, or would that just add and extra step to the process?
In a kiln load. How many of your pieces work and how many don't..
I always have a couple stunning pieces, the majority as predicted, and them a few complete fails due to warping uneven glaze or cracking.
Is this the same with you?
Whats your usual stoneware clay is? Its so unique and the texture is amazing , im trying to find an answer through your videos but can't find where you mention the brand and type of the clay you usually use 😞
please could you make an instagram post showing each bowl, its clay body and which colour glaze you used? its useful to know what makes each outcome here different! happy new year + thanks for uploading these helpful videos :•)
I have a growing pile of pieces I have made that just aren't good enough to give away to friends/family, including test clay/glaze items. Can't imagine you have that same problem :)
I DEFINITELY do!
Florian! I have named a pokemon after you! Happy New Year!
Disclaimer: I know absolutely nothing about pottery, just curious
For the bowl with the raw (non-glazed) exterior, couldn't you have painted some of that wax emulsion on the outside of the rim to stop the glaze from coating it?
I’m no expert but I’ve seen other potters rinse their bisque ware prior to glazing which is supposed to allow for a smoother finish. Have you ever tried this ?
Any chance of a list of all these clays?
I use groggy clay all the time. Normally, I'm bleeding from where my hand hits the wheel by the time my throwing😬
Completely aside from the inestimable value of the tests you've run here (both the technical bits involving working the clay and the narrative bits), it's a grand relief to be able to listen to and absorb your commentary without being consciously careful to filter out sales pitches for some sponsor or other. Those have ruined a whole lot of the UA-cam series that I started watching when they were small-time and intimate. As soon as some headhunting advertisers co-opt them, it all goes to hell.
Grog pink has an almost animalistic strength to it. The warmth and colour reminds me of nature itself.
Great video - your hands must be alittle sore
Thank you 🙏
Happy New Year
🎉🎉🎉
Is it me or the crackle glaze formed larger "flakes" on some of the new pieces?
your work is really great... i just dont like those green glaze... dunno why...
they ones I liked the most in those was the one that broke and the one that you didnt liked :(
If I could afford that dark clay bowl, I’d eat out of it for every. Single. Meal. 🤩
How do new types of clay come about?
I know you didn't like it - but I'd fill my house with the lightest / white bowl. I thought it was gorgeous.
Whoa, I’m surprised at the color difference after firing.
"think of it a bit like throwing with sandpaper"
thanks I hate it