Lori's segments are always so rich with practical instruction for developing as an artist. Practical and inspiring for improvement. She doesn't keep secrets. It makes me want to 'be a big girl' too and get to work!
In still life, my understanding is that the lightest light on the dark side is still darker than the darkest light on the light side, so it seems to me that is different than what you've stated for landscape??
greetings from Lake Tahoe, nevada !! Great instruction lori.. thank you! I read McPherson’s first book in 1998 but I could never understand what he was talking about when he had that cow picture and said: “black in sunlight is lighter than white in shade” ! I see that to be true in your painting, but when I’m outdoors painting, it’s hard for my brain to accept that fact!!! Love your color charts as well! Also, you talked about color value but not color temperature.. any reason why not? ❤❤👍🥰❄️
I was immediately sttracted to this subject since my choice as an artist is to catch the vibrationsfri movements of light like a song - its truly very attracting and inspiring 🩶❤🩵🧡🩷🤍
Lori's segments are always so rich with practical instruction for developing as an artist. Practical and inspiring for improvement. She doesn't keep secrets. It makes me want to 'be a big girl' too and get to work!
Lori, you are just an amazing artist and teacher!❤️
So interesting. Painting too dark is definitely one of my issues. This is so very helpful.
Watching the replay from Dublin,Ireland.Thank You for this video.
Thank you Lori good color class
Loved this demo ❤ thanks
Amazing. I'm going to have to watch this through again a couple of times. Thank you.
Hello from New Orleans,
Yes, used as little white or black as you can get away with, UT deadens the colors. Thanks Lori.
Who would think to paint the white house like that! Thank you very much.
Hello from Johnstown, Ohio. Thank you for this important tip and demo. Can't wait to try this.
In still life, my understanding is that the lightest light on the dark side is still darker than the darkest light on the light side, so it seems to me that is different than what you've stated for landscape??
greetings from Lake Tahoe, nevada !!
Great instruction lori.. thank you! I read McPherson’s first book in 1998 but I could never understand what he was talking about when he had that cow picture and said: “black in sunlight is lighter than white in shade” !
I see that to be true in your painting, but when I’m outdoors painting, it’s hard for my brain to accept that fact!!! Love your color charts as well!
Also, you talked about color value but not color temperature.. any reason why not? ❤❤👍🥰❄️
Hello from near Toronto, Canada. Great Demo! Many thanks.
Excellent lesson
Thank you!! So helpful!
What is brand name of the grey scale multimedia paper LP shows?
Great lesson - Jennfier from NY .
Hello from beautiful Arizona! 🌵
Watching (as always) from Paducah, KY
how does a
tonalist painter keep the painting from getting too dark?
Great explaining.
I'm confused enough not to be able to form a question in my head...I love Lori's work and I bought her book...But this is so over my head.
Helllooo from Tallahassee!
Howdy from Fort Worth Texas
I’ll be honest-I didn’t get this one. The dark value on the roof looks too weak, and the sunlit part doesn’t convince me either. Sorry 🤷🏼♂️
I was immediately sttracted to this subject since my choice as an artist is to catch the vibrationsfri movements of light like a song - its truly very attracting and inspiring 🩶❤🩵🧡🩷🤍
So,find the .middle value first, then go to the dark, then light?
Love it