Listening to your music for the first time is like seeing colors outside the visual spectrum for the first time. I've always known they were there but could never sense them 'til now.
r u deaf or something? There is microtonal music everywhere, on house, on country music, blues, ethnic, jazz, alternative rock like audioslave, tool, lots of movies soundtracks, on rock slides, tons of music effects on pop music on games soundtrack such as machinaium, Pokemon, doom, last of us, etc etc etc etc.... I know u r trying to be polite or something, but... came on there is microtonal in fcking everywhere
@@juap You're partially correct friend but you miss the heart of what I'm saying. I'll withhold cultural ethnic music because there are many examples of alternate tuning systems in different cultures throughout the world. Some of your examples such as Audioslave and Tool do not use microtonality, they use non-diatonic harmony. In other words they frequently use notes not found in the major or minor scales but they are still able to be played on any standard western instrument such as a piano. King Gizzard and the Lizard Wizard actually is a good example of microtonality in modern music however they're approach is primarily a melodically driven writing technique, i.e. the microtones are sequential such as you find in music from northern africa and the middle east. What Sevish does is takes microtones and uses them in a chordal harmonic way composing for tension then release such that you would find in standard 12tet western music. This is a very uncommon compositional technique to be used in conjunction with microtones. Many of these chords may never have been played before due to the limits of instrumentation needed to produce microtones. Ben Johnston's music which was composed using microtones in the 60s wasn't even performed for 30+ years due to the technical limitations as well as the extreme difficulty for professional, classically trained musicians to learn new tuning systems. Many of your other examples include the use of microtones as a color element such as in the bending of a note in country and blues. These microtones aren't fundamental to the harmony of the piece though. So while you're technically correct that these notes have been used it is very unusual to hear them composed this way and as far as the average brain is concerned this is a very new experience when compared music most of us have been listening to our whole lives.
22-edo is easily my favorite! It's (somewhat) within the realm of familiarity, but it has an inherent instability that makes it really interesting to work with!
Yeah same. I think what is happening is that you are hearing these intervals for the first time and your brain processes it differently. I also get a weird feeling that I’m a very little child listening to this probably because back then every music was a first time experience. I could be totally wrong though.
There's a parallel universe where the default tuning is 22edo so Sevish made this song in 12edo, which would be considered slightly unstable in that parallel universe because everyone is accustomed to 22edo. In our universe, the default tuning is 12edo so Sevish made this song in 22edo which is considered slightly unstable because everyone is accustomed to 12edo. This works beautifully, especially since it sounds shockingly similar to 12edo when I'm hearing this for the third time ever right now. People say it's slightly unstable, but I honestly can barely hear that instability.
I used to really despise micro tonal music other than micro tones in middle eastern music. The music on your channel has completely opened my eyes to the possibilities. Thank you and amazing work. 👌
Cause a lot of microtonal artists get more caught up in the "whoa, cool tunings" and forget the "write good songs" part. Mr Sevish here is a champ at actually writing compelling songs.
You're literally the only channel I ever actually click "like" on... Your music just bleeds through my soul... I have sensory processing disorder and the textures the dissonant tunings put through my senses is like taking a hit of acid...seriously.
That's really interesting because I do as well, and synesthesia, and I can't get enough of this kind of thing. It's really too bad that there aren't more people working in this space because there are whole musical universes out there that have barely been explored. It's wonderful to see all these new colours.
Cross Product after digging into all this persons music I went glen and started experimenting with my synths and microtonal sounds. It just moves me to tears when I listen to a lot of this microtonal stuff
@@sauce_aux I can see how experimenting with microtones would be a big pain with traditional instruments, but synths are a game-changer and I can really see it being the future of electronic music.
@@Metal-Possum Perfect pitch is about that he can hear all the pitches and say what EXACTLY they are relative to 12-tet notes like "it's C Eb G with Eb slightly sharper and G slightly off" AND instantly sing it. It's not about 12-tet at all, they just have no names for 446.75 hz pitch for example.
@@iamdozerq we (or at least i am) are accustomed to hearing 12tet a440 so it's natural to use those notes as anchors because we hear those exact pitches so often
I've been listening to your music for a few years and how always wondered how you made it, so I looked you up. I LOVE your scale workshop; I'm currently using it to export tuning files to play around with in Logic Pro. When I get back to college I plan on showing scale workshop to my comp teacher and some of the more electronically focused students in my department. I have to put on a senior recital as part of my bachelor's degree, and you've inspired a large portion of it's electronic parts. Thank you so much my dude.
Thank you. I like this piece of music. I purchased your new album at Bandcamp. Not because I cannot wait for you to release the other tracks here, but because I like to support people who make great music I like.
YOU are like the Tom Dissevelt of our time! people will look at your music like we do at the first examples of electronic music! you are such an inspiration.
@@Sevish There may be a bunch of people doing this kind of stuff, but your music is still the one that I find most pleasant, and most out-of-this-worldly. You're great at making chord progressions and melodies that makes me drop my jaw in awe and gives me a powerful feeling that I don't often get from regular 12 note songs. You're one of the very few microtonal musicians whom I consider to be the masters and pioneers of this art. Please keep the amazing tracks coming!
@@Sevish what plugins do you use? Is there somewhat like a universal plugin that could transform multiple stock plugins which doesnt have microtonal settings into them?
Dude I wish I could collab with you.. You have such a brilliant mind for music in so many ways. Dynamic Arrangement, FX and Foley, Mixing and Mastering, Musicality and Emotion, Variation and Captivation, and of course your complete freedom to do all of this in whatever tuning you wish. You are indeed in your own lane. Thank you for quenching my soul with your one of a kind art Sevish.
Turns out it's really hard to make music and also get it in front of a large audience when you're one dude with a day job! But thanks for the nice comment :)
There was a moment around 5:00 minutes in where I was like, "was that a fucking chord change? What the fuck is happening?" This is so cool! I think what I was hearing was within the microtonal key you were playing in, it just totally defied my 12 tone intuition. This 22edo thing is really interesting! It's like almost familiar, but then has incredibly unexpected moments of alienness, while still somehow gelling together nicely. So cool! That really threw me for a loop.
I got a Novation Circuit pack once with such detuning on the oscillators it was mostly unusable, but it's the patch bank I remember and draws me back to Circuit as a part of my, set-up.
I know nothing of music theory but I feel this like water all around me, it is fluid and has no little breaks like other music does, it just is, all around
Amazing as always. Eager to voyage through tomorrow on some fungi, and listen to your songs, to catch those frequencies and your story that our ears can't hear all the way.
Found myself coming back to this track over and over, I can really relate to your style, I've been using automated pitch bend for a quasi-metro tonal sound because I love the emotion it can introduce to a song, but what you've been doing blows my mind man! It's really opened my eyes to actually deliberately composing between our traditional frequencies. I think this is the future man, it's some magical stuff, and the perfect answer to running out of progressions. If it does kick off, you'll be in the books as one of the pioneers! Take care, and cheers for introducing me to this whole concept.
do you notice any patterns in particular numbers EDOS? Like prime EDOS have distinct characteristics than base 4 EDOS (12, 16, 20, 24 etc.)? have you noticed this? any stand out?
Kinda yeah. 15edo for example has characteristics from both 3edo and 5edo. Each prime edo introduces new characteristics that feature in larger composite edos. Here are the ones I've tried, I think they're all musical and interesting: 5, 7, 11, 13, 17, 19, 23. I started looking at a 14 note subset of 29 recently that has some cool features (nautilus[14]), but I'm nowhere near figuring it out yet.
It's like I'm following a trade caravan traversing the desolate plains of a distant planet. A little melancholic, but only to the point where it portrays the humdrum intermission between towns. This really conveys unexciting, but meaningful, progress on a journey. Towards the end the embellishments over top the theme tell me they're bedding down under a star-studded sky and slipping into a dream.
That's interesting, it reminds me a lot of early dubstep, which basically reflected a grey, introspective and moody London sound, young people feeling dislocated and disillusioned. At least, that's how I've heard it described, I'm not from London. Perhaps the desolate plains of a distant planet and the cities of ours aren't so different. It's a lonely but curious sound.
@@Sevish Hey dude, I know I could look this up, but can you recommend some tutorial or the likes of how to get into doing new temperaments? I think I'd also do EDOs, so nothing too crazy, but still, like an Ableton turorial or sumthin?
I can't help but to think this may have been inspired by more than on song on BoC's Trans Canadian Highway EP. It has elements of Left Side Drive, Skyliner, and Under the Coke Sign.
It's funny because, as the person who wrote this music, I hear all kinds of problems with the mix. But I'm glad to hear you're using this to test out your new headphones. What headphones did you get by the way?
Budget friendly is good. I made all of Harmony Hacker on some headphones that cost less than 200 yuan (under 30 US dollars). Hope you enjoy using your new gear!
Very relaxing after work. BTW, John Moriarty spent a lot of time and effort setting up his software. Now he can compose and play with any tuning. If you say hello, I'm sure he will appreciate it.
Hey Botha, me and John Moriarty chat occasionally, and I always enjoy the mindbending miniatures he posts on his youtube channel along with the educational stuff! :)
@@Sevish Just want to say I really appreciate your work. I find most experimental music to have a much cooler concept than sound, which makes it feel more like a gimmick than a genuinely enjoyable piece of art. Your work, however, manages to have both an extremely cool and noticeably original sound. Keep it up, I hope that your work influences many artists to come and that you one day get the recognition you deserve.
So when do you think your going to do those tutorials? Tutorials from you would be very valuable you make the best microtonal music I've ever heard besides jacob collier.
Not any time soon. Got too many things happening these days and my day job. But it's an idea I want to do in the future. When I get round to making more tutorials I'll put them on my youtube channel here
Eh, Jacob doesn’t really do a lot of microtonal stuff. Sometimes he adds microtonal embellishments and stuff, and he likes using just intonation a lot, but more of his arrangements are focused on rhythm and complex harmonies.
Listening to your music for the first time is like seeing colors outside the visual spectrum for the first time. I've always known they were there but could never sense them 'til now.
I'm seeing sounds and hearing colors!
I think that is what high people hear
🙄
r u deaf or something? There is microtonal music everywhere, on house, on country music, blues, ethnic, jazz, alternative rock like audioslave, tool, lots of movies soundtracks, on rock slides, tons of music effects on pop music on games soundtrack such as machinaium, Pokemon, doom, last of us, etc etc etc etc.... I know u r trying to be polite or something, but... came on there is microtonal in fcking everywhere
@@juap You're partially correct friend but you miss the heart of what I'm saying. I'll withhold cultural ethnic music because there are many examples of alternate tuning systems in different cultures throughout the world. Some of your examples such as Audioslave and Tool do not use microtonality, they use non-diatonic harmony. In other words they frequently use notes not found in the major or minor scales but they are still able to be played on any standard western instrument such as a piano. King Gizzard and the Lizard Wizard actually is a good example of microtonality in modern music however they're approach is primarily a melodically driven writing technique, i.e. the microtones are sequential such as you find in music from northern africa and the middle east. What Sevish does is takes microtones and uses them in a chordal harmonic way composing for tension then release such that you would find in standard 12tet western music. This is a very uncommon compositional technique to be used in conjunction with microtones. Many of these chords may never have been played before due to the limits of instrumentation needed to produce microtones. Ben Johnston's music which was composed using microtones in the 60s wasn't even performed for 30+ years due to the technical limitations as well as the extreme difficulty for professional, classically trained musicians to learn new tuning systems. Many of your other examples include the use of microtones as a color element such as in the bending of a note in country and blues. These microtones aren't fundamental to the harmony of the piece though. So while you're technically correct that these notes have been used it is very unusual to hear them composed this way and as far as the average brain is concerned this is a very new experience when compared music most of us have been listening to our whole lives.
I love 22edo so much. It just sounds so familiar in a way, you can even feel what particular chords will resolve to.
22-edo is easily my favorite! It's (somewhat) within the realm of familiarity, but it has an inherent instability that makes it really interesting to work with!
4:33 I love this switch so much
2:31 That chord progression is too cool! It’s impossible to explain this surreal emotion I get from this.
I can't explain the feeling i get listening to this music. It's like a whole new world to discover
true that
YES! Same here
Same here brooo
Yeah same. I think what is happening is that you are hearing these intervals for the first time and your brain processes it differently. I also get a weird feeling that I’m a very little child listening to this probably because back then every music was a first time experience. I could be totally wrong though.
These goddamn chords are SO FUCKING CRUNCHY. I love it.
There's a parallel universe where the default tuning is 22edo so Sevish made this song in 12edo, which would be considered slightly unstable in that parallel universe because everyone is accustomed to 22edo.
In our universe, the default tuning is 12edo so Sevish made this song in 22edo which is considered slightly unstable because everyone is accustomed to 12edo.
This works beautifully, especially since it sounds shockingly similar to 12edo when I'm hearing this for the third time ever right now. People say it's slightly unstable, but I honestly can barely hear that instability.
Just 3 listens right? It's amazing how quickly the ear can adjust to a new tuning when you give it a chance!
I used to really despise micro tonal music other than micro tones in middle eastern music. The music on your channel has completely opened my eyes to the possibilities. Thank you and amazing work. 👌
Cause a lot of microtonal artists get more caught up in the "whoa, cool tunings" and forget the "write good songs" part. Mr Sevish here is a champ at actually writing compelling songs.
The Xenharmonic Wiki doesn't list this song on their 22edo page.
They really should not forget that because it's so good.
Nov 27, 2020
I might have to go on there and add a cheeky track or two :)
I love how at certain parts, there's only a very low, subtle subbass underpinning a lot of bright sounds on the high end. Super cool effect.
You're literally the only channel I ever actually click "like" on... Your music just bleeds through my soul... I have sensory processing disorder and the textures the dissonant tunings put through my senses is like taking a hit of acid...seriously.
YES. I also have sensory issues/mixed-form synesthesia and this music gives me a feeling of equilibrium.
high fives for Sensory disorders. Can Relate.
That's really interesting because I do as well, and synesthesia, and I can't get enough of this kind of thing. It's really too bad that there aren't more people working in this space because there are whole musical universes out there that have barely been explored. It's wonderful to see all these new colours.
Cross Product after digging into all this persons music I went glen and started experimenting with my synths and microtonal sounds. It just moves me to tears when I listen to a lot of this microtonal stuff
@@sauce_aux I can see how experimenting with microtones would be a big pain with traditional instruments, but synths are a game-changer and I can really see it being the future of electronic music.
this piece is so fucking magical i cant stay away from it
Dude youre a pioneer in music
Some harmonies feel familiar, some so far out but true and undeniable harmonies all the same... Epic
I have perfect pitch, this things is driving me nuts. And I absolutely love it!! Finally something that sounds so refreshing 👍👍👍
Perfect pitch is nonsense though, because it revolves around the idea that music can only be written in a 12-tone equal temperament.
@@Metal-Possum Perfect pitch is about that he can hear all the pitches and say what EXACTLY they are relative to 12-tet notes like "it's C Eb G with Eb slightly sharper and G slightly off" AND instantly sing it. It's not about 12-tet at all, they just have no names for 446.75 hz pitch for example.
@@iamdozerq we (or at least i am) are accustomed to hearing 12tet a440 so it's natural to use those notes as anchors because we hear those exact pitches so often
Omg! I’m in a state of shock
DXM this is crazy on
This music makes my eyes water but not like in the bad way
S̷c̷r̶e̷a̴m̵s̸ ̶o̸f̷ t̵h̸e̷ ̶u̶n̴i̷v̶e̷r̸s̷e̸ wtf that happened to me too
I've been listening to your music for a few years and how always wondered how you made it, so I looked you up. I LOVE your scale workshop; I'm currently using it to export tuning files to play around with in Logic Pro. When I get back to college I plan on showing scale workshop to my comp teacher and some of the more electronically focused students in my department. I have to put on a senior recital as part of my bachelor's degree, and you've inspired a large portion of it's electronic parts. Thank you so much my dude.
That's awesome and good luck with your senior recital!
The music thats played in my dreams
This is nearly my hundredth time listening. It still changes my life every time
Thank you. I like this piece of music.
I purchased your new album at Bandcamp. Not because I cannot wait for you to release the other tracks here, but because I like to support people who make great music I like.
Really glad to have your support James, thank you!
me too, I can think of anyone who deserves this kind of support more
@@trimendosmartpersonalprodu9621 you mean you can't think of anyone?
those harmonies and chords are t h i c c
Eyyy very nice
xharmonic music that still seems alien yet not dystopian, somehow warm and joyful (or at least joyful)
those arpeggios go crazy
beautiful
Pure beauty.
YOU are like the Tom Dissevelt of our time! people will look at your music like we do at the first examples of electronic music! you are such an inspiration.
I doubt that! There are a bunch of people doing this kind of stuff already :) But I appreciate the comment!
@@Sevish There may be a bunch of people doing this kind of stuff, but your music is still the one that I find most pleasant, and most out-of-this-worldly. You're great at making chord progressions and melodies that makes me drop my jaw in awe and gives me a powerful feeling that I don't often get from regular 12 note songs. You're one of the very few microtonal musicians whom I consider to be the masters and pioneers of this art. Please keep the amazing tracks coming!
Microtonal music is a massage to my ears. Maybe I should start experimenting with it myself. :)
Thank you
Yeah, you should dive in!
@@Sevish what plugins do you use? Is there somewhat like a universal plugin that could transform multiple stock plugins which doesnt have microtonal settings into them?
I'm glad I watched a bunch of Adam Neely videos about microtonal music because it put all your stuff in my recommended feed :)
Thanks for checking out my weird stuff. I'm grateful that Adam Neely and the UA-cam algorithm brought you here!!
Dude I wish I could collab with you.. You have such a brilliant mind for music in so many ways. Dynamic Arrangement, FX and Foley, Mixing and Mastering, Musicality and Emotion, Variation and Captivation, and of course your complete freedom to do all of this in whatever tuning you wish. You are indeed in your own lane. Thank you for quenching my soul with your one of a kind art Sevish.
How does this have 235 views? This video should have way more.
Turns out it's really hard to make music and also get it in front of a large audience when you're one dude with a day job! But thanks for the nice comment :)
A month later and the viewcount exploded almost 30x. :)
@@theskv21 still deserves alot more than 3,581 views, this is like very amazing
6.7k now.
@@theskv21 I think it's still missing few 100k
by far your greatest work
Big thanx, appreciate your view point
You guys would love this woman, live microtonal synthesis
Un viaje junto con ésta música
Strange but new music. Following
There was a moment around 5:00 minutes in where I was like, "was that a fucking chord change? What the fuck is happening?" This is so cool! I think what I was hearing was within the microtonal key you were playing in, it just totally defied my 12 tone intuition. This 22edo thing is really interesting! It's like almost familiar, but then has incredibly unexpected moments of alienness, while still somehow gelling together nicely. So cool! That really threw me for a loop.
Sevish, thank you for your music! It's a contribuition to the make us discover new worlds.
i love this. i can listen to it on repeat for hours.
Brilliant I love this 22 tone scale
This mix is heavy as hell. I don't see that aspect getting any love, and it should. Wonderful work all around.
Omg, I came from wondering from Twitter and I LOVE THIS CHANNEL!
Its a completely new (to me at least) feeling of music
I got a Novation Circuit pack once with such detuning on the oscillators it was mostly unusable, but it's the patch bank I remember and draws me back to Circuit as a part of my, set-up.
Woahh. Incredibly beautiful! Reminds me of chrono trigger
One of the best games ever.
huh turns out not having bongos and screechy vocals makes weird music more palatable
Or those fucking hang drums. So cheesy.
Is there microtonal music that has people screeching and bongos?
@@greueb if there isn't, we should get on that shit like yesterday
Following for bongos and screeching
hahahaha I love every message in this particular thread so much, this is classic
great and innovative as always!, Sweet track mr. Sevish :D
Thanks!
One of my all-time favs. Keep coming back to listen. Amazing!
Great tune
It took me so long to realize the mountains were moving in the background lol
...what? WHAT? HOW DID I NOT SEE THAT?
replay forever
This is genius!
Man I just found your music, but I like the ideas put forth, its subversive but approachable, and that's powerful.
ohhhh wow this is gorgeous
ayy
i decided to play this music on a speaker and after about a minute i noticed it almosts melts into reality its interesting
Sickest song I've heard this year. The beats are so dope and the electronic-styled decrescendo gave me the chills.
That transition at 2:30 👌 absolutely lush as usual mate, always looking forward to your releases!
Glad to hear new stuff from you!! Everything you make is super intresting
Happy you liked it!
Love your music Sevish, wish it could be had on CD or vinyl.
I know nothing of music theory but I feel this like water all around me, it is fluid and has no little breaks like other music does, it just is, all around
Amazing as always. Eager to voyage through tomorrow on some fungi, and listen to your songs, to catch those frequencies and your story that our ears can't hear all the way.
Have a safe trip!
How was this journey
Dis song is crunchy to me.
I hate how that makes sense 😂
Interesting choice to post the last track first. Either way, I love this album.
Thanks! I'm not sure how this album compares to what I was doing before so I'm glad you liked it!
Adam Neely sent me here... great stuff!
Same! Forever thankfull!
Same
same
That dom7 chord at 1:23 is weirdly consonant.
Ooh, what the hell is that at 2:45? That's also pretty consonant.
It's so strange, it sounds out but consonant at the same time. I have no words for it
This was brilliant.
Got some studio headphones on,
Completely new experience,
Such a clean eq
Beautiful! I really enjoy the confident use of the harmonies here, it sounds so natural, like you would have played in 22edo your whole life.
If I was forced to use one tuning for the rest of my life it would be 22edo for sure
@@Sevish In my admittedly short time spent writing microtonal stuff I'm completely with you. 11 enthralls me but 22 just expands it so well.
@@phlubblebubble It's funny but recently I've been looking at 29edo as the next big one that I'll get into. But yeah 22edo is something special
Found myself coming back to this track over and over, I can really relate to your style, I've been using automated pitch bend for a quasi-metro tonal sound because I love the emotion it can introduce to a song, but what you've been doing blows my mind man! It's really opened my eyes to actually deliberately composing between our traditional frequencies. I think this is the future man, it's some magical stuff, and the perfect answer to running out of progressions. If it does kick off, you'll be in the books as one of the pioneers! Take care, and cheers for introducing me to this whole concept.
Awesome. Getting a strong Chrono Trigger vibe from this
Masterful as always, great to hear new stuff. Your sound selection really takes the otherworldly composition to the next level
do you notice any patterns in particular numbers EDOS? Like prime EDOS have distinct characteristics than base 4 EDOS (12, 16, 20, 24 etc.)? have you noticed this? any stand out?
Kinda yeah. 15edo for example has characteristics from both 3edo and 5edo. Each prime edo introduces new characteristics that feature in larger composite edos. Here are the ones I've tried, I think they're all musical and interesting: 5, 7, 11, 13, 17, 19, 23. I started looking at a 14 note subset of 29 recently that has some cool features (nautilus[14]), but I'm nowhere near figuring it out yet.
It's like I'm following a trade caravan traversing the desolate plains of a distant planet. A little melancholic, but only to the point where it portrays the humdrum intermission between towns. This really conveys unexciting, but meaningful, progress on a journey. Towards the end the embellishments over top the theme tell me they're bedding down under a star-studded sky and slipping into a dream.
That's interesting, it reminds me a lot of early dubstep, which basically reflected a grey, introspective and moody London sound, young people feeling dislocated and disillusioned. At least, that's how I've heard it described, I'm not from London. Perhaps the desolate plains of a distant planet and the cities of ours aren't so different. It's a lonely but curious sound.
22edo, one of my favorite tunings
Excellent work man, love the halftime feel. The style reminds me a bit of Rei Harakami's work.
You're a huge inspiration for me man. I've been experimenting with new temperaments now . Hella fun!
I'm glad you're experimenting with this stuff now! Enjoy :)
@@Sevish Hey dude, I know I could look this up, but can you recommend some tutorial or the likes of how to get into doing new temperaments? I think I'd also do EDOs, so nothing too crazy, but still, like an Ableton turorial or sumthin?
I can't help but to think this may have been inspired by more than on song on BoC's Trans Canadian Highway EP. It has elements of Left Side Drive, Skyliner, and Under the Coke Sign.
I've been meaning to get into BoC for a long time. I know for sure I will love them but am yet to take the dive!
@@Sevish Start with this ua-cam.com/video/Ygfh6dFUtcU/v-deo.html
@@nsputnik good choice
Lovely, mystical chillout is now my thing cheers.
Great song!
Pure bliss
if the universe were in 4d, this is how comercial music would sound
Dude's a genius
My chest is vibrating
fuuuuccccck!!! so sick my friend. so absolutely wonderful.
I absolutely love this track - superb work.
beautiful man!
AWESOME
Lol. How I wanted to write 2 years later the exakt same. Seems like this song is kissing me :3
Nice Track !!!
When I come back to the 12TET after listening to your songs it always feels out of tune before getting back normal.
Your creativity is amazing. Beautiful album! I was wondering a week or two ago when you might release new work.
your usic is deeply inspiring and few things make me groove harder.
keep it up!!!!!:)
Men... This is delicious... I'm listening a wonderful history....a history from another dimensión, from another universe...
great job, here from adam neely a while back keep it up
Big thanks. I'm grateful that Adam sent a bunch of people my way. His videos are great
Breaking in my new monitor headphones over here like 😯🙃😁
It's funny because, as the person who wrote this music, I hear all kinds of problems with the mix. But I'm glad to hear you're using this to test out your new headphones. What headphones did you get by the way?
@@Sevish they're pretty budget friendly, because I am cheap, but they're pleasantly flat full-spectrum, OneOdio Studio Pro-10s
Budget friendly is good. I made all of Harmony Hacker on some headphones that cost less than 200 yuan (under 30 US dollars). Hope you enjoy using your new gear!
Xiexie!
The melody that can be heard around 6:10-6:40 sounds like it was inspired by the Stardew Valley OST
Very relaxing after work. BTW, John Moriarty spent a lot of time and effort setting up his software. Now he can compose and play with any tuning. If you say hello, I'm sure he will appreciate it.
Hey Botha, me and John Moriarty chat occasionally, and I always enjoy the mindbending miniatures he posts on his youtube channel along with the educational stuff! :)
@@Sevish cool!
@@Sevish Just want to say I really appreciate your work. I find most experimental music to have a much cooler concept than sound, which makes it feel more like a gimmick than a genuinely enjoyable piece of art. Your work, however, manages to have both an extremely cool and noticeably original sound. Keep it up, I hope that your work influences many artists to come and that you one day get the recognition you deserve.
cheers!
So when do you think your going to do those tutorials? Tutorials from you would be very valuable you make the best microtonal music I've ever heard besides jacob collier.
Not any time soon. Got too many things happening these days and my day job. But it's an idea I want to do in the future. When I get round to making more tutorials I'll put them on my youtube channel here
Ok come on u don’t have to straight up say Jacob colliers better lmao
Eh, Jacob doesn’t really do a lot of microtonal stuff. Sometimes he adds microtonal embellishments and stuff, and he likes using just intonation a lot, but more of his arrangements are focused on rhythm and complex harmonies.
@@mickrobertson7782 Okay thank you
@@mickrobertson7782 xenrhythm is cool af
for ducks sake, this is awesome
Way out of here, exploring that different emotion. Just great, keep up for that inspiring work, thats just poetry