Jaco Pastorius constant 16th note technique - mutes - Hammer-ons - Come on over part 2/4
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- Опубліковано 12 лис 2015
- www.cambridgebasslessons.co.uk
'Come on, Come over' is a fantastic bass line which I've broken down into various exercises. This is part 2 of 4 where is show you exercises using hammer-on and muted 16th notes
I am not a bassist and even I love these instructions............will share this with my kid. She will love this
Great teaching. Showing feel and technique rather than just running through tabs. Thanks for the effort! This is what makes the internet great. This and all the bestiality porn.
VERY VERY GOOD TEACHER !!! For those who start follow this guy is very pro ! Thank you to unveil techniques of this genius bass player who was Jaco P !! RIP PASTORIUS !!
Thank you so much for this. I have been trying to nail this for awhile now. This is the best demonstration I have ever seen for this.
YES !!!! Finally someone that teaches note by note !!!!! Thank you SIR; you are truly a great teacher !!! :) :)
I always wanted to learn how to play this Jaco classic, great tutorial!
You could be the best bass lesson teacher on youtube.
This is excellent. I remember listening to this line on an Al Dimeola album over 30 years ago now, and being mesmerized by the magic. You've totally made this accessible (for those willing to develop the right hand chops). And this is the part of Jaco's playing that can be used in normal bass playing to great effect (ie not every situation calls for Charlie Parker on bass). The same technique is what makes Rocco Prestia of Tower of Power so powerful. *I always did those turnaround notes as slides rather than hammer ons--the slide adds a bit more umph, but not sure if that's peroriginal or not.
Clear explanation , nice one ! Thanks for sharing !!
I could watch stuff like this all day :-)
Thanks, man, very clear, superb!
Beautiful bass and great lesson! Thank you.
Thanks Vincent
Great teacher!
Thank you very much this lesson. It works perfect for me to learn more about the 16th technique. Keep on posting
Cheers Ruud
Great lesson! Thank you!
Thanks for the video. One thing I have learned with the Flamenco ("picado") players is that they articulate every note, as opposed to sweeping or dragging the finger over 2 strings. I didn't think it would have a big effect, but it does. Also they start with the middle finger some times depending on the part. It's just another option that helps us to stay in perfect time.
Thanks for sharing! Great help!
Simple and clear explanation! Thx!
You're welcome!
Great job, wonderful sounding bass also.
Thanks Woody
Great job
Thanks.for the post!
Thanks for this easy to follow tutorial. Awesome!...going to add this to my repertoire. There's always that one song or jam that allows one to infuse a Jaco like riff.(:-)
Fantastic lesson. Thanks.
You're welcome Jose
Great break down of this aspect of Jaco-ism. Thanks!
Good job getting that "percolating " tone he trademarked as well \m/
And check out our custom "no mods" rest we make for Jazz basses - www.zero-mod.com
Very Good Lesson
very nice, thanks
My first pro gig in '78 was with Bobby Herzog who wrote " Come on Come over". Bobby loved reggae. He told me " Jaco used to be a great rb bass player before he got into all that weird shit".
Articulate, to the point, sensible. Great tuition.
nice job. thank you
thanks, teacher.!
Very helpful thanks.
You're welcome
Jaco would also start this groove with his pinky, playing the D on The A string, and then string cross play the AA C A BB AA on the G string, he switched between the two positions depending on what he was going for or coming form. In this case: the F# (ring finger)) on the D string and the B (index finger) on the A string, where he stops the line and picks it up again a couple times . When coming from the chromatic line you demonstrate At 6:19 its a logical and also faster way to play it like that. I also noticed I could come much closer and be a more relaxed to what he is doing by doing it that way , not moving my left hand around so much. Think About it ;-) Jaco was a genius, I think he could virtually play all his lines anywhere on the fretboard with no restrictions.
Jaco's hand were really big, he probably had an extra inch on me (insert pun). Since there is no footage of him playing 'Come on come over' I had to go by ear. I don't doubt you though as I believe you are right, Jaco was a one off and a genius. He did the same with Teen Town, starting on the C (8th fret of the E string) everyone else plays it from the C (3rd fret of the A), that stretch is really hard and big hands make a huge difference.
Hey ! I'm a french music student and your videos are very efficient to learn right and left hands techniques. Thank you very much for this easy approach of jaco techniques, i was looking for this type of lessons, and your videos teached me a lot !!! Congratulations for this great job, and sorry for my bad english :p !
You're welcome
Whow!!! Thank you!
You're welcome
che sonno!!! i can sleep after this lesson
good lesson. thank you. 🐕
funky as hell
Thanks bro
thanks a lot for helping of corse
Thank man!!
Thanx
Superb explanation, ignore the haters!
Nice bass.
Thanks very helpfull
You're welcome
Beautiful, i like. my brother bass man.
Thanks Roberto
Where is part One I cant seem to find it
great
Cheers Jaden
Great stuff, Is there a part 1 and 3? thanks
Yes there is. Look in my playlist folders. Probably the 'Classic bass line' one
@@cambridgebasslessons Thanks Cambridge!!
nice.
Thank you for these 4 tutorials on Come on come over by Jaco...your a fab teacher...
I'm starting to get this number under my belt , need to start playing with a backing track of even a metronome , please can I ask you what BPM your playing it at....
Cheers.
Gavin.
I think around 100 bpm?
The original is about 113 (ish)
another way to aproach the 16th feel is consulting the great Rocco Prestia, he actually has a bass method of how to do it
this is very useful though thanks
Good video. To my knowledge, Jaco used both his ring and baby finger, on the right hand, extended and relaxed, to mute notes. If you try what I’ve described, it looks and (of course) sounds like Jaco. Any discrepancies: I’ll reply with the link.
Common Technique. Sound good.
Next video, can you mute all the notes, and the dissertation?
where is part one?
man, dig the video but that style of notation has gotttttta go
I WAS AN AMATEUR BASS PLAYER FOR 3 YEARS WHEN I 1ST HEARD JACO...I ALMOST QUIT PLAYING ..MAN, HE WAS TRULY UNBELIEVEABLE...SADLY, HE PASSED AWAY AT THE AGE OF 35...JUST LIKE THE JAZZ GREATS LIKE JIMMY BLANTON, CHU BERRY AND CHARLIE CHRISTIAN...MAY HE REST IN PEACE...HE WAS THE BEST BASS GUITAR PLAYER OF ALL TIMES ( SORRY VICTOR WOOTEN )
Yes I agree, Jaco was a force of nature and a true innovator
I'll have to check them out my hero's are Steve Harris of Iron Maiden and The bass player from an old metal band called Flotsam and Jetsam
luther de bass SG flamenco a buen precio
for learning the line also help some begginers
Finger funk.
Jaco
Rocco Prestia
etc.
Motion to rename this video "..the hand doesn't breathe" :D
- in all seriousness, an excellent delineation of what I would call *fingerstyle funk*
+Philip Morris Motion passed! Thanks Philip
Ha!! Love it!!
I always called it "The Popcorn"!
Part 3 out now ua-cam.com/video/8N_IxgIsK-s/v-deo.html
modelos desde tipo fender asta el diseño que mas te interese tener
Sounds like the bass line he used on an Al Di Meola song.
Yes he did
Great, informative vid. Thanks! (Btw, Jaco is pronounced "Jahko," not "Jacko".)
Yes but I'm English!!
Ha! I know, man. I find accents fascinating, but am always puzzled by the fact that Brits pronounce "tomato" as "tomahto, yet will say "Jacko" instead of "Jahko," or "pasta" (rhyming with NASA) instead of "pahsta," or "imam" (rhyming with "spam") instead of "imam" (rhyming with "mom"). Perhaps this phenomenon is best left for Stephen Hawking to solve. : )
Anyway, no worries, dude. I enjoyed your lesson. Cheers! (Btw, that's a really nice bass. I just bought a Fender American Standard Telecaster with that natural finish.)
Nice one Vic, have a great Christmas
The voice of the teacher seems like the voice of Didier Gerome kkkk
Who's he?
@@cambridgebasslessons he's a bass player that theacher a lot of iron maiden songs...
@@eddiepaes7318 I'm not French !! lol
kinda buzzy on the hammer-on's. But nice lesson.
i wish you would have played the whole thing through in time a few times to a beat or metronome.
Here you go ua-cam.com/video/Cz4wlJCe0Lc/v-deo.html
For me you strayed too far from the actual bass line when you broke down the concepts.
I guess you are trying to convey the rhythmic techniques, but for me I'd rather you just tell us the notes and then play it slowly correctly fifty times.
My advice for players trying to learn how to emulate the Jaco style. The guy knew his music theory and how to read music. Note Value and feel are essential. Learn how to clap out the rhythms. I know it sucks, but once you can read and clap rhythm charts, your internal sense of timing will increase.
I have a degree in music so maybe it is easier for me to pick out how to play this stuff from the records. What I recommend is learning all the key signatures to determine your scales, learn where every note on the bass is and how to play: major scales, natural/melodic/harmonic minor scales, diminished scales, 1/2 diminished scales, augmented scales, and arpeggios in 5 different positions. Otherwise, just sit down with the recording and open it up on a computer. Use a program which allows you to loop sections and just loop the section you want to learn. If that is too hard, use windows media player to half the speed of the song without adjusting the pitch. Listen to the song 100 times. Jam with the song 100 times. Go to sleep and visualize the song and your hand positions 100 times without your instrument on. Thats how jaco did it. He explains visualization(which we learned in music school) in the modern electric bassist video(which is the best way to learn to play like Jaco imho); that and collect all the albums and bootlegs you can. Listen and play all kinds of music and work out lines, techniques, and tricks for all forms of music. Rhythm and melodies combined with a groovy ear will get you to the next level.
watching lots and lots of how to videos is good too, but make sure to watch videos by many varied players in different styles.
Scott Cohen did he know how to read? I thought he played by ear according bto what I read
+adan puckett in an interview when he was asked if he could read music, Jaco replied, "Yeah, self-taught. It’s easy, all you’ve got to do is be offered a show gig when you don’t know how to read anything and that’s the only way you can make money. Then you learn how to read overnight. You concentrate and learn by ear and trial and error. That’s how I learnt."
I can tell you for a fact he read and wrote as I learned the chords to continuum from the actual sheet music he gave Alex Darqui in the studio.
To teach something obscure to students who have no guarantee of superlative talent, one sometimes has to simplify. In advanced instruction, this is not an option, but this is not that advanced.
Can you give a full version cover with tabs of mr. pink? It is much better if less in talking and more on showing. You don't have to explain everything; just focus on playing with tabs and let us analyze everything on how it was played and why. It will be easy to understand everything that you played. Just play a full cover of a song with tabs.
You make a good point. I've never used tab so it's not something I often think about. Do you know of any good software that converts midi (audio would be amazing) to tab? Thanks for watching : )
I don't have one. Just try to search on yahoo or google, you might get something. Or you could ask other bass teacher here at youtube.
Fu*c until 3:43 I though that was Pastorius
cant see your head mate
In plain words: Do not use the first frame with the image of Pastorius !! For the rest you can do whatever you want !!
zzzzz
Some fret buzz... Hope you maintain your ground harness better than your bass strayacunt.
What's a strayacunt then?
Funny you say I sound Australian. My family are from Australia but I've lived in England for most of my life
+Cambridge Bass Lessons Oy mate Imma f-ckin with you a bit but you're breakin me heart here.... I feel bad trolling you and kinda didn't intend
To cuz it's a good video and you're a good player. Take a joke like a bass player, steady and strong!
I'm hearing you : )
+Cambridge Bass Lessons Very best and keep posting!
For fuck's sake stop calling him "Jacko", it's pronounced "Jocko".
Potato - Potarto. We pronounce his name like this in the UK ua-cam.com/video/_a-MjhPyptc/v-deo.html
Must admit it sounds nothing like Jaco.
Well said Vic and thanks for watching : )