@@parrotmaster8787 That's why some editions contain a few bars of the orchestra part before the solo entry, now of course if you're gonna be playing with an orchestra it's not going to be a sightread but yes you do have to pay close attention to your accompaniment to come in at the exact right times
Notice how Stamitz almost completely ignores the entire lower octave. Have to wait until measure 92 of the last movement just to play a low G, although she played one lowish note in first movement cadenza. Opposite of Mozart and the Stadler clarinet.
During the Baroque and Classical periods, it was common for musicians to embellish and add to music when performing. This is what Sabine Meyer is doing in this recording.
There would be more of a push on those specific notes, while still remaining staccato. If you listen carefully, you will hear how those notes are played.
what @twinkyoctopus said. The dotted slur lines are suggested articulations from the editor. Music from the classical era, such as this concerto by Stamitz, was often lightly edited and lacking in articulation markings. As such, the common practice was (and is) for performers to come up with their own interpretation, particularly with regards to articulations. This extends further to the flourishes you hear in the recording that are not written in the score (e.g., the various trills, grace notes, and arpeggios that Sabine Meyer adds to "spice up" what is otherwise a pretty vanilla score).
eminently forgettable until clarinettist entry it actually gets better . Every clarinettist knows Mozart was gawd Weber wrote a lot for clarinet : trashy stuff .
![Lp. Сердце Вселенной #60 РОЖДЕНИЕ ЛОЛОЛОШКИ [Финал] • Майнкрафт](http://i.ytimg.com/vi/YoR0pAV9FVQ/mqdefault.jpg)
I:
First Solo 1:24
Second solo 3:35
Third Solo 5:17
II:
7:44
III:
11:12
Ein wunderbares Klarinettenkonzert. Spiele ich seit vielen Jahren wieder. Vielen herzlichen Dank
Second solo starts at 3:36
clarinet solo starts at 1:26
Спасибо
Obrigado irmão
i cannot imagine having to count 40 measures of 4/4 rest. concertos are scary
After a lot of rehearsals u just start recognizing were the orchestra is at
@@walterorange5951 but if its a sightread or first few times i mean
@@parrotmaster8787 That's why some editions contain a few bars of the orchestra part before the solo entry, now of course if you're gonna be playing with an orchestra it's not going to be a sightread but yes you do have to pay close attention to your accompaniment to come in at the exact right times
Don't really need to count, the clarinet player will remember the melody easily
que lindo
Notice how Stamitz almost completely ignores the entire lower octave. Have to wait until measure 92 of the last movement just to play a low G, although she played one lowish note in first movement cadenza. Opposite of Mozart and the Stadler clarinet.
third solo is at 5:17
third movement starts at 11:08
Meu sonho🙏🏿🙌🏿 é ter pelo menos essa leveza🥰
Seems like an orchestral solo with clarinet accompaniment.
Yeah, it’s kind of like a symphony that just so happens to have a clarinet solo. The orchestra doesn’t really feel like an accompaniment.
@@nt_partlycloudy21😅😅😅
😂
That’s mostly true with any galant and early classical period concerto
2:10 I’m not sure the clarinet is playing what is on this page
During the Baroque and Classical periods, it was common for musicians to embellish and add to music when performing. This is what Sabine Meyer is doing in this recording.
@@milesmerrill oh that’s interesting. I didn’t know that
Clarinet man is doing a TikTok while waiting 47 bars 😢
clarinet solo starts 1:22
What to the lines of dots mean? Are they played like legato?
There would be more of a push on those specific notes, while still remaining staccato. If you listen carefully, you will hear how those notes are played.
the lines of dots simply show a different way to play, they're basically optional slurs
what @twinkyoctopus said. The dotted slur lines are suggested articulations from the editor. Music from the classical era, such as this concerto by Stamitz, was often lightly edited and lacking in articulation markings. As such, the common practice was (and is) for performers to come up with their own interpretation, particularly with regards to articulations. This extends further to the flourishes you hear in the recording that are not written in the score (e.g., the various trills, grace notes, and arpeggios that Sabine Meyer adds to "spice up" what is otherwise a pretty vanilla score).
1:24 - 2:30
👌👌👌👏👏👏👏
part D at 5:17
11:31 pick up to a lll
11:39 measure 23
lll 11:12
ROMANZE❤
Me encara el clarinete
eminently forgettable until clarinettist entry it actually gets better . Every clarinettist knows Mozart was gawd Weber wrote a lot for clarinet : trashy stuff .
Weber wrote trashy stuff?What's wrong with you?
@@spyrosg.9907 Classical has a certain taste. It is extremely boring and repetitive. Go listen to a real composer like Brahms. 🤣
@@isaacshaw1596 I got it,but it doesn't mean that's suitable to express your opinion like that.I like Brahms too. 😊
När musik är som vackrast .
better than Haydn )
third solo is at 5:13
clarinet solo starts at 1:22