I'm assuming you are new to UA-cam and recording vinyl, your cartridge is not sitting true, this will result in the vinyl groove being damaged the stylus. When recording audio from vinyl, this should be done directly and not by the camera mic or phones mic, possibly the worst sounding way to record viny. Preferably record into a PC/Laptop via the line in at the highest setting available and sync the audio file with the recorded video, for best results render the video as an H265 with a wave (at the same recorded sample rate used for the audio) this file is then subcarried within the video file but retains its high quality and not compressed until UA-cam get it, the less compression in the chain the better the vinyl will sound. All these things make a big difference to how the sound is heard by the listeners, and we've all got to start somewhere.
Thank you for sharing these valuable tips. As I am relatively new to UA-cam and vinyl recording, I truly appreciate your guidance. I will try out your suggestions to enhance the sound quality and my vinyl recording process.
@@oldtonemusicrecords No problem, first things first, get your turntable and tonearm set up correctly, stylus weight, tonearm and cartridge azimuth alignment etc, all of these play a part in getting the best sound with what you have, whether it cost £20 or £2000, it must be done. Once that's all done concentrate on direct line-in recording.
I'm assuming you are new to UA-cam and recording vinyl, your cartridge is not sitting true, this will result in the vinyl groove being damaged the stylus. When recording audio from vinyl, this should be done directly and not by the camera mic or phones mic, possibly the worst sounding way to record viny. Preferably record into a PC/Laptop via the line in at the highest setting available and sync the audio file with the recorded video, for best results render the video as an H265 with a wave (at the same recorded sample rate used for the audio) this file is then subcarried within the video file but retains its high quality and not compressed until UA-cam get it, the less compression in the chain the better the vinyl will sound. All these things make a big difference to how the sound is heard by the listeners, and we've all got to start somewhere.
Thank you for sharing these valuable tips. As I am relatively new to UA-cam and vinyl recording, I truly appreciate your guidance. I will try out your suggestions to enhance the sound quality and my vinyl recording process.
@@oldtonemusicrecords No problem, first things first, get your turntable and tonearm set up correctly, stylus weight, tonearm and cartridge azimuth alignment etc, all of these play a part in getting the best sound with what you have, whether it cost £20 or £2000, it must be done. Once that's all done concentrate on direct line-in recording.
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