Ultimate SNARE Drum MIXING On 7 Different Songs
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- Опубліковано 29 тра 2024
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0:00 Start
0:26 Cameron Webb
4:39 Matt Lange
13:30 Warren Huart
25:55 Ariel Chobaz
31:28 Justin Cortelyou
39:05 Bob Marlette
44:45 Warren Huart
56:18 End
We have another instalment of our Ultimate Guide Series, where today we will be looking at 7 different ways to mix a Snare Drum on 7 different songs, each a different genre.
Cameron Webb will be mixing a a snare on a punk song. Webb is well known for his work in the punk-rock genre, mixing artists such as Motorhead, Sum 41 and more!
Matt Lange is a well know electronic music producer and remixer. Matt creates two snares and gets very creative with automation during his Snare mixing process.
Mixing hip hop is Ariel Chobaz. Ariel shows us a trick where he starts by controlling the dynamics of the Snare, but then duplicates the Snare and processes the duplicates quite differently to blend it in for more attack.
Justin Cortelyou who is working with the Canadian Country artist, Johnny Reid. Justin takes us through his hybrid mix of the snare. In this track he doesn't want to hear too much character, but instead wants to hear more of a marching Snare sound.
My good friend, Bob Marlette, will be mixing a hard rock song. Bob takes us through mixing a Snare using multiple duplicates of the original Snare, mixed differently and blended together along with how he likes to use his songs.
I will be take you through TWO pop/indie songs by the band Little Empire.
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Do YOU have any tricks when mixing drums? Comment them below!
Sometimes I put a bit of overdrive on the overall drum kit buss. It adds some punch and grit.
Reducing a little bit of 1k I find helps to make it sound rounder without actually adding any low end. Just about 0.5 to 1dB.
@@marc_leblanc great tip!
@@braydensansing521 I love using saturation!
I like to blend a few different samples, usually I like to have the transients screaming.
This is probably the best series ever, every producer giving their own tips and tricks, their own approach! This is really helpful!
Thanks ever so much!
Nice!
Thanks Tchad!
Hi Warren, wll be there one of these ultimate guides to acoustic guitar mixing? :)
Marvellous idea!
7 different approaches to a common goal... what a fantastic concept!! Not only do you teach the method, you teach versatility and options that may just save somebody's bacon later on...
Warren, take a bow! You have outdone yourself with such a stellar idea... many, many, thanks!!
Thanks ever so much!! You Rock!
Wonderful series! Thank you so much Warren
You're very welcome Alexey!
Excellent Warren. I'm going to see it today. I love Steve Jordan's snare sound. Blessings! Y Gracias!
Thanks Favio!
Love this series. Have you ever thought of doing a similar series on engineering? Maybe here’s how we mic and record a guitar to get 5 different sounds, with info on how you’d mix each?
Marvellous idea!
I'm loving this series and hope you make more. Showing how several people mix in several genres in a relatively short time really shows you not just how it's done but also where the art is. I like being able to compare and contrast the different techniques that are used.
I really love the snare sound of king gizzards 2017 stuff, even tho its mainly wallet and tape lol but whatever Stu does to it in the mixing stage sounds aaaaaamazing to me
Thanks ever so much for sharing!
@@Producelikeapro and thank you ever so much for sharing your valuable information and experience!
Thank you! I really appreciate it
Polygondwanaland's snare is something else man... everything he does is magic
Social Distortion and Pennywise mentions, nice!
Yes!!
This Ultimate Guide series is Ultimate amazing!
Thanks ever so much Ady!!
Awesome! I actually spent half a day recently tuning a snare, adding layers, tuning gated plate reverbs, EQing, compressing, transient response modifying, etc. Snares have never been my strongest point, but I've been getting so much better lately with much mixing work. Thanks for the video Warren and crew!
My favorite snare sound is by Three Doors Down's Greg Upchurch. It has a nice spank to it while still sounding fat.
Thanks for sharing Marc
So many cool techniques. So much I've never even considered. You know I'm going to have to try all of this.
Another immensely helpful video. Thanks for posting.
Thanks ever so much Michael!
I will try compression after reverb on snares. Sometimes I like to use a tiny snare as contrast to the kick in EDM, but for rock snares the reverb trick seems interesting.
Thanks Anders!
This channel is fantastic
Thanks ever so much!
HA! Brilliant timing Warren. I just dug out tracks from my old band's demo from like 2015 and I'm using this as my exorcise to learn how to mix real drums.
I've done balance over the weekend and I was going to start mixing. I will be doing kick and snare first.
You couldn't be more on time with this video.
Awesome. :D
Great stuff Rudal! Glad to be able to help!
Love these series! They definitely come in handy to check out as I am mixing my song.
I'm mostly paying attention to Warren's way because I guess I am sorta more familiar with his studio and his way of explaining things. Plus I like his style. Hopefully though I will soon open myself to the other guy's approaches too.
Thanks ever so much! I really appreciate it
Hi Warren, great channel! Now, I see so many videos of drum EQing fat snares but I tune mine up and am curious how Steve Lily-white etc get a great sound from a more higher, cutting pitch? I'd be more than happy to send my recorded drums for your channel! Cheers, Dave
Great series and one that hits home with the snare. I'm fascinated what would Sir George Martin do today with all of the computing power behind the producer of today.?...thanks for the series and keep on rocking in the free world.
Thx so mush for another great video🔥🔥🤘
Thanks ever so much!
can you do one of these showing different ways to mic the HiHat?
Am I right in thinking that the further from the bell/closer to the edge the brighter the sound & micing below gives a warmer tone..?
Interesting. I've always been interested who the trick was with the drums on Therapy? - Troublegum. That sounds so dry and sharp, hard and simple, yet unique somehow. Surely the quality of the drummer played a role, but does someone know if there was a mixing secret for the snare drums there?
That’s a great question! Was Chris the mixer on that? He’s amazing!!
@@Producelikeapro Yes, Chris Sheldon I only just see now. I know virtually nothing about music production, but I really always wondered how they made the drums on that album sound so tight.
@@jeroenplayak2433 I have an interview it’s Chris Sheldon here, great guy! We talked about the Foo Fighters
I don't know about anyone else, but I think that The Wallflowers album "Bringing Down The Horse" produced by T-Bone Burnett has possibly the best snare tones recorded/mixed. Well-tuned, woody, crisp crack... just 《insert stereotypical Italian chef finger kiss》... perfecto!
Yes, wonderful recording! I know Neal Avron recorded a lot of that! Wonderful engineer
@@Producelikeapro the snare on that album is honestly sometimes so amazing that I get distracted by it. I have friends and family that roll their eyes around me when a song from that album comes on because they know I'll bring it up. Is it just me?
Neal Avron did a _damn_ fine job engineering that record.
@@FakingANerve yes! Great sounding album indeed!
Thank you!
Thanks Audrey!
Always a pleasure to see and hear you, and this serie of 7 ways is very instructive. Well done again.
Ps : kali lp6 or in 5 behind you finally ?
Thanks! Those are the Kali IN-5's
Another great video Fellas. If I’m not mistaken, one of the lessons to learn from this video is, if we teach more drummers to pull sound out of the snare drum, rather than beat the sound into it, mix engineers will have less work to do?
Indeed. Working with properly tuned drums played by a professional drummer is an _incredible_ starting point.
@@FakingANerve Thank to this video i had a dream about practicing double and single stroke rolls last night…
Where can I find the snare sample Cameron Webb mentioned at 3:38? Is it Sonor? Sonar Balanced? Anyone have a link? Thanks!
I ended up grabbing it from the course itself, although it was already mapped to midi with triggers. I still can’t find it anywhere else or on Sonars websites.
Hi Warren, I have a Question if that's ok? I record exclusively from drum machines so have no overheads or bottom mics for my snare. How could I recreate those within a track? Is it simply duplicating the sample 3X and treating them differently? Many thanks.
Hi Warren, appreciate every single video you make. Just a quick question, I've been struggling to separate hihat (and overheads) bleeds in the snare in those areas of the song where hats and overheads are played more aggressively. So you hear the bleed hats in those breaks of the tracks making the mix really unpleasant. Any tricks you can suggest to separate snare from other bleeds! TIA!
Try the Sonnox Drum Gate
Ahhhh crap.
I was hoping to see a video on just plain mixing. Snare top and bottom. Blending combined with overheads. Just one snare track. Thanks Warren , I’ll wait longer, or see if you cover that else-wear.
52:20 is he putting a gate on a sample? What for?
Oh I see, he is seeking to just get the attack from that one sample.
Yes! Indeed
Don't forget to check my D'yer Mak'er! I've asked you many times before, if you would critique my mixing, but this is the first time in that 18 months or so, that you've replied or said you would. So I'm holding you to it! My original comment is gone though, so my hopes aren't high . . .
Yes! I didn’t delete your comment! I answered it and then it was deleted!
As I said in the last comment, I’m currently on Holiday with my family and only on my phone, so I’ll have to check later.
I see. In that case, have a marvelous vacation!
Your SSL is mad at you right now and so are we for not putting the snare through its EQ->Dynamics.
Hahaha indeed!
mindboggling how hard people work on snares. I guess this is also due to them only mixing and not producing - and most of them working with live-snares. Since I mostly only get to work on my own stuff I do very little to the snare in terms of tone-shaping, since I've already picked a (sample) snare (and sometimes eqed it) that I like.
Got me thinking. Yes I know I could mix the umphtiest multitrack - but I feel that's different, because you know your version is irrelevant (as in the artist doesn't get to hear it, nor does anybody else). When I put my services on fiverr I have to make RIDICULOUSLY low prices AND I get to mix stuff that's not up my ally at all/is simply bad. I think this is a pretty common spot to be in and I think it's sad that one doesn't get to actually work on okayish productions. From a production standpoint being in music has never been better.. but when it comes to mixing other peoples material this day and age is not glorious at all. You either work for
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