⛔ 5 HORRIBLE ART TIPS YOU'VE USED BEFORE (stop)
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0:00 5 DANGEROUS ART TIPS
1:26 #1
3:43 #2
5:27 #3
7:24 #4
9:13 #5
11:13 YIKES
#arttips #drawing #ARTSchool
Bad Tip #6: Draw with your off hand for instant level-up
ive tried, it didnt work 😭
Thanks for the advice,i was about to draw with my non dominant hand.
Hello Marc! If I go to an art school(Ill go in EU so its free) is it still not worth it? I kinda want to go since I have the chance.
Real ones draw with their feet to level up
Drawing with the other hand is more of a fun exercise than something that would instantly improve your art.
Level 1: draw with your dominant hand.
Level 2: draw with your off hand.
Level 3: draw with your feet.
Level 4: draw with the power of telekinesis.
Level 5: all of the above, in sequence, then grab a pencil.
Instructions unclear I'm in a different universe now
Instructions unclear, i'm making shit "jokes" in youtube comments, instead of drawing anything.
@@malignoerat68 holy based..
Instructions nuclear, i have 3 hands now
What level is using your nipple and a jar of ink?
My biggest artist mistake was comparing my art to everyone else. This was toxic to my growth as an artist and writer.
I always tell myself that the professional artists we compare ourselves to started at our level too, they were once beginners too.
Comparison is fine so as long as you dont derive negative feelings from it.
For example, you can use comparison as, "hmm, what is this artist doing that I can learn from?", then go from there.
For most things we believe in, its not always so black or white, its our own mind that makes something black or white.
@@foyo5497 That's true. I understand this from reading various articles in psychology to understand myself better and from my general psychology course in college. I envision this switch that I use to turn off the negative thoughts and focus on learning the techniques. It has proven most useful.
@@RazialDrakken I used to get in my feelings a lot over comparison. I realized that when I get in my feelings, I can no longer concentrate on the task at hand. But when I started to turn the comparison into a lesson, it became much more valuable and fascinating. Even though Ive worked in the industry for the last decade, comparison still plagued me up until a few years ago. Using comparison as a tool to learn is so much more gratifying, especially when you are able to execute something you learned from it.
AGH! Same. I hate it.
What amazes me is how he draws anatomy so easily, wanna be as good as that one day.
We'll all get there man, I believe
@@nyfo7234 thanks kind stranger
well he has been a professional art teacher for ¬`;" amount of years
Keep climbing the ice burg, keep your head up, its a rough climb but we'll get there
I really appreciate the kind comments
babe wake up marc brunet just posted
5 more minutes…but quick, i gotta pay attention
Fax
Despite theses episodes being so frequent, they’re never really repetitive and they’re really helpful in each episode. It’s calm and refreshing to watch these. :)
I actually improved a lot on colouring when I drew manga style black and white and simple shading. I got faster at linework and construction because I could just move on from piece to piece quickly instead of trying to colour them all. This led to me being able to colour better due to the time saved and better knowledge of values from working in black and white all the time.
Ah this makes sense! I will try this
Simply because I am colorblind, I decided to focus on graphite drawing, which has helped me learn shading and values without the illusion of masking them with color. This resulted in better feedback for me. I can learn color later.
Ive always just done grayscale drawings because i have no colored pencils
we just gonna ignore the fact he made something that looked like some really good quality rendering with a mouse? alright
I always felt that tracing is a good way of learning for some people, so long as they do it correctly. Im a kinaesthetic learner, I learn through doing, rather than watching or listening. Taking photos and tracing the rough outline of the body shape, then defining and stylising more was a great way for me to learn when I was really focusing on my anatomy.
I think, in my opinion, that there is one huge problem with tracing though and it relates to my biggest difficulty in learning to draw well. Tracing an image means you are already working in 2d. the perspective it already take care of for you. On the other hand, drawing something from the real world, observing it with your own eyes, requires the skills to essentially translate what you see in 3d to a proper 2d sketch. this is by far the hardest thing for me. My brain seems unable to properly parse this information and I constantly find myself wanting to simply draw INTO or OUT OF the paper. Seriously. Not sure if that makes sense but yeah. Tracing isn't going to help you learn to properly SEE something and TRANSLATE it.
Tracing is fine so long that it's for study and practice reasons, but I think the important thing is to observe and discern why the artist drew the way they did. While you're doing it, think about their shapes, linework, proportions, exaggerations, and how you can apply them to your own work going forward. Otherwise you're simply copying another artist's work and that won't help you improve.
@@JohnVanderbeck this Is why when you trace you dont copy the Lines, but draw the construction too. I think its useful for knowing the proportions your favorite artists use too
I struggle a LOT with lack of motivation to draw. I'll have like brief moments where I can draw multiple full renders in a day but then have huge lengths of time where I cant even bring myself to open my art program.
I've watched a bunch of videos trying to find something that may help me consistently make art without burning myself out so quickly but nothing helped so far. So I'm wondering if you could do a video on that subject.
Same here bud
Throughout my entire summer break I planned on improving my anatomy, lighting etc. But I haven't really done much, sure I have improved a bit, but not at the rate I was expecting to achieve. And so school is about to start next Monday :/
You’re either not consuming enough of whatever inspired you to draw or never took a break from studying and have fun with drawing.
A habit that always makes me happy or more notivated to practice or improve my art is to just draw whatever you want.
I'm not lying, after I study a bit of anatomy and just be shit at it, I kinda feel down, I kinda counter this by just drawing whatever I want.
would definitely not work for everybody, but it works for me, might as well share it.
@@rosiechriscariaga6276 it works for me as well. We study so hard we forget to have fun
@@lordallien I'll have a look, thank you!
The only thing that bothers me are INKING brushes with consistent darkness which makes them look clowny if you change the opacity even a bit and their tip is always ugly as hell. That's what was stopping me from doing digital for so much time until I decided to just go with pencil brushes since I'm used to traditional art anyways and now it probably my second month of teaching myself about transfering my knowledge to the screen. This channel has helped me because YOU SIMPLY know how to edit the video so people don't give up in the first 3 seconds and give off the information in a bearable voice without sounding like most tutorials which are disgustingly boring.
For the inking brush thing, if you're referring to digital art brushes I believe it depends on the type of brush as well as its settings. For example, if you want a brush with a certain texture, shape and edge, that's where the brush type comes from. And for its settings, this may depend on the brush but using opacity by pressure and just overall fiddling with things like that may help you achieve your goal. Afterall, everything in digital art is based off of something in real life, so there should be a way if you're truly interested ^^
@@cinnamonroosevelt9301 I have tried, they don’t look natural in my eyes and make the human body seem too closed as a form and that way it stops being believable atleast for me. That’s why I prefer pencil brushes buut I have to get over this barrier and I will cuz its required.
Marc is the only artist whose advice I genuinely take heed to since his works speaks for itself . Many "art" youtubers give out really bad art advice .
Tackling projects that are too big and getting really stressed/burned out by them is a big issue for me. My eyes are bigger than my stomach, as my dad used to say when I took more food than I could finish eating. I get grandiose ideas or feel like I need to be ''''pushing myself'''' and then I wind up in no-happy-hormones land. Thank you for calling this out, getting permission to say 'no, that's too difficult right now' is really validating.
Marc! You mentioned in here about a project being a "Level 10" project, would you possibly be able to do a video breaking down and explaining just how to recognize those levels? Like so that we can think of what we want to do, recognize it is actually too much for us at whatever level we are at, and then tone it back to something we can do? Thank you!
Agreed
My god, he had been doing art for y amount of years! He is a legend!
I fell into that trap, I'm trying something that is too complicated and big and trying to finish it only to be frustrated and have trouble picking it up again. Thanks for pointing this out.
You can't imagine how much you've helped me with improving my art, thank you sensei!
For me it become really useful to study from masters at the start, but just as a side study with the real life studies, so you understand better what's the other artist seeing from real life.
Thanks for the video Marc!
Another video, yay 💜 Thank you!
I appreciated the small school I went to had people that were in the field. Either retired or on break from projects. I learned so much from them
Thanks for these, i didn't even think of some of the things you mentioned in the vid. Really helpful
Thanks for the explanation
This had been so useful and honestly life changing. Thank you so much for making these videos.
Using the off hand just makes you look cooler. I remember using my off hand in art-school to smuge with a dry brush, in my mind it looked badass lol
this was very helpful in fact. Thank you.
ohhhhh nicee, i cant really do more assignments in art school, kind of sick right now, thanks for the class marc.
you inspired me to pick up drawing as my new hobby! your videos are awesome!
Ive been following your videos since the start of the year, mainly the how to's. It still feels like im copying work im using references of rather than growing as an artist. Heres hoping i improve by next year!
Thanks for the information and a teaching
Thanks for these tips, I remember how I got disgusted by digital art about a decade ago, 'cause I could barely produce anything without pain and frustration.
Now starting back from square one, taking the time to apply and solidify my anatomy knowledge with pencil and good old thick paper.
I have been feeling that burnout for nearly 2 years now. I hardly ever illustrate anymore, but this video has helped me see a flaw in my past ways of going for something too challenging. Thanks for this video it was enlightening.
I have heard them so many times, good on me being too lazy to actually do all of them lol. Especially huge projects and studying from Old Masters they did seemed like a lot money than they are worth. As for your course, I honestly am so tempted to join, but the course is 40,000 INR for me lol, which is my family's income (I am about to be a college student) so hopefully later down the line, I might be able to earn through freelance to join the course! Thanks Marc as always for keeping art fun :)
Your videos always make me smile big, especially in my heart. Thank you oh captain my captain ❤️
I might need to make a list of all these good art tips.
dude you've helped me so much I cannot express how glad I am to have found you and your videos. most artists say "go learn anatomy/colour/composition and study for years and git gud" but you do this exceptional job of breaking down the important parts of complex topics and making content that's super accessible to beginners. I started drawing at the beginning of the year and have had bouts of feeling overwhelmed by the art world and not knowing how to improve, but since I found your videos I've learnt some really helpful things and also feel more confident to dive into these topics in more depth!! I'm making traditional art at the moment, but plan to start digitally in a few months and would love to take your course then! just so so grateful, thank you for doing this and giving us such rich lessons for the low low cost of 1 like/sub/human soul ❤️
Aaaah I'm too late today welp, sorry teach, I'll take extra notes and share this video with others as well as extra homework 🥺
love the title as well so it's gonna be a great class i can tell ☺️
Recommendations on sources for reference photos with great lighting? Possibly a site / service with a subscription? “Free” isn’t really ever free and often at the sacrifice of quality.
Thank you so much for saying that popular artists don't make good teachers!!! It's a myth that I believe in but whenever I watch good artist's tutorials, I don't even improve as much as I do from coming out of my comfort zone(studying references I like from pinterest really helped me progress!) and the greatest critique (to stop copying sailor moon's style) that changed my art. I think you've dismantled a lot of beliefs and they actually made me feel better. It's no wonder those arts I've done with just a bit of challenges are done so much better than those that I forced myself to do just to appear cool! Sometimes less really is more and I'll keep that in mind. Also, you drew that art with a MOUSE??? You pulled it off and that's amazing!! I love this video, thank you for this, Marc!! I hate to say I get scared watching your videos because I'm afraid I'm making that mistake but your videos just hit different and make me feel better about my art all the time. Thanks for this! :)
4:50 this clip alone unironically help me more than every UA-cam tutorial combined
yeah , i always hear that 1st tip .. learning from old masters .. , i observed how they do it and interpret it in digital form.. , still .. , need some good tips from digital artists like you , and your videos helped me developed my skills in art .
Okay tip 3 makes so much sense! I wish heard this 10 years earlier but I am glad I heard it now 🙈🙈
Hey Marc. Thank you for another great video 😊.
I already watched some of your Art School videos too, but I still struggle with rendering materials (details/textures). When I look at a reference picture of a rock, mountains or tree bark for example and I try to paint it, my brain gets completely overwhelmed by thinking of all the little cracks and bumps that need correct shading on their own, but at the same time have to follow the general shading and form of the object itself. As I start painting my mind goes blank (blackout) and at the end my material attempt looks like a blobby, blurry mess made out of plastic or molten crayons but not like the material.
I feel kinda lost right now because I am banging my head against this wall for a long time now, but I found no tutorial or explanation that helped me understanding how to tackle this problem or gave me that Ahhhh!/ lightbulb moment 🤕.
I mean...look at the paintings of the Hudson River Painters or just at this piece by Albert Bierstadt called "Among The Sierra Nevada Mountains". I have no freaking idea how to achieve this level of crisp details, visual clarity and atmosphere 😭.
It would be very nice if you could make a video about this topic, or if anyone here could give me some advice 😇.
The first one. Thank youuu so much for saying it. It was sooooooo irritating when I first started and was told to do studies of masters when I could barely process the anatomy.
your classes are beautiful
Marc, can you do short video about your free brush pack? Something like how you use it, I jusr downloaded it. Thanks for this video too
You are the best teacher ❤️❤️❤️❤️❤️❤️
That tip about not taking challenges too big, but something you can probably complete with 70% ease is great advice. My friend and I tried to make a whole cartoon show pilot on our own though I had only practiced art for a couple years and he didn't even draw. Of course the whole project crashed and burned
Now I have slowly built up my skills and confidence with small goals that have just sprinkling of challenge. Turns out I can animate, but an actual show takes a village
I think making copies of art is a great way to train your dexterity quickly. For me, it was tough to even draw the lines I wanted; after a half dozen master copies or so (plus 15 to 25 minute "line exercises" before each session), my ability to draw straight lines, curves, and ellipses went up and now I can draw more of what I actually want to draw.
I have heard the one about studying from the masters and I appreciate that you're saying no to that because any kind of study off someone else's work won't help if you don't have the basic fundamentals of how form and structure and light and color work. Def thanks for these tips!
I found Marc Brunet a couple days ago, and it was strange considering I've been watching Marco Bucci, who also teaches art fundamentals and things on UA-cam. Watching them in conjunction is pretty nice.
The most important fundamental skill I recently learned is how to BREAK APART an image. Know what makes the image the image. Does it use lines? How much? Sbapes? Color? Etc etc. My art gained a huge boost and my process is faster because of it cos I can make sense of what I'm seeing. What's that protrusion between your color bone and neck? Oh it's caused by a gap in the musclenand forms a dimple. Stuff like that.
Another powerful tool I learned for figure drawing is to learn the landmarks, then construct the body with landmarks and using reference as a learning tool for how that model is made.
Gosh I came along way for a year ago lol
So just for being here, I guess we all did good huh?
I've seen a bunch of stuff before finding this channel, but this is exactly why I keep coming back to these videos. Marc is a good teacher, i'm not an expert, but I can tell all these tips are gold material.
I've been failing a lot, and I can say after a whole year practicing i'm literally starting to understand what i'm trying to do. I feel kinda bad about it, but at the same time i'm glad that at least I can absorb things properly now
Immediately you make such a good point. Separating what seems to be well executed style that's appealing versus fundamentally good technique.
I say this because I am formally trained in old school art. It's not that you can't learn from the old masters. But like any discipline or craft, things change. New concepts and methods are discovered. Moreover, there isn't one way of doing something.
You don't want to copy what you see. Like you said, you want to observe and use a model or photo as a reference in order to understand fundamental components. It's from there, you apply your own style.
Marc, I don't subscribe to your art school, but I can already tell it's a fantastic program. Your videos are still very helpful and reinforcing great ideas. Thank you
please write a book on concept art , enviorments and character design 🥺🥺 im waiting big time🥺
Marc, your videos make me want to draw even when I have non existent motivation. Thank you.
Hey Mark, I just love your videos. You have helped me a lot with your tips to improve my drawing skills. It would be great if you make a similar video about typical mistakes related to lighting and shadows. I've been experiencing the same problem for very many years. It is about excessive contrast and depth. I see this problem with many beginners and it's what usually makes them stand out. The point is that I can't get the base gray color right and the lighting or shadow intensity right. It comes out either completely out of contrast or overly contrasty. What advice would you have on this?
Im a junior in Highschool and my art teacher (huge shout outs to him) gave us choices as to what we are to work on for the month of october, "Option 4" is basically putting some time into a specific topic and I chose anatomy/the human form. I basically sketch something anatomy related whether it be hands, feet or legs. 30 minutes for everyday of october, Do you think that'll get me relative improvement?
Awesomeness 👑👑👑👑👑🫶🏾🫶🏾🫶🏾🫶🏾❤️❤️❤️🖤🖤🖤🖤
It would be fun if you made a small video pointing to instances when the old Masters clearly made anatomy mistakes (for example the Sistine Chapel). It might piss off some other art teachers too LOL
Would love to see a video about weapon design!
Thanks for this
You are the best teacher because you are a master of both. 💯💜🏴☠️✌🏼🤷🏽
Recently someone was arguing with me about the tracing point, mainly because I sometimes use CSP's 3D models to help me with poses or moments with weird perspective, and I told them exactly what you explain here, and they just diminished it as "you aren't training your eye, you should use real life mannequins to do so" "you are cheating" etc
It's funny because by using these models I actually learned how to improve my bodies and hands (i still struggle with feet but hey sometime soon) and I'm able to draw those without the models
BTW love your videos, I learnt a heck ton. Planning on joining your course once i saved enough money
By your art it's seems like you're using them as a crutch I haven't seen a single complicated pose or wierd perspective on your timeline. Use them but never really on them, it seems like you're doing that
@@baylego ? what timeline have you checked? the last time i used a model as reference was in the shirt design with my wolf. I do not rely on them afaik
After watching the entire video now, all of these tips are imperative. Gives me even more respect to you. You're amazing!
Back when I was in high school, I made the tough decision NOT to attend RISD. I had previously attended their pre-college program and excelled in it. I was considered the top of my AP Art class in senior year of highschool. I had years of formal and traditional art training within and outside of school. Not to mention countless hours of at home practice and study.
But to the disappointment of my art teacher, I did not go to RISD. This was 2007, mind you, but even then I felt a traditional art degree would have been outdated and incompatible with the coming and changing world. Plus, thanks to my father, I didn't view school as a vocational experience, where one just goes to school to get a degree and later, get a job. Unfortunately too many people view school that way. I simply wanted to go to school to learn. Yet there are many ways one can learn. School is definitely a good place, but it's not the only place.
So I ended up taking the route that made more sense to me. Sure, I would have made a lot of great friends and maybe some good initial contacts. I would have definitely been in my comfort zone in that it was an art school. But I wanted an educational experience that offered a bit more variety and different perspectives than just art. I believe a good artist is able to extract principles from other disciplines and apply them to art. That was my goal and I think since then I have been successful at that. It's made me a wiser, more mature and more open-minded person.
Wow! Thank you Marc, for reading and liking my comment. You've been an outstanding inspiration for me lately.
Unfortunately I've been in the hospital since August 18th. So I have been unable to do any art lately. But prior to my hospitalization I've been so motivated to practice and pursue my art at a professional level again. I've listened to a lot of your advice in your videos. You are a fantastic artist and teacher. I really appreciate what you do. Thank you.
I'm good with both hands.
My dominant hand is the left, and my right hand is good with a mouse (3D software).
Your lessons are epic brother!
been away for a bit and this channel has hit 1.1M subs, well done Marc!
Regarding art schools... I went to a specific 3D animation school for a year, got a job. Met someone a few years later who was studying art and decided to do his Bachelor's Degree in 3D Animation. No one there was qualified to teach or give feedback to thi student. He self-studied and paid an institution for a piece of paper at the end of the day.
Sounds like me
the thing about challenges is that in college you're asked to do loads of little things and learn new things then all of a sudden you are told to do an A1 ink painting or something in a short amount of time instead of doing a good detailed A3 or A4 you have to do a bad A1 and its just not fun or worth completing because you know it wont feel great when its done like you would with a painting you enjoyed doing and looks good by the end
Thank you for this video Marc¡¡¡ when I draw in digital, I literally do a lot of sketchs becacuse I want to gain speed.
Tip 3 made me rethink my whole life
Focusing on sketches and lineart right now especially faces (since I'm trying to go for a more mature look as opposed to more "moe" anime). I still need to work on bodies in "fuller" poses but I can generally fix them easily as opposed to a bad face just crashing my vibes.
Amen to #4. I've been a professional artist for 26 years. When we hire new artists, we're looking at their portfolio and personality. We're seeing how they process information, develop concepts, and collaborate. The least important thing is where or if they went to art school.
Not all art schools are created equally. Mine was a collection of bickering fiefdoms. The Queen of Drawing vs. the Queen of Painting, the Lonely Yet Beloved Wizard of Printmaking, the Deplorable New "Cyber Art" Professor, and the Lowly Basement-Dwelling Photography Lady. It was not conducive to collaboration. Most importantly, I received no preparation for the professional world.
And, frankly, I was doing better training myself.
One disgusting element of many art schools is they inflate their students' egos. Their art is the best, most important, and will take the world by storm! RAWR! Then these poor souls graduate and realize they're not so good. They're swimming in a sea of thousands of artists who can do what they do.
Add to that the crippling cost of college. I had a friend get an arts degree from Baldwin Wallace, rack up $160,000 in debt, and ended up abandoning the field to work as a bank teller. Nothing against bank tellers, but there's no way a teller is ever going to pay off that debt - for a degree they're not using.
Tip 4 is the one I have the hardest time coming to terms with, I hear a lot of mixed opinions on this topic and I really can't decide which is best. For those who vouch for going to art school, they say a diploma/degree is better for you since you're able to negotiate your pay and it's harder to undersell yourself, and that most companies will look for qualifications before your portfolio, plus you get work experience from internships + connections. It's also necessary if you want to work abroad since work visas sometimes require a degree to be qualified. They also made the point that those in the art industry now who say that you don't need to go to art school made it into the industry when it was in its early phases of growth, where not as much experience is required and they basically hired anyone good enough for the job, but I have no idea how the statement holds up for artists today because you only hear from mostly successful artists and not the ones that didn't make it... Then on the side that is against art school, the advice mostly comes from personal experiences but I do understand that the fundamentals of art can be learnt on your own without needing the art school fluff that drags on with academics and wastes your time. I can't help but feel like you need to be an exceptional lucky or extremely talented few that have such amazing portfolios that they would hire you on the spot. Plus, I do agree that taking courses offered by industry professionals is way better than having a generalized course that has to be tailored so that even beginners can pick it up. Man this is confusing, I know Marc made it without a formal art education and his advice has been really helpful but I can't just be making life decisions based off a singular point of view. If anyone has any insight about this, please do leave a comment!
When you already paid the class fee and have to wait while the teacher yells at the rest of the class….
Thanks for the Tips! Which Sites did you use for your gesture drawings in the video?
A good rule to have about art schools is to verify they only hire artists currently working in their fields. My school did that and it helped a lot. When a professional comic book artist tells you how grueling a con is and another can tell you how they charge for mtg card commissions it actually helps
I know this video is gonna be helpful, can already picture my future art lol.
Hi Marc I love you your great teachings and inspiring us to be more creative, that is why I feel sad saw I saw your Logo and Artwork on a social media page that is selling tutorials and I doubt that one of them are yours, I hate the fact that you help us improve for free by this video others are taking advantage by using your assets.
Thanks, please report it!
Do a video on where to get good reference poses :)
Hi Marc Brunet, I like your videos. 💖💖
COuld u do tips on hands and cloth folds in diff positions im strugling
I was in Art school - it didn't teach me anything than frustration. Everything I know now is from what I learned myself, obserwing other ppl work and looking up some youtube videos. Art school sucks, never explained anything.
coll video.. cool study program also
I feel called out since I've done four out of six mistakes listed in the video. But the voice of my completionist gamer brain goes. "Why not make it six out of six". Anyways great class as always, I'm so glad the classes became a routine part of my week for art. It's like drinking an energy drink that focuses on art.
Can make a video about colouring hair?
Your digital art from 2002 done with a mouse was miles better then the average fanart that existed then.
It still holds up now!
Awesome video by the way.
Every time I draw something for my work, I try to find quite difficult poses for characters, so I raise my skills much faster right in the working process.
I don't ever spend my time studying something separate.
Can you make a video about artstyles?
Another dangerous art tip might be "Speed Painting" for beginners and possibly even intermediate artist. Myself included, many artist start doing this too early, before they even grasp the fundamentals of color theory, light and shadow. Rushing through a painting or drawing before grasping at least some level of fundamentals can leave an artist with many bad habits.
In terms of the tracing point. I have always had trouble with perspective, especially when makig non-humanoid designs. So i learned 3d modeling to create my own dummies to get poses I cant get refs for and its usually a basis for my 2d art.
I feel like I need to comment on the art school thing. For context i'm from Australia. It's less dedicated art schools and universities with art courses, i'm also doing an animation and games course rather than a traditional art course. But i've found ALL my teachers are in the industry. All my teachers are pretty successful within Australia and have some decent projects to their names and tell us what is is like in the industry. Then of course it comes to peoples learning style. I personally do better in a structured in real life course with deadlines and such otherwise i won't do the work. I know that's not everyone though.
This arms anatomy drawings come very handy.
You went really spicy with the art schools lol
I glad that learn art from the certain artshool similar like fengsui design, that teach you concept art.. lot of my friend from university wanted to an illustrator for card game such as legend of the cryptid but end up studying art history and they said they waste their time and suprised when I told them what I learn about from my school that is totally different..
So the if you wanted to be fine artist is totally ok to enroll to ini to learn fine art abstract etc...
But.. if you wanted to be game illustrator, background artist concept art, splash artist and cardgame illustrator, you should go to Marc brunnet cube brush school or any school that will teach you digital painting and concept art.
Don't be like my friends that want to wrong field eventhough its called art school
I like your Beard Marc sensei
Marc thank you very much for what you do for us♥️♥️♥️
I have a question that would probably be actual and interesting for other young artists. It is about dall-e and midjourney, new programs that are producing decent art from just textual description. I (and probably the others, too) would love to hear your opinion about them. Should we be aware of them taking artist's jobs? Will professional studios decide to lower their outlay and fire junior and probably middle artists and designers, leaving just ones with more experience to produce more art with the help of programs? Thank you and big hugs 🤗
I think AI would not take any artist job, as long as it doesnt have its own thought we ok
Its still just a random image generator after all, cant process any complex request
Tip #5 got an instant sub from me. Most people underestimate the amount of skill and sheer work that is required for teaching. I appreciate someone who takes the job of teaching seriously
what are some good places to use for dynamic poses or any pose?
As an "artist" myself I can say I've done all these bad tips
never got into artschool so I don't know but I think I know myself well enough that I'm not a fitting candidate to be in art school or even regular schools. I think all schools are old and out dated curriculum but hey the system says it works I guess. it just occurs to me that it's not just art school that doesn't give you much. and other courses and schools even teaches you to be more of a drone that follows without question than letting you think your own path. but wth do I know? I'm just someone who failed school dozens of times. Still, I'll avoid these art tips now though.