Greetings from Uppsala, Sweden. We have heart this piece today as the postludium in the Uppsala Cathedral. You play it exceptionel well. I like your registration very much anduour tempo!
I wish this video had been around 40 years ago: I would have modelled my playing on it. I like the attention to the tempo changes and your registration works very well (liking the new microphone position). That final D on page 28 before the da capo - hardly worth bothering with as the G chord come a 'nanoseond' later: I can't see/hear if you played it but I'm sure you would have!
I'll have to take another look at the tempo changes the piece asks for. They probably make for a more controlled performance. I'm sure I go charging on with minimal rallentando.
This takes me right back to my childhood. Thank you for posting this.
Beautiful! We used this piece as our wedding recessional. :)
Outstanding performance. Thank you for sharing.
Brilliant! I love your performance of this piece! Wonderful registration, very well chosen tempo, just awesome!
Many thanks indeed! So glad you liked it. Appreciate your comment. More coming soon...
Thank you for this much-loved favourite!
Reminds me of learning it on that organ with Andrew Seivewright back in the early 70's.
Really great! You played it in a perfect way! I really enjoyed it. Thank you!
👍👍👍Sehr lebendig und mit grosser Bravour interpretiert👏👏👏👏👏👏👏👏👏😘‼️‼️‼️….
Haven't heard this for a while. Great thanks!
Absolutely wonderful!
Greetings from Uppsala, Sweden. We have heart this piece today as the postludium in the Uppsala Cathedral.
You play it exceptionel well. I like your registration very much anduour tempo!
I wish this video had been around 40 years ago: I would have modelled my playing on it. I like the attention to the tempo changes and your registration works very well (liking the new microphone position). That final D on page 28 before the da capo - hardly worth bothering with as the G chord come a 'nanoseond' later: I can't see/hear if you played it but I'm sure you would have!
I always play a c sharp seems to make more sense!
❤ it!
I'll have to take another look at the tempo changes the piece asks for. They probably make for a more controlled performance. I'm sure I go charging on with minimal rallentando.