Johannes Brahms - Symphony No. 3 | Cristian Măcelaru | WDR Symphony Orchestra

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  • Опубліковано 30 чер 2024
  • Johannes Brahms' Symphony No. 3 in F major op. 90, performed by the WDR Sinfonieorchester under the baton of its principal conductor Cristian Măcelaru on February 19, 2022 at the Kölner Philharmonie.
    Johannes Brahms - Symphony No. 3 in F major op. 90
    00:00:00 I. Allegro con brio
    00:12:13 II. Andante
    00:20:12 III. poco allgeretto
    00:26:15 IV. Allegro
    WDR Symphony Orchestra
    Cristian Măcelaru, conductor
    In his series "Kurz und Klassik", chief conductor Cristian Măcelaru talks about Brahms' third symphony: • Johannes Brahms: Sinfo...
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    ○ Introduction to the work
    Johannes Brahms needed a free back for the ambitious project of composing a symphony. He did not put any of his four symphonies to paper at home in Vienna, where the small and large disturbances of everyday life did not even allow the necessary concentration to arise. For large-scale works, he therefore retreated to nature in the summer: to Rügen for the first symphony, to Lake Wörthersee for the second, and to Mürzzuschlag in Styria for the fourth. And the third? In 1883, for once, he took an upper-middle-class urban approach - in a feudal Wiesbaden villa, as he wrote to a friend: "I live here charmingly ... Originally built as a studio, it has subsequently become the prettiest country house." Here he broods over the notes during the day, but not a hint of information about it leaks out. Brahms enjoys evening parties, converses animatedly with the guests. But he is silent about his daily activities. Even in his letters, which he sends from Wiesbaden, he does not mention the Third with a syllable. And when it is finished, he seems to want to eliminate all traces of its creation - he leaves not a single sketch to posterity, only the finished score. Publishers then vie for it. In the end, as was usually the case, Fritz Simrock won the bid. Until that happens, Brahms plays poker for his market value. The Viennese concert agent Albert J. Gutmann played into his hands, announcing in an open letter that he wanted to pay ten thousand guilders for the symphony - a third more than Simrock. Meanwhile, Simrock was sitting in Berlin and fuming. Finally, however, Brahms gives in, knowing too well what he has in his regular publisher.
    The music seems to reveal why the composer was so tight-lipped during the development process: For the first time in a symphony, Brahms tries out a cyclical principle in the Third. The powerful Dionysian main theme from the beginning, for example, is tamed, downright purified, and is heard once again at the very end, as a cascade of Apollonian heights.
    Text: Otto Hagedorn

КОМЕНТАРІ • 23

  • @felicitasramobeltran4816
    @felicitasramobeltran4816 2 роки тому +2

    PAZ.....SALUD......LIBERTAD.....FELI CIDAD.....

  • @Mezzotenor
    @Mezzotenor 2 роки тому +7

    I absolutely LOVE how the first movement moves along with only judicious touches of rubato. The second movement similarly runs with an un-sappy andante, not adagio as too many conductors do it. I expected the third movement to faster than average, but it was relaxed and most enjoyable. The fourth movement was deliciously dramatic... All in all, a really splendid performance of a familiar symphony that too often gets bogged down with old "expressive" customs that I don't think the composer would have liked. Hey, WDRS, how about a tour in the USA so we can get to know you a little better? 😃 MANY thanks for posting!

    • @WDRKlassik
      @WDRKlassik  2 роки тому +4

      Thanks for your kind words, we appreciate your support a lot and we will keep on posting 😊. At the moment there is no tour planned through the US. If you plan your next holiday, what about a trip to Germany and getting some tickets for concerts? Almost every week we play concerts in the philharmonic in Cologne. 😏

  • @zwiesland
    @zwiesland 2 роки тому +6

    Ich weiß nicht, wie vielen Menschen ich seit dem Livestream von diesem Konzert schon vorgeschwärmt habe! Ich liebe Brahms. Dieses Konzert und auch das Interview von Cristian Macelaru dazu haben mir noch einmal eine neue Dimension eröffnet. DANKE!

    • @Mezzotenor
      @Mezzotenor 2 роки тому +1

      I agree, sir. This performance brings out the muscular-Beethovenian classicism of the piece and lays aside the whiny-Tchaikovskian schmaltz.

    • @WDRKlassik
      @WDRKlassik  2 роки тому +2

      Gerne ;)
      Wie schön zu hören, dass Ihnen unsere Musik so viel Freude bereitet.

    • @elmarkurze1800
      @elmarkurze1800 2 роки тому +1

      Mir ging und geht es genauso, höre diese Musik vollkommen neu, so selbstverständlich ohne Pathos und durchsichtig, klar. Bin begeistert.

  • @felicitasramobeltran4816
    @felicitasramobeltran4816 2 роки тому +2

    PAIX.....SANTÉ......LIBERTÉ.....FELI CITE.....

  • @verdiguy
    @verdiguy 2 роки тому +1

    Missed the live stream but thank you so much for posting the concert so quickly. Really enjoyed this performance.

  • @claudiaochoacruz
    @claudiaochoacruz 2 роки тому +1

    Ah!! So beautiful!! Bravo!! :)

  • @shupingwang3392
    @shupingwang3392 2 роки тому +4

    The orchestra is wonderful in every group.

  • @gasparocelloman9852
    @gasparocelloman9852 2 роки тому +1

    Gorgeous performance and great film work too.

  • @theoabel6975
    @theoabel6975 Рік тому

    Wunderschön

  • @michaelfoxbrass
    @michaelfoxbrass 2 роки тому +1

    Three trombones playing two repeated notes signal a new theme to come!

  • @user-cq4oc3lq1b
    @user-cq4oc3lq1b Рік тому

    Endlich richtiges Tempo! Es atmet!

  • @Quotenwagnerianer
    @Quotenwagnerianer 2 роки тому +2

    Also man soll ja nicht schon in der ersten Sekunde kritisieren, aber hier...
    Die Balance der Bläser stimmt ja mal überhaupt gar nicht bei den eröffnenden Akkorden. Hier führt das Blech. Es soll aber das Holz führen.