Alan Raph! I love your playing! You, Sir, are significant, and your playing bears further testimony to your mentor. Therefore your comment is high praise indeed.
4:02 I think is a reference to Tommy Dorsey's "I'm getting sentimental over you" since it was likely a popular song at the time and in France, jazz was considered important music.
Truly breathtaking. I'm a trombonist just starting my freshman year of high school. I listen to this to inspire me, and to keep my ego in check. As I watch this video, I find myself in the presence of legendary composers and fellow performers. It never fails to amaze me
It sure is interesting to listen to the different interpretations of the (for lack of a better word) "gliss" markings at the beginning. They're not even played in this recording. Was that marking added later or something?
This was made in the early 50's. I studied with Masson in '56. He was very influential in my own playing. We became friends as well.
Alan Raph
Alan Raph! I love your playing! You, Sir, are significant, and your playing bears further testimony to your mentor. Therefore your comment is high praise indeed.
@@philosophicallyspeaking6463 Thank you. I think Masson's playing of the 2 dances is definitive.
4:02 I think is a reference to Tommy Dorsey's "I'm getting sentimental over you" since it was likely a popular song at the time and in France, jazz was considered important music.
Truly breathtaking. I'm a trombonist just starting my freshman year of high school. I listen to this to inspire me, and to keep my ego in check. As I watch this video, I find myself in the presence of legendary composers and fellow performers. It never fails to amaze me
I enjoyed this. His interpretation can't be wrong since the composer's at the piano ;)
Wonderful!!!
bellissimo
MAGNIFIQUE
Jaw dropping trombone playing.
i play a bolero and love it!
the best
It sure is interesting to listen to the different interpretations of the (for lack of a better word) "gliss" markings at the beginning. They're not even played in this recording. Was that marking added later or something?
Idk but it’s bussin bussin
best part is @ 0:57
(The high 'F')
Funny splice at 0:56
... he plays a G at the end...wtf..
and makes it sound easy
@@RobertCoulter but an f is written and b flat to G just sounds weird
@@dylanle8239 Understood. The composer didn't seem to mind.
sorry I think was a phone!
Holy tempo batman