I love these videos. Please Please make more. This is invaluable information on using these type of tools to make a finished composition. Would you point me to resources for scale tunings. Do you take an musical idea (riff, chords progession ,ect) from a keyboard and just start implementing it to a scale /tuning system? How do handle scale transpositions while sequencing a piece. Sorry for all the questions, Thanks again for sharing your work.
Found your channel again! I remember seeing some of the videos of you messing with a quadraverb years ago and it crossed my mind the other day. thanks for putting out such cool stuff. glad to see youre still at it.
Hi Scott, great lecture.. as the previous one. If you will have time please make more videos. Thanks for sharing the patch. studying it will be very instructive. The final result is great and distinctive of your compositions. Do you still use reverbCH~ for your works or you stick with reverb727~?
Well this took an eternity to edit, so it might be a while. reverbCH~ sounds nice but the interface is awful, so I don't use it. I mostly use reverb727~, and occasionally others. I've got a few other reverb algorithms that I need to finish properly.
Wow, these videos are incredible, would you ever do a lecture on pictures shifting using interpolation like you wrote about in your Gearslutz post? I seriously love the Emu 6400 Ultra sound. It uses a G Chip according to Dave the designer, I read that the pitch was down to the way he wrote the pitch shifting using interpolation and a low pass filter. Very cool stuff, thanks for the videos dude!
Interval vector: en.wikipedia.org/wiki/Interval_vector Interval matrix: en.xen.wiki/w/Interval_matrix My notation is a little different for both of these, but it's not really that critical. For similarity, consider modulating a major scale around the circle of fifths. You're transposing the entire thing by 5 or 7 semitones, and 6 out of 7 tones from the old scale are present in the new scale. Thus the modulation sounds very smooth. A more distant modulation will have fewer common tones. So the number of common tones determines how closely two scales are related. The other salient metric here is voice leading distance, but I'm not considering that in this script.
@@acreil I think the scales are falling from my eyes (pun intended). So, if I had a harmonic scale like 24 27 30 36 40 48 that would be less consonant than the scale you used because it has an interval of 40/27?
Yeah, but it's not necessarily something you'd always want to avoid because it's just 4/3 * 10/9, still a 5 limit interval. It's sort of an out of tune fifth (680.45 cents), but it would sound fine with other intervals.
I find myself returning to this regularly, wealth of knowledge here.
this guy is legendary , the amount of knowledge of all stuff digital , an immense talent
Cheers
thank you for making this video, i am very glad to see a longer video which explains in detail a patch and your thought process.
Thank you, Scott, this is very helpful.
scott you absolute legend
Thank you for sharing. Lots of things to think about here.
Oh, thank you for such great walkthrough video. So much valuable info, I can predict that I will return to it soon :) Thank you!
Great source of knoledge. Appreciate your will to share, thanks.
I love these videos. Please Please make more. This is invaluable information on using these type of tools to make a finished composition. Would you point me to resources for scale tunings. Do you take an musical idea (riff, chords progession ,ect) from a keyboard and just start implementing it to a scale /tuning system? How do handle scale transpositions while sequencing a piece. Sorry for all the questions, Thanks again for sharing your work.
I'll make a video about the scale stuff later.
Found your channel again! I remember seeing some of the videos of you messing with a quadraverb years ago and it crossed my mind the other day. thanks for putting out such cool stuff. glad to see youre still at it.
oh man what a fantastic lecture
Thank you! Amazing video
Hi Scott, great lecture.. as the previous one. If you will have time please make more videos. Thanks for sharing the patch. studying it will be very instructive. The final result is great and distinctive of your compositions. Do you still use reverbCH~ for your works or you stick with reverb727~?
Well this took an eternity to edit, so it might be a while. reverbCH~ sounds nice but the interface is awful, so I don't use it. I mostly use reverb727~, and occasionally others. I've got a few other reverb algorithms that I need to finish properly.
Thank you so much for sharing
Wow, these videos are incredible, would you ever do a lecture on pictures shifting using interpolation like you wrote about in your Gearslutz post? I seriously love the Emu 6400 Ultra sound. It uses a G Chip according to Dave the designer, I read that the pitch was down to the way he wrote the pitch shifting using interpolation and a low pass filter.
Very cool stuff, thanks for the videos dude!
nice hat, i'm really loving it
I found it in the road.
3:22 Can someone point me to where I can get an understanding of interval matrices, vectors, and similarity? Thanks.
Interval vector: en.wikipedia.org/wiki/Interval_vector
Interval matrix: en.xen.wiki/w/Interval_matrix
My notation is a little different for both of these, but it's not really that critical.
For similarity, consider modulating a major scale around the circle of fifths. You're transposing the entire thing by 5 or 7 semitones, and 6 out of 7 tones from the old scale are present in the new scale. Thus the modulation sounds very smooth. A more distant modulation will have fewer common tones. So the number of common tones determines how closely two scales are related. The other salient metric here is voice leading distance, but I'm not considering that in this script.
@@acreil I think the scales are falling from my eyes (pun intended). So, if I had a harmonic scale like 24 27 30 36 40 48 that would be less consonant than the scale you used because it has an interval of 40/27?
Yeah, but it's not necessarily something you'd always want to avoid because it's just 4/3 * 10/9, still a 5 limit interval. It's sort of an out of tune fifth (680.45 cents), but it would sound fine with other intervals.
THANK YOU SIR
Hey is there a video on the reverb patches ?
I'll have to do it later. It's complicated to explain. I've been working on new reverbs too.
But I cant see anything!!!
I found gold.