I really love this channel. I don't comment often, but figured I should say. I just chill and watch them ha! I buy and fix a lot of cassette machines, but haven't had a reel machine yet
That's great! Thanks for saying hello. I am still learning how to work on tape machines and haven't fixed many cassettes except a Fostex 260 but that was just a belt. I'm glad you like the channel. It has taken years of work to make all the videos here. Thanks again!
I think those heads are erase, record and play. Sync lets the record head playback channels you aren’t recording on. Suspect pause keeps heads engaged.
I just finished my first song using my 80-8(mastered to cassette) and im impressed with the quality of this machine! Tape price definitely will dictate what songs get recorded next but it was a great recording experience and already starting the next!
I'm using mostly ATR Master Tape with all my tape machines. It's a little cheaper than RTM which I tried with a Fostex R8 and did not like as much as ATR Master tape on the same machine. I think used reels of ATR should be safe to use as I bought 2 of my 1/2" ATR reels and they have been as good as the 2 new reels I bought.
Normally I would connect the outputs of the audio interface straight to the tape machine and then record the tracks onto tape. If you need to match levels or your interface doesn't support the correct line level for the tape machine you're using, then you could connect to audio interface outputs to channels on a mixing console and use the direct outputs to feed the tape machine. This way would give you more control but will add more noise and other non libraries to the recording.
Makes me wanna buy an 80-8 again… I have the worst case of gear nostalgia for my analog recording gear (3340S, MS16’s, TEAC/TASCAM mixing boards, etc) they’re so cool and sound awesome Unfortunately tape machines are about 3x as much as they were 13-14 years ago so it’s been hard to justify jumping back in I’ll prob have to buy a beater and bring it back to life
I fixed 3 tape machines in the last few years so I got a better price on them. A Fostex R8(a really cool, fun machine), a Tascam MSR-16, and the 80-8 which I didn't pay for and needed the least amount of work. I have a matching Tascam M-35 but it sounds so good with my Soundcraft, I've just been using that with the 80-8. It has me thinking about the 90-16 and how good that might sound. I have an Otari but no remote. I hope to get it running one day too. The 80-8 sounds so good and is so easy to use, Ive been using it instead of my digital system or the MSR-16 which I also like.
@@TwinCreekAudio and athomashorrock7221, I also have 4 different Teac/TASCAM reel to reels. I have this model in near perfect condition, also also have the TASCAM 30-8 in near mint, a TEAC 3300 and a 6010. Selling the two 1/4 inch R2R decks for $300 each. They play and record, the 3300 needs the control arm right side replaced, but I have a new set for it ready to go. I may be selling on of the 8 track decks. I would have to get around $1000 at least for either one. Actually the TASCAM 30-8 probably is not for sale as it is the newer version of 8 track. I like to record in analog and digital at the same time. I have a decent size studio and handle 16 track recording in there. Up in the Poconos of Pennsylvania. Let me know if interested in anything. Thanks for your very informative videos. I did subscribe a while back and have seen most of your videos. Nice work. Question, why not have it hooked up to speakers? LOL... It would be interesting to hear how well the speed on playback is. I have experienced warble in other machines in the past. Anyway, I enjoyed the video. Cheers guys.
Firstly, thanks a bunch for the awesome videos--they're super helpful! I recently purchased a TEAC 80-8 and have a few questions about connecting it to a mixer. I'm currently using a Behringer Xenyx 802 mixing board with 8 tracks, which has a single location for an RCA input and output connection. My questions are: 1. Will I need a different mixing board if I want to listen back to all eight tracks simultaneously? 2. From an RCA perspective, What type of RCA cables should I purchase? Should I purchase an RCA y cable (male on both ends) or do you have a better suggestion? Any info you can provide is greatly appreciated! Thank you so much and warm regards.
If might be easier to use a mixer that's designed for recording such as the Tascam M-35, M30 5A etc. You can still use your mixer to play back all 8 tracks by using RCA to 1/4" with the line inputs on all 8 channels but you would not be able to record and monitor all 8 simultaneously without a mixer that designed with another signal path for monitoring. As far as the type of cables, it would be whatever type of connections the mixer used needs on one side and RCA for the 80-8 on the other. There are a lot of choices for mixers that would work. The old Mackie 8 Bus, Soundcraft Spirit, Ghost etc. Most of those use 1/4" so you'd use RCA to 1/4" etc. Hope that helps and best of luck! The 80-8 is an excellent sounding machine. With proper maintenance and care, it's one of the best for the price and not difficult to work on when needed.
@@TwinCreekAudio This is incredibly helpful! Thank you so much! I've spent this afternoon looking for mixers that would accomodate the 80-8 and haven't found much, so I was thrilled to see your suggestions. My initial thought was to try a 2 to 8 RCA snake cable, but it appears to be uncommon. Anyhow, thank you so much for the thoughtful response! It's truly appreciated! I'm really excited to use the Teac. Such a cool piece of machinery. Warm regards!
hey buddy, i use the pause button togetter with the rec botton, so i just press paly, i think thats the only way to use it ;). i got two 80-8, one is in good condition the other one sits half disassembled on my kitchen table, i wait for some parts and the vs-88 to test it ;), thank for the nice video
That's good information to know. I seems to sound and work exactly the same but maybe it's leaving the record electronics engaged in pause. They are really nice machines and still seem to work great. I don't have the varispeed option but I might try to find that after I finish my other tape machine projects. Good luck with yours and happy recording!
It sounds more vintage and thicker than the MSR-16. The MSR-16 sounds really nice and punchy and is less noisy but the 80-8 just sounds massive and very musical. I like the high end on the 80-8 a bit better too. That's likely due to the dbx on the MSR-16.
BEWARE the reel table part can break or the M4 bolts in the part under the reel table can go soft and the bolts lose there grip and the reel table can start to move in and out i have alot of this model super deck they are the tascam 38 head will fit on this deck the team 38 is better as it can be jazzed up on the tape speed side 3 3/4 to run at the same speeds as the otari 1/2 inch deck i lost my deck to bad caps saved my otari DP2700 just in time
That is good to know. I haven't had any problems with mine but I will be sure to be careful. I did adjust the reel heights before use and replaced a hub adapter that was broken. The machine has been working great and I really like this model!
I disagree that the Tascam 38 is a better model. Absolutely not true. Cheap plastic parts and terrible relays. Teac 80-8 is FAR superior. Agree with the reel table issue though. Although it depends on the unit and how it was used and stored. I stand by the Teac 80-8 til I die. I could list many many reasons why. Anyways, good video. Not too many new videos out there regarding this beauty
@@soulslip thank you! I haven't used a 38 in many years but I have to agree that the 80-8 seems to be better built and also a bit easier to work on. I was really surprised at how good mine sounds even with its age and wear.
Hi, thanks for the detailed video ! Sorry for this question, but does the 80-8 have any kind of stereo output option ? Or do you have to use all 8 outputs if you use all 8 tracks ? Thanks ahead for your help, I'm just looking to set this little fella up into my studio !
It doesn't have any kind of stereo output as that would require it to have a built in submixer I think. It only has 8 separate outputs from the individual tracks. These need to be connected to a mixer in order to combine them to a stereo mix.
I really love this channel. I don't comment often, but figured I should say. I just chill and watch them ha! I buy and fix a lot of cassette machines, but haven't had a reel machine yet
That's great! Thanks for saying hello. I am still learning how to work on tape machines and haven't fixed many cassettes except a Fostex 260 but that was just a belt. I'm glad you like the channel. It has taken years of work to make all the videos here. Thanks again!
I think those heads are erase, record and play. Sync lets the record head playback channels you aren’t recording on.
Suspect pause keeps heads engaged.
That makes sense. Thank you!
I just finished my first song using my 80-8(mastered to cassette) and im impressed with the quality of this machine! Tape price definitely will dictate what songs get recorded next but it was a great recording experience and already starting the next!
I recorded a song yesterday with mine and was really enjoying the workflow. I find the sound of the 80-8 and it's ease of use inspiring.
I'm using mostly ATR Master Tape with all my tape machines. It's a little cheaper than RTM which I tried with a Fostex R8 and did not like as much as ATR Master tape on the same machine. I think used reels of ATR should be safe to use as I bought 2 of my 1/2" ATR reels and they have been as good as the 2 new reels I bought.
how would you go about running tracks from a daw (audio interface) into a mixer and the tape machine? how would you route it?
Normally I would connect the outputs of the audio interface straight to the tape machine and then record the tracks onto tape. If you need to match levels or your interface doesn't support the correct line level for the tape machine you're using, then you could connect to audio interface outputs to channels on a mixing console and use the direct outputs to feed the tape machine. This way would give you more control but will add more noise and other non libraries to the recording.
Makes me wanna buy an 80-8 again… I have the worst case of gear nostalgia for my analog recording gear (3340S, MS16’s, TEAC/TASCAM mixing boards, etc) they’re so cool and sound awesome
Unfortunately tape machines are about 3x as much as they were 13-14 years ago so it’s been hard to justify jumping back in
I’ll prob have to buy a beater and bring it back to life
I fixed 3 tape machines in the last few years so I got a better price on them. A Fostex R8(a really cool, fun machine), a Tascam MSR-16, and the 80-8 which I didn't pay for and needed the least amount of work. I have a matching Tascam M-35 but it sounds so good with my Soundcraft, I've just been using that with the 80-8. It has me thinking about the 90-16 and how good that might sound. I have an Otari but no remote. I hope to get it running one day too. The 80-8 sounds so good and is so easy to use, Ive been using it instead of my digital system or the MSR-16 which I also like.
@@TwinCreekAudio and athomashorrock7221, I also have 4 different Teac/TASCAM reel to reels. I have this model in near perfect condition, also also have the TASCAM 30-8 in near mint, a TEAC 3300 and a 6010. Selling the two 1/4 inch R2R decks for $300 each. They play and record, the 3300 needs the control arm right side replaced, but I have a new set for it ready to go. I may be selling on of the 8 track decks. I would have to get around $1000 at least for either one. Actually the TASCAM 30-8 probably is not for sale as it is the newer version of 8 track. I like to record in analog and digital at the same time. I have a decent size studio and handle 16 track recording in there. Up in the Poconos of Pennsylvania. Let me know if interested in anything. Thanks for your very informative videos. I did subscribe a while back and have seen most of your videos. Nice work. Question, why not have it hooked up to speakers? LOL... It would be interesting to hear how well the speed on playback is. I have experienced warble in other machines in the past. Anyway, I enjoyed the video. Cheers guys.
Firstly, thanks a bunch for the awesome videos--they're super helpful! I recently purchased a TEAC 80-8 and have a few questions about connecting it to a mixer. I'm currently using a Behringer Xenyx 802 mixing board with 8 tracks, which has a single location for an RCA input and output connection.
My questions are:
1. Will I need a different mixing board if I want to listen back to all eight tracks simultaneously?
2. From an RCA perspective, What type of RCA cables should I purchase? Should I purchase an RCA y cable (male on both ends) or do you have a better suggestion?
Any info you can provide is greatly appreciated! Thank you so much and warm regards.
If might be easier to use a mixer that's designed for recording such as the Tascam M-35, M30 5A etc. You can still use your mixer to play back all 8 tracks by using RCA to 1/4" with the line inputs on all 8 channels but you would not be able to record and monitor all 8 simultaneously without a mixer that designed with another signal path for monitoring. As far as the type of cables, it would be whatever type of connections the mixer used needs on one side and RCA for the 80-8 on the other. There are a lot of choices for mixers that would work. The old Mackie 8 Bus, Soundcraft Spirit, Ghost etc. Most of those use 1/4" so you'd use RCA to 1/4" etc. Hope that helps and best of luck! The 80-8 is an excellent sounding machine. With proper maintenance and care, it's one of the best for the price and not difficult to work on when needed.
@@TwinCreekAudio This is incredibly helpful! Thank you so much! I've spent this afternoon looking for mixers that would accomodate the 80-8 and haven't found much, so I was thrilled to see your suggestions. My initial thought was to try a 2 to 8 RCA snake cable, but it appears to be uncommon.
Anyhow, thank you so much for the thoughtful response! It's truly appreciated! I'm really excited to use the Teac. Such a cool piece of machinery.
Warm regards!
Awesome Bro
Thank you!!
hey buddy, i use the pause button togetter with the rec botton, so i just press paly, i think thats the only way to use it ;). i got two 80-8, one is in good condition the other one sits half disassembled on my kitchen table, i wait for some parts and the vs-88 to test it ;), thank for the nice video
That's good information to know. I seems to sound and work exactly the same but maybe it's leaving the record electronics engaged in pause. They are really nice machines and still seem to work great. I don't have the varispeed option but I might try to find that after I finish my other tape machine projects. Good luck with yours and happy recording!
I just picked up a vs-88 for $10.50!! I only need the accompanying DC Capstan motor and the manual to install and adjust properly. Cheers!
Nice summary of the functions ! How do you find it sounds compared to your other tape machines or machine ?
It sounds more vintage and thicker than the MSR-16. The MSR-16 sounds really nice and punchy and is less noisy but the 80-8 just sounds massive and very musical. I like the high end on the 80-8 a bit better too. That's likely due to the dbx on the MSR-16.
@@TwinCreekAudio Ah that's great to hear because i have a 80-8 too lol !
Never had the opportunity to compare it to another machine,
Cheers !
BEWARE the reel table part can break or the M4 bolts in the part under the reel table can go soft and the bolts lose there grip
and the reel table can start to move in and out
i have alot of this model super deck they are the tascam 38 head will fit on this deck
the team 38 is better as it can be jazzed up on the tape speed side 3 3/4 to run at the same speeds as the otari 1/2 inch deck i lost my deck to bad caps
saved my otari DP2700 just in time
That is good to know. I haven't had any problems with mine but I will be sure to be careful. I did adjust the reel heights before use and replaced a hub adapter that was broken. The machine has been working great and I really like this model!
I disagree that the Tascam 38 is a better model. Absolutely not true. Cheap plastic parts and terrible relays. Teac 80-8 is FAR superior. Agree with the reel table issue though. Although it depends on the unit and how it was used and stored. I stand by the Teac 80-8 til I die. I could list many many reasons why. Anyways, good video. Not too many new videos out there regarding this beauty
@@soulslip thank you! I haven't used a 38 in many years but I have to agree that the 80-8 seems to be better built and also a bit easier to work on. I was really surprised at how good mine sounds even with its age and wear.
Hi, thanks for the detailed video ! Sorry for this question, but does the 80-8 have any kind of stereo output option ? Or do you have to use all 8 outputs if you use all 8 tracks ? Thanks ahead for your help, I'm just looking to set this little fella up into my studio !
It doesn't have any kind of stereo output as that would require it to have a built in submixer I think. It only has 8 separate outputs from the individual tracks. These need to be connected to a mixer in order to combine them to a stereo mix.
It’s good!!
It's a great tape machine. Sounds great!
@@TwinCreekAudio I'd say so!
Hey Grady, are you feeling a little tired lately ? i was wondering if it's just me or is another covid wave coming back ?
I've been doing well. I have a full time job plus the studio and channel so sometimes I'm a little tired.
@@TwinCreekAudio I hear you.
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Hi,Grady,...but for Fostex R8,what kind of tape must I use,for recording of course?
Thanks a lot!
Basf 528,1/4,6.3mm its good one?
@@iulianmunteanu8672 I used ATR master tape with mine and it worked great. There is also RTM tape. Those are the only 2 being made anymore.
@@iulianmunteanu8672 yes, RTM makes the old BASF formula.
@@TwinCreekAudio thanks a Lot!Best Regards!!
Hi,Grady,....one more question,it needs nois reductions after tape(like Teac DX8),or not necesary?
Any girls 😊
I haven't named my 80-8 yet