And, if you get really clever, you can use Essential Properties to still control the position, rotation, and scale of the 3d layers inside your main comp without having to dive into the precomps. Eagle-eyed viewers may have noticed the Properties Panel showing controls Michael set up for just such a thing.
@@채찍단-y4y When you precompose, you need to tick the option to move all attributes into the new composition. That way the layer is 3d inside the precomp, but not in the main comp.
I think it would have looked a bit more realistic if, the lady and wings were made more darker and giving it a bluish green tinch. But that aside, I am surprised at how intuitive the super comp is. It's pretty awesome.
Quick random question: what is most rendering efficient: run one supercomp over several similar shots, or make each individual with their own supercomps? Maybe one final for the high level finishing touches?
Interestingly, Supercomp is basically a node-based compositor - it's just that the nodes are tucked away. If you have very complex composites on a regular basis, a fully node-based compositor like Nuke or Fusion makes sense. However, if you need to get work done quickly, you can't beat the workflow speed of Supercomp! We were talking with an artist a couple of weeks ago who said they'd worked on a shot in Nuke for 6 hours and weren't quite happy with it. They decided to try it in Supercomp and got a great result in around 20 minutes. Also, there are lots of VFX artists who work in AE all day and want to raise their game, but don't have the time (or money) to invest in Nuke - Supercomp is the perfect solution for them.
@@MaxonRedgiant Thanks for your response. As you can see from my euphoric comment about Nuke, I switched from AE to Nuke a few years ago. AE couldn't cope with complex tasks. I personally noticed a mountain of difference between the two when it comes to the multifaceted tasks that are usually put before you in movie production. I would be glad to see Supercomp deal with complex shots while remaining easy to use.
U know what's up??
*_Red Giant Is a Tutorial channel!! Glad this Format is back...that long Live Streams isn't really good_* 💪💪
We're glad you're enjoying the more focused tutorials!
This is probably the most mind-blowing tool for AE out there. Love how you can do this so quickly
*_Please Make more of these...and focus on this format More than the VFX n CHILL_* ✌️😊
I missed content like this. The VFX and Chill is cool but a structured tutorial like this reminds me why Maxon products are worth it
We're glad you found this useful and we're especially glad that it shows off how worthwhile our tools are!
Totally agree!
that's what I am talking about, thank you so much I really like this kind of tutorial this is how you guys should promote your product
0:40 why did i never think of this! this whole time I've been rendering out each 3d layer and importing them back into after effects 😂thanks Michael!
And, if you get really clever, you can use Essential Properties to still control the position, rotation, and scale of the 3d layers inside your main comp without having to dive into the precomps.
Eagle-eyed viewers may have noticed the Properties Panel showing controls Michael set up for just such a thing.
@@MaxonRedgiant well i think we need tut show us more tricks
@@MaxonRedgiant to me, it doesn't work, i pre composed my clip, and if switch off the 3dlayer button, it's not follow for camera move
@@채찍단-y4y When you precompose, you need to tick the option to move all attributes into the new composition. That way the layer is 3d inside the precomp, but not in the main comp.
Please make more of these great videos 💚
Wonderful Red Giant!!!
Excellent tutorial. I would love to see a similar primer using this in an ACES workflow.
You can pick input color spaces for any/all layers in Supercomp and you can pick Supercomp's output color space!
very good tutorial. Could I get the video footages for my exercise?
I think it would have looked a bit more realistic if, the lady and wings were made more darker and giving it a bluish green tinch.
But that aside, I am surprised at how intuitive the super comp is. It's pretty awesome.
Now that you see how easy it is to use Supercomp, we look forward to seeing what you create with it!
Quick random question: what is most rendering efficient: run one supercomp over several similar shots, or make each individual with their own supercomps? Maybe one final for the high level finishing touches?
We think that's entirely up to how you like to work!
Nice
nice:)
This, "Michael" guy really seems to know what he's talking about.
supercomp is not working ( black panel )
how to get it in after effects
Will this work with element 3d the same way?
It sees Element 3D just like if it were footage. Works great with it! (Also works great with our new tool Geo.)
Out Standing 👌👌👌👌👌👌👌👌👌👌👌👌👌👌👌👌👌👌👌👌👌👌👌👌👌👌👌👌👌💥💥💥💥💥💥💥💥💥💥💥💥💥💥💥💥💥💥💥💥💥💥💥💥💥💥💥💥💥💥💥
We're glad you liked it!
Using 3D space mouse enterprise?
Michael does actually use a SpaceMouse when he works in Cinema 4D, but how could you tell from this tutorial?
I wonder, is Supercomp handy for EXR 32 bit multilayer compositing?
Give it a try and let us know what you think!
*i can't see blend mode? T_T*
Could you please be more specific about the issue? What time in the video?
Sir can u make something one vfx 🙏
What would you like made?
Your are little windows but "tu fait partie des deux meilleurs de cette chaîne"
well, this is why Nuke exists
Interestingly, Supercomp is basically a node-based compositor - it's just that the nodes are tucked away. If you have very complex composites on a regular basis, a fully node-based compositor like Nuke or Fusion makes sense.
However, if you need to get work done quickly, you can't beat the workflow speed of Supercomp! We were talking with an artist a couple of weeks ago who said they'd worked on a shot in Nuke for 6 hours and weren't quite happy with it. They decided to try it in Supercomp and got a great result in around 20 minutes.
Also, there are lots of VFX artists who work in AE all day and want to raise their game, but don't have the time (or money) to invest in Nuke - Supercomp is the perfect solution for them.
@@MaxonRedgiant yes Supercomp is more better and easy to use
@@MaxonRedgiant Thanks for your response. As you can see from my euphoric comment about Nuke, I switched from AE to Nuke a few years ago. AE couldn't cope with complex tasks. I personally noticed a mountain of difference between the two when it comes to the multifaceted tasks that are usually put before you in movie production. I would be glad to see Supercomp deal with complex shots while remaining easy to use.
@@Sam-zf1zt We're keeping our eyes out for opportunities to show off some more complicated setups!