Wat is het mooi als je na je dood kunt voortleven in de harten van zovelen, via de opnamen van je meesterlijke gaven... Grote bewondering voor het vakmanschap van deze beide heren.
Una triste parentesi per ricordare la scomparsa, avvenuta il 13 agosto scorso, di FRANS BRÜGGEN virtuoso flautista olandese e rinomato direttore d'orchestra. Fu uno dei promotori della prassi storica nell'esecuzione della musica del barocco e del classicismo. Qui con Gustav Leonhardt nel 1964.
Trascrivo il bel commento di Marisca Zweistra a questo video: "Quanto è bello quando si può vivere nei cuori di molti attraverso la testimonianza di doni magistrali... Grande l'ammirazione per la maestria di questi due uomini dopo la loro morte !"
Duo parfait avec son double au clavecin Gustav Leonhardt ,Frans Brüggen, l'oiseau flûtiste nous donne une remarquable leçon de musique dont on ne se lasse pas! a écouter sans réserve...
The recorder was considered a "real" instrument in the 18th century. It was used in Bach Cantatas, in two of the Brandenburg Concerti, and of course many pieces of solo and chamber music by Telemann (among many other composers during that era.)
I do not seem to be able to find the music for this though I have looked at my opus 1, 4, 8 and 13 collections. Can anyone help me? Is this recording an arrangement of one of the cello sonatas?
Sonata IV of these: vmirror.imslp.org/files/imglnks/usimg/4/47/IMSLP644002-PMLP688533-de_fesch_g.70.xx._xii_sonate-_vi_per_il_violino-_e_basso_per_l'organo_op8.pdf
@@ReindeVries Thank you Rien, Like op 4, op 8 has 6 sonatas for violin and the other six are for violoncello; I only had the cello sonatas! I am studying quite a few sonatas of this era and from the lowlands such as Hellendaal and Kleyn etc. Wonderful music and deserving of more attention.
JWOCRC I see that Frans here is using a beautiful original recirder and that's very hard to play. Frans iis ven as me who knows how toplay fromout the expression of the peace. Most of the so called Musical Highschool professionals still are busy with onnly the technique in stead to make and produce art which is much complexer. You have to deal with expression and you need to build everything up through out the expression of the peace. The speed ; the technique everything. The concervatory professionals don't have a clue what you are talking about. Really tragical. I can't play together with them , because they on;ly want to make themselves in the centre in stead of humblize themself for the peace and the expression of the ppeace they are playing. Frans is oplaying very well here.
+Jan Prins I'm not certain but that looks more like a handmade modern recorder by Hans Coolsma than an original: pitch is baroque A415 though. I agree with what you say about the difference between art and technical skill: there are players who seem to think that playing really fast is the most important thing; they are technically very skilled but often lose the beauty of the melody and the rhythm of a piece due to speed. however, i think there is no need to worry - there seem to be quite a few young (and not so young) players who perform to a higher level of virtuosity than ever, and match Bruggen's exquisite playing. Thanks to youtube many people who would have dismissed the recorder in the past now know of its beauty and versatility.
There was a lot of criticism of Bruggen for his use of vibrato. He used vibrato the same way I always have on the oboe, that is, from the diaphragm. It takes years of practice to get this right. Violinists and sopranos take note, the amount of vibrato you mob use is deplorable. It is easy to waggle your fingers or flutter your throat like a nanny-goat. Try controlled vibrato from the diaphragm. You have to learn speed and depth and be able to control both, and also to play without vibrato. Note Bruggen's very last note in this piece. THAT is good vibrato!
Una triste parentesi per ricordare la scomparsa, avvenuta il 13 agosto scorso, di FRANS BRÜGGEN virtuoso flautista olandese e rinomato direttore d'orchestra. Fu uno dei promotori della prassi storica nell'esecuzione della musica del barocco e del classicismo. Qui con Gustav Leonhardt nel 1964.
Wonderful playing from the master of this gorgeous instrument. RIP
Bruggan was one of the most gifted recorder players that have ever lived
It's pure pleasure to hear his legacy
Still beautiful after all these years. Dear Master Brüggen.
Wat is het mooi als je na je dood kunt voortleven in de harten van zovelen, via de opnamen van je meesterlijke gaven... Grote bewondering voor het vakmanschap van deze beide heren.
Que dupla...Encontro histórico. O maior flautista e o maior cravista de todos os tempos.
The recorder + clavecimbel combination is so beautiful!!!
Add a violin and a bassoon and you most likely have a winning team!!!
Una perfetta esecuzione da parte di due grandi interpreti: Leonhardt e Bruggen sono semplicemente divini
Una triste parentesi per ricordare la scomparsa, avvenuta il 13 agosto scorso, di FRANS BRÜGGEN virtuoso flautista olandese e rinomato direttore d'orchestra. Fu uno dei promotori della prassi storica nell'esecuzione della musica del barocco e del classicismo. Qui con Gustav Leonhardt nel 1964.
Bentornato!
Condivido, grazie.
Trascrivo il bel commento di Marisca Zweistra a questo video: "Quanto è bello quando si può vivere nei cuori di molti attraverso la testimonianza di doni magistrali... Grande l'ammirazione per la maestria di questi due uomini dopo la loro morte !"
Grazie per quelle parole consolatrici.
Condivido la sua opinione!
Duo parfait avec son double au clavecin Gustav Leonhardt ,Frans Brüggen, l'oiseau flûtiste nous donne une remarquable leçon de musique dont on ne se lasse pas! a écouter sans réserve...
max Volbers est un géant
Simply beautiful playing by the great Maestro.
Bruggan was one of the finest players of the recorder
Qué dupla!….🙏👏
beautiful!
Sheetmusic: Willem de Fesch, Sechs Sonaten, hrsg. von Waldemar Woehl. Zweites Heft, Nr. IV-VI. Bärenreiter-Ausgabe 601, Bärenreiter-Verlag, Kassel
Maestro, how I miss you. RIP friend
Lovely music and touching video. Franz Bruggen is the best recorder player of the recording era and is still unparalleled today.
@Torvic I believe Michala will disagree with you, maybe quite vigorously .
@@notforsharing she has impeccable technique. But plays with less soul.
Una de las piezas más hermosas para la flauta dulce 😊
My Idol from more than 40 years ago.
very interesting, very high quality!
Max Volbers is a killer !!!!
no duden de escucharla completa , recomendada al 100
Inspirational
Inmortal Franz Bruggen
Muito lindo flauta 👏👏👏👏
awesome !! thanks for sharing !
With such a sweet tune and performance by a world-class master, one comes to admit that recorder Is more than a toy.
Michael Taipei, Taiwan
The recorder was considered a "real" instrument in the 18th century. It was used in Bach Cantatas, in two of the Brandenburg Concerti, and of course many pieces of solo and chamber music by Telemann (among many other composers during that era.)
@@danawinsor1380 it still is considered "a real instrument" what the heck?
adoçou a minha alma...grata
magníficas interpretaciones, ambos son prodigiosos.
Прекрасно изпълнение!
R.I.P.
¡Qué gran flautista fue él! Gran dúo.
🌟✨🌟✨👏👏👏👏
Master!
Bon vol Frans ....
Fine articulation by Brueggen here.
R.I.P Frans Bruggen
+Ciro de Castro spoiler
Espérame,
where can i find the sheet music?
Maybe here you'll find it:
imslp.org/wiki/Category:Fesch,_Willem_de
Cheers!
I do not seem to be able to find the music for this though I have looked at my opus 1, 4, 8 and 13 collections. Can anyone help me? Is this recording an arrangement of one of the cello sonatas?
Sonata IV of these: vmirror.imslp.org/files/imglnks/usimg/4/47/IMSLP644002-PMLP688533-de_fesch_g.70.xx._xii_sonate-_vi_per_il_violino-_e_basso_per_l'organo_op8.pdf
@@ReindeVries Thank you Rien, Like op 4, op 8 has 6 sonatas for violin and the other six are for violoncello; I only had the cello sonatas! I am studying quite a few sonatas of this era and from the lowlands such as Hellendaal and Kleyn etc. Wonderful music and deserving of more attention.
the watazumi of the blokfluit
1:25
JWOCRC I see that Frans here is using a beautiful original recirder and that's very hard to play. Frans iis ven as me who knows how toplay fromout the expression of the peace. Most of the so called Musical Highschool professionals still are busy with onnly the technique in stead to make and produce art which is much complexer. You have to deal with expression and you need to build everything up through out the expression of the peace. The speed ; the technique everything. The concervatory professionals don't have a clue what you are talking about. Really tragical. I can't play together with them , because they on;ly want to make themselves in the centre in stead of humblize themself for the peace and the expression of the ppeace they are playing. Frans is oplaying very well here.
+Jan Prins I'm not certain but that looks more like a handmade modern recorder by Hans Coolsma than an original: pitch is baroque A415 though. I agree with what you say about the difference between art and technical skill: there are players who seem to think that playing really fast is the most important thing; they are technically very skilled but often lose the beauty of the melody and the rhythm of a piece due to speed. however, i think there is no need to worry - there seem to be quite a few young (and not so young) players who perform to a higher level of virtuosity than ever, and match Bruggen's exquisite playing. Thanks to youtube many people who would have dismissed the recorder in the past now know of its beauty and versatility.
Probably not a historical recorder, before he used them, probably Coolsma 440, and certainly not a historical harpsichord.
Willem de FESCH 1687 -- 1761
Pyuu to Fuku
There was a lot of criticism of Bruggen for his use of vibrato. He used vibrato the same way I always have on the oboe, that is, from the diaphragm. It takes years of practice to get this right. Violinists and sopranos take note, the amount of vibrato you mob use is deplorable.
It is easy to waggle your fingers or flutter your throat like a nanny-goat. Try controlled vibrato from the diaphragm. You have to learn speed and depth and be able to control both, and also to play without vibrato.
Note Bruggen's very last note in this piece. THAT is good vibrato!
ok its good player but he has got big variace
Una triste parentesi per ricordare la scomparsa, avvenuta il 13 agosto scorso, di FRANS BRÜGGEN virtuoso flautista olandese e rinomato direttore d'orchestra. Fu uno dei promotori della prassi storica nell'esecuzione della musica del barocco e del classicismo. Qui con Gustav Leonhardt nel 1964.
R.I.P.