Glad you like it. For the arrangement the minimum you need is the chords and the melody. The melody is straight forward, just tried to play the same notes as what is being play. The chords are not that really that straight forward and I personally can only hear simple chords. So, I usually watch other piano arrangements or using chords from chords sites like ufret, which I use a lot. Once you have the chords you might want to choose a capo placement, so the chords are shifted to simple chords because you don't want to you all 5 fingers just to play the chords right, you need to have some fingers to play the melody too. So, the minimum is playing both your chords and your melody together. The difference between different arrangements will come down to how you play it, or I would say the play style. The simplest way is probably playing the melody along with the bass of the chords at the 1st beat of every bar. Then other than just the bass at the first beat, you can add in other notes in the chord at other beat to accompany the melody too. When you add in strumming, a downward strum is typically placed at the 3rd beat (in a 4/4 scale for example). This downward strum can also be accompanied by a string slap (the right thumb slap onto 6th string to create a percussion) if you want more percussion. If I want more intensity in a section, an upward strum can also follow directly after the downward strum. There is so much to talk about and the reason it is so complicated is because it is probably what make different arrangements stand out. The best way to learn about different playing styles is learn from other people's arrangements. Me myself learn a lot from other people too. Try to read the arrangements and see if you can find any play style, any patterns. At which beat do they often place a strum, or do they pluck the last 3 strings at a time every 3rd beats? Then if applicable, try to arrange or play something using that play style and get used to it. The more you get used to it, the easier you can use it in your own arrangement. Some of the arrangements I can recommend you take a look at is my cover of White Album, which is mostly plucking but you can see clearer how I use different notes in a chord to accompany the main melody. My cover of Kawaki wo Ameku uses a lot of up/down strumming to play the chorus. There is also my cover of Suisei - GHOST where I repeatedly play the bass note with occasional strum to emphasize intensity, and in fact I also use this style for a bit in this Zankyou Sanka cover too, at around 0:36 right before the chorus. I hope that helps and wish you good luck on arranging your own compositions. Feel free to ask me any other questions too.
@@Nekoconn Well, I also really want to know how I can find the melody of a song. How do I find the notes a singer is singing or a riff an instrument is playing? That's also something I struggle with. What can I do to practice that?
@@morpheus8895 For the melody, I often just try random notes to find what match. Some of the method I find helpful for me when I first starting out is I specifically hum to the melody and find the note that matches my humming. Or, what I do a lot when I got better is I try to play notes along with the song, making sure that the song is not too loud so I know if my note sound corrects, and play along with the song over and over, and of course you couldn't find the correct melody in one try, after doing it for sometimes your melody will be closer and closer to the song. Eventually, when you got used to the scale you can predict the notes more accurate, and you can see that you can one-try most of the notes. Sometimes the melody can be hard to hear, for example if it uses polyphony in a section, either you could look at a piano arrangement to see the notes or decided yourself notes that you want to play in that part in your mind/humming and find its notes. Deciding/ imagining the notes yourself will also be helpful later when you want to compose more complicated arrangements, or add more elements to your arrangement, etc. so it can be a really good practice.
@@nelsonraii5554 no, he didn't lol. First of all, vvxo posted his video days after this video. Also, just because they both put a capo on fret 4 and played the melody in the same place, tHat doesn't mean one copied the other.
This deserve more views! Great cover!!
Haha, glad you like it!
Amazing 😭 I will learn this thank uu
Glad you like it. Good luck on learning the tabs.
Tsuki Odyssey, please
You are awesome
Thank you!
🔥
👏👏👏👏👏👏
Salam kenal dari cirebon
very good friend 😁👍
Thank you
This brilliant! May I recover this?
Of course, the tabs are there for you guys
@@Nekoconn Thanks! I'm okay without tab btw hahaha
can u pls tell us how you arrange songs? Good job btw :) sounds good
Glad you like it. For the arrangement the minimum you need is the chords and the melody. The melody is straight forward, just tried to play the same notes as what is being play. The chords are not that really that straight forward and I personally can only hear simple chords. So, I usually watch other piano arrangements or using chords from chords sites like ufret, which I use a lot. Once you have the chords you might want to choose a capo placement, so the chords are shifted to simple chords because you don't want to you all 5 fingers just to play the chords right, you need to have some fingers to play the melody too. So, the minimum is playing both your chords and your melody together.
The difference between different arrangements will come down to how you play it, or I would say the play style. The simplest way is probably playing the melody along with the bass of the chords at the 1st beat of every bar. Then other than just the bass at the first beat, you can add in other notes in the chord at other beat to accompany the melody too. When you add in strumming, a downward strum is typically placed at the 3rd beat (in a 4/4 scale for example). This downward strum can also be accompanied by a string slap (the right thumb slap onto 6th string to create a percussion) if you want more percussion. If I want more intensity in a section, an upward strum can also follow directly after the downward strum. There is so much to talk about and the reason it is so complicated is because it is probably what make different arrangements stand out.
The best way to learn about different playing styles is learn from other people's arrangements. Me myself learn a lot from other people too. Try to read the arrangements and see if you can find any play style, any patterns. At which beat do they often place a strum, or do they pluck the last 3 strings at a time every 3rd beats? Then if applicable, try to arrange or play something using that play style and get used to it. The more you get used to it, the easier you can use it in your own arrangement. Some of the arrangements I can recommend you take a look at is my cover of White Album, which is mostly plucking but you can see clearer how I use different notes in a chord to accompany the main melody. My cover of Kawaki wo Ameku uses a lot of up/down strumming to play the chorus. There is also my cover of Suisei - GHOST where I repeatedly play the bass note with occasional strum to emphasize intensity, and in fact I also use this style for a bit in this Zankyou Sanka cover too, at around 0:36 right before the chorus.
I hope that helps and wish you good luck on arranging your own compositions. Feel free to ask me any other questions too.
@@Nekoconn Well, I also really want to know how I can find the melody of a song. How do I find the notes a singer is singing or a riff an instrument is playing? That's also something I struggle with. What can I do to practice that?
@@morpheus8895 For the melody, I often just try random notes to find what match. Some of the method I find helpful for me when I first starting out is I specifically hum to the melody and find the note that matches my humming. Or, what I do a lot when I got better is I try to play notes along with the song, making sure that the song is not too loud so I know if my note sound corrects, and play along with the song over and over, and of course you couldn't find the correct melody in one try, after doing it for sometimes your melody will be closer and closer to the song. Eventually, when you got used to the scale you can predict the notes more accurate, and you can see that you can one-try most of the notes. Sometimes the melody can be hard to hear, for example if it uses polyphony in a section, either you could look at a piano arrangement to see the notes or decided yourself notes that you want to play in that part in your mind/humming and find its notes. Deciding/ imagining the notes yourself will also be helpful later when you want to compose more complicated arrangements, or add more elements to your arrangement, etc. so it can be a really good practice.
He copied vvxofingerstyle tab
@@nelsonraii5554 no, he didn't lol. First of all, vvxo posted his video days after this video.
Also, just because they both put a capo on fret 4 and played the melody in the same place, tHat doesn't mean one copied the other.
Wonderful arrangement, can i use this for my instrumental? 😊 thank you so much i’ll credit u for this
Feel free to use it. I don't own the music anyway.
@@Nekoconn such a giga chad lol
Rất tuyệt vời. Chúc kênh phát triển.
Give u a like :D
Thank you lol
thanks. needed a version without the slap.
Glad you like it!