Etude XIII (Scale Etude) by Emilio Pujol | Guitar Etudes with Gohar Vardanyan
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- Опубліковано 12 вер 2024
- For lessons with Gohar visit: www.goharvardan...
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Welcome to the new Guitar Etudes with Gohar Vardanyan. This series going to cover various etudes by different composers concentrating on different technical elements.
Guitar: 2012 Jean Rompré
Strings: RC Strings Recital
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Etude XIII (no. 13) by Emilio Pujol
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I read a couple of negative comments which rather surprised me. It s an etude and they often sound a little mechanical because they are practice studies. Gohar is an excellent player and I marvel that she can memorise this piece so well and it is far from easy to play.
Emilio’s books are excellent
This is a nice practice scale. I don't know how that I ever missed this Etude Scale over the years. Thank you again Gohar for sharing so much with us. My early scale studies were Segovias scales, boring but good.
Thank you Gohar to show us this etude by Emilio Pugol, i was looking for it and finally found your version , you are playing so well.
Oh you are uploading again! Was watching some of your older videos and noticed now that you have uploaded again. Good to hear from you. Thank you for these videos they are awesome and very high quality.
Bardzo ważna etiuda nie tylko z punktu pedagogicznego. Cieszy fakt, że pani Gohar tak sympatycznie nagrała tę perełkę...
Beautiful!!, do more pujol please :), his etudes are not so popular
A very good lesson. Thanks Gohar! Keep posting!
My dream girl ! Lovely playing on a superb instrament!
Super! Thank you! As always, looking forward to your next video! :)
Thank you, I like the sound more when you play it with i and m
Thank you Gohar, great video!
wow, great scale etude by Emilio Pujol. Can we use right fingering combination i,m, a and a, m, i. or also consider to play ch, a,m or ch, m,i. to improve the independence of right fingers or apreggio
Thank you Gohar.
You are terrific!!!thanks
Thanks Gohar, great videos
I really like to hear what you do. It really is very beautiful. How do I buy your book, because I live here in Brazil.
Essa mulher tem o dom de deus😍
Sweet! Thanks
Lovely
Эмилио Пухоль рекомендует каждый день играть упражнения и только потом уже играть пьесы разных композиторов
Maravilha . 👏🏻
O que tem de beleza tem de talento
can you explain the fingering. why is fingering 134 instead of 132 on 4th string when descending in the first section. I assume it is to exercise the 34 fingers?
brava👏👏👏
Do you ever play scales using i-m-a?
Are You armenian, ms Gohar? :)
0:16 - 0:48
0:48 - 1:21
0:58
0:56
it sounds like the beginning of Jason Becker - Serrana...
Там в нотах крещендо и диминуэндо, в конце вообще пиано - крещендо - форте. Ни одного этого нюанса я не услышал. Может, микрофон при записи выравнивает ?
When you explain, you sound like you would have lots of patience with students.. and a pleasant demeanor too. You seem to be looking younger by about 10 years in this video... maybe it's just a new guitar. :)
Parece aquela música dos caras que tentam bater recorde de BPM
Just few words you have lost a lot of kilos ! And I know how difficult it is ! You are such a wonderful player and. Such a lovely woman 😊 congratulations !
APRES GEXECKUHI
Pretty well done. But where's phrasing, decrescendo and crescendo written in the score? I'm also missing the quarter rest before every repeat. This makes the music stumble and disturbs the the regularity of the 2/4 bar.
No guitarist plays the same as another. Step away from the mechanical rigidity of "black dots on white paper" and the suggested dynamics if any. Use notation to learn a piece of music, then close it and project the music as you feel it. You probably know that even you or any other guitarist can't project the same piece with the same feel every time, since it depends much on your physical and mental condition at any given time.
Bob Oort
I would agree bob, however this is an etude so it has been written in a specific manor to hone and practice specific skills for a specific purpose. I believe that leaving out part of an etude, for example, ignoring dynamic indications, reduces the productivity one would recieve from practicing said etude. In this video for example, the performer is playing this as a substitute for practicing scales. This defeats the purpose of the etude, because by viewing it in this way, you remove the most important part. Bringing forth the music. I would point to her performance as an example, in bars 22-24 the melody shifts to the bass. Because she is not playing this piece as though it has a melody, this is completely ignored. I would say she doesn't understand the point of this etude at all, which is to bring out the musicality of it. Unfortunately this approach seems to be common place in the guitar world and I guarantee the best players such as pepe romero would play this etude completely differntly to this.
Professor and Mitchell you both are pretentious peckerwoods. My goodness. This is teaching video of an etude on fingering and scales for students! Believe me, Gohar knows about articulation and dynamics just as good if not better than you two bovine idiot's! Thank you sirs!
Btw: where are your teaching videos???
real awful piece......