I was a fragile teenager, when this was released some 40 years ago. And Mr. Sakurai totally crushed my young bass soul back then - this is impossible! A few years later, I bought my own BB-3000, and since I've been trying to reach this level. With no success, so far. ❤
I heard the part at 5:12 for the first time the other day and had to count out the hits. They're hitting the upbeat of 4, then 3, then 2, then 1, all perfectly. Damn that's good.
@@donkingisafatbiotch Start at 5:09 to get a feel for the downbeat, then the first offbeat hit is at about 5:15. That first hit is the and of 4, but you have to just feel the downbeat (which they don't play). If you just count to 4 repeatedly without losing tempo, the hits should all land on offbeats, except each one is three beats apart. I'm sure that was more confusing than before, but unless I can talk in person it's kind of hard to explain.
I believe it was the spring of 1983 as I remember Minoru Mukaiya talking about the Photograph album having just been released. My band mates and I went to see them playing at the Yamaha Centre then located in Nakanoshima, Sapporo, Japan. As we were hanging around the centre, looking at keyboards and other instruments on display, the members of Casiopea found us and began talking to us in a very friendly way - just before the concert. They were in their 20s and we were 14 years old. I remember bugger-all of what we talked about. But we had our jackets autographed by the Casiopea members. Of course, being ordinary school boys, we did not speak English back then. And little did we know then that this band would later become so well-known in many parts of the world! Here I am living in an English-speaking country, reading all these comments, many of which coming from countries other than Japan, makes me so happy! It’s been 40 years since I saw them. But I can still listen to and ‘see’ them on UA-cam. Not only that I can even leave comments that I know someone somewhere in the world might get to read. Thanks, internet. Thanks, UA-cam. And thanks, Casiopea.
”Domino Line"(1981) CASIOPEA Original Released October 21, 1981 Label: Alpha Records Japan Composed by Issei Noro First appeared on the sixth album "Cross Point" ”MINT JAMS" (1982) was the second live recording. Live recording February 23 - 24, 1982 Live at Chuo Kaikan Tsukiji, Tokyo Japan CASIOPEA Issei Noro - Electric Guitar (YAMAHA SG-2000 & SG-1000 Fretless, KORG Guitar Synthesizer, Linn Drum Computer), Minoru Mukaiya - Keyboards (Fender Rhodes, YAMAHA CP-80, GS-1, CS-30, KORG 800DV, Trident, Mini Moog, Prophet-10, Roland Jupiter-8, Acoustic Piano) Tetsuo Sakurai - Bass (YAMAHA BB-2000) Akira Jimbo - Drums (YAMAHA YD-9000R), Percussion Eiji Urata - synthesizer programming the sixth album ”Cross Point” Producer - Shunsuke Miyazumi Co-producer - Harvey Mason Engineer - Norio Yoshizawa
YAMAHA BB2000 is the supreme bass machine. YAMAHA SG2000 is also the supreme guitar model. In 2024, both no new sales💧discontinued💧Recorded at Chuo Kaikan on Feb 24 in 1982. Already legend.
HOW THE FUCK did i get to know this only fucking 30+ years latter goddamn this is the BEST. um abraço pros brasileiros lendo meu comentário fizeram bem em chegar até aqui olha esse solo de bateria porra
Casiopea é vida. E nós temos o Azimuth, que não fica muito pra trás. Mas o estilo exuberante do Casiopea é cativante, sem dúvida. Os caras mandam demais. Fraternal abraço.
I think I might understand the name now. I think it has something to do with how the chorus riff starts well before beat one. I only studied music at a basic college level and not well either. I do love listening to older compositions like this still though, like all the time lol
I think everyone under a certain age thinks that when they first stumble upon J-Fusion. Much of the appeal, at least for me at first, is that there is an entire world of music just like the computer games they're fond of.
I was a fragile teenager, when this was released some 40 years ago. And Mr. Sakurai totally crushed my young bass soul back then - this is impossible!
A few years later, I bought my own BB-3000, and since I've been trying to reach this level.
With no success, so far. ❤
The bass solo in this song is literally the funkiest thing in the world. And it's sublime too, it sends chils down my spine.
That guitar tone is on a whole different level
It reminds me a lot of Mike Stern
@joão post processing
@@ronsdad3736 On a live album in '82 ?
@@azirlincurve2982 yup prolly
最高すぎる！ 野呂さんのメロディと向谷さんの裏メロが最高！ リズム隊が最高！ ドミノ倒しが最高！ ベースソロが最高！ ドラムソロが最高！ もーぜんぶ最高！！！
実る音楽ですよね。
音のドミノ倒し
This is my favorite track of the album. Every other track is a very close second.
tie between this and Asayake
This and swear are my favorites
I like Take Me and Tears of The Star
Idk if you'll see this 5 years later, but go listen to the full version; this version cuts out I think like 2ish minutes of bass & drum solo
I heard the part at 5:12 for the first time the other day and had to count out the hits. They're hitting the upbeat of 4, then 3, then 2, then 1, all perfectly. Damn that's good.
thats akira jimbo for u
hes like the human form of funk drumming
but on 10 grams of crack
at what time does the count start? I am confused
@@donkingisafatbiotch Start at 5:09 to get a feel for the downbeat, then the first offbeat hit is at about 5:15. That first hit is the and of 4, but you have to just feel the downbeat (which they don't play). If you just count to 4 repeatedly without losing tempo, the hits should all land on offbeats, except each one is three beats apart.
I'm sure that was more confusing than before, but unless I can talk in person it's kind of hard to explain.
I dont care
that is genuinely so cool i wouldnt have noticed that if not for your comment
初めてこの曲と接してから40年以上となりました。
今更ながらあの頃の想いと共に今の自分を奮い立たせる一曲です。大好きです!
easily one of the best songs I've ever heard
Where the hell has this band been my life? This stuff is awesome.
when the anon appreciates the japanese vinyl seller who put tea with the record
カシオペアで一番好きな曲です。特にベースソロがかっこいい！
bro this song aint got no business slapping this hard
no pun intended
No sé ustedes, pero yo estoy al borde de las lágrimas de tan buena que es esta canción
thats how you enjoy music hijo de la shingada jaja
El mejor pinshi bajo
Como para retar a @Davie504 a tocar ese solo
SÍ! que hermoso saber que no soy el único que se emociona hasta las lágrimas con esta canción
Yo con casi todo de Casiopea
Greatest song on an incredible album
I believe it was the spring of 1983 as I remember Minoru Mukaiya talking about the Photograph album having just been released. My band mates and I went to see them playing at the Yamaha Centre then located in Nakanoshima, Sapporo, Japan. As we were hanging around the centre, looking at keyboards and other instruments on display, the members of Casiopea found us and began talking to us in a very friendly way - just before the concert. They were in their 20s and we were 14 years old. I remember bugger-all of what we talked about. But we had our jackets autographed by the Casiopea members. Of course, being ordinary school boys, we did not speak English back then. And little did we know then that this band would later become so well-known in many parts of the world! Here I am living in an English-speaking country, reading all these comments, many of which coming from countries other than Japan, makes me so happy! It’s been 40 years since I saw them. But I can still listen to and ‘see’ them on UA-cam. Not only that I can even leave comments that I know someone somewhere in the world might get to read. Thanks, internet. Thanks, UA-cam. And thanks, Casiopea.
スタジオ版と言っても相違のない驚愕のライブバージョン
I could dance to that chorus out forever.
もう1000回は聴いてる
No casiopea no party...youngsters nowdays must listen this Masterclass!
this music has cleared my soul
涙を拭いて音楽を楽しもうじゃありませんかな。
This is heresy. Ill not stand for it.!
This song is absolutely insane.
”Domino Line"(1981) CASIOPEA
Original Released October 21, 1981 Label: Alpha Records Japan
Composed by Issei Noro
First appeared on the sixth album "Cross Point"
”MINT JAMS" (1982) was the second live recording.
Live recording February 23 - 24, 1982
Live at Chuo Kaikan Tsukiji, Tokyo Japan
CASIOPEA
Issei Noro - Electric Guitar
(YAMAHA SG-2000 & SG-1000 Fretless, KORG Guitar Synthesizer, Linn Drum Computer),
Minoru Mukaiya - Keyboards
(Fender Rhodes, YAMAHA CP-80, GS-1, CS-30, KORG 800DV, Trident, Mini Moog, Prophet-10,
Roland Jupiter-8, Acoustic Piano)
Tetsuo Sakurai - Bass (YAMAHA BB-2000)
Akira Jimbo - Drums (YAMAHA YD-9000R), Percussion
Eiji Urata - synthesizer programming
the sixth album ”Cross Point”
Producer - Shunsuke Miyazumi
Co-producer - Harvey Mason
Engineer - Norio Yoshizawa
That brass like a 90's even that recorded 80's... good job minoru..
売れてる音楽は最高ですよね。
This is cool! I've been searching for this kind of music for a while now.
Jazzfusion! Das conk-creet baybee!½
@@DonHaka Thanks!
That bass line is sick! 🔥
This song is amazing for when you’re speeding
That bass is so good
No lie, this sounds like something that WOULD play in Domino's Pizza while waiting for your order.
I'm listing and listening my Top 10 songs among all genres, and this is definetely in, but Mint Jams version only.
Felipe Avelar the live version is cool too
This is the live version.
@@griffithposgay792 bruh.
このメンバーのうち三人は「かつしかトリオ」として活動してる。
いつか野呂さんも合流しないかなぁ。
Entièrement d'accord avec toi. JOËL
正にジンサクの為に作られた様な曲だよね🎵
中学生の頃、部活が放送部で、体育祭での徒競走のBGMでこの曲やHALLEなんかを流してたのを思い出した。
もう４０年くらい前のこと。
I swear they're one of the very few bands that sound much better live than in the studio
Greatest fucking song on the planet for ever
Five seconds in. I already loved it. 😉👍🏾
Bro the fucking bass in this song kicks ass
masteria musical en su maxima expresion
YAMAHA BB2000 is the supreme bass machine. YAMAHA SG2000 is also the supreme guitar model. In 2024, both no new sales💧discontinued💧Recorded at Chuo Kaikan on Feb 24 in 1982. Already legend.
This Is The Greatest Song Of All Time
やっぱ俺のbass hero はこの曲の桜井さん、40年たっても変わらない
悲しみを乗り越えて音楽を楽しもうじゃありませんかな。
Tetsuo is fucking amazing.
this feels like your friendly rival's theme music in a Pokemon game
it may be yours, but itsn't may XDXD
the song suddenly became bland after i read that. weird.
Way to ruin a song, buddy.
Even when I think you're wrong XD
Oh man, please no.
It does.
that bass tho
涙ぐむ音楽などにも良いみたいですよ。
Sounds like something Id hear in a sega saturn game
1:30 for practice
グッと音楽を楽しもうじゃありませんかな。
What instrument do you play?
The Bassist just lap the shit out of me! Hahaha insane skills by this musicians!
懐かしすぎる＆新鮮💛
I have laid a golden egg
今は大高婆さんですよ。
伝説の名盤ですね。特に私はドラムソロが好き。
D TMX 共感です！
それと、0:48からと、5:52からが個人的に好きです！
最初ライブ音源だと知らなかった…。
ライブ映像の音源と全く同じなので？？？だった。
高校生の時にこのアルバムを聴いて衝撃を受け、一生懸命コピーしました(Gt.)。あの音がなかなか再現できずに、悩んだ記憶があります。
god this is so 00's weather report and i love it.
2:38 Davie504 needs to play this!
新型コロナウイルス感染拡大に負けない音楽を楽しもうじゃありませんかな。
Pleeaaase
damm, awesome bass line
HOW THE FUCK did i get to know this only fucking 30+ years latter goddamn this is the BEST.
um abraço pros brasileiros lendo meu comentário fizeram bem em chegar até aqui olha esse solo de bateria porra
blz
Bom mesmo
Melhor musica do universoooo
Casiopea é vida. E nós temos o Azimuth, que não fica muito pra trás. Mas o estilo exuberante do Casiopea é cativante, sem dúvida. Os caras mandam demais. Fraternal abraço.
Tmj fela
5:23 - 5:53
so gooddd ,
I think I might understand the name now. I think it has something to do with how the chorus riff starts well before beat one. I only studied music at a basic college level and not well either. I do love listening to older compositions like this still though, like all the time lol
GoodSound!
Figuring out what synth was used for the lead solo.
I think it is a moog source
It's definitely a Moog. You can see it here: ua-cam.com/video/zIK1Vn6Va3w/v-deo.html
GS1
Guys share this to davie504 so he could play this cool BASS
ベースの音色などにも加えて忘れません。
It would be cool
Hahah, I wish!!
Let’s get to work boys
No
reminds me of either Spyro Gyro or The Rippingtons
弾ける音楽などにもいいみたいですよね。
drum solo time stamp 3:57
4:20
4:34
4:48
Play this at my funeral
尊敬します。桜井さん。😊
mfw some random japanese guy cares about me more than anyone I've ever known.
Based and funkypilled.
came here from a green text, not disappoint
とってもフュージョンは楽しいですよね。
受けている音楽などにも加えて忘れません。
The bassline almost sounds like FANTASY and its bassline.
Weird (and quirky).
My stink face persisted through the entire solo section
It's like music on a sonic level
Lol Cassiopeia fans either simply have a good taste in music or are 4chan users.
this coo!
スッキリ音楽やバンバン音楽などにも良いみたいですよ。
Cool
2:35
Finer than a frog's hair
Zoey 2.0
悔しさを乗り越えて音楽を楽しもうじゃありませんかな。
外せない
👌👌👌 5:25
Sounds almost indistinguishable from the live version
Mint Jams is a live recording album, not a studio recording.
@@brianchar-bow3273 well color me stupid
watch out ハチロク is in our tail
Pradawithoutthep Official Song
class
Cogstok music at 2:22
Thanks i've been triyng to find ut
@@thefrostywind5659 your welcome
zoey 2.0 is the trap
@@Pedrogranpadre i see that vídeo for the music
@@roberteriveramontanez1756 if I liked the video just for the music
nice
You know, i love them slap bass and drums solos, but after listening to them quite a few times, i just want a version with the solos edited out tbh
This is why i keep on listening to the crosspoint version instead of this one in a regular basis
*Davie504 has joined the chat*
💚🙄🥀🌱
今となっては？？？だけど、ベースソロは青春です！！
今は長寿なんですよね。
wow this song by a japanese band sounds just like something a japanese band would play in a video game. That's crazy
You will find that many older VGM composers were heavily inspired by jazz fusion, prog rock, heavy metal, glam rock etc etc.
I think everyone under a certain age thinks that when they first stumble upon J-Fusion. Much of the appeal, at least for me at first, is that there is an entire world of music just like the computer games they're fond of.
Bol