Alberto Mielgo - Spider-Man: Into the Spider-Verse Storyboards
Вставка
- Опубліковано 12 лют 2023
- Couldn't find a high quality upload of this on UA-cam, and to watch the original on Vimeo you have to log in. Nevertheless, I wanted to preserve this video here as well.
Original here: vimeo.com/311716775
Vimeo description:
"As I mentioned before, I was hired to direct the animation test for the new Spiderman film.
Here you can see my original storyboards and animatics that I produced for such a test. My main intention was to explore the language of comics and cinema and merge them together. We finished only 4 of this shots. And everyone ended up pretty exhausted!!!
The shots that we produced with an incredible technical team were some of the most amazing thing Ive seen, and Im extremely proud of them and the team involved. With those shots we open a door to a pipeline and possibilities and help to estimate the overall film.
I hope Sony will allow me to share the finished shots some time in the future .
Im really happy to see that most of my shots on this early boards made it to the final film. Again I would like to congratulate the whole team that finished the final film for preserving the compositions and the original intention of these shots. It shows that everyone felt inspired and that they really cared for this particular vision.
As you can see the 3 versions are very different in tone. It was early and I was not too sure yet what would be the final mood of this film yet.
I work with pencil, photoshop, I do the comp in After FX and my edits in Premiere, with my own sounds and all bunch of crap in Audition... Did I ever say how much I love adobe?
Music on this obviously temp score just for the edit.
My pick temp track artist:
v1: SON LUX
v2: LEFTFIELD
v3: MAXIMONO"
Here's the project on Alberto's website, with more images and him explaining the early development of the movie, also the circumstances of him being fired: www.albertomielgo.com/spiderman - Фільми й анімація
Why I really like Alberto Mielgo work,is that he makes his characters, real as if you can know their hesitation and intent in their action the way his characters act in such a flawed fluidity like is just so good
i'm so glad we didn't see the collider melt peter parker on screen... that visual is absolutely terrifying and sets such a different mood for the movie.
Would have been even more brutal considering this peter was only 17 when he died
Actually if you watch the full video you realize the plan was to make the green goblin kill him like in the actual comic book, that was just a test or an alternative idea, Check until the very end where the full piece of animation gets shown
I mean, not the VERY very end but at the end of the first montage
*2:42** So, In this 1°Draft Peter Would Die at 17 years instead of 26 Years? That's really Cruel*
Its straight off from the Ultimate Spider-Man comics
Peter dies at 17 and Miles turn into Spider-Man at 13-14
I'm glad we got adult Peter instead it's such an unexplored place of the character
@@owalterluan Wrong, Peter dies at 16 years, his birthday was litterally 5 numbers before his decease
2:45 what intrigues me is how he gets this anamorphic effect without using 3d software. Look at the lines of the building edge and how it warps as if it really was shot through a camera lens, it's incredible how he does that in Aftereffects.
the scene with the goblin here is WAYYYY better than in the movie we got. Alberto mielgo is a genius
while i adore the movie that we got,
this is just so splendid.
i hope mielgo gets a chance to do his own spider-punk movie in the future. or even just a 20 minute short. he and robert valley truly have reshaped the way people animate.
Well, he made his dream by "witness", it was visual orgasm
@@operagx9945 Jibaro was even better. The guy is a genius.
@@lbrtvlldr The storyboards of jibaro are even BETTER those things are majestic.
What's interesting is how clear the vision is even though it's rendered super rough!
The figures move in such a realistic way is incredible, I always go back to this to understand perspective and character, I keep learning new things every time I rewatch it.
I love that it's handpainted and also has 3D elements
I knew I wasn't just imagining remembering it. Not sure when the original video got taken down but man thanks a tonne for reuploading it. Mielgo is an inspiration and truly brilliant in every aspect of his craft. These storyboards are just absolutely incredible and I can't help but lament the fact that they weren't used in the movie in their entirety, despite the movie otherwise being great as well.
The original is on vimeo
I miss the one with more views still
Glad you re-uploaded the video. Mielgo stands there with the most talented artists/writers that ever worked on Spider-Man. Just these concept storyboards with music look better and more creative than an entire TASM and Holland movies combined
I really like ITTSV, but i often wonder what would be like a movie with the original tone and ideas that Alberto intended.
Wow... this is basically like watching a whole animated epsidoe. Incredible work!
I like the fact that it wasn’t supposed to be a multiverse movie
I think I would’ve like Alberto’s movie more than the actual one
Альберто Миелго гений
thanks so much! you included the music in the description as well how wonderful
wow this is incredible
This is beautiful.
With beast machines ost is percectiom
Well ...
THAT'S
JUST
*PRIME*
Uff bro gracias por subirlo
Потрясающе. альберто миэльго гениален.
Do you know where I can find the storyboards/animatics for Peter B.'s backstory and the Alchemax break-in? I searched everywhere; Vimeo, Twitter, Instagram, even the artist's wikis. I really need help with this.
Unfortunately I didn't even know about those things up until I've read your comment. There's some footage on Reddit/Twitter I couldn't find the source of, which seemed to be nearly finished renders of the scene where Peter B Parker stands in front of the mirror. This footage is also included in the movie for split seconds, if you pause it at the right moment you can see it.
Do you know what software he used to animate this in, I am thinking maybe a 3d software or something?
Most likely Maya for the actual animation clip he did, not sure about the storyboards, It might be storyboard pro by Toon boom.
@@goatproductions6435 Thanks for those suggestions! I will def look into them. I saw "The mind electric" music animation video by lonely man's and that is also in 3D software but with blender. Its interesting to see what software professionals/ industry use tho.
I didn't acc know it was that common to animate in 3d software tbf tho it makes sense, esp with those crazy camera angles you get and the high action and the backgrounds. Really mad stuff.
I gotta learn it man!
I totally would start off with Blender first then Maya. However that is optional. 3d animation is a bit tricky at times, however you will be able to get the hang of it. Practice makes perfect!
he draws on actual paper, scans them onto his computer and does camera and colouring in After Effects
Thats just prime
Yeah... i hope i never see this video again. It's in all honesty just so depressing and miserable,kids would probably be SUICIDAL if the movie had this kind of extremely dark and gruesome vibe to it.
but that's what makes it enticing, it's an interesting look into how different Alberto's direction was for the film, much more mature and somber.