Just a reminder-it’s not a competition! We at MOTI worked really hard to bring this song to you, too, in our own way, and if you like the versions I did, please tell me on my videos rather than use them to put down the one we also worked hard on, and vice versa! We took two different approaches to this song, and the fandom is a lot richer for it. That being said, god this came out amazing, I’m so happy my artwork could accompany such a stellar performance!! The duet approach sounds awesome and hits different with these powerful vocals.
I probably wasn't the first person to say something like that, but I can't help feeling targeted by this because of that one time years ago when I stupidly said that I prefer one version of a song they both covered over the other and got called out by Juno. But since it was years ago, I grew up and I know better now.
Idk who was in charge of subtitles, but shout outs to them for doing the glitchy effects on them! Such a small detail that wasn't nessicary at all but adds to the video in a spectacular way!
I really love this duality of both professors . Sada wants to return in “good old days when everything were better” while Turo in a position where he thinks that future would be better then today so he make his future come here and now .
[SCARLET Divorce] TURO: You were glued into that childhood dream of yours, you never thought of Arven's future. SADA: How dare you to call me useless after what I have done for the three of us. What were those fundings for? I took them all from the investors for us. TURO: There's no babysitter for our son, you did not even bother to hire one. You cannot trust a puppy to assist a toddler for 24/7. SADA: Then what? It's your responsibility as a father to tend for the child too instead of roaming freely in Area Zero. TURO: I had enough! You only think of yourself and that empty antique ambition. So be it, I will let you raise him, let's see how long you can with that pride of yours! *leaves* SADA: Don't worry, once I get the project to work, I will bring your Papa back, Arven. A promised paradise for us inside the netherworld that is Area Zero.
Sada and Turo are probably the most interesting Pokémon villains. For one, they were never evil schemers. Instead, they were dangerously sociopathic. Willing to put everyone in Paldea in harm's way, and "justifying" it with social darwinism. Also, they made a death trap for anyone who tried to stop them. Not only were they willing to indirectly do harm, but they were also willing to murder. (You know, the "locking all Poke balls." Basically using the more aggressive Raidon as a murder weapon. Coupled with the fact that they died before the events of the game, but their sociopathy still poses a threat, with the AI Prof. in battle mode basically being their cold, ruthless side brought fully to light.
I always love the different perspectives between Alex’s and Juno’s covers. Here Alex and Mor’s lyrics feel more like the actual Sada and Turo where the lyrics are reaching for their goal, while Juno’s leans more on the AI Sada and Turo where they realize the Time Machine needs to be shut down and are stuck between fighting and encouraging the protagonist.
Not to be biased I liked Juno’s cause it’s rhymes and catchy parts are really good. But for Alex both of the songs are fused s it’s somewhat hard for me to hear
If I had a nickel for every time Juno drew a nightmare fuel Scream Tail and put it in a lyrical version of the AI Professor theme, I would have two nickels. Which isn't a lot, but it's weird it's happened twice.
@@prestonstanley7736 Does it actually? I look at it's animations in game and it doesn't look like it has that big of a mouth... it is 3 foot 11 inches on average. But since Jigglypuff is the Balloon Pokemon, it and Scream Tail would have elastic properties. Okay, I can see where you're coming from now.
Love how the lyrics reference the theory that the "time machine" is actually fulfilling the professor's wishes by making pokemon from their imagination.
@@kellogglaeverbaum9989 If that's true, then it makes sense how ultimately the only thing capable of stopping the Professor was the Professor's original Raidon - a living embodiment of the Professor's dream before they succumbed to obsession and mania.
Ah the fate of the poor professors. Ambition and corruption often go hand in hand, but its even sadder knowing that these two robot doubles were corrupted against their will. Not that the original profs were evil, but their attempts to revolutionise the world left them trapped by their own inventions.
I always interpreted the story as saying that the professors knew the consequences of their actions. Though I mustve missed a line or two in my two replayes because apparently that's not the case.
WE GETTIN OUT OF AREA ZERO WITH THIS ONE The combined lyrics of both professors on the different beats of the song is SUCH a good idea, and Juno killed it with art here! And the chords on Sada, omg!
This will be a long comment, so TL:DR, thank you for watching and I love you all! First and foremost, I want to extend a warm welcome to OstaraVA (our Professor Sada in our dub) who absolutely blew me away with her incredible vocals! The clarity and pitch of her notes rises above the instrumental in a way that just strikes true and balances so well with my baritone ranting! Again, welcome to the channel and I look forward to seeing what the future brings for you! To Professor Mor and Alex Beckham, the lyricists: You two brought to life through your lyrics such an incredibly nuanced interpretation of the Professors. The obsession and intensity is there, of course, but the piece is also tinged with a complex mix of yearning and melancholy which somehow just works with the "final boss hype" vibe of this song. The round with the Paradise Protocol in the middle of the song is utterly brilliant, too. But if there's one line that I must focus on and share my joy at being able to sing it is "I have worked and, at last, I have seen. The keys of time can unlock everything!" No line has bookended a song that I've been in better than this one and it is the single favorite line that I have sung for the channel in my 7+ years here. Thank you both for giving me something really special to work with. I can only hope that I've given it the justice it deserves. To Juno, the artist: Your ability to interpret a song into a visual never ceases to amaze me, and this piece is simply exceptional. Every character, every expression of motion and emotion in this work hits the mark with the accuracy of one who is a master of their craft and of the subject matter. And, once more, thank you for letting me perform on your channel as well! Your growth as a creator is truly inspiring! To Steel, the mixer: What else is there to say? Every time you work on something I've been in, you've always elevated it to the next level. The mix, the effects, the use of the space for each performer in such a complicated song must have been a challenge, but the final product is one that is simply a joy to listen to. Thank you for continued hard work and it is always a delight to be mixed by you! To Maiden, the editor: When you took it upon yourself to make the video for this song, I knew it was in good hands. I saw flashes of your brilliance with your dynamic text work on "Peaches," but here you took a blank slate, material from TWO games (thanks, Darby and Mixeli for your footage!), and created a narrative thread that binds the whole piece together. The effects work is stellar, adding to the immersion and giving work a polish to it that truly shines throughout. I can't imagine how incredibly difficult it was to do this, but your editorial vision and knowledge of the craft of video making is simply inspiring! Thank you! And finally, I want to extend a thank you to YOU the viewer, who, with your support and views, allow us the opportunity to share our creativity with you! We wouldn't be here without you! Here's to 2024 and beyond! -Tom Previte
It was such an honor to be able to sing with you for this song, as well as to work with all of the incredibly talented people involved in the creation of the video! You've all made me feel so welcome and I couldn't be more grateful ❤
@@ostaraVA Holy crap you were so insane as Sada, the way you carried that "be" at 2:10 literally gave me chills. You and Tom harmonized perfectly off each other and it was an absolute joy to listen to!
You and @ostaraVA had me in tears 😭 The lyrics too at 3:42 was just pure perfection, you two mesh so well!!! You all are extremely talented and passionate about what you do, and it shows, that’s what I love most about MOTI’s videos.❤️💜 And those transitions from Scarlet/Violet especially at 4:18 were fire! 🔥
Absolutely love how Professor Sada and Toro, despite differing approaches and different parts to the song, both intertwine to share the same mindset. Both reaching towards the same goal, singing together against those who dare oppose their dreams.
This version gives me John Hammond vibes, an eccentric person with a grand dream, but fails to see the error in it Junos version is like yeah, what you said
Oh my gods this song is finally out! This song was a blast to work on and write and everyone brought it to life so beautifully! Ostara and Tom both brought Sada and Toro to life amazingly, words cannot express how much I love the way both of them brought the perfect level of seriousness and wonder to their roles. Juno like always did such amazing art for this that elevates the video just that much more. And of course between Stelyos and Maiden mixed and edited the song and video to be just amazing. I don't know how they do it, but their magic certainly brought it out for this video!
And now that I have this comment, let's do a bit of a dive into the lyrics! The opening line was a fun one to write, I really wanted the song to open setting the theme of this song, the erratic thoughts of the original professors before they perished, now being forced through their robot doppelgangers. At the time of writing this it was still unclear as to how the time machine worked, and since there was the prevalent dream theory, I did my best to sow in some seeds of that, "all my dreams can be reality" "a perfect world just like my dreams" and so on. One like that ended up on the cutting room floor was "how could you hold a Litwick to a champion ranked trainer" which was inspired by a comment on one of my other songs I wrote. It is subtle, but at parts of the video as the captions show there is a computer reading off lines on the background. That is intended to be the professors computer recounting some of their final thoughts. Most of those lines are taken from the various journals you can find throughout the area zero labs, giving a little insight into how the professors thought before they went off the deep end. Of course there are a lot more little details throughout the song, if you are interested in the thoughts behind any of them, let me know and I can give you some insight!
I love whenever MOTI and Juno collaborate to release their own versions of a song. I find that while Juno tends to stick closer to the original songs energy and pacing, MOTi tends to take these energy filled tracks and transform them into more angelic. choir-esque renditions without changing the song one bit. They all sound perfectly in character, yet polar opposite in terms of energy. That's the paradoxical beauty between these channels!
On the scene where it switches to look at the protagonists, the lyrics kind of match up to the shown person Evolution = Penny’s full team of Eeveelutions Needs a hero = Nemona being too strong and needing a strong person to fight The champion of Area Zero = Arven being the child of the professors
@@ThatGuardenerFanNo, sure the word “champion” is more associated with nemona but “of area zero” fits arven because he’s the son of the professors and is the one which starts the area zero storyline. Nemona fits “needs a hero” because she was just needed for her strength
@@Bengt2509true but "needs a hero" can also fit with Arven as he needed the protagonist (a hero) to help him save his Mabostiff and "champion of Area Zero" obviously fits with Nemona because champion. Moral of the story: They are both interchangeable and work well in both
I really like this one, feels like a perfect balance, like your fighting both the professors at the same time. Juno's version is a perfect one for the solo fight, and this elegant masterpiece is the dual to protect the past and future of time and Pokemon.
I personally love the emotion put into each professor’s “Can’t you see, that reality, can be anything I want it to be” The emotions of each are different however both are just as powerful
Juno seems to capture the tragedy of the ai professor's, and get us to sympathize with them, it shows that this was a fight that shouldn't have happened that nobody wanted. This more demonstrates the corruption of the ai professor's and how they have gone too far with their research at the cost of their lives and possibly everyone elses. I also like how even if what they are doing is pretty malicious they sound more hopeful like they truly believe this is best for everyone.
I see your point, but if I might raise this. This is from the point of view of the actual Professor Sada/Turo. Their unabashedly single-minded goal of connecting the past/future to the present, either unknowing or uncaring about the evidence of the past/future Pokémon are exceedingly more dangerous, more VIOLENT than every other known species of Pokémon. To the point of knowing that if they are exposed into Paldea, that the entire region would be destroyed. They knew how violent just Koraidon/Miraidon were, as it was the cause of their own death. But they still don't care. They still believe that there can be peace and harmony among them, and they are doing everything they can to bring it to reality. And died trying
I find that this one feels like an actual paradox, while Juno’s version(s) is more focused on the present moment. Kinda interesting when you think about it.
“The past and future must live on! These are the peaks of Pokémon!” The absolute HARMONY of this piece is incredible! I got major chills from listening to this. Excellent work, MOTI.
@@cataclysmicclasher3490 he was helping the artists with it. You can even hear one sound effect that's been used in Undertale and Deltarune when the music loops from the build up to the fast beat specifically in 5:23
The editing is fantastic- the constant shift between Sada/Turo & Koraidon/Miradon looks so seamless. It's fantastic. The vocalists sound great and fit well.
This final story has so many emotions in it, that I personally call it "Ghost in the Machine". Arven spent most of his life alone, due to his parents spending most of their time in Area Zero only to get killed by the aggressive Koraidon and Miraidon with their AI replicas in their places programmed against their will to defend their mad dream to introduce Pokémon from the ancient past and distant future into the modern age, which would destroy the present ecosystem. Arven had suffered the most in the end, because he had no parental figure to support him, because they were already dead. I understand Arven's pain and empathize with him because family is a terrible thing to lose.
Awesome, it really plays the mad scientist theme perfectly, of how both Sada and Turo basically snapped and were too far gone, caught up in their own goals that everything else became obsolete in their dreams.
I like to think that both of Juno's individual versions take place in different versions of Paldea, one based around Scarlet and the other around Violet. And in this version, the two realities somehow clash, forcing the player, Nemona, Arven, and Penny to contend with both Turo and Sada as well as both past and future Paradox Pokemon.
God, this is gorgeous and HEARTWRENCHING. Listening to the professors sing about their ideas and dreams so earnestly while knowing they’re totally out to lunch and need to be stopped before they cause an irreversible disaster is genuinely kind of painful, especially since they literally can’t be reasoned with anymore. If only it hadn’t come down to this, right? (The focus on dreams is interesting: I assume that’s a nod to the theory that the past/future Pokemon aren’t actually from the past/future and were instead unknowingly created from the professors’ ideas of past/future Pokémon?)
The way this sounds, it's like the real Sada and Turo are directly speaking through the AI Professors (and not in the Paradise Protection Protocol sense, more like there are ghosts in these machines). They sound confident in achieving their goals and giving their reasons for why they're doing them (as most mad scientists, achieving harmony). Contrasting that is Juno's which, like with Penny, depicts the situation as we see in the games where the AI Professor is very much their own independent and very reluctant entity. It very much does not want to follow through with the human Professor's plan, but can do little more than encourage the protagonists to defeat it and stop the potential paradoxical ecological crisis.
The trio of songs all come together very nicely. That the other 2 show what the player is experiencing from their point of view watching the AI professors fight the hard-coded programming, while this one is showing what's going through the Protocol's line of thinking, as it upholds the real professors' ideal dream no matter what.
Since it bears repeating, this and Juno's versions are separate lyrical interpretations of the same song, plus Alex and Juno frequently collaborate with each other (heck, Juno did the art here and Tom and Maiden worked on both channels' versions of this song). There's no stealing here, so no need to worry! :> Besides, there's really no one true fan-made lyrical cover of a video game song, somebody doing it first doesn't mean nobody else can make or perform their own lyrics for it anymore.
I do like the different choices between this one and the two made by Juno. Juno decided to make 2 separate versions, but you decided to combine them, which gives it's own amazing song!
This was amazing!!! Listening again to this theme I was getting heavy Toby Fox vibes from it, but I didn't know he actually worked on it! For some reason I thought he only did the Battle Tower in gen 8 Lyrics also remind me of Dark Darker yet Darker, which I love
Theres so much to comment on but I for one want to commend the editors. The seamless transitions between scarlet and violet visually, and between Sada and Turo audiolly (not sure if thats a word) is so perfectly seamless. Theres nothing abrupt or jarring. Especially in the transformation moment, without any camera cuts to use to sync it up; the camera and the light changes between Koraidon and Miraidon is so damn smooth????? All the respect and kudos to the editors who pulled that off it cannot have been easy to make it so seamless.
I like how both versions (juno and this version) shows the two sides of the ai professors, their more human and robot sides, I love this version shows them following their commands and trying to make "their dreams" come true, its so good
One interesting thing I've noticed between Juno and MOTI's versions is the different portrayal of the original professors' motivations. In the MOTI version, they seem both more idealistic but also shortsighted, with lyrics like 'All Pokemon/No matter where they are found/in history/They can live in harmony' implying that they are genuinely hoping that the past and future Pokemon can coexist with the Pokemon of the present, and they've not done, or more likely, refused to listen to, the research that indicates that the outsider Pokemon will push Paldea's native species to extinction. Conversely, Juno's versions have them be more informed, but also colder. In both Juno versions of the song, the original professors seem to be completely aware of the fact that their actions will cause an ecological disaster, but view it as a necessary sacrifice in pursuit of their ideal paradise, derisively referring to the Pokemon of the present as 'lesser species' and 'the ones who aren't selected' (Sada)/'irrelevant, inferior ones' (Turo).
"These Pokémon have gained a strange power due to their adaptations in the distant past/future... and this power has proved too terrible. Their very existence brings destruction to the ecological balance of this current age. *The original professor would say that such destruction is a natural part of life."* -AI Professor It seems like the original professor knew that releasing the Paradox Pokémon would fuck up the natural ecosystem, and they didn't really care all that much.
a rare case where both were insanely good. nice to see you took cues from the unofficial merges of juno's track into account. it sounds really well done on all sides.
@agunguskangan494 ehhh... penny could've been a little bit better on moti's version.. notes hung for a bit too long in my opinion. Whereas moti's ultra necrozma was great as junos was a bit unfinished sounding at points. Really it's back and forth between these two on most of these for me but that's just opinion however.
What did I do to get three amazing performances of my favorite theme from Scarlet and Violet, and quite possibly, the whole franchise? Seriously, I don't know how THREE versions of the same theme can be so incredible, brimming with energy and get me to fall in love with this theme all over again and again. I have no words other than thank you to everyone who worked on this and to everyone who worked on Juno's versions as well. You didn't have to pour your heart and soul into this theme but you did and it is honestly so touching.
Thank you so much for your kind words! Comments like these make it all worth doing. Thank you for watching and, if you know anyone who might like this performance, share it with them! Again, thank you!
Simply incredible. With the lyrics it shows just how far these corrupted versions of AI Turo and Sada have given into a deadly combination of arrogance and ambition in pursuit of their dreams to create that perfect world even if means bringing nothing, but complete devastation to Paldea along with the deaths of every person and Pokemon in the region. That art is phenomenal along with at certain points how the lyrics switch between Sada and Turo. Excellent work all around!
The closed captions have a glitchy effect, and when one is singing and the other stops, said one fades away. That's some attention to detail. Also, when Sada says "I'm afraid the possibility of you winning is Zero" the word for Zero in the captions is using different characters, and I don't even know what the Z is supposed to be. And the text from when Turo, Sada, and the "Present and Future" (in the second half) types itself out. I didn't even know that was possible until today. And I found it by accidentally leaving them on. Edit: They don't work well in Spanish, unfortunately.
What sort of wizardry did you do to the captions?? And I love the approach you took with having a duet that was almost like a time paradox, flickering between two different realities crashing together and threatening the main timeline. Incredible.
The worst thing is the AI's own will is against what Sada and Turo wanted, but their programming forces it anyway. Even the AI is shocked to the lengths Sada and Turo went to to protect their ambition. The Paradise Protection Protocol makes it blatently clear; the Professor was willing to MURDER anyone who got in their way. Siccing an Apex Predator of the past or future upon whoever opposed them, while rending them completely defenseless. An Apex predator which is openly violent and *even killed Sada/Turo*. They were killed by their own murder tool.
Holy wow. Can I just say that all these songs for Scarlet and Violet just hit so hard for their own reasons. But Tom at the line of "Can't you see? That reality. Can be anything I want it to -" I was waiting for it thinking it'd slightly be like Ostarava's, and then he just belts it with "BEEEEEE!" I was like blown away. Amazing job to everyone that worked on this project in any way that they did because wow! I'm in love with every song that you guys did for this part of the Pokemon series
I really like the connections to the rivals in this one Needs a hero: Nemona has been looking for someone who is on equal footing with her battling skills. Evolution: it represents penny’s diverse team of eeveelutions. The champion of area zero: it represents that arven is the child of the professors who are technically “the champions of area zero”
Rabid Fan A: Moti's version of this cover is better! Rabid Fan B: No, Juno's versions are better! Me and the other smart fans: OH SWEET! We got three good covers of this song! (possibly more if there are others I don't know about)
Ok...Nobody is pointing this out, but holy crap, the Closed Captions for this is ACTUALLY Kind of Impressive, the effort was 100% for this one, so thank you MOTI for making this feel so special ^^
As paradise falls, and the husks of two madmen stand before you, the machine activated, light flooding the room, you feel the air shift, somehow you hear but one thing, the cries of those who know better, your allies stand behind you, yet time stands before you, but you trudge on, past the serpent kings of past and future
An epic them for both past and present future back to back. It suits the original Professor’s obsession and not letting anyone stand in the way. Even letting the AI continue their work unwillingly.
The tragedy of the Professors of Area Zero is one filled with obsession, ambition and corruption. So driven to bring past and future about to achieve their dreams they lost sight of what they had in the present and so consumed by their dreams now turned into nightmares.
I like how this version could be seen as the prequel to Juno's version. This being Phase 1, focused on the AI's evil intenet, while Phase two is the professors reaching out for help.
@ostaraVA of course! I see you don't upload much but I subbed to your channel as well anyway. Your voice is stellar, its clear you care about your work and put wonderful effort into it. Very excited to hear more from you in the future!
Juno and MOTI making Scream Tail flipping horrifying makes me have nightmares. Might make Iron Hands my favorite Pokemon at this point 💀And make this and Juno’s covers my favorite final boss lyrics.
Okay but the art in the background of these videos is always SO GOOD. Like I WANT THIS AS MY WALLPAPER but i just don’t know where to find the full image.
OMG OMG OMG!!! MY FAVORITE PROFESSOR!!! THIS CANT BE REAL!! THANK YOU SO MUCH FOR MAKING THIS!!!! This story has been my favorite ever since its release! Im so obsessed with sada i love her! And i want to thank you all so much for working on this! I will listen to this everytime in my playlist!
Oh wow. That's absolutely amazing. You've really made an amazing work on this one. It's sounds like if some kind of deity was singing... I also didn't expect it now , such a good surprise from MOTI , as always ^^
Seeing this in my notifications i have never pogged so hard in public. After giving it a listen you never fail to impress me. Everytime i think this is going to as good as the last one you someone are able to take it one step higher. Extra note i think this song has my favorite art EVER.
i really like that both versions can portray the Professors in different ways Junos version felt like the AI's had personalities of their own and were trying to break the chains of their code MOTIs version felt like the AI's were embodiments of the professors wills, and willing to do anything to achieve it also unrelated but what I would do to get that art with both professors and their mons as a poster
I just want to point out the MASSIVE Effort that must've gone into making the Subtitles? Like the Lyrics are in the Video, but whoever made the Subtitles went through the effort to to have the Text not only Flicker in Red and Blue, but also for some sections look like it's actively being Typed out with Writing Glitches and everything. Absolutely lovely work.
These Lyrics are AWESOME!!!! I’m impressed! You’re making the Villains in the Pokémon Franchise better and better than they were before!!!! Love the duet.
Just a reminder-it’s not a competition! We at MOTI worked really hard to bring this song to you, too, in our own way, and if you like the versions I did, please tell me on my videos rather than use them to put down the one we also worked hard on, and vice versa! We took two different approaches to this song, and the fandom is a lot richer for it.
That being said, god this came out amazing, I’m so happy my artwork could accompany such a stellar performance!! The duet approach sounds awesome and hits different with these powerful vocals.
Both have pros, neither have cons.
They are both absolute bangers.
I probably wasn't the first person to say something like that, but I can't help feeling targeted by this because of that one time years ago when I stupidly said that I prefer one version of a song they both covered over the other and got called out by Juno. But since it was years ago, I grew up and I know better now.
I agree with@@DamselflyInDistress750. Both you and MOTI did amazing jobs with this track, and both takes are unique in their own way! ^u^
How some people think: Oh man, another cover of this? 😒
How people should think: Oh man, another cover of this! 😁
Idk who was in charge of subtitles, but shout outs to them for doing the glitchy effects on them! Such a small detail that wasn't nessicary at all but adds to the video in a spectacular way!
I really love this duality of both professors . Sada wants to return in “good old days when everything were better” while Turo in a position where he thinks that future would be better then today so he make his future come here and now .
Especially considering they are married
[SCARLET Divorce]
TURO: You were glued into that childhood dream of yours, you never thought of Arven's future.
SADA: How dare you to call me useless after what I have done for the three of us. What were those fundings for? I took them all from the investors for us.
TURO: There's no babysitter for our son, you did not even bother to hire one. You cannot trust a puppy to assist a toddler for 24/7.
SADA: Then what? It's your responsibility as a father to tend for the child too instead of roaming freely in Area Zero.
TURO: I had enough! You only think of yourself and that empty antique ambition. So be it, I will let you raise him, let's see how long you can with that pride of yours! *leaves*
SADA: Don't worry, once I get the project to work, I will bring your Papa back, Arven. A promised paradise for us inside the netherworld that is Area Zero.
@Bruhsaurus-Moment that's pretty much how I imagined the scenario for both sides.
@@Bruhsaurus-Moment violet divorce?
Kind of like the Pokemon fandom.
Sada and Turo are probably the most interesting Pokémon villains.
For one, they were never evil schemers. Instead, they were dangerously sociopathic. Willing to put everyone in Paldea in harm's way, and "justifying" it with social darwinism.
Also, they made a death trap for anyone who tried to stop them. Not only were they willing to indirectly do harm, but they were also willing to murder. (You know, the "locking all Poke balls." Basically using the more aggressive Raidon as a murder weapon.
Coupled with the fact that they died before the events of the game, but their sociopathy still poses a threat, with the AI Prof. in battle mode basically being their cold, ruthless side brought fully to light.
Definitely not my favourites (That'd go to Ghetsis and Lusamine), but yeah they are really interessing.
I always love the different perspectives between Alex’s and Juno’s covers. Here Alex and Mor’s lyrics feel more like the actual Sada and Turo where the lyrics are reaching for their goal, while Juno’s leans more on the AI Sada and Turo where they realize the Time Machine needs to be shut down and are stuck between fighting and encouraging the protagonist.
It’s always so cool to see
I love how MOTI brings out how merciless AI can be and Juno brings out AI’s emotions as they don’t like how they’re created to be
Agreed! I thought this too!
Yeah, they tend to always focus on opposite aspects of whatever they're making a cover of
Not to be biased I liked Juno’s cause it’s rhymes and catchy parts are really good. But for Alex both of the songs are fused s it’s somewhat hard for me to hear
If I had a nickel for every time Juno drew a nightmare fuel Scream Tail and put it in a lyrical version of the AI Professor theme, I would have two nickels. Which isn't a lot, but it's weird it's happened twice.
I mean, to be fair, how would you react to seeing something like Scream Tail?
@@prestonstanley7736Well, I'd think it was cute, but dangerous, like a bear cub. My mom's favorite is Jigglypuff, so...
this is my favorite comment. like ever.
@@tedscheett9420 a bear cub with a mouth the size of your head
@@prestonstanley7736 Does it actually? I look at it's animations in game and it doesn't look like it has that big of a mouth... it is 3 foot 11 inches on average. But since Jigglypuff is the Balloon Pokemon, it and Scream Tail would have elastic properties.
Okay, I can see where you're coming from now.
Time to combine this with Both of Juno Song's Versions for true paradoxical chaos
Glad we're on the same boat with that idea.
tried it. its actually good, really good.
@@CoryTashi-Levine Epic.
Let’s go
Oh yeah
Love how the lyrics reference the theory that the "time machine" is actually fulfilling the professor's wishes by making pokemon from their imagination.
So it's a dream machine
I was WAITING for someone to bring that amazing theory up
@@kellogglaeverbaum9989 If that's true, then it makes sense how ultimately the only thing capable of stopping the Professor was the Professor's original Raidon - a living embodiment of the Professor's dream before they succumbed to obsession and mania.
Ah the fate of the poor professors. Ambition and corruption often go hand in hand, but its even sadder knowing that these two robot doubles were corrupted against their will. Not that the original profs were evil, but their attempts to revolutionise the world left them trapped by their own inventions.
One trapped in the past, one obsessed with the future. And yet it was the son who focused on saving Pokemon in the present who succeeded.
how did sada and turo not realize that bringing invasive pokemon into paldea was a bad idea? are they stupid?
@@ryangallagher9723 No they aren't. There's a lore reason. It's not confirm but i think it's because their dream blind them.
I always interpreted the story as saying that the professors knew the consequences of their actions.
Though I mustve missed a line or two in my two replayes because apparently that's not the case.
@@ryangallagher9723 This should not be this funny.
WE GETTIN OUT OF AREA ZERO WITH THIS ONE
The combined lyrics of both professors on the different beats of the song is SUCH a good idea, and Juno killed it with art here! And the chords on Sada, omg!
🗣️🔥🔥🔥
Oh this is juno's art! They do a good job showcasing this battle!
This will be a long comment, so TL:DR, thank you for watching and I love you all!
First and foremost, I want to extend a warm welcome to OstaraVA (our Professor Sada in our dub) who absolutely blew me away with her incredible vocals! The clarity and pitch of her notes rises above the instrumental in a way that just strikes true and balances so well with my baritone ranting! Again, welcome to the channel and I look forward to seeing what the future brings for you!
To Professor Mor and Alex Beckham, the lyricists: You two brought to life through your lyrics such an incredibly nuanced interpretation of the Professors. The obsession and intensity is there, of course, but the piece is also tinged with a complex mix of yearning and melancholy which somehow just works with the "final boss hype" vibe of this song. The round with the Paradise Protocol in the middle of the song is utterly brilliant, too. But if there's one line that I must focus on and share my joy at being able to sing it is "I have worked and, at last, I have seen. The keys of time can unlock everything!" No line has bookended a song that I've been in better than this one and it is the single favorite line that I have sung for the channel in my 7+ years here. Thank you both for giving me something really special to work with. I can only hope that I've given it the justice it deserves.
To Juno, the artist: Your ability to interpret a song into a visual never ceases to amaze me, and this piece is simply exceptional. Every character, every expression of motion and emotion in this work hits the mark with the accuracy of one who is a master of their craft and of the subject matter. And, once more, thank you for letting me perform on your channel as well! Your growth as a creator is truly inspiring!
To Steel, the mixer: What else is there to say? Every time you work on something I've been in, you've always elevated it to the next level. The mix, the effects, the use of the space for each performer in such a complicated song must have been a challenge, but the final product is one that is simply a joy to listen to. Thank you for continued hard work and it is always a delight to be mixed by you!
To Maiden, the editor: When you took it upon yourself to make the video for this song, I knew it was in good hands. I saw flashes of your brilliance with your dynamic text work on "Peaches," but here you took a blank slate, material from TWO games (thanks, Darby and Mixeli for your footage!), and created a narrative thread that binds the whole piece together. The effects work is stellar, adding to the immersion and giving work a polish to it that truly shines throughout. I can't imagine how incredibly difficult it was to do this, but your editorial vision and knowledge of the craft of video making is simply inspiring! Thank you!
And finally, I want to extend a thank you to YOU the viewer, who, with your support and views, allow us the opportunity to share our creativity with you! We wouldn't be here without you!
Here's to 2024 and beyond!
-Tom Previte
It was such an honor to be able to sing with you for this song, as well as to work with all of the incredibly talented people involved in the creation of the video! You've all made me feel so welcome and I couldn't be more grateful ❤
@@ostaraVA Holy crap you were so insane as Sada, the way you carried that "be" at 2:10 literally gave me chills. You and Tom harmonized perfectly off each other and it was an absolute joy to listen to!
@@Venty179 Oh my goodness, thank you so much!! I'm so glad you enjoyed it, thank you for watching!
You and @ostaraVA had me in tears 😭 The lyrics too at 3:42 was just pure perfection, you two mesh so well!!!
You all are extremely talented and passionate about what you do, and it shows, that’s what I love most about MOTI’s videos.❤️💜
And those transitions from Scarlet/Violet especially at 4:18 were fire! 🔥
I feel like you’re a perfect fit for Turo, both versions of Turo are amazing thanks to you
Absolutely love how Professor Sada and Toro, despite differing approaches and different parts to the song, both intertwine to share the same mindset. Both reaching towards the same goal, singing together against those who dare oppose their dreams.
“Professor Sad”
You know what accurate
Turo*
This version: my name is AI Sada/Turo and I have a dream
Juno's version: listen here you little shit, you will *never* stop me from achieving my goals
This version gives me John Hammond vibes, an eccentric person with a grand dream, but fails to see the error in it
Junos version is like yeah, what you said
@@ksoundkaiju9256 bro I thought I was the only one making Jurassic Park connections
@ksoundkaiju9256
So essentially, Movie Hamond and Novel Hamond.
ALSO Juno’s version: Good god stop this insane person
MY NAME IS METTATON AND I AM HERE TO SAY
I love this! The way it feels like back and forth, like the battles are happening simultaneously, in parallel timelines is so cool
Oh my gods this song is finally out! This song was a blast to work on and write and everyone brought it to life so beautifully!
Ostara and Tom both brought Sada and Toro to life amazingly, words cannot express how much I love the way both of them brought the perfect level of seriousness and wonder to their roles.
Juno like always did such amazing art for this that elevates the video just that much more.
And of course between Stelyos and Maiden mixed and edited the song and video to be just amazing. I don't know how they do it, but their magic certainly brought it out for this video!
And now that I have this comment, let's do a bit of a dive into the lyrics!
The opening line was a fun one to write, I really wanted the song to open setting the theme of this song, the erratic thoughts of the original professors before they perished, now being forced through their robot doppelgangers.
At the time of writing this it was still unclear as to how the time machine worked, and since there was the prevalent dream theory, I did my best to sow in some seeds of that, "all my dreams can be reality" "a perfect world just like my dreams" and so on.
One like that ended up on the cutting room floor was "how could you hold a Litwick to a champion ranked trainer" which was inspired by a comment on one of my other songs I wrote.
It is subtle, but at parts of the video as the captions show there is a computer reading off lines on the background. That is intended to be the professors computer recounting some of their final thoughts. Most of those lines are taken from the various journals you can find throughout the area zero labs, giving a little insight into how the professors thought before they went off the deep end.
Of course there are a lot more little details throughout the song, if you are interested in the thoughts behind any of them, let me know and I can give you some insight!
I love whenever MOTI and Juno collaborate to release their own versions of a song. I find that while Juno tends to stick closer to the original songs energy and pacing, MOTi tends to take these energy filled tracks and transform them into more angelic. choir-esque renditions without changing the song one bit. They all sound perfectly in character, yet polar opposite in terms of energy. That's the paradoxical beauty between these channels!
On the scene where it switches to look at the protagonists, the lyrics kind of match up to the shown person
Evolution = Penny’s full team of Eeveelutions
Needs a hero = Nemona being too strong and needing a strong person to fight
The champion of Area Zero = Arven being the child of the professors
@@ThatGuardenerFanNo, sure the word “champion” is more associated with nemona but “of area zero” fits arven because he’s the son of the professors and is the one which starts the area zero storyline. Nemona fits “needs a hero” because she was just needed for her strength
@@Bengt2509true but "needs a hero" can also fit with Arven as he needed the protagonist (a hero) to help him save his Mabostiff and "champion of Area Zero" obviously fits with Nemona because champion. Moral of the story: They are both interchangeable and work well in both
@@RebL3333 rellll
I really like this one, feels like a perfect balance, like your fighting both the professors at the same time. Juno's version is a perfect one for the solo fight, and this elegant masterpiece is the dual to protect the past and future of time and Pokemon.
Sadly Gamefreak ain’t givin us the double fight
A double battle and they have all six mons plus the legends would be the most intense and horrifying fight yet
Honestly, I think it would be awesome, but that would a serious challenge.
Poor Arven then! He can’t take much more
@@claran3616 yea, I can’t imagine how painful for Arven to fight both parents
I personally love the emotion put into each professor’s “Can’t you see, that reality, can be anything I want it to be” The emotions of each are different however both are just as powerful
I love that the text has a gradient from Scarlet to Violet when both of them are singing the same words at the same time - it's a small but nice touch
Juno seems to capture the tragedy of the ai professor's, and get us to sympathize with them, it shows that this was a fight that shouldn't have happened that nobody wanted. This more demonstrates the corruption of the ai professor's and how they have gone too far with their research at the cost of their lives and possibly everyone elses. I also like how even if what they are doing is pretty malicious they sound more hopeful like they truly believe this is best for everyone.
I see your point, but if I might raise this. This is from the point of view of the actual Professor Sada/Turo. Their unabashedly single-minded goal of connecting the past/future to the present, either unknowing or uncaring about the evidence of the past/future Pokémon are exceedingly more dangerous, more VIOLENT than every other known species of Pokémon. To the point of knowing that if they are exposed into Paldea, that the entire region would be destroyed. They knew how violent just Koraidon/Miraidon were, as it was the cause of their own death. But they still don't care. They still believe that there can be peace and harmony among them, and they are doing everything they can to bring it to reality. And died trying
I find that this one feels like an actual paradox, while Juno’s version(s) is more focused on the present moment. Kinda interesting when you think about it.
“The past and future must live on!
These are the peaks of Pokémon!”
The absolute HARMONY of this piece is incredible! I got major chills from listening to this. Excellent work, MOTI.
LET'S GOOOOOOO i already LOVED junos versions, incredibly happy to see you do one too!
so is no one just never gonna talk about when you turn on captions? its so cool man
Thank you for bringing this to my attention because it's god damn cool-
@@kingkered01 THANK YOU PEOPLE FINALLY SEE THE COOL CAPTIONS ESPECIALLY IN THE TEXT DIALOGUES IN GAME
I turned my captions when i saw this comment
I agree.
It is cool.
It glitches bc ai
It's amazing how everything Toby Fox makes can be easily given lyrics
Toby fox made this whole track?
@@cataclysmicclasher3490Not the whole OST, but this was one of the songs he worked on.
@@cataclysmicclasher3490 he was helping the artists with it. You can even hear one sound effect that's been used in Undertale and Deltarune when the music loops from the build up to the fast beat
specifically in 5:23
Toby Fox: I AM Toby Fox.
@@cataclysmicclasher3490 nope, but this one was composed by toby
I had no idea Ho-oh got a paradox form bc this is absolutely HEEEEEEEEAAAAAAAATTTTTT
We don’t need Ho-oh for this to be heat
We got Entei
@@JustANewHunterwe need Paradox Ho oh and Keldeo
@@JustANewHunter Gouging Fire moment
@@liamtherobot9656 you have figured out how to bring the best paradox pokemon to life thank you O7
The editing is fantastic- the constant shift between Sada/Turo & Koraidon/Miradon looks so seamless. It's fantastic.
The vocalists sound great and fit well.
Maiden does an amazing job on the video with this one! Thank you for watching!
Holy shit the CC is amazing in this
highly recommend enabling them even if there's lyrics in the video itself, you won't regret it
Ooh it’s super cool
This final story has so many emotions in it, that I personally call it "Ghost in the Machine". Arven spent most of his life alone, due to his parents spending most of their time in Area Zero only to get killed by the aggressive Koraidon and Miraidon with their AI replicas in their places programmed against their will to defend their mad dream to introduce Pokémon from the ancient past and distant future into the modern age, which would destroy the present ecosystem. Arven had suffered the most in the end, because he had no parental figure to support him, because they were already dead. I understand Arven's pain and empathize with him because family is a terrible thing to lose.
Awesome, it really plays the mad scientist theme perfectly, of how both Sada and Turo basically snapped and were too far gone, caught up in their own goals that everything else became obsolete in their dreams.
I don’t know how you keep doing it but whoever is making the subtitles animated needs a raise.
I like to think that both of Juno's individual versions take place in different versions of Paldea, one based around Scarlet and the other around Violet. And in this version, the two realities somehow clash, forcing the player, Nemona, Arven, and Penny to contend with both Turo and Sada as well as both past and future Paradox Pokemon.
God, this is gorgeous and HEARTWRENCHING. Listening to the professors sing about their ideas and dreams so earnestly while knowing they’re totally out to lunch and need to be stopped before they cause an irreversible disaster is genuinely kind of painful, especially since they literally can’t be reasoned with anymore. If only it hadn’t come down to this, right?
(The focus on dreams is interesting: I assume that’s a nod to the theory that the past/future Pokemon aren’t actually from the past/future and were instead unknowingly created from the professors’ ideas of past/future Pokémon?)
The way this sounds, it's like the real Sada and Turo are directly speaking through the AI Professors (and not in the Paradise Protection Protocol sense, more like there are ghosts in these machines). They sound confident in achieving their goals and giving their reasons for why they're doing them (as most mad scientists, achieving harmony).
Contrasting that is Juno's which, like with Penny, depicts the situation as we see in the games where the AI Professor is very much their own independent and very reluctant entity. It very much does not want to follow through with the human Professor's plan, but can do little more than encourage the protagonists to defeat it and stop the potential paradoxical ecological crisis.
日本人で英語の意味を全て理解はできませんが、歌い方と歌声がとても好きです！😢
映像もカッコよすぎ！
👍
the vocal quiver on "all" at 4:30 is actually transcendent
The glitch effect with the closed captions is just so amazing! You put so much work even in the little details.
Finally the only good AI cover
Uh no
@@joschua1499it’s a joke because the boss fight in this video is against an AI
The trio of songs all come together very nicely. That the other 2 show what the player is experiencing from their point of view watching the AI professors fight the hard-coded programming, while this one is showing what's going through the Protocol's line of thinking, as it upholds the real professors' ideal dream no matter what.
Friends, admit it, gen-9 is the pinnacle of the story pokemon games.
THAT'S WHAT I'VE BEEN SAYIN'!
yeah, I just don’t like how the game runs. I have no issues with the actual story
Since it bears repeating, this and Juno's versions are separate lyrical interpretations of the same song, plus Alex and Juno frequently collaborate with each other (heck, Juno did the art here and Tom and Maiden worked on both channels' versions of this song). There's no stealing here, so no need to worry! :> Besides, there's really no one true fan-made lyrical cover of a video game song, somebody doing it first doesn't mean nobody else can make or perform their own lyrics for it anymore.
I do like the different choices between this one and the two made by Juno. Juno decided to make 2 separate versions, but you decided to combine them, which gives it's own amazing song!
wtf, who is the mad man who put so much work on the youtube subtitles. They are amazing!
This was amazing!!!
Listening again to this theme I was getting heavy Toby Fox vibes from it, but I didn't know he actually worked on it! For some reason I thought he only did the Battle Tower in gen 8
Lyrics also remind me of Dark Darker yet Darker, which I love
Theres so much to comment on but I for one want to commend the editors.
The seamless transitions between scarlet and violet visually, and between Sada and Turo audiolly (not sure if thats a word) is so perfectly seamless.
Theres nothing abrupt or jarring. Especially in the transformation moment, without any camera cuts to use to sync it up; the camera and the light changes between Koraidon and Miraidon is so damn smooth?????
All the respect and kudos to the editors who pulled that off it cannot have been easy to make it so seamless.
I like how both versions (juno and this version) shows the two sides of the ai professors, their more human and robot sides, I love this version shows them following their commands and trying to make "their dreams" come true, its so good
One interesting thing I've noticed between Juno and MOTI's versions is the different portrayal of the original professors' motivations. In the MOTI version, they seem both more idealistic but also shortsighted, with lyrics like 'All Pokemon/No matter where they are found/in history/They can live in harmony' implying that they are genuinely hoping that the past and future Pokemon can coexist with the Pokemon of the present, and they've not done, or more likely, refused to listen to, the research that indicates that the outsider Pokemon will push Paldea's native species to extinction.
Conversely, Juno's versions have them be more informed, but also colder. In both Juno versions of the song, the original professors seem to be completely aware of the fact that their actions will cause an ecological disaster, but view it as a necessary sacrifice in pursuit of their ideal paradise, derisively referring to the Pokemon of the present as 'lesser species' and 'the ones who aren't selected' (Sada)/'irrelevant, inferior ones' (Turo).
"These Pokémon have gained a strange power due to their adaptations in the distant past/future... and this power has proved too terrible. Their very existence brings destruction to the ecological balance of this current age. *The original professor would say that such destruction is a natural part of life."*
-AI Professor
It seems like the original professor knew that releasing the Paradox Pokémon would fuck up the natural ecosystem, and they didn't really care all that much.
Oh my God the amount of work put into this shows the lyrics by Alex and Mor, Tom and Ostara's Vocals, and Juno's art for this is AMAZING
I love this and Juno's version.
Both are added to my library. So different, so cool!
a rare case where both were insanely good. nice to see you took cues from the unofficial merges of juno's track into account. it sounds really well done on all sides.
Whatcha mean "rare"? Both always make absolute masterpieces every time
@agunguskangan494 ehhh... penny could've been a little bit better on moti's version.. notes hung for a bit too long in my opinion. Whereas moti's ultra necrozma was great as junos was a bit unfinished sounding at points. Really it's back and forth between these two on most of these for me but that's just opinion however.
Tom and Ostara killed it with this one, and Juno's art is incredible!
I absolutely love the subtitles (the ones you can toggle on/off)! Whoever did those put in so much effort
This sounds like how the crystals deep in Area Zero look. Beautiful….
What did I do to get three amazing performances of my favorite theme from Scarlet and Violet, and quite possibly, the whole franchise? Seriously, I don't know how THREE versions of the same theme can be so incredible, brimming with energy and get me to fall in love with this theme all over again and again. I have no words other than thank you to everyone who worked on this and to everyone who worked on Juno's versions as well. You didn't have to pour your heart and soul into this theme but you did and it is honestly so touching.
Thank you so much for your kind words! Comments like these make it all worth doing. Thank you for watching and, if you know anyone who might like this performance, share it with them! Again, thank you!
Simply incredible. With the lyrics it shows just how far these corrupted versions of AI Turo and Sada have given into a deadly combination of arrogance and ambition in pursuit of their dreams to create that perfect world even if means bringing nothing, but complete devastation to Paldea along with the deaths of every person and Pokemon in the region.
That art is phenomenal along with at certain points how the lyrics switch between Sada and Turo. Excellent work all around!
*me in the corner, crossing fingers that we get MOTI covers of other S/V covers to accompany the amazing ones by Juno, because they're both great
Both VA’s did amazing here!
The art was awesome too!
The closed captions have a glitchy effect, and when one is singing and the other stops, said one fades away. That's some attention to detail. Also, when Sada says "I'm afraid the possibility of you winning is Zero" the word for Zero in the captions is using different characters, and I don't even know what the Z is supposed to be. And the text from when Turo, Sada, and the "Present and Future" (in the second half) types itself out. I didn't even know that was possible until today. And I found it by accidentally leaving them on.
Edit: They don't work well in Spanish, unfortunately.
What sort of wizardry did you do to the captions??
And I love the approach you took with having a duet that was almost like a time paradox, flickering between two different realities crashing together and threatening the main timeline. Incredible.
The song is great too, but the editing is so clean when it goes between versions with the professors and 'dons! This is really well put together!
LETS GOOOO IVE BEEN EXCITED FOR THIS
Edit: THAT WAS AMAZING!!! THEIR DUET FIT TOGETHER SO BEAUTIFULLY. KUDOS TO THE SINGERS!!!
The worst thing is the AI's own will is against what Sada and Turo wanted, but their programming forces it anyway. Even the AI is shocked to the lengths Sada and Turo went to to protect their ambition. The Paradise Protection Protocol makes it blatently clear; the Professor was willing to MURDER anyone who got in their way. Siccing an Apex Predator of the past or future upon whoever opposed them, while rending them completely defenseless. An Apex predator which is openly violent and *even killed Sada/Turo*. They were killed by their own murder tool.
I can't help but imagine how brutal Koraidon killed Sada giving it's nature and that it's from the ancient past
1:14 you'd expect prof. sada to sing the higher part and turo to sing the lower part but its actually the other way around which i find interesting
They switch it up in the second chorus.
@@jiltedensign7479 oh yeah they do! thats pretty neat
Holy wow. Can I just say that all these songs for Scarlet and Violet just hit so hard for their own reasons. But Tom at the line of "Can't you see? That reality. Can be anything I want it to -" I was waiting for it thinking it'd slightly be like Ostarava's, and then he just belts it with "BEEEEEE!" I was like blown away. Amazing job to everyone that worked on this project in any way that they did because wow! I'm in love with every song that you guys did for this part of the Pokemon series
Love how even the closed captions are corrupted
I really like the connections to the rivals in this one
Needs a hero: Nemona has been looking for someone who is on equal footing with her battling skills.
Evolution: it represents penny’s diverse team of eeveelutions.
The champion of area zero: it represents that arven is the child of the professors who are technically “the champions of area zero”
Rabid Fan A: Moti's version of this cover is better!
Rabid Fan B: No, Juno's versions are better!
Me and the other smart fans: OH SWEET! We got three good covers of this song! (possibly more if there are others I don't know about)
Ok...Nobody is pointing this out, but holy crap, the Closed Captions for this is ACTUALLY Kind of Impressive, the effort was 100% for this one, so thank you MOTI for making this feel so special ^^
0:50 I’m getting shivers just listing to this! A musical masterpiece ❤❤❤
Woah! Ostara’s voice harmonizes REALLY well with itself! Admittedly, I came into this without high expectations, but I loved this one!
As paradise falls, and the husks of two madmen stand before you, the machine activated, light flooding the room, you feel the air shift, somehow you hear but one thing, the cries of those who know better, your allies stand behind you, yet time stands before you, but you trudge on, past the serpent kings of past and future
@@orangemoon286 erm only OnE like. Erm let me erm let me fix erm that
I was having a bad end of the week, this is just what I needed! ❤️💜
I absolutely LOVE what you did with the captions
An epic them for both past and present future back to back. It suits the original Professor’s obsession and not letting anyone stand in the way. Even letting the AI continue their work unwillingly.
The tragedy of the Professors of Area Zero is one filled with obsession, ambition and corruption. So driven to bring past and future about to achieve their dreams they lost sight of what they had in the present and so consumed by their dreams now turned into nightmares.
I love this! It makes me think you're fighting the professors at the same time in a double battle and I think thats awesome!
When Juno and MOTI both cover something, everyone wins! Except Arven.
Double the trauma :(
At least he probably has a large inheritance to pay for the years of therapy he needs
I like how this version could be seen as the prequel to Juno's version. This being Phase 1, focused on the AI's evil intenet, while Phase two is the professors reaching out for help.
I've listened to this song countless times, and I am now just realizing how cool and trippy the lyrics are if you have the captions on.
This has to be one of the best songs MOTI has done.
Lovin how they sing together ngl the vocals just go together perfectly!
OstaraVA did fucking *amazing*. I am so excited to hear her in more covers going forward!
Thank you so much for the kind words, and thank you for watching!! I promise I'll work hard to live up to expectations♥️
@@ostaraVA Honestly with the upcoming Kirby Music Bytes, you'd be perfect for Sectonia if Triple Deluxe's final boss theme ends up one of the songs.
@ostaraVA of course! I see you don't upload much but I subbed to your channel as well anyway. Your voice is stellar, its clear you care about your work and put wonderful effort into it. Very excited to hear more from you in the future!
@@nintendex9288 Wait, KIRBY BYTES? When was this announced?
Juno and MOTI making Scream Tail flipping horrifying makes me have nightmares. Might make Iron Hands my favorite Pokemon at this point 💀And make this and Juno’s covers my favorite final boss lyrics.
Okay but the art in the background of these videos is always SO GOOD. Like I WANT THIS AS MY WALLPAPER but i just don’t know where to find the full image.
OMG OMG OMG!!! MY FAVORITE PROFESSOR!!! THIS CANT BE REAL!! THANK YOU SO MUCH FOR MAKING THIS!!!! This story has been my favorite ever since its release! Im so obsessed with sada i love her! And i want to thank you all so much for working on this! I will listen to this everytime in my playlist!
Thank you for watching! We appreciate it! :D
i been looking for an cover for this song for so long and you guys finally did it! thank you !@@Tenebrismo
"the champion of area zero!" mixed with arval's artwork really gives me chills...
Oh wow. That's absolutely amazing. You've really made an amazing work on this one. It's sounds like if some kind of deity was singing... I also didn't expect it now , such a good surprise from MOTI , as always ^^
Seeing this in my notifications i have never pogged so hard in public. After giving it a listen you never fail to impress me. Everytime i think this is going to as good as the last one you someone are able to take it one step higher. Extra note i think this song has my favorite art EVER.
Love the song and the small detail of the subtitles chainging between red and purple in between the lyrics
Looking foward to the 1 hour version!
WHY IS NO ONE TALKING ABOUT THE CAPTIONS LIKE DAMN THATS WELL MADE
this was amazingly done, the editing to flow between the two versions was so fluid
Thank you! Maiden did such an amazing job!
Why is moti so good at making the final Pokemon encounters seem so much better than they actually are.
I cried at the end of the game : the most beautiful ending of pokemon all time ( for now )
i really like that both versions can portray the Professors in different ways
Junos version felt like the AI's had personalities of their own and were trying to break the chains of their code
MOTIs version felt like the AI's were embodiments of the professors wills, and willing to do anything to achieve it
also unrelated but what I would do to get that art with both professors and their mons as a poster
This is beautiful!
And these subtitles are INSANE, how is that even possible?!
I love the idea of a duet across dimensions, it’s done so well, this is amazing!! MOTI you’ve outdone yourself once again!
How have he managed to look the substitle look glitchy too
“All Pokémon, matter where they are found in history, can live in harmony” hits different after dexit
I just want to point out the MASSIVE Effort that must've gone into making the Subtitles? Like the Lyrics are in the Video, but whoever made the Subtitles went through the effort to to have the Text not only Flicker in Red and Blue, but also for some sections look like it's actively being Typed out with Writing Glitches and everything. Absolutely lovely work.
These Lyrics are AWESOME!!!! I’m impressed! You’re making the Villains in the Pokémon Franchise better and better than they were before!!!! Love the duet.