Emmanuel Ceysson, harp

University of the Arts Helsinki - Sibelius Academy presents:
Emmanuel Ceysson, harp
World-renowned harp player Emmanuel Ceysson is playing his first concert at Music Centre. Ceysson discards all the clichés associated with his instruments and mesmerizes his audience with energetic music that showcases the harp’s range in all its glory.
Ceysson is the principal harpist in the New York Metropolitan Opera Orchestra. Before his attachment in New York, he was the principal harpist in Opéra National de Paris. He has worked as a teacher in several internationally recognised educational institutions, such as the Royal Academy of Music in London and the Mannes School of Music in New York. Ceysson has also won numerous international competitions.
Emmanuel Ceysson’s teaching visit and concert are part of the international visitor programme launched at the Sibelius Academy of the University of the Arts Helsinki at the beginning of 2019. The programme complements the education provided at Sibelius Academy by inviting leading artists from different parts of the world to participate in the programme. The visiting artists work with Sibelius Academy students and teachers in a periodical manner, mainly in periods of one or two years. The establishment of the programme has been supported by the Jane and Aatos Erkko Foundation and Jenny and Antti Wihuri Fund.
Helsinki Music Centre - Camerata, December 3, 2020 - 19:00 (GMT+2)
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Complete the concert experience with a programme
The programme is available in audio and written both in Finnish and French. The Finnish version is read by Antti Holma and the French version by Emmanuel Ceysson.
www.uniarts.fi...
PROGRAM:
Claude Debussy (1862-1918)
Suite bergamasque (1905)
1. Prélude
2. Menuet
3. Clair de Lune
4. Passepied
Jean Cras (1879-1932)
2 Impromptus (1925)
Albert Roussel (1869-1937)
Impromptu pour la harpe, op.21 (1919)
Marius Constant (1925-2004)
Harpalycé (1980)
Gabriel Fauré (1845-1924)
Une chatelaine en sa tour, op. 110 (1918)
Henriette Renié (1875-1956)
Pièce symphonique en trois épisodes (1907)
1. Marche funèbre
2. Appassionato
3. «La pensée des espérances futures ne détruit pas la douleur, elle la transfigure»
Texts / Poems:
Paul Verlaine (1844-1896)
Fêtes galantes (”Puutarhajuhlia”) (1869)
Nro 1 ”Kuutamo” *
Charles de Gaulle (1837-1880)
”Bretagnen bardit” (katkelma) *
Ovidius (43 eaa.-17 jaa.), Muodonmuutoksia, kymmenes kirja, ”Orfeuksen laulut”, säkeet 148-154 **
Harpalyken legenda Euforion Khalkislaisen mukaan *
Paul Verlaine (1844-1896)
La Bonne Chanson (”Ehtoisa laulu”) (1870) *
Henriette Renié (1875-1956)
«La pensée des espérances futures ne détruit pas la douleur, elle la transfigure» *
* kääntänyt Einari Aaltonen
** kääntänyt Alpo Rönty
Reading / lausunta: Antti Holma
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Concert and Video production:
University of the Arts Helsinki, Sibelius Academy
Video, Multicamera live broadcast: Keijo Lahtinen
Sound: Olli Ovaskainen
Lights: Sirje Ruohtula
Producer: Pauli Raitakari
Video Titles / Graphic: Keijo Lahtinen
Original Graphic Realization: Jan Rosström
Artist photo by Dario Acosta
Katso lisää - More concert etc videos:
UA-cam -channel: Uniarts Helsinki
- Playlist: Sibelius Academy Concert Streams
• Sibelius Academy Conce...
www.uniarts.fi/
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All copyrighted music licenced by Teosto, the Finnish Composers' Copyright Society.
www.teosto.fi/en
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[@theopaopa1]

erinomainen. kiitos paljon

[@minnakoivuranta3401]

Beautiful, MAGNIFICENT, Emmanuel, thank you! Debussy's Claire de Lune sounds just as magical and passionate as it can sound.

[@angelaharpist]

That was a great delight! Thank you so much!

[@interestingharp-alexrider2576]

Masterful ❤️

[@Morettiharpe]

Bravo!!! Quel plaisir de t'entendre! Gros bisous

[@theopaopa1]

anche tu sei grande, isabelle ...

[@Harpforyourlife]

la tiene atadisima

[@davidellis9554]

Awesome technique, but uncomfortable listening to the streaming because of the excessive amplification and copious reverb.

[@nonenoneonenonenone]

I don't know if he is more ridiculous or more ludicrous, or is it just ridiculous and ludicrous to have him perform. And such a mediocre program. He is definitely a throwback to prewar French playing at best.