PROGRAM: SCARLATTI: 00:02 - Sonata K. 175, in A minor 03:16 - Sonata K. 427, in G major HAYDN: 05:37 - Sonata Hob XVI n° 37, in B minor: 1. Allegro moderato 09:48 - Sonata Hob XVI n° 37, in B minor: 2. Menuet 13:08 - Sonata Hob XVI n° 37, in B minor: 3. Presto SCHUMANN: 16:24 - Gesänge der frühe, op. 133 ("Songs of dawn"): 1. Im ruhigen Tempo 19:02 - Gesänge der frühe, op. 133 ("Songs of dawn"): 2. Belebt, nicht zu rasch 21:19 - Gesänge der frühe, op. 133 ("Songs of dawn"): 3. Lebhaft 24:00 - Gesänge der frühe, op. 133 ("Songs of dawn"): 4. Bewegt 26:35 - Gesänge der frühe, op. 133 ("Songs of dawn"): 5. Im Anfange ruhiges, im Verlauf bewegtes Tempo CHOPIN: 29:45 - Scherzo n° 2, op. 31, in B-flat minor (... Check my channel ;) ...)
Pianist: Mao Fujita Domenico Scarlatti (1685-1757) 1. 0:00 - Sonata in A Minor, K.175 2. 3:16 - Sonata in G Major, K.427 Joseph Haydn (1732-1809) Sonata No. 47 in B Minor, Hob XVI/32 3. 5:36 - I. Allegro moderato 4. 9:47 - II. Tempo di minuetto 5. 13:07 - III. Finale. Presto Robert Schumann (1810-1856) Gesänge der Frühe, Op. 133 6. 16:23 - I. Im ruhigen Tempo 7. 19:02 - II. Belebt, nicht zu rasch 8. 21:19 - III. Lebhaft 9. 24:00 - IV. Bewegt 10. 26:35 - V. Im Anfange ruhiges, im Verlauf bewegtes Tempo Frederic Chopin (1810-1849) 11. 29:44 - Scherzo in B-flat Minor, Op. 31 No. 2
I watched pretty much all of this competition, and definitely think Mao outplayed the others, but I’m not the judge! Mao has so much ability, feeling, etc, watching his progression with much interest! Australia 🇦🇺
makake251120 From me Stefan Pauli: I like everything about his playing, great clarity, emotional, every note stands out, no blur whatsoever , extremely expressive and balanced. Could you explsin what you do not like!?
The Scarlatti Sonatas are surely too fast: sparkling but lacking expressiveness; there are some wonderful "discords" in the first one, which one hardly even notices at this speed. The Haydn, too, is "ordinary"; where is the lyricism in the second movement. His tone is generally thin (try the first Schumannn piece; shouldn't this be richer?). Predictably, perhaps, he is at his best in Chopin, but even here there is a lack of distinctiveness to his cantabile; it all sounds rather "schooled". Too much to ask of a 14-year-old? Listen to George Li at that age. And he seems to sit too high; he's constantly leaning forward.
ABSOLUMENT étonnant...d´une excellence parfaite..dévouement à l´Oeuvre dúne grande sincérité . Belle reussite Bravo Fujita...
真央さんの演奏は一つ一つの粒がとても綺麗で聴き惚れてしまい何度となく再生して聴いています
私の心の潤いが真央さんのピアノ演奏です
どうぞ健康に気を付けてステキな音楽を届け続けて下さい
ありがとう❤
PROGRAM:
SCARLATTI:
00:02 - Sonata K. 175, in A minor
03:16 - Sonata K. 427, in G major
HAYDN:
05:37 - Sonata Hob XVI n° 37, in B minor: 1. Allegro moderato
09:48 - Sonata Hob XVI n° 37, in B minor: 2. Menuet
13:08 - Sonata Hob XVI n° 37, in B minor: 3. Presto
SCHUMANN:
16:24 - Gesänge der frühe, op. 133 ("Songs of dawn"): 1. Im ruhigen Tempo
19:02 - Gesänge der frühe, op. 133 ("Songs of dawn"): 2. Belebt, nicht zu rasch
21:19 - Gesänge der frühe, op. 133 ("Songs of dawn"): 3. Lebhaft
24:00 - Gesänge der frühe, op. 133 ("Songs of dawn"): 4. Bewegt
26:35 - Gesänge der frühe, op. 133 ("Songs of dawn"): 5. Im Anfange ruhiges, im Verlauf bewegtes Tempo
CHOPIN:
29:45 - Scherzo n° 2, op. 31, in B-flat minor
(... Check my channel ;) ...)
The second Scarlatti's sonata is the K427
@@andreadistefano2880 Thank you! I'll add it to my comment.
Many, many thanks.
Pianist: Mao Fujita
Domenico Scarlatti (1685-1757)
1. 0:00 - Sonata in A Minor, K.175
2. 3:16 - Sonata in G Major, K.427
Joseph Haydn (1732-1809)
Sonata No. 47 in B Minor, Hob XVI/32
3. 5:36 - I. Allegro moderato
4. 9:47 - II. Tempo di minuetto
5. 13:07 - III. Finale. Presto
Robert Schumann (1810-1856)
Gesänge der Frühe, Op. 133
6. 16:23 - I. Im ruhigen Tempo
7. 19:02 - II. Belebt, nicht zu rasch
8. 21:19 - III. Lebhaft
9. 24:00 - IV. Bewegt
10. 26:35 - V. Im Anfange ruhiges, im Verlauf bewegtes Tempo
Frederic Chopin (1810-1849)
11. 29:44 - Scherzo in B-flat Minor, Op. 31 No. 2
真央さんの演奏は一つ一つの音の粒がとても綺麗で繊細なので聞き惚れてしまい何度も聴いています❤ 私の心の潤いは真央さんの演奏です❤これからもステキな演奏を届け続けて下さい❤ありがとう
素敵な演奏ありがとうございます😮
Great talent. Impressive technique and musicianship.
すごい集中力。音が滑らかでクリア。抜群の音楽センス。これはすごい😮
濁りがなく全てクリアな音で素晴らしいです‼︎リモート中はずーっとリピートしてますがたまに聴き惚れてしまいます💕
Vraiment sympathique e tellement talentueux !.. Sourire Adorable et naturel ! Bonne route !
World class playing. Brilliant, as well as sensitive and versatile, great grasp of all the musical styles, not a mere finger wizard.
the real winner.
Как Мао изменился и усовершенствовался за 2 года.Сейчас потрясающий результат показал на конкурсе Чайковского...
I watched pretty much all of this competition, and definitely think Mao outplayed the others, but I’m not the judge! Mao has so much ability, feeling, etc, watching his progression with much interest! Australia 🇦🇺
so good ！very soft
Brbo！！ Mao 👏👏👏👑
О, Мао... Ты покорил наши сердца...
是非生でみたい
Маленький ,удаленький --18-летний... Все впереди,так держать!
最高すぎる👍✨⭐
マイクのせいか？途中から音がブチブチ切れてるのが残念😱😭
ブラボー‼感動しました❇✴❇
拝聴後も涙が溢れます…
真央君、素敵な演奏を有難うm(__)m
Oops, thought this was the 2019 Tchaikovsky comp, well, that makes it even more classy, he was only 14! Australia
18 years old , born 28 November 1998
КАКОЙ ЗВУК! КАКОЕ ПРИКОСНОВЕНИЕ К КЛАВИАТУРЕ. СРВЕРШЕННО ПОТРЯСАЮЩЕЕ ИСПОЛНЕНИЕ!
😮
Nice left hand whit chopin
Гений!
藤田真央 モーツァルトピアノ協奏曲
せっかく肝心の、スケルツォの所で雑音が…。本命曲だったのに。残念😭
K175 L429
😍
What's the program?
Scarlatti, Haydn, Schumann and Chopin. I wrote in detail in another comment above.
@ thanks a lot!
What's the name of the first song?
D.Scarlatti sonata K175
@@presto309
Thanks!
I don't like this style of playing in front of me.
makake251120
From me Stefan Pauli: I like everything about his playing, great clarity, emotional, every note stands out, no blur whatsoever , extremely expressive and balanced.
Could you explsin what you do not like!?
The Scarlatti Sonatas are surely too fast: sparkling but lacking expressiveness; there are some wonderful "discords" in the first one, which one hardly even notices at this speed. The Haydn, too, is "ordinary"; where is the lyricism in the second movement. His tone is generally thin (try the first Schumannn piece; shouldn't this be richer?). Predictably, perhaps, he is at his best in Chopin, but even here there is a lack of distinctiveness to his cantabile; it all sounds rather "schooled". Too much to ask of a 14-year-old? Listen to George Li at that age. And he seems to sit too high; he's constantly leaning forward.