I think the greatest thing about this voice is that (unlike the other stratospheric coloraturas) se gets LOUDER! I also have to say that this is one of her best ending high-notes. PERFECT and LONG!
Meravigliosa e splendida REGINA DELLA COLORATURA,UNA LEGGENDA DELLA LIRICA sia per la qualità del timbro di voce, sia per la tecnica di canto, che per l'estensione astrale!!! Morì prematuramente circa sui 40 anni ; in Francia fu dichiarato dal governo LUTTO NAZIONALE !!!!
La Reina de la coloratura. Con un extraordinario rango de escala vocal, que le permitía alcanzar sin problemas incluso el do6 sobreagudo. Llegó a la altura de Ré/6, 2320 vibraciones al segundo, y en una reprentación en Vichy (Francia) emitió su nota más alta, un D7 sobre un C-alto la nota más aguda nunca cantada.
He oído que Ima Sumac llegaba 5 escalas por encima del pentagrama pero como mi preparación no es en música no se como compara con lo de esta otra artista.
I have always been a Mado fanatic since I was 15. I thought I had seen every live performance as well as every recording (especially her remastered Lakme when CDs were new). But I have not seen this. I love finding these wonderful moments on UA-cam. I hope I can find more I have not seen.
Wow, the orchestra does not do her any favors here. Mado Robin is criminally underrated as a singer; people tend to hear her rapid Snow White-esque vibrato and her undeniably unique ability to hit high notes and assume she was a one trick pony, when she actually was a genuine musician. I happen to like coloratura fluff pieces like this, but I’ve also heard her sing Violetta’s arias with a wonderful grasp of the musicality and drama.
Yma Sumac no era cantante de ópera, esa es la diferencia aquí solo Erna y Mado que si se dedicaron al bel canto, la otra solo imitar sonidos, no dudo que tuvo un buen rango vocal pero nunca he escuchado una aria de ópera con ella.
@@tinnytavares A voz dela é muito diferente, acho que não existe mais cantoras com agudos tão altos assim nos dias de hoje. (Voz dela natural é extremamente aguda, e não é apito.)
what are some of her celebrated notes ... could they be B-flat or Cs *above* regular Coloraturas High Cs??? ...in her lower register, she sounds well, ah *simpy* like a little girl oftentimes, and yes, she gets fuller and louder as she ascends... she was considered freakish in her day. She even had celebrated rifts with conductor Tulio Seraphone at the San Francisco Opera, because her own interpolated notes were always *so* stratospheric! A minor member of the Frech aristocracy, she unfortunately died too young, I believe of cancer or leukemia...
you could replace the Ondes Martenot in the Turangalila Symphony with her voice and no one would know the difference - it's almost the same timbre and she could do the B6 it needs too
I don’t remember who told me this (a music teacher) or have anything to back it up but I was told it was in 1839 when he was at the theater in Josefstadt. Don’t know if it’s true or not as much like you I have found nothing on the internet to corroborate. ¯\_(ツ)_/¯
Apart from the stratospheric high notes, her coloratura (apart from her picchiettati, natural for a light voice like hers) was always slow and aspirated. No low notes. No words. No trills. One again, apart from the high Fs, Gs and As, don’t understand the fuss. 🤷🏻♂️
I agree with you about the musicality and her agility wasn't very good either, all done in the throat instead of from the diaphragm, but those stratospheric notes! What can one say?!
" Her extraordinary high register, which included a C in altissimo, was of a remarkable freshness and ease and had a *stupendous agility.* Some of her roles were arranged and transposed up especially for her voice! "
Mr. Andredekock, this type of voice is not supported the same way an Average lyric is. Its supported lightly on the breath AND the larynx. Like Hallstein and Sack. The vocal cords are too thin to withstand heavy breath support. They will lose all those sparkling upper notes.
Of course her voice and range were totally unique, I wish she was a better musician, or was surrounded by a better conductor, or orchestra. This is a difficult piece to coordinate, but this is not such a great representation of art. Still, I love her voice. No one has come close to her yet.
Quel monument de kitsch… l'accent italien, l'orchestre, la robe, la gestuelle, le décor, les dames qui applaudissent à la fin, tout est insurpassable… y compris et surtout les aigus, absolument fabuleux. En fait, la prestation est assez moyenne: beaucoup d'intervalles sont aspirés et la justesse n'est pas impeccable (c'était sans doute un mauvais jour). Mais dès qu'elle aborde l'octave (ou les deux octaves!) supérieure/s, elle est comme transfigurée
![[HD] Mado Robin Vocal Range Bb3 B6](/img/n.gif)
phenomenal. You could really feel she pours her heart and soul more than that magnificent range of her. Humble and true primadonna.
Fabuleux,il n'y a pas de mots pour qualifier le chant de Mado.
I think the greatest thing about this voice is that (unlike the other stratospheric coloraturas) se gets LOUDER! I also have to say that this is one of her best ending high-notes. PERFECT and LONG!
Cette voix est divine, on l'entendra un jour de nouveau, si nous le souhaitons, au "Ciel" !
Absolutely Yes, I will love to hear The Great Mado Robin sing in Glory...
Wieso soll sie dort sein ?
Fantastique... Unique....
Недавно открыла для себя эту замечательную певицу. В ней просто нет ни одного изъяна, и голос, и артистизм, и внешность - все по высшему классу.
Meravigliosa e splendida REGINA DELLA COLORATURA,UNA LEGGENDA DELLA LIRICA sia per la qualità del timbro di voce, sia per la tecnica di canto, che per l'estensione astrale!!! Morì prematuramente circa sui 40 anni ; in Francia fu dichiarato dal governo LUTTO NAZIONALE !!!!
Как я рада что открыла Вас, Мадо, для себя. Пожалуй, лучшей певицы я пока не встречала.
Que manera de cerrar la cancion con tremendo agudo , aplausos para una de las mejores sopranos de la historia Mado Robin.
Ella era la mejor. La que le sigue es nathalia Desay y otra que no recuerdo el nombre. La que me gusta de nathalia es glitter and be gay
Rita Streich..
I love her! her voice is amazing
La Reina de la coloratura. Con un extraordinario rango de escala vocal, que le permitía alcanzar sin problemas incluso el do6 sobreagudo. Llegó a la altura de Ré/6, 2320 vibraciones al segundo, y en una reprentación en Vichy (Francia) emitió su nota más alta, un D7 sobre un C-alto la nota más aguda nunca cantada.
Si la comparamos con Ima Sumac...
@@orlandosantiago1476 una voz prodigiosa.
He oído que Ima Sumac llegaba 5 escalas por encima del pentagrama pero como mi preparación no es en música no se como compara con lo de esta otra artista.
@@orlandosantiago1476comparala pero cantando ópera no solo haciendo sonidos, en ese terreno si serían comparables.
A real singing lession, looking all her face's and throat as mouth mouvements. The singers of today could really learn so much from this viedo clip.
La amo!!! Ella es magnifica!
Al fin un español. Solo english los comentarios 😂
X2
actually mado robin is a title holder of guinness in strathospheric coloratura
I have always been a Mado fanatic since I was 15. I thought I had seen every live performance as well as every recording (especially her remastered Lakme when CDs were new). But I have not seen this. I love finding these wonderful moments on UA-cam. I hope I can find more I have not seen.
Unique et si sympathique !
quelque soit son âge, elle avait gardé une très belle voie, chapeau bas Mao.
Such a sweet lady and she could have been a force had she been trained properly.
BSs
Me encantan esos agudos de la Mado 😍😍😍
Petite mes parents adoraient mado robin
Merveilleux...!!!!!
Un vrai ravissement... Merci pour ces vidéos... Unique... ❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️
On the video I have, they say that this evening, she was very sick and she was about not to sing !
This was like listening to a recreation of Tetrazzini...until that soaring finale. Never heard anything to match it.
Wow, the orchestra does not do her any favors here.
Mado Robin is criminally underrated as a singer; people tend to hear her rapid Snow White-esque vibrato and her undeniably unique ability to hit high notes and assume she was a one trick pony, when she actually was a genuine musician. I happen to like coloratura fluff pieces like this, but I’ve also heard her sing Violetta’s arias with a wonderful grasp of the musicality and drama.
Bravo !!!!
Как же она старательно поёт! Стратосферная колоратура ;-)
Isso é impressionante demais! 👏👏👏👏
❤!
Perfeita ❤
Yma sumac...(Peru)....irna sack...(Alemania)...y mado robin...(.francia) ..lo mejor de la historia🌹
Yma Sumac no era cantante de ópera, esa es la diferencia aquí solo Erna y Mado que si se dedicaron al bel canto, la otra solo imitar sonidos, no dudo que tuvo un buen rango vocal pero nunca he escuchado una aria de ópera con ella.
Sa voix ressemble à la voix de la bonne fée qui me rassurais quand j'étais petite
Tout à fait d'accord ... elle n'est que stratopshérique .. elle a du coeur ... elle est la MEILLEURE!
❤❤❤
👏👏👏🌿🌿🌿
Голос Ангела.
Rainha ❤
✨🕯️
FANTASTICA!!!!
its like a bird, so beautiful 2:31
Girl Pavarotti!!
Que coisa linda!
Algum br?
12/08/17
00:05 h
Thiago Ferreira
Minha inspiração ❤
Thiago Ferreira
Também gosto, infelizmente aqui é assim.
Amo Madon Robin!!!! Haha Spargi d'Amaro Pianto, pra mim é perfeito na voz dela.
@@Homemdavozaguda ai nem me diga. Amo demais, essa voz! 😍
@@tinnytavares A voz dela é muito diferente, acho que não existe mais cantoras com agudos tão altos assim nos dias de hoje. (Voz dela natural é extremamente aguda, e não é apito.)
Uma voz é uma voz! ❤
Olha este láb super agudo !? Pay attention to 'that' A-flat !!!
what are some of her celebrated notes ... could they be B-flat or Cs *above* regular Coloraturas High Cs??? ...in her lower register, she sounds well, ah *simpy* like a little girl oftentimes, and yes, she gets fuller and louder as she ascends... she was considered freakish in her day. She even had celebrated rifts with conductor Tulio Seraphone at the San Francisco Opera, because her own interpolated notes were always *so* stratospheric! A minor member of the Frech aristocracy, she unfortunately died too young, I believe of cancer or leukemia...
THERE ARE NO COLORATURAS ON THE OPERATIC STAGE TODAY WHO CAN MATCH THIS. SINGING IS RUBBISH TODAY.
It certainly is.
Her tone is definitely steadier than the sopranos of today.
Wow wow unique
OMG!
me gustó, me gustó...!!!!!!!!
you could replace the Ondes Martenot in the Turangalila Symphony with her voice and no one would know the difference - it's almost the same timbre and she could do the B6 it needs too
Ecco il monumento alla tecnica..Niente affondi e niente spinta..sensazionale..se si ricominciasse a cantare così l'opera ed il canto sarebbero salvi!
Does anyone know which year this piece was composed? It is IMPOSSIBLE to find that information online :/
MadonnaImperia
It's written on the description : September 1957 :)
liovinc78 That is the date of the recording. I would like to know which year Proch composed this piece :)
MadonnaImperia
Ooops, really sorry... I don't know
I don’t remember who told me this (a music teacher) or have anything to back it up but I was told it was in 1839 when he was at the theater in Josefstadt. Don’t know if it’s true or not as much like you I have found nothing on the internet to corroborate. ¯\_(ツ)_/¯
published 1850 [ soprano or alto and piano ], Wien, Diabelli und Co.
Apart from the stratospheric high notes, her coloratura (apart from her picchiettati, natural for a light voice like hers) was always slow and aspirated. No low notes. No words. No trills.
One again, apart from the high Fs, Gs and As, don’t understand the fuss. 🤷🏻♂️
1957
Je n`ai pas entendu``live` des aigüs aussi faciles. A croire qu`on ne sait plus comment monter...
Dopo che ci e' passata la Callas la Robin....sembra di stare al circo.
Voix de cristal🤍🕊✨💫💙🌈☝️
I agree with you about the musicality and her agility wasn't very good either, all done in the throat instead of from the diaphragm, but those stratospheric notes! What can one say?!
The production was far superior to anyone today.
" Her extraordinary high register, which included a C in altissimo, was of a remarkable freshness and ease and had a *stupendous agility.* Some of her roles were arranged and transposed up especially for her voice! "
Mr. Andredekock, this type of voice is not supported the same way an Average lyric is. Its supported lightly on the breath AND the larynx. Like Hallstein and Sack. The vocal cords are too thin to withstand heavy breath support. They will lose all those sparkling upper notes.
Of course her voice and range were totally unique, I wish she was a better musician, or was surrounded by a better conductor, or orchestra. This is a difficult piece to coordinate, but this is not such a great representation of art. Still, I love her voice. No one has come close to her yet.
Une male une femme
Quel monument de kitsch… l'accent italien, l'orchestre, la robe, la gestuelle, le décor, les dames qui applaudissent à la fin, tout est insurpassable… y compris et surtout les aigus, absolument fabuleux. En fait, la prestation est assez moyenne: beaucoup d'intervalles sont aspirés et la justesse n'est pas impeccable (c'était sans doute un mauvais jour). Mais dès qu'elle aborde l'octave (ou les deux octaves!) supérieure/s, elle est comme transfigurée
Terribile
Merci quelle splendeur, j'avais 6 ans....