Made me cry this time. This is THE protest song. Accidental. Written before the wall was even an idea. Exceedingly prescient. Anais Mitchell is a genius. Come play in London??
the ruling class will always use nationalism to build more walls. walls between neighbors and walls of the mind and walls of the price of rent. It's all walls
I don't believe this protest song was accidental. Even if the writing pre-dates the current situation, societies and despots who have more have long created "walls" to keep people with less out - and control the people within.
Chinese wall, Hadrian's wall, Berlin wall... The idea and practice of walls have been around for a looooooooong time. But leave it to pumpkin head to come up with ancient solutions for current problems.
Thank you Olly Thorn (Philosophy Tube) for exposing me to this song! Thank you Anaïs Mitchell for writing it! I really legitimately want this to be an antifascist anthem now. It's so good.
Trouble is, those who would most benefit from an understanding of the irony in these lyrics, it simply flies over their heads - whoosh! I witnessed a tragic comment exchange elsewhere below a performance of this song, and this guy was raving about how right it was, and how that's exactly why we need to build the wall, to keep our the poor who want our stuff, etc. People tried to explain but it was no use. Just makes you want to weep.
Saw her for the first time in Nottingham the night after Trump was elected and she played this song. A mesmeric performer - she connected instantly with the audience and every song is played with genuine feeling and that twitchy energy she exudes.
As a German, this is so reminiscent of the way the "neccesity" of the Berlin wall / hard border between East and West Germany was justified by the GDR government. Mesmerizing.
OMG! Congratulations on winning the Tony Award for Best Original Score - Music and Lyrics for Hadestown. I'd mostly knew you for your folk music years, being an old folky from the sixties. I'm stunned to see you so sophisticated and professional. How wonderful someone so lovely and so talented as you should make it all the way to the top!!!
I remember reading a review of the Hadestown record which referred to Greg Brown's "subterranean" vocals as Hades. He knocks this song out of the park on the record for anyone who hasn't heard it. Greg was such a big part of PHC, hearing this wonderful performance brought this back to mind.
Thanks so much for watching clips of Live From Here, if you enjoy this checkout Chris Thile and Punch Brothers new musical variety show, The Energy Curfew Music Hour. Season one is streaming here: bit.ly/ecmh-season1
Thank you so much for using this great song Olly, so glad I know it now. To anyone wondering why this comment section is suddenly full of people mentioning Philosophy Tube, go check out his latest video on Steve Bannon, it is bonkers !
I'm still tuning in and enjoying these shows each weekend. It seems like Chris Thile is imitating Garrison Keillor's vocal style and character, and I hope that he eventually finds his own voice for the show.
it came in my feed a few tears after i first listened to it, and i can not remember why I listened to it initially, but something led me to it. maybe a reference in a fiction
I've watched various versions of this song: NPR Tiny Desk, her solo performance on a couch in a field, the cast version sung in a studio, even Billy Bragg. No matter how many times I hear it, its still just as powerful.
Jaysus, I'm gonna have to start listening to PHC again. These guests (and the house band) are basically my playlists and pandora stations. Great job so far!
Such a great song, heard it first as a cover by Billy Bragg on a German music festival and was touched at once, but Anais's own version is even better!
In a way, to me, it's kind of funny reading comments saying "wow, it's almost she predicted this..." ... guys, this separation of humanity is as old as time itself, it goes back to the early days of civilisation, and pre-civilisation when we lived in tribes, if anything, the way we behave in a modern political context only shows how far we haven't come, how much we haven't achieved, and how far we have to go...
Sort of sounds like it's Persephone singing instead of Hades, and her view on it. More sympathetic and more of a kind and peaceful communal indoctrination.
People in this comments section who can't seem to handle the fact that a) the song is not about Trump and in fact pre-dates him a good ten years and b) the song is satirical and as written and performed is literally sung by the God of the Underworld and therefore should not be taken as serious recommendation of policy are really, really stupid.
True, it is not about Trump's wall, and she wrote it some 10 years ago, but can you not see the parallels? I get where My Daddy is coming from. The lyrics are hauntingly prescient for the current situation.
I find the song very relevant. The enemy is poverty. Our country has never been more inundated by foreigners with their hands out. Our boarders are such that calling them boarders is an incorrect definition. So they come and keep coming, while our own government turns its back on the people whom are supposed to be here and sees to the needs of those whom aren't supposed to be here. Every word of this song is true.
Mumbled he is right though. If you come to a country illegally, take money and send it back to your home, have no plans of assimilating, then you should not be suprised when you are targeted as a contributing factor to weakening the nation, because that's what you are doing. I support keeping a sense of cultural identity, but at the end of the day, if you come to a country with plans of living there, you abide by there laws and moral principles. It's the equivalent of moving to japan to wear a cowboy hat and shout 'merica #1everywhere. It makes no sense to be overly proud of a country you left and shit on the one thats feeding you now.
The King of Hades is much more intelligent and articulate and cunning and Machiavellian. More like Putin vs the immature entitled oafy impetulance of DJT
excellent mandolin solo. trump can make this number one. this is the best version - biglove to all the protestors from London sound peace not war revolutionation suggest non oppositional revolutionary philosophy and technique STRICTLY FLUFFY ACTION I recommend rolling soundsystems check my channel but these days a big blue tooth pack better and you need the right tunes. this is one. (much better than fox playing you shouting virtue signaling spur of the moment stuff too easy to pick out bits make you look bad lockup reclaim the streets UK 90's preceded antiglobalisation movement its all about soundsystems trust me)
Me: man I sure do love hadestown and ‘why we build the wall’ is one of my favorite songs! Oh! Here’s the writer singing the song! The comments: *political bullshit* *people thinking it was written about trump when the song was written like 7 years ago* Me: 🙃
It wasn't written about Trump specifically, but it was written as a sarcastic critique of the same toxic rethoric used by him to get elected, hence why it's so relevant. Don't be so dense.
Anaïs Mitchell actually said that the song is particularly relevant now because of Trump, and the song is an anti-fascist song, so it’s inherently political and obviously anti-Trump, dingus
![Hadestown Cast - "Why We Build The Wall" [LIVE @ SiriusXM]](http://i.ytimg.com/vi/e2pxbyf_tgE/mqdefault.jpg)
It's insane that she wrote this almost 10 years ago, the song's relevance now.......chills.......
It wasn't meant to be literal. People are just bastards.
Kind of the story of human history and literary archetypes. Doesn't even apply to Trump well.
She wrote it in 2006, actually. She said so in the Tiny Desk that recently aired.
SCARY AS FUCK!
Made me cry this time. This is THE protest song. Accidental. Written before the wall was even an idea. Exceedingly prescient. Anais Mitchell is a genius. Come play in London??
TrollCatcher2010 its in london right now!! (with probably the best cast ever haha)
the ruling class will always use nationalism to build more walls. walls between neighbors and walls of the mind and walls of the price of rent. It's all walls
I don't believe this protest song was accidental. Even if the writing pre-dates the current situation, societies and despots who have more have long created "walls" to keep people with less out - and control the people within.
it was written in 2009. The Wall has been an idea for decades.
Chinese wall, Hadrian's wall, Berlin wall... The idea and practice of walls have been around for a looooooooong time.
But leave it to pumpkin head to come up with ancient solutions for current problems.
Thank you Olly Thorn (Philosophy Tube) for exposing me to this song!
Thank you Anaïs Mitchell for writing it!
I really legitimately want this to be an antifascist anthem now. It's so good.
Trouble is, those who would most benefit from an understanding of the irony in these lyrics, it simply flies over their heads - whoosh!
I witnessed a tragic comment exchange elsewhere below a performance of this song, and this guy was raving about how right it was, and how that's exactly why we need to build the wall, to keep our the poor who want our stuff, etc. People tried to explain but it was no use. Just makes you want to weep.
same
Most people get it though. Surely..
@@bengrillet my racist aunt grandma thought it was serious :S
@@bengrillet I just saw the show on Broadway and some folks walked out of the theater after this song.
Anais is maybe the most under-appreciated face on the contemporary music scene. She is a real treasure!~
This song is so poetically powerful and beautifully sad. Thank you Chris Thile for inviting Anaïs Mitchell to lead this fine performance.
Saw her for the first time in Nottingham the night after Trump was elected and she played this song. A mesmeric performer - she connected instantly with the audience and every song is played with genuine feeling and that twitchy energy she exudes.
damn , how come I keep missing great gigs like this in Nottingham ?
This gave me serious goosebumps about twenty hours ago. One of the most perfect things I've ever heard.
eh... not that great... were you smoking at the time ;)
I don't think I could handle watching PHC if I was toasted. I'd be so mellow I'd die.
Harley T. Johnson proper songwriting, fairly rare these days
Im listening to this high and you are not far off.
Eerily contemporary for an anti-propaganda satire written about 7 years ago
Art is never about the present.
Prescient.
Still relevant, sorry to say. English boy here from Billy brag
@@tmarritt it will always be relevant
Hello from the future.
As a German, this is so reminiscent of the way the "neccesity" of the Berlin wall / hard border between East and West Germany was justified by the GDR government. Mesmerizing.
Is especially how the border around Europe is justified by roundabout every politician.
to be fair any excuse to shoot random Germans is funny though, you guys really did have it coming.
OMG! Congratulations on winning the Tony Award for Best Original Score - Music and Lyrics for Hadestown. I'd mostly knew you for your folk music years, being an old folky from the sixties. I'm stunned to see you so sophisticated and professional. How wonderful someone so lovely and so talented as you should make it all the way to the top!!!
This song gives me the chills, so spookily prophetic....
I remember reading a review of the Hadestown record which referred to Greg Brown's "subterranean" vocals as Hades. He knocks this song out of the park on the record for anyone who hasn't heard it. Greg was such a big part of PHC, hearing this wonderful performance brought this back to mind.
Just listened to it. Chills.
Hadestown is amazing. The more I listen the more I love it. I want everyone to hear it! Thank you!
Lesli D A cover for it just randomly showed on my recommended lists. I've never heard of it before and now I'm hooked :D
Anaïs is the best, Hadestown is the album of our times.
You had me at "Sung by Hades of the underworld and Cerberus..."
Thanks so much for watching clips of Live From Here, if you enjoy this checkout Chris Thile and Punch Brothers new musical variety show, The Energy Curfew Music Hour. Season one is streaming here: bit.ly/ecmh-season1
Amazing piece. And props to Chris. He just slides into everything like he's played it 1000 times.
This song never fails to give me goosebumps
Thank you so much for using this great song Olly, so glad I know it now.
To anyone wondering why this comment section is suddenly full of people mentioning Philosophy Tube, go check out his latest video on Steve Bannon, it is bonkers !
I've only just discovered her and this may sound audacious but to me this song is on a level with some of Dylan's best protest songs.
I'm still tuning in and enjoying these shows each weekend. It seems like Chris Thile is imitating Garrison Keillor's vocal style and character, and I hope that he eventually finds his own voice for the show.
This sounds so beautiful in a lower tone. Chills.
a song written before its time and so relevant today!
who's here from p-tube
Present, wait, you're not taking attendance are you?
@@AbMaSync nah just vying for internet points really
don't play with matches
YOU'RE NOT JUST DEALING WITH A NORMAL FASCIST KAKAROT
I HAVE REALISED THE LEGEND
Concerns have been raised
What a wonderful piece of music. Wonderful band, too.
I can’t stop hearing this now that I have.
it came in my feed a few tears after i first listened to it, and i can not remember why I listened to it initially, but something led me to it. maybe a reference in a fiction
I'm just blown away by this. It's so well put and so painfully true.
I only heard this song first time today - chills me to the bone
so glad you posted this, it was my favourite of the night.
Now THAT was amazing! I don't want to hear it sung by anyone else... perfect as it is ; )
The female vocal on this is so fresh and sour!
Great song!!.... wish more folk wrote this kind of stuff.
How do I keep accidentally coming across Chris Thile. First Punch Brothers, then with Vulpeck, now with Anais Mitchell
Excellent!!! WooHoo!!!
I've watched various versions of this song: NPR Tiny Desk, her solo performance on a couch in a field, the cast version sung in a studio, even Billy Bragg. No matter how many times I hear it, its still just as powerful.
Chris u are so crazy, and I love it. jack white and your music, I love I love! thank u!
Deep lyrics here. I had heard the version that you spoke of - with the lower voice. Thanks for sharing.
WOW! You rock!
Amazing.
Saw her last night - she's great!!
I came here after hearing Billy Bragg's version. This is awesome.
Brilliant. So prescient.
LOVE!
Love her. Love this.
This song is so good I had to look it up. I guess I wasn't the only one.
So apt.
Sarah Jarosz on backup vocals. She is another great artist
I. Love. This video.
Amazing!!!
I love how this entire video is a second shorter than what seems to be the official version of the song
I got chills
I wish Leonard Cohen had recorded the Hades part in this song, it would fit his voice.
I wish Mitchell and Cohen had met.
what a great song!
simply stunning
Who do we call the 'enemy' ? We call the enemy "poverty" ! Only prosperity can set us free !
She seems lovely
Jaysus, I'm gonna have to start listening to PHC again. These guests (and the house band) are basically my playlists and pandora stations.
Great job so far!
Ive been looking for this!
You go cousin!
Such a fine, fine piece of work! Thanks!
Such a great song, heard it first as a cover by Billy Bragg on a German music festival and was touched at once, but Anais's own version is even better!
This is so different from the Broadway recording, I love both though
To work to your hearts content in utter insanity while possessing such skill. If that is all you want. So shall you recieve.
prophetic
In a way, to me, it's kind of funny reading comments saying "wow, it's almost she predicted this..." ... guys, this separation of humanity is as old as time itself, it goes back to the early days of civilisation, and pre-civilisation when we lived in tribes, if anything, the way we behave in a modern political context only shows how far we haven't come, how much we haven't achieved, and how far we have to go...
u sound fash
Noone would have thought that the wall would become a literal threat
music starts at 1:10
She clearly stated at the beginning that this song is sung by Hades of the underworld and his minions.
Most of us didn't see it coming - Anais Mitchell sure did! What a prescient song that connects Orwell and Trump in one straight line!
CHILLS
Sort of sounds like it's Persephone singing instead of Hades, and her view on it. More sympathetic and more of a kind and peaceful communal indoctrination.
I was JUST thinking that!
Song starts around 1:09
People in this comments section who can't seem to handle the fact that a) the song is not about Trump and in fact pre-dates him a good ten years and b) the song is satirical and as written and performed is literally sung by the God of the Underworld and therefore should not be taken as serious recommendation of policy are really, really stupid.
Philosophy tube sent me here.
I listened to the whole Hadestown album last night, it's beautiful, especially Wedding Song at the beginning - and of course this one.
@@wdirtymonkey I'll have to check it out. I have yet to listen to it.
Yeah he just played a short snippet but I knew instantly I had to hear the whole thing
Here because of olly from philosophy tube.
Just heard this on a re-run of PHC, had to come find it.
SO GOOD. Is the NY show still playing?
Гениальная песня.
music starts at 1:10!
I know she's not dolly, but this song and her singing have me thinking of 'joleene'. love dolly, btw...
Anyone got a match?
greg brown is phenomenal but this really has a whole other vibe that im really digging..
On my first hearing of this awesome anthem, it's sung by Greg Brown ... with whom I glommed on it
Trumpers listening to this song right now punching the air!!!!!
I have a burning need for a woman to play Hades now.
I hope not. Kind of destroys the story and vocals.
@@Yusuf-fs4fn idk I'm into it
Who's here from hadestown?
who is the other female vocalist ?
Sarah Jarosz
Chris Thile is to the mandolin what Jimi Hendrix was to the Electric Guitar
Fucking glorious
Dedicating this song to Mr. Trump. I'm sure he can relate.
True, it is not about Trump's wall, and she wrote it some 10 years ago, but can you not see the parallels? I get where My Daddy is coming from. The lyrics are hauntingly prescient for the current situation.
Thanks for that April x
I find the song very relevant. The enemy is poverty. Our country has never been more inundated by foreigners with their hands out. Our boarders are such that calling them boarders is an incorrect definition. So they come and keep coming, while our own government turns its back on the people whom are supposed to be here and sees to the needs of those whom aren't supposed to be here. Every word of this song is true.
hi michael i realise i'm writing this two months after the fact, but have you ever thought critically about anything in your entire life?
Mumbled he is right though. If you come to a country illegally, take money and send it back to your home, have no plans of assimilating, then you should not be suprised when you are targeted as a contributing factor to weakening the nation, because that's what you are doing. I support keeping a sense of cultural identity, but at the end of the day, if you come to a country with plans of living there, you abide by there laws and moral principles. It's the equivalent of moving to japan to wear a cowboy hat and shout 'merica #1everywhere. It makes no sense to be overly proud of a country you left and shit on the one thats feeding you now.
Propriety is steal!
The enemy is poverty.
A euphemism for classist/racist fear of "poor" people, "because they want what we have got"
The King of Hades sounds a hell of a lot like DJT.
The King of Hades is much more intelligent and articulate and cunning and Machiavellian. More like Putin vs the immature entitled oafy impetulance of DJT
important premable and song starts @ua-cam.com/video/LBGUqMyyvnI/v-deo.html
In the UK we have brexit...
excellent mandolin solo. trump can make this number one. this is the best version - biglove to all the protestors from London sound peace not war revolutionation suggest non oppositional revolutionary philosophy and technique STRICTLY FLUFFY ACTION I recommend rolling soundsystems check my channel but these days a big blue tooth pack better and you need the right tunes. this is one. (much better than fox playing you shouting virtue signaling spur of the moment stuff too easy to pick out bits make you look bad lockup reclaim the streets UK 90's preceded antiglobalisation movement its all about soundsystems trust me)
Billy Bragg brought me here.
Me: man I sure do love hadestown and ‘why we build the wall’ is one of my favorite songs! Oh! Here’s the writer singing the song!
The comments: *political bullshit* *people thinking it was written about trump when the song was written like 7 years ago*
Me: 🙃
It wasn't written about Trump specifically, but it was written as a sarcastic critique of the same toxic rethoric used by him to get elected, hence why it's so relevant. Don't be so dense.
Anaïs Mitchell actually said that the song is particularly relevant now because of Trump, and the song is an anti-fascist song, so it’s inherently political and obviously anti-Trump, dingus
Billy Bragg sent me here.
Who's over here rooting for Hades, the guy who just wants his people and wife to finally be safe and happy from outsiders?
Why would you root for him when he's so clearly misguided
He’s wrong you dolt, that’s the point of the song
it is strange to see the people sing