It's interesting how you describe your experience with the song. For me it always sounded chill and dancing like. I like this live version but definitely I prefer the album version.
I imagine this is closer to how the song sounded when it was first written, and it's testament to Radiohead's genius they can switch it up like that. Both versions have their own unique energy which makes them interesting for different reasons.
Hearing this low tech version has helped me realize something about this song -- the bass line is a sped up version almost note-for-note of the theme from NIN's "The Downward Spiral".
I've seen this video so many times that I can recreate it without seeing it in my mind, how thom Yorke removes the sweat of his brow and dry it in his shirt. I love Jim
I feel like the live version of Burn the Witch will evolve the same way this song did live, judging the 2011 version. Killer arrangements on the both of them, but the 2011 version is much more true to the studio cut, which I like the best, and I'm hoping for them to nail the atmosphere of Burn the Witch as well in the future. Let's wait for a couple of years, hoping something will come.
[Verse 1] After years of waiting nothing came As your life flashed before your eyes, you realize [Chorus] I'm a reasonable man Get off, get off, get off my case I'm a reasonable man Get off my case, get off my case [Verse 2] After years of waiting After years of waiting nothing came And you realize you're looking in, looking in the wrong place [Chorus] I'm a reasonable man Get off my case, get off my case I'm a reasonable man Get off my case, get off my case, get off my case I'm a reasonable man Get off my case, get off my case, get off my case [Bridge] After years of waiting [Chorus] I'm a reasonable man Get off my case, get off my case, get off my case I'm a reasonable man Get off my case, get off my case, get off my case I'm a reasonable man Get off my case, get off my case, get off my case I'm a reasonable man Get off my case, get off my case, get off my case
i saw them in 2001 twice and i like this version the best...the fuzz bass is what makes it and its just not there on the studio release....everything else is there if you listen close to the studio version
I love everything about this version, EXCEPT that the full substitution of the synth/synth bass with Colin's fuzz bass takes out a bit too much of the depth, so the song lacks 'bottom'. My ideal version would be this, only with Jonny/Thom accompanying Colin's bass with the fat, thick, smooth tonea of the descending synth
This version is...... interesting? I don't know. It feels like the Amnesiac version of Morning Bell. It's just too.... sudden and in-your-face. It just feels... wrong.
No no no, it was a a joke. He's actually my best friend like in real life, so when I was watching this I saw his comment an thought I'd mess with him. I think at this point it goes without saying I didn't mean that.
So funky. Interesting, considering how claustrophobic and strange the album version is.
Pisk :)
odd choice of words
It's interesting how you describe your experience with the song. For me it always sounded chill and dancing like. I like this live version but definitely I prefer the album version.
that bass
oh boi
FUZZ
@@Janemba126 Fuzz with no overdrive on amp. just a clean fender amp
Bzzz bzzz, bzzz bzzz, bzzz bzzz
B-bzz bzz bzz
See kids, before radiohead made it legal, we used to congregate around this video for our weekly fix of packt sardines.
I like this version so much more, it's just so raw and real.
I imagine this is closer to how the song sounded when it was first written, and it's testament to Radiohead's genius they can switch it up like that. Both versions have their own unique energy which makes them interesting for different reasons.
Hearing this low tech version has helped me realize something about this song -- the bass line is a sped up version almost note-for-note of the theme from NIN's "The Downward Spiral".
I know! How did it take me so long to see it?
also the ending of closer
@jcorb I wouldn't call it plagiarism, this song doesn't sound anything like a nin song. At most paraphrasing
@jcorb its paraphrasing because they sound like different songs
@jcorb They are pure ev...oh man
Love that groovy guitar hook Ed ads in this live version.
really i wanna know , what fx are using him & jhonny
This is sounds like a part of In Rainbows :)
This is a tune but the album version is hard work man
We should celebrate a national ''Guitar Pedal Day'' each year.
I fucking love this song and this version is something else. Packt like Sardines if it was on In Rainbows
This song is genious
I've seen this video so many times that I can recreate it without seeing it in my mind, how thom Yorke removes the sweat of his brow and dry it in his shirt. I love Jim
Ed is a masterplayer
Dat bassline
Yeeeess, that’s it
I do prefer the album version but this is fucking amazing!
Fook
I love them so much
this live rendition made me understand amnesiac
Woaaaaah, this version slaps!!! I really liked their performance here :)))
This version slaps so hard it left a mark on my face.
I feel like the live version of Burn the Witch will evolve the same way this song did live, judging the 2011 version. Killer arrangements on the both of them, but the 2011 version is much more true to the studio cut, which I like the best, and I'm hoping for them to nail the atmosphere of Burn the Witch as well in the future. Let's wait for a couple of years, hoping something will come.
after a couple of years, nothing happened... ; )
After years of waiting...... Nothing came
I hope they nail that synth bass that's in the album version.
chef. They could use Nigel's MS20 for that, Wonder why they don't as Jonny now even plays the Prophet
Love Radiohead, but Burn The Witch is an absolute mess live.
[Verse 1]
After years of waiting nothing came
As your life flashed before your eyes, you realize
[Chorus]
I'm a reasonable man
Get off, get off, get off my case
I'm a reasonable man
Get off my case, get off my case
[Verse 2]
After years of waiting
After years of waiting nothing came
And you realize you're looking in, looking in the wrong place
[Chorus]
I'm a reasonable man
Get off my case, get off my case
I'm a reasonable man
Get off my case, get off my case, get off my case
I'm a reasonable man
Get off my case, get off my case, get off my case
[Bridge]
After years of waiting
[Chorus]
I'm a reasonable man
Get off my case, get off my case, get off my case
I'm a reasonable man
Get off my case, get off my case, get off my case
I'm a reasonable man
Get off my case, get off my case, get off my case
I'm a reasonable man
Get off my case, get off my case, get off my case
Is it just me that actually really likes this
Nope I like it too!!!
Me too man
This is bad ass
I think… I think it’s all of us.
You will never hear a studio version of this arrangement. ;_;
@Andrew Peterson this is a live version
I much prefer this to the album version
I'm laying in bed and my foot got tired moving up and down to this beat
I really like this song!!!
i saw them in 2001 twice and i like this version the best...the fuzz bass is what makes it and its just not there on the studio release....everything else is there if you listen close to the studio version
really cool with that pixelly bass instead of the smooth synth of the album version
Straight fire
the live version is much better. love it
1000 times better live than on the album!!!
so funky
"Aboriginal man, get off my cakes" gotta love those lyrics
jonny and ed r such good guitarists
Genius
that colin BAZZZZ
I like this version more
What an awesome sound they had! Thom, what are you looking for? See back!
Nice job Colin, wow..
@urovii Same with National Anthem, the live versions are so much more energetic and make you want to move.
Colin went nuts on this
C A N
agreed! ^_^
My favourite Thom Yorke Era was 1994 beetwen Pablo Honey And Bends, For Ed And Johnny OK Computer Era, Colin Kid a And Amnesiac Eras.
@HiTechSoul that bass sound
@Lawrysteak
well the notes do.
I like the live one better. Same with Maquiladora.
@HiTechSoul me too
I love everything about this version, EXCEPT that the full substitution of the synth/synth bass with Colin's fuzz bass takes out a bit too much of the depth, so the song lacks 'bottom'. My ideal version would be this, only with Jonny/Thom accompanying Colin's bass with the fat, thick, smooth tonea of the descending synth
its like the song was made for another album, you know? in ranbows-esque
@urovii haha Loved your comment
And I agree with you
Selera tinggi
interesting take
Its much better than the studio isnt it!
i do the same !
No not merely you
live > studio
Gumby brought me [dulce] join, we need new members
This version is...... interesting?
I don't know. It feels like the Amnesiac version of Morning Bell. It's just too.... sudden and in-your-face. It just feels... wrong.
album version > this....
Omg! Was that ed's tremolo effects in the background?
Tele Caster starting arround 2:10 is Jonny messing the time in his Space Echo
I think Ed is responsible for the overdriven riff, while Jonny uses the tremolo, Phaser, Whammy and Space Echo
@@Vishnu-xn4vx I think the overdriven riff is colin
@@samley2691 i meant the overdrive guitar part at 1:10.
Collin of course is playing the fuzzy bassline
No no no, it was a a joke. He's actually my best friend like in real life, so when I was watching this I saw his comment an thought I'd mess with him. I think at this point it goes without saying I didn't mean that.
i don't
this sounds nothing like a crushed tin box....
for having an opinion?
white man came, across the sea ...
where is the original wtf
Check out those jeans. Yeah, baggy as fuck!
Kid A
Amnesiac
Ok Computer
The King of Limbs
Hail To The Thief
In Rainbows
The Bends
Pablo Honey
What era Thom Yorke?
Amnesiac = his best look
pretty groovy version. the album version has a better beat imo though.
Yeah, he'd be the most obvious and bad troll EVER if he just insulted my opinion by telling me I suck a lot. XD
But yeah, it was just a joke, haha....
stonerrock
I disliked the video, I agree with you, the live version sucks ass, but on amnesiac, oh my goshhh