Another great lesson Corey! Keep them coming. Maybe you're right that not all lessons are for everyone. However I think you're doing a great job taking people beyond pentatonic and autopilot licks and getting us to start thinking about arpeggios, changes, note choice, and how they all tie together. I think there are tons of players (like me) stuck in a rut and your content is perfect for breaking us out. Thanks for the great content, we appreciate you.
@@coreycongilio I've taught martial arts for several years so I can imagine the ups and downs of teaching guitar, but just know there are people out here that are benefiting from what you get up and do everyday. Thanks Corey.
This guy should have 10 times the number of subs. The teaching is top drawer and he's working his ass off with quality content. Thanks from an old guy in Ireland.
This a typical g minor Dorian chord progression. You can operate within the pentatonics of the chords, and the perspective g minor/f major key scales. All of those pentatonics exist within. That’s very important to understand. It’s all connected.
Dang straight. I recently discovered this arpeggio; since I’ve become a chord tone chaser. You can’t go wrong when you find a good Dorian sounding arpeggio. I also like to play third position D pentatonic when in G. All this stuff goes together. Possibilities are endless!
The secret really is to make them sound "natural". That's why I've just never personally liked all the shred type stuff where it's just sweep arpeggio after sweep arpeggio. I think arpeggios are best when they're like ninjas and just sneak in and sneak out. Just my personal opinion though.
Corey, Exactly what I needed. I have been trying for such a long time to "get outside". Robben's Diminished Scale stuff is still beyond me, but I have been practicing arpeggios over II V I progressions and this I think I can get under my fingers. Great playing...as always. Rich
My Mickey Baker jazz guitar books got lost when I moved from New York to California. You can still buy them, along with lots of other jazz guitar books, plus endless UA-cam lessons, including Corey's, which are among the best.
Hi Corey. I think the way you explain things is great. Which of your courses would you recommend if I want more ideas like this one, communicated in a similar way? I’m thinking of going for Hip Blues Outside Lines - but I’d like your advice.
What model Epiphone semi-hollow is that? BTW Always enjoy your videos, easily the friendliest (demeanor), relaxed mood and favorite instructor online to learn from. Kudos!
so safe to say...play the minor 7th arp based on the fifth of the I chord or just the minor 7th arp of the V chord....thats how I think of things on the fly.
It’s based on chord substitution so, maybe try to think that you can sub a m7 for a dominant 7 chord. I actually mention that in the first part of the lesson. That way it’s like learning 2 things in one lesson!
Hey Corey, thanks again for your input, very helpful! An idea for future mp3‘s from you: Could you put your solo on either left or right channel. With that one could pan in and out your solo. I use - amongst others - the app ‚Anytune‘. With it one can alter an mp3 in various ways including panning. Jürgen
Hey Corey, Can you show your right hand technique? I'm sure this will smooth out for me but it may help to see what you do. Also any chance on that offer again on your new course volume 2. Thx for all you do!
Hey Corey great lesson. Couldn’t you use the Dmaj7 arpeggio also over the G7 Chord where your talking about or is that only if your playing Gminor7 as the 1 chord instead of G7?
The bottom line is that it's fun to play all the wrong notes at all the right times. It's always minor 7 type arpeggios that always sound great over blues to me. "Musical" but still soulful sounding.
Great stuff as always, Corey! To quote Mickey Baker (Part One, Lesson 1): " We have to limit ourselves to the most important chords, because, as you know, there are so many meaningless chords for guitar...." Now that would be a great title for a UA-cam lesson. Meaningless Chords for Guitar. "Never, ever play something like this!"
Lovely use of that m7 arpeggio which I use all the time but never in this context..... it kind of introduces you to the sound of moving between the 1st and the 4th using the Half Tone Whole Tone Diminished scale without actually learning or using that scale.... great stuff man.... just goes to show.... beginner or advanced there is always something to learn. Cheers Corey
Cool stuff! Thanks, I have been trying more minor7 arpegios over dominant instead of altered scales or diminish and I’m really finding something, thanks again!
Awesome lesson...any tips on getting the time right, I assume you typically go 'outside' on the beginning of the 4th bar of a 12 bar blues, or last bar of the 1st set of the One ? any more specifics or other places?
Awesome playing Corey, great ideas too! I use this idea more over m7 chords, ie playing say an Em over an Am7 gives me the minor9 sound...it sounds particularly cool sliding into the 9 as the last note of the arpeggio.
C.C.C. Consistent Corey Congilio!! This is one of the many lessons we all can tackle and get down that Corey consistently puts out for us all!! This one's absolutely worthwhile a complete practice session !! Love it! Jim C.
Great lesson Corey!! I so love the sound of arpeggios in solos, just a great flavor. I struggle to include them but in time hopefully they will come naturally. By the way, I am currently working through Complete Blues Vol 1, so much learning to take from it and some fun grooves to mess with!!
Great lesson for the ones who are stuck with the blues scale. You just eased some people like me who were stuck and frustrated. May the good Lord bless you always. Cheerio!
Thank you Corey for always giving us a new way to think and play! I signed up for your new Blues 2 course and it's great, if anyone is thinking about doing it, it's definitely worth the time!!
I’m guessing it’d be possible to use the substitution idea over the IV and V as well. Maybe the effect would be more jarring on the account of more notes not in the main scale? I’ll check the scales later and see. Cool idea.
@@coreycongilio for sure, that’s for the best. This was plenty for me already, but I wanna try and find the others by myself if I can. Thanks for one more valuable lesson.
Get my Arpeggio Handbook for Blues Guitar for 50% off! working-class-guitar.teachable.com/p/arpeggio-handbook-for-blues-guitar?coupon_code=LAUNCH50
Another great lesson Corey! Keep them coming. Maybe you're right that not all lessons are for everyone. However I think you're doing a great job taking people beyond pentatonic and autopilot licks and getting us to start thinking about arpeggios, changes, note choice, and how they all tie together.
I think there are tons of players (like me) stuck in a rut and your content is perfect for breaking us out. Thanks for the great content, we appreciate you.
Thx for that!
A year ago this would have been so over my head, it's up to my chest now and I can swim in it. Thanks!
That's fantastic!
@@coreycongilio I've taught martial arts for several years so I can imagine the ups and downs of teaching guitar, but just know there are people out here that are benefiting from what you get up and do everyday. Thanks Corey.
I appreciate that
You are one of the best teachers on UA-cam! Fact. 🎸🤟🏼 great video as always.
Wow, thanks!
@@coreycongilio your welcome!
Just going through your blues course 2 when this came through! Spooky 👻
This guy should have 10 times the number of subs. The teaching is top drawer and he's working his ass off with quality content. Thanks from an old guy in Ireland.
Really appreciate that!
Get the TAB and track here: coreycongilio.ac-page.com/copy-of-dm7-over-g7
This a typical g minor Dorian chord progression. You can operate within the pentatonics of the chords, and the perspective g minor/f major key scales. All of those pentatonics exist within.
That’s very important to understand. It’s all connected.
More helpful content.
Subscribed!
This is amazing- you are single handedly breaking me out of a 10 year rut.. Thank you so much! You have such a gift with teaching and playing.
Awesome! Thx for that!
Corey, really enjoyed the lesson- nice cool concept snuck in there !👍🏼😊
Thanks a lot ! I’ve heard this kind of stuff on records but never really understood what was going on. Very well explained and good examples!
Dang straight. I recently discovered this arpeggio; since I’ve become a chord tone chaser. You can’t go wrong when you find a good Dorian sounding arpeggio. I also like to play third position D pentatonic when in G. All this stuff goes together. Possibilities are endless!
Great lesson, Cory. It's easy to go into Help The Poor territory from here.
Arpeggios are all around me right now I’m my practice. It’s starting to come more natural in my playing. Thanks Corey.
The secret really is to make them sound "natural". That's why I've just never personally liked all the shred type stuff where it's just sweep arpeggio after sweep arpeggio. I think arpeggios are best when they're like ninjas and just sneak in and sneak out. Just my personal opinion though.
Perfect!
Well said
How about a A min 7 as well? I’ll have to try it.
Digging your Dojo mojo! Thanks Corey!
THANKS Awesome player and great teacher. 100% class
Wow, thanks!
@@coreycongilio I am no pro by a long shot, but sometimes people get scared of big words. The Arp is only missing one note of the pentatonic, right?
Yes, but more so it’s adding a new note to the mix! That would be the A in the Dm7 arpeggio
Thanks @coreycongilio
cool reminder not just to use the ii min7 sub for the Vdom7 but more importantly, when to use it.
thnx corey!
No problem!
Corey,
Exactly what I needed. I have been trying for such a long time to "get outside". Robben's Diminished Scale stuff is still beyond me, but I have been practicing arpeggios over II V I progressions and this I think I can get under my fingers. Great playing...as always. Rich
Glad it helped. I have a simpler diminished lesson on my channel as well. That might help explain things a little more clearly.
Thanks for the track. you are one of the best teachers sir. I follow you on true fire also. Regards.
Awesome, thank you!
Thanks for all your help
Thanks for the ideas Corey. But the straight plug going into that top always makes me very nervous...just me?
Hahah, just you lol! I use whatever cable is plugged in!
My Mickey Baker jazz guitar books got lost when I moved from New York to California. You can still buy them, along with lots of other jazz guitar books, plus endless UA-cam lessons, including Corey's, which are among the best.
Yessir. Appreciate that as always
Dude - I love your videos... full of useful information, honesty, and lots sweet, tasty licks! Keep up the great work!
Thanks! Will do!
Hi Corey. I think the way you explain things is great. Which of your courses would you recommend if I want more ideas like this one, communicated in a similar way? I’m thinking of going for Hip Blues Outside Lines - but I’d like your advice.
Hey Philip. Thx! Hip Blues would be the one up to this point. Appreciate you asking and for the support!
What model Epiphone semi-hollow is that? BTW Always enjoy your videos, easily the friendliest (demeanor), relaxed mood and favorite instructor online to learn from. Kudos!
Casino! Thx so much!
Corey you might be the best teacher out there. You tell the player straight out what could be played over a specific change. Thanks
Hey thx! That’s the plan!
so safe to say...play the minor 7th arp based on the fifth of the I chord or just the minor 7th arp of the V chord....thats how I think of things on the fly.
It’s based on chord substitution so, maybe try to think that you can sub a m7 for a dominant 7 chord. I actually mention that in the first part of the lesson. That way it’s like learning 2 things in one lesson!
Awesome stuff Corry. Thanks!
My pleasure!
great scale
Hey Corey, thanks again for your input, very helpful! An idea for future mp3‘s from you: Could you put your solo on either left or right channel. With that one could pan in and out your solo. I use - amongst others - the app ‚Anytune‘. With it one can alter an mp3 in various ways including panning.
Jürgen
Juicy!
I dig it!
Hey Corey, Can you show your right hand technique? I'm sure this will smooth out for me but it may help to see what you do. Also any chance on that offer again on your new course volume 2. Thx for all you do!
You are a very good guitar player, but you are a really gifted teacher.
Thx so much
Suck a slick lesson Corey. Amazing repertoire 🎸👍
Very nice……well put together..!
Thank you! Cheers!
👍☝👍☝👍
brilliant
Great stuff Corey! Thanks a lot.
My pleasure
Hey Corey great lesson. Couldn’t you use the Dmaj7 arpeggio also over the G7 Chord where your talking about or is that only if your playing Gminor7 as the 1 chord instead of G7?
The f# might sound a little out in that arpeggio. Try fmaj7!
D7 is the five chord of G, so you could absolutely use a D7 (non minor) arpeggio instead of dmin.. right Cory? Just a diff color
The bottom line is that it's fun to play all the wrong notes at all the right times. It's always minor 7 type arpeggios that always sound great over blues to me. "Musical" but still soulful sounding.
Great lesson Corey, really cool stuff!
Glad you liked it!
Great lesson Corey. Thanks.
Glad you liked it!
Thank you Corey, greetings from Spain.
Hey Cory can you do a lesson on coming in and out of the five chord pleassse.
This one helped a lot. Thanks
Great!
Thank You so Much
You're most welcome
Great as always Corey!!
Thx!
Vm7 over the I to get to the IV…got it! ✅ 🤘🏼
Yep. Taught that in a video on the channel!
Great stuff as always, Corey! To quote Mickey Baker (Part One, Lesson 1): " We have to limit ourselves to the most important chords, because, as you know, there are so many meaningless chords for guitar...." Now that would be a great title for a UA-cam lesson. Meaningless Chords for Guitar. "Never, ever play something like this!"
Love that!
Great, I like that !
Glad you like it!
I’ve said before that you have a Matt Schofield type vibe but you remind me a lot of Josh Smith here. But you still sound like you! So great!!
Appreciate that
Lovely use of that m7 arpeggio which I use all the time but never in this context..... it kind of introduces you to the sound of moving between the 1st and the 4th using the Half Tone Whole Tone Diminished scale without actually learning or using that scale.... great stuff man.... just goes to show.... beginner or advanced there is always something to learn. Cheers Corey
Appreciate that!
Cool stuff! Thanks, I have been trying more minor7 arpegios over dominant instead of altered scales or diminish and I’m really finding something, thanks again!
My pleasure!
Corey, bro, I love your phrasing! It's exceptionally tasty.
Thx man!
Awesome lesson...any tips on getting the time right, I assume you typically go 'outside' on the beginning of the 4th bar of a 12 bar blues, or last bar of the 1st set of the One ? any more specifics or other places?
Try it on beat 2 of bar 4
Awesome improvisation methodology to "wow" my Saturday morning expanding my mind and improv repertoire! Thank you!
Appreciate that!
Awesome playing Corey, great ideas too!
I use this idea more over m7 chords, ie playing say an Em over an Am7 gives me the minor9 sound...it sounds particularly cool sliding into the 9 as the last note of the arpeggio.
That's a great idea!
C.C.C. Consistent Corey Congilio!! This is one of the many lessons we all can tackle and get down that Corey consistently puts out for us all!! This one's absolutely worthwhile a complete practice session !! Love it! Jim C.
Thx JC!
Great lesson Corey!! I so love the sound of arpeggios in solos, just a great flavor. I struggle to include them but in time hopefully they will come naturally. By the way, I am currently working through Complete Blues Vol 1, so much learning to take from it and some fun grooves to mess with!!
Ah, that's awesome!
Great lesson for the ones who are stuck with the blues scale. You just eased some people like me who were stuck and frustrated. May the good Lord bless you always. Cheerio!
glad you enjoyed
Thank you Corey for always giving us a new way to think and play! I signed up for your new Blues 2 course and it's great, if anyone is thinking about doing it, it's definitely worth the time!!
I appreciate that so much. Thanks!
I have Corey's programs ( and Guitarsage) because these guys are pros and know how to break it down to whatever level you are on. Well done Corey.
Many thanks!
Fantastic content. Thanks Corey, really appreciate your time.
Thank you!
very Cool idea. Thank you for sharing🙏🙏🙏👍👍👍
Thank you! Cheers!
Nice! A bit of a stretch for my ability but a good one to learn.Thanks!
Hang in there. I try to mix it up with different lessons on the channel
Can't download backing track
Hmm. I just did it on my phone. Feel free to email me at corey@coreycongilio.com
I got it to work. Thanks
Excellent lesson Corey. I'm going to start working on these lines right away.
Go for it!
Brilliant stuff taught with clarity and enthusiasm ! Thanks a lot!
Thank you!!
Corey, I am so glad you do these lessons. I appreciate it!!!!!
I appreciate that!
Much respect...
Pure gold Corey! Thanks for this good stuff.
You bet!
I’m guessing it’d be possible to use the substitution idea over the IV and V as well. Maybe the effect would be more jarring on the account of more notes not in the main scale? I’ll check the scales later and see.
Cool idea.
Yep, same concept will work. I just choose to teach it in small bites!
@@coreycongilio for sure, that’s for the best. This was plenty for me already, but I wanna try and find the others by myself if I can. Thanks for one more valuable lesson.
Great stuff.
Thanks!
I’m a piano player, but love your teaching style.
I learned this technique from Barry Harris. He calls it the “important minor.”
Thanks, and I love that!
Corey what are your favorite books to learn from
Tough to say, I have hundreds ranging from Jazz to fingerstyle!