*WHERE ALL MY POLICE FANS AT?! This was a fun lesson to shoot, man. So have fun with these! You'll also get a little taste of the brand new Evans UV Coated Red Hydraulic snare head. Full review of the head will be up very soon. Don't forget to share the video if you dig it!!* 🚓🚨🎩🎩🎩
I still love the way Copeland's work sounds, but I gotta admit I lost a little bit of the admiration when I heard that he used 7 layers for message in a bottle. It always sounds gorgeous, but 7 is really a bit too much. That being said, this is an amazing lesson!
Rob, you are far and away the best drum teacher I have ever watched. You consistently demonstrate how to play whatever it is you are teaching. Stewart Copeland is so underrated and was a huge influence for me as well. Thanks so much
As a drummer for many years, I've cringed at countless tutorial videos for being too mechanistic and black/white. You look like you're having a lot of fun, and it sounds completely natural. As a police fan, this is just over the top for me, because you're the first person I think I've shared that passion with (as a fellow drummer), even if it is over the internet. You're doing something amazing man, keep that shit up! You're inspiring me to get back on the throne. What do you think about doing some samba stuff in the future? As a jazz fan, sambas and the like we're always the most challenging for me. Take care man, can't wait for the next one.
Thank you for breaking down the Stewart Copeland licks! Like you, Stewart was the reason I got into drumming. It was seeing the video for "Wrapped Around Your Finger" at 3 years old, being blown away by the sight of his kit! Then REALLY listening when I first heard "Message In A Bottle", "Walking On The Moon", "Driven To Tears", and so many others! Your vid also cleared up the mystery of the reggae feel, which is something I've struggled with for YEARS: trying to play the bass drum on 2 & 4. The way you slowed down each lick revealing the reggae foundation was such a great help! Rock on, Beatdown!
1981 road trip from Michigan to Florida listening to Zenyatta Mondatta and being amazed by Stewart Copeland's hi-hat licks! Thanks for the great video!
This belongs, imo, to the top five of your videos bro. For me Copeland shares with Carter Beauford the first place on Hi hat composition skils. The Hi hat opens so many possibilities, is an insane little instrument but highly under explored and underestimated .
Yes!! I was saying to myself this whole video that carter (who is my personal biggest drumming idol) does a lot of these isms on the hi hat too. Both are legends
This is the single best drum tutorial video I have ever seen (I watch them in my spare time to learn more). The slowing and stripping down just makes it easy to pick up. Then the build in speed and complexity help bring a challenge for when the basic sticking is solid. Great Vid.
As a non-drummer my fav Stewart track is Wrapped Around Your Finger. Tasteful, nothing superfluous and zero clutter. Every stroke has meaning. Loved this video!!!!!
not only the best analysis of the main elements of Stuart's playing, but absolut nicely presented by playing from fast to slow and back...... on the RIGHT tempo to understand it deeply. Nice done!
Love love love...THANK YOU! Zenyata Mondatta was my favorite Police CD Thanks for shedding light on some of that groovy mystery! I appreciate doing things CORRECTLY!
sweet lesson!!met stewart some years back and he hooked me up with a bunch of tickets for a show in miami and to this day walking on the moon hat riff is my favorite!!!
It all make sense now. When I was younger and a police fan in the 80's, his sound and timing was so unique, it caught my ear right away and it identifies a Police song as soon as it starts to this day. As an almost ok drummer that just plays to entertain himself, I try and create that sound all the time on the hats but can never get it right and didn't realize the influence he had on me until you put into perspective. You have the best lesson drummer page I have found, thank you!
Stewart Copeland's drumming on the song "Voices Inside My Head" is phenomenal. He is incredible on all the Police songs but he just dominated on that jam.
He is a master of the hi-hat, and such an incredible style and groove, that you can identify him instantaneously. 36 years later, The Rhythmatist is still one of the most unique recordings I've ever owned. 🥁
Really appreciate this video. I am a long time bass player who just started doing some non-traditional hand drumming. I am using a Cajon along with some shakers and some chimes and what not. My little daughter is the bass player on the worship team and I get to back her up every Sunday. It’s wonderful.
Love your stuff man, I see this is an older clip. I too think of Stewart when ever I sit at the drums and I’ve gotten cover band gigs over other drummers because I could cop his feel and approach and the band would love it. I think Stewart Copeland may be the most influential drummer of all time.. Drumming changed after we heard his sound. Even the very best drummers that have come after him playing with Sting ,almost HAVE to play with Copelandisms… GOAT
Great video! I'm only 21 but The Police were my first gig, in 2007! I've always loved Copeland's hi-hat playing, so I really appreciated this Rob! Message In A Bottle has to be my fave
This video is amazing! Your playing is so smooth and beautiful. One of my favorite tracks is Every little thing she does is magic. Stewart is an amazing drummer and he brought a lot to the table.
He was doing so much innovative stuff back then that nobody else was doing. And was an absolutely FEROCIOUS live drummer. I've never seen a stronger traditional grip, except for Vinnie's
Great moments listened on my "new" walkman cassette recorder, Zeniatta Mondatta, Sincronicity, and other great albums of The Police, early in the 80's.And of course, Stewart Copeland was the idol of all drummers.
I've always been completely blown away by Stewart Copeland's drumming. What a treat to see how he created some of that magic. Thank you so much for doing this!
With all the drumming gymnastic videos (as I like to call them), you are a breath of fresh air. Infectious groove, always musical, always useful and you always sound like you could be on everyone’s favorite or next favorite track.
Miss Gradenko is probably my favorite Stu arrangement. The way he transposes the kick from 2+4 to 1+3, using the octobans to transition is just magical
From the start of this video, it's like you're speaking for me. Stewart has been a god to me since I started playing in the early '80's. While I've certainly been influenced by other drummers over the years (most notably Mark Brzezicki), it's Stewart's influence that has helped to shape me as a drummer for well over 30 years.
I’m late to the game but I too picked up sticks because of Stewart Copeland. Excellent channel from tuning advice to specs on traditional stick holding. Thanks for simplifying things.
Thank you for this. A great subject for a video, and very well presented in my humble opinion. I particularly find helpful the gradual slowing down of each element so that one doesn't lose the sense of context.
Great Job, Rob! Stuart Copeland is also one of my biggest influences and all around drummers. Lots of drummers may find him weak or too simple people he seems to focus a lot on the hit hat-snare combination, compared to most rock drummers. His syncopation is crazy sometimes, but so simple. Add some other drum pieces at the right timing and you have...well, The Police. Or, better yet, Stuart Copeland.
Talked Stewart into signing a Paiste splash for me many, many years ago and it is now proudly hanging on my music room wall! HUGE influence on me and undeniably one of the most exiting and inspirational drummers to ever play! But I also want to say thanks to YOU as well sir! Your videos (especially the 50 million double strokes one!!!) have helped to improve my playing immensely....You're a natural teacher and seem like an all around like-able person. You make practice and learning fun, exciting, rewarding...Thank you!
Just to say that it's not only the way Stewart plays the HH, but Stewart is the reason I play drums!!!!! No drummer had ever such an influence on me as Stewart and the Police music ever since I was about 15 years old. Drumset is my passion, now I am 53, because of life issues I play drums for about 6 years only, and this video really reminds me how great Stewart is in this kind of grooves!!!!! I have the task in my band to play Walking on the moon and when we play it, it really makes me out of my mind!!!!! Thanks for the great lesson on this vídeo. (JR-PORTUGAL)
I have never been a percussionist, but studied music and always loved his unique higher pitched toms and seemingly random high hats..hes the most under-famous percussionist of our time. Glad to see someone give him his props.
Haha I recognized all of these just by reading the description, and Copeland was pretty much why I started playing too, since I was listening to the police more than anything else when I was 11.
Great tutorial format. Ive watched hundreds of lesson videos this one is by far the best one. Slowing down the hand work and breaking down to simple visual understanding of what the pattern is being played then going back on tempo... brilliant!!
It's so cool to realise I've been playing ALL, or most, if these licks all this while, even without consciously channelling Stu. You're right, he's the top dude, for me, too, bro! Beautiful explanations! Keep that one dropping ;)
5:14 that is just the slickest shit ever. I love how you say "a simple LRR", and I totally get it and see it, but doing it will be a lot of fun. I'm gonna start practicing.
I do wish there a little bit of coaching just so I could be confident of where beat 1 is. I can seriously hear it two very different ways. The fact that you open with a very slick, yet rhythmically elusive fill (it's probably not and it sounds that way because my ear is turning the beat around) obscures the start of the pattern as well.
Very awesome to see all of these broken down! Stewart is one of my top drummers & even though I play in a Hard Rock band, I find myself adding in little fills & hi hat licks that Stewart uses
Mr Rob Brown you are awesome! Love the Police, love the channel! UA-cam is full of how to's that will speed through what you're looking to learn, then fill with showing off how good of a drummer the teacher really is. You really take time to break things down and show them properly and I've found it so useful in such a short amount of time. Cool hi hat licks, six stroke rolls, good traditional grip technique. I use these new things I've learned so often now and it's thanks to your genuine approach and awesome teaching skills. Thank you so much!
Apart of being a drummer - and a BIG fan of Copeland after hearing him in 1978 in Heidelberg with Eberhard Schoener - I'm also a big fan of hand drums - african and oriental - and I think the main influence of HIM where the oriental drummers/rhythms he grew up with in Beirut..........the ruffs were always played with two-, the 4-strokes with 3 fingers. An absolut trademark of this music and he applied it to the hihat, like the offbeat-attitude. One of the most iconic Copeland-beats is the song "Man in a suitcase" on "Zenyatta Mondatta", where he plays the offbeat "and" on the bass drum through the whole song. It makes me smile every time I hear that song.......
Great drumming as always! Copeland's eastern influences defined the foundation of The Police. Sting, Andy and Stewart had a magical connection and Stewart set such a high bar. Sting has been blessed enough to work with three of my favorite drummers, Stewart and Vinnie Colaiuta and Omar Hakim. The concert drumming on "Seven Days" and "I Hung My Head" are fantastic, not to mention the drum solo from "I Burn For You." Would love to see you to show off some of Vinnie's and Omar's work some time. Thanks for these awesome lessons.
Awesome Lesson and Awesome playing, Rob !!! I’m right there with you. John Bonham and Stewart Copeland are the whole list for me... as far as drummers in bands. Can’t be touched. YES and RUSH we’re huge for me, too. But, you can’t beat the BALLS with which Stewart and John Henry Bonham played. Thanks for another great video !!!!
Love Stewart Copeland. You brought to my attention how much I really incorporate his ideas into my playing without really thinking of it! Awesome demonstration of his coolest licks!
I've been listening to The Police since I was 6ish, longer than I want to admit,lol. I knew I wanted to be a drummer when I first heard Stewart Copeland. He's a mad genius! And you smoked those demonstrations. Big ups to you for sharing this! Great clip.
Awesome video, Rob! SC is also a big part of the reason why I started playing drums. In fact, in the early 80's, while my drummer friends were learning Bonham and Peart's tricks, I was way deep into the Police catalogue, hanging on every note Stewart played, especially Zenyatta Mondatta-stuff like World is Running Down, Voices Inside My Head and Shadows in the Rain, just to name a couple. Actually, that whole album is a thesis on stylistic, nuanced and tasteful drumming-and, as you said, there was NO-ONE else around who doing anything quite like that. At all. Another favorite of mine is One World (Not Three) from Spirits-that's Stewart's playing at its finest-making that Reggae swing like only he can! Thank you for this great video!
Just shared this video to Twitter... Man, I know I told you before but I really dig and appreciate your channel... I learn something new every time I stop by. I'm a huge Stewart Copeland fan myself and I love his drumming He has so many different styles and influences that combine to form who he is as a drummer and, not to be a kiss ass, but that's how I see you as well. I appreciate what you do here on UA-cam.. It's the best drum tutorial Channel, by far, on UA-cam. And that's coming from an intermediate level, self-taught drummer. I grew up and taught myself in the days before UA-cam, so it was always a struggle trying to find resources and people to watch. I remember watching MTV for hours just to get a split-second glimpse of what a drummer was doing on a certain song. I mean, that's what you had to do back in the day, other than listen very intently to a record and try to figure out what was happening. UA-cam has been wonderful. And you are a huge part of that. I recommend your channel to everyone,... Thus, the Tweet just now. There's something about your demeanor and manner in which you teach and instruct that's just so welcome and inviting and makes things simple to understand. I wish you the the best and the most success on your UA-cam channel and hope that you have a hundred million subscribers. Good luck in all that you do and in all your endeavors. Take care and God bless!
Thanks for that great message, man. Super encouraging. Im definitely from the same camp. We had to WORK to find our information back in the day. But YT is definitely a cool platform today. Thanks for watchin and Tweetin', man 🙂🤘🏽
*WHERE ALL MY POLICE FANS AT?! This was a fun lesson to shoot, man. So have fun with these! You'll also get a little taste of the brand new Evans UV Coated Red Hydraulic snare head. Full review of the head will be up very soon. Don't forget to share the video if you dig it!!* 🚓🚨🎩🎩🎩
Rob Brown Copeland also had a huge influence on my drumming, great video!
I would buy a UV Heavyweight!
Right here! Huge police fan
I still love the way Copeland's work sounds, but I gotta admit I lost a little bit of the admiration when I heard that he used 7 layers for message in a bottle. It always sounds gorgeous, but 7 is really a bit too much. That being said, this is an amazing lesson!
Police are epic! I heard even Neil Pert changed his drumming style when he heard the police.
Don't think he's gonna sue you, bro, he just shared this on his facebook.
Rob, you are far and away the best drum teacher I have ever watched. You consistently demonstrate how to play whatever it is you are teaching.
Stewart Copeland is so underrated and was a huge influence for me as well.
Thanks so much
Hey, thanks a bunch, man 👊🏽🙂
That's so rad!! Stewart is a legend!!
"I don't wanna play a backbeat"
As a drummer for many years, I've cringed at countless tutorial videos for being too mechanistic and black/white. You look like you're having a lot of fun, and it sounds completely natural.
As a police fan, this is just over the top for me, because you're the first person I think I've shared that passion with (as a fellow drummer), even if it is over the internet.
You're doing something amazing man, keep that shit up! You're inspiring me to get back on the throne. What do you think about doing some samba stuff in the future? As a jazz fan, sambas and the like we're always the most challenging for me.
Take care man, can't wait for the next one.
Thank you for breaking down the Stewart Copeland licks! Like you, Stewart was the reason I got into drumming. It was seeing the video for "Wrapped Around Your Finger" at 3 years old, being blown away by the sight of his kit! Then REALLY listening when I first heard "Message In A Bottle", "Walking On The Moon", "Driven To Tears", and so many others!
Your vid also cleared up the mystery of the reggae feel, which is something I've struggled with for YEARS: trying to play the bass drum on 2 & 4. The way you slowed down each lick revealing the reggae foundation was such a great help!
Rock on, Beatdown!
the greatest hi-hat intro ever is to Red Rain...and hi-hat is all he played on the track. a stroke of Genius from Gabriel & Copeland.
1981 road trip from Michigan to Florida listening to Zenyatta Mondatta and being amazed by Stewart Copeland's hi-hat licks! Thanks for the great video!
This is why Rob Brown is my favorite online source to help with my chops!! I love finding older posts like this
... the first minute and a half of 'Regatta De Blanc' - his cross-sticking and that 'slow burn-ish' groove are epic.
Great video, sir.
This belongs, imo, to the top five of your videos bro. For me Copeland shares with Carter Beauford the first place on Hi hat composition skils. The Hi hat opens so many possibilities, is an insane little instrument but highly under explored and underestimated .
Drumaier J so true.
Absolutely agreed. Copeland and Beauford are the kings of syncopated Hi hat rhythms
Yes!! I was saying to myself this whole video that carter (who is my personal biggest drumming idol) does a lot of these isms on the hi hat too. Both are legends
This is the single best drum tutorial video I have ever seen (I watch them in my spare time to learn more). The slowing and stripping down just makes it easy to pick up. Then the build in speed and complexity help bring a challenge for when the basic sticking is solid. Great Vid.
Thanks a lot, man. Glad you’re diggin the videos 🙂
I love the licks he did on the octabons/ hi-hat.
Lovely! Thanks for dissecting Copeland's hi-hat licks. Always wondered how he did it. "Tasty" is the right word to describe them!
As a non-drummer my fav Stewart track is Wrapped Around Your Finger. Tasteful, nothing superfluous and zero clutter. Every stroke has meaning. Loved this video!!!!!
not only the best analysis of the main elements of Stuart's playing, but absolut nicely presented by playing from fast to slow and back...... on the RIGHT tempo to understand it deeply. Nice done!
Thanks for slowing these down, and playing them. Unbelievable.
I love the 5 stroke roll he uses on the hi hat also. I also like the way he accents certian notes in the pattern as well
Love love love...THANK YOU! Zenyata Mondatta was my favorite Police CD Thanks for shedding light on some of that groovy mystery! I appreciate doing things CORRECTLY!
So cool the way you can slow down like that, even a guitar player can learn with teaching like that. Thanks again
sweet lesson!!met stewart some years back and he hooked me up with a bunch of tickets for a show in miami and to this day walking on the moon hat riff is my favorite!!!
Oh reeeeally 😏 Stay tuned
That was a pleasure to watch. Been a hardcore Police fan 1981 and never looked back.
I met Stewart about 3 weeks ago in LOS Angeles and he was really cool to talk with.
No one does it better than Copeland, but you’re a close second. Awesome!
Damn!
Very impressive.
Thanks for slowing it down to show how it’s done. Stewart Copeland is such an innovative drummer.
It all make sense now. When I was younger and a police fan in the 80's, his sound and timing was so unique, it caught my ear right away and it identifies a Police song as soon as it starts to this day. As an almost ok drummer that just plays to entertain himself, I try and create that sound all the time on the hats but can never get it right and didn't realize the influence he had on me until you put into perspective. You have the best lesson drummer page I have found, thank you!
Stewart Copeland's drumming on the song "Voices Inside My Head" is phenomenal. He is incredible on all the Police songs but he just dominated on that jam.
"I love you man. Please dont sue me." Hilarious, and a great lesson.
He is a master of the hi-hat, and such an incredible style and groove, that you can identify him instantaneously. 36 years later, The Rhythmatist is still one of the most unique recordings I've ever owned. 🥁
Really appreciate this video. I am a long time bass player who just started doing some non-traditional hand drumming. I am using a Cajon along with some shakers and some chimes and what not. My little daughter is the bass player on the worship team and I get to back her up every Sunday. It’s wonderful.
Love your stuff man, I see this is an older clip. I too think of Stewart when ever I sit at the drums and I’ve gotten cover band gigs over other drummers because I could cop his feel and approach and the band would love it. I think Stewart Copeland may be the most influential drummer of all time.. Drumming changed after we heard his sound. Even the very best drummers that have come after him playing with Sting ,almost HAVE to play with Copelandisms… GOAT
Great video! I'm only 21 but The Police were my first gig, in 2007! I've always loved Copeland's hi-hat playing, so I really appreciated this Rob! Message In A Bottle has to be my fave
Cool stuff, man. Thanks for watchin' 🙂
This video is amazing! Your playing is so smooth and beautiful. One of my favorite tracks is Every little thing she does is magic. Stewart is an amazing drummer and he brought a lot to the table.
He was doing so much innovative stuff back then that nobody else was doing. And was an absolutely FEROCIOUS live drummer. I've never seen a stronger traditional grip, except for Vinnie's
That splash cymbal sounds fantastic! Just as your lesson does. Cheers.
#5 is by far the most complete and effective lick. Cheers!
Thanks for thr video my friend. Its nice that u decided to shine the light on Mr. Copeland as he is definitely one of the greats.
Great moments listened on my "new" walkman cassette recorder, Zeniatta Mondatta, Sincronicity, and other great albums of The Police, early in the 80's.And of course, Stewart Copeland was the idol of all drummers.
Absolutely agree with you! Both about Copeland and the Police. Great lesson thanks
'If you are not listening to the police, you should be listening to the Police'
Sound advice - great stuff
Sweet playing.. walking on the moon is great subtle groove
Thanks for posting this video. Stewart Copeland’s Twitter feed linked me to your page. Great breakdown and I will try some of these on my own.
I've always been completely blown away by Stewart Copeland's drumming. What a treat to see how he created some of that magic. Thank you so much for doing this!
With all the drumming gymnastic videos (as I like to call them), you are a breath of fresh air. Infectious groove, always musical, always useful and you always sound like you could be on everyone’s favorite or next favorite track.
Miss Gradenko is probably my favorite Stu arrangement. The way he transposes the kick from 2+4 to 1+3, using the octobans to transition is just magical
Big fan of Copeland work with the Police,thanks for sharing his licks,as always a brilliant tutorial Rob😎
Copeland was and has been a true influence to many. Sticks up to you #RobBrown ..
From the start of this video, it's like you're speaking for me.
Stewart has been a god to me since I started playing in the early '80's. While I've certainly been influenced by other drummers over the years (most notably Mark Brzezicki), it's Stewart's influence that has helped to shape me as a drummer for well over 30 years.
I’m late to the game but I too picked up sticks because of Stewart Copeland. Excellent channel from tuning advice to specs on traditional stick holding. Thanks for simplifying things.
Love this. Going to my kit right now. Copeland = GOAT.
My first and favourite drummer/band of all time! Nice work Rob!👌🏻😀🇬🇧
Thank you for this. A great subject for a video, and very well presented in my humble opinion. I particularly find helpful the gradual slowing down of each element so that one doesn't lose the sense of context.
Number five is the best. Regatta de blank. I absolutely love it.
Great Job, Rob! Stuart Copeland is also one of my biggest influences and all around drummers. Lots of drummers may find him weak or too simple people he seems to focus a lot on the hit hat-snare combination, compared to most rock drummers. His syncopation is crazy sometimes, but so simple. Add some other drum pieces at the right timing and you have...well, The Police. Or, better yet, Stuart Copeland.
Talked Stewart into signing a Paiste splash for me many, many years ago and it is now proudly hanging on my music room wall! HUGE influence on me and undeniably one of the most exiting and inspirational drummers to ever play! But I also want to say thanks to YOU as well sir! Your videos (especially the 50 million double strokes one!!!) have helped to improve my playing immensely....You're a natural teacher and seem like an all around like-able person. You make practice and learning fun, exciting, rewarding...Thank you!
Rob, you always do a great job playing and breaking these grooves down with great feel and subtlety. Very inspiring and useful. Thank you.
Awesome video! One of the best instructional ones I have seen to slow down the content in real time. Nice job!
Thank you. Absolutely brilliant. Like you I played drums because of SC. This is fabulous
...Great video, Rob. Very clearly demonstrated & great camera angle/location. Thanks, I learned a lot...
Historic lesson Rob, thanks a ton and greetings from the Caribbean.
Been looking for a Stewart breakdown for years. Awesome.
Learned more in that short lesson then in a dozen others. Just as I was getting back into playing the police. Excellent.
Awesome 👊🏽
Just to say that it's not only the way Stewart plays the HH, but Stewart is the reason I play drums!!!!! No drummer had ever such an influence on me as Stewart and the Police music ever since I was about 15 years old. Drumset is my passion, now I am 53, because of life issues I play drums for about 6 years only, and this video really reminds me how great Stewart is in this kind of grooves!!!!! I have the task in my band to play Walking on the moon and when we play it, it really makes me out of my mind!!!!! Thanks for the great lesson on this vídeo. (JR-PORTUGAL)
I have never been a percussionist, but studied music and always loved his unique higher pitched toms and seemingly random high hats..hes the most under-famous percussionist of our time. Glad to see someone give him his props.
He is literally famous as fuck
Been playing 7 months and your videos are a massive help in my progress,this one is up with ur best,thank you
Thanks a lot, man. A newbie, eh? That's exciting 🙂
Haha I recognized all of these just by reading the description, and Copeland was pretty much why I started playing too, since I was listening to the police more than anything else when I was 11.
Great tutorial format. Ive watched hundreds of lesson videos this one is by far the best one. Slowing down the hand work and breaking down to simple visual understanding of what the pattern is being played then going back on tempo... brilliant!!
I saw the police four times since the outlandos album I got to meet Stewart Copeland he is the reason I am a drummer today. Thanks Robert
It's so cool to realise I've been playing ALL, or most, if these licks all this while, even without consciously channelling Stu. You're right, he's the top dude, for me, too, bro! Beautiful explanations! Keep that one dropping ;)
I feel the same way you feel about Copeland. Such a Great Video. Thanks Rob. 👍💯🔥
5:14 that is just the slickest shit ever. I love how you say "a simple LRR", and I totally get it and see it, but doing it will be a lot of fun. I'm gonna start practicing.
I do wish there a little bit of coaching just so I could be confident of where beat 1 is. I can seriously hear it two very different ways. The fact that you open with a very slick, yet rhythmically elusive fill (it's probably not and it sounds that way because my ear is turning the beat around) obscures the start of the pattern as well.
Very awesome to see all of these broken down! Stewart is one of my top drummers & even though I play in a Hard Rock band, I find myself adding in little fills & hi hat licks that Stewart uses
Mr Rob Brown you are awesome! Love the Police, love the channel! UA-cam is full of how to's that will speed through what you're looking to learn, then fill with showing off how good of a drummer the teacher really is. You really take time to break things down and show them properly and I've found it so useful in such a short amount of time. Cool hi hat licks, six stroke rolls, good traditional grip technique. I use these new things I've learned so often now and it's thanks to your genuine approach and awesome teaching skills. Thank you so much!
Police fan here! Great video showing how to add flavor to your percussion soup! You got skills friend! Thank you for demonstrating it!
Beautyful lesson Rob......please , teach the Copeland ride tecniques....i love it......thanks from Brasil !!!
Apart of being a drummer - and a BIG fan of Copeland after hearing him in 1978 in Heidelberg with Eberhard Schoener - I'm also a big fan of hand drums - african and oriental - and I think the main influence of HIM where the oriental drummers/rhythms he grew up with in Beirut..........the ruffs were always played with two-, the 4-strokes with 3 fingers. An absolut trademark of this music and he applied it to the hihat, like the offbeat-attitude. One of the most iconic Copeland-beats is the song "Man in a suitcase" on "Zenyatta Mondatta", where he plays the offbeat "and" on the bass drum through the whole song. It makes me smile every time I hear that song.......
Ahhh. Man In A Suitcase 😌 Brilliant opening fill, too. Signature Stu👌🏽
great!!! and clear!!!! I have always wondered how to play these fills... great!!!
Thank You! Thank You and Thank you! You unlocked my world and made it easy. You are the MAN!
Driven to tears. Favorite song from police/sting ✌🏻❤️
YAAAAS!
Dallas Farmer Good tune but Andy Summers' solo on that is the worst thing I've ever heard
Thanks for the tips. My son is going to love these.
Great drumming as always! Copeland's eastern influences defined the foundation of The Police. Sting, Andy and Stewart had a magical connection and Stewart set such a high bar. Sting has been blessed enough to work with three of my favorite drummers, Stewart and Vinnie Colaiuta and Omar Hakim. The concert drumming on "Seven Days" and "I Hung My Head" are fantastic, not to mention the drum solo from "I Burn For You." Would love to see you to show off some of Vinnie's and Omar's work some time. Thanks for these awesome lessons.
Nice, great Teacher Stuart Copeland, good Single
Great video Rob! This is how I learn...visually! Thank you!
You’re a fantastic drummer! You play with such nuance, it’s very humbling to watch you play.
Hey thanks, man 🙂👊🏽
Yes I got to see them live. they have always been a favorite group of mine
Always good to hear such enthusiasm from one brilliant drummer to another!
Awesome Lesson and Awesome playing, Rob !!! I’m right there with you. John Bonham and Stewart Copeland are the whole list for me... as far as drummers in bands. Can’t be touched. YES and RUSH we’re huge for me, too. But, you can’t beat the BALLS with which Stewart and John Henry Bonham played. Thanks for another great video !!!!
"Driven to Tears" has to be discussed in a tutorial
.
THAT is the one Stewart Copeland Lick that comes to mind before all others
Thanks for that Video, really nice and explaining ! And yes, Stewart Copeland is a genius on drums, one of the best ever, that´s for sure.
Best band ever. Awesome video. Thank you!
Love Stewart Copeland. You brought to my attention how much I really incorporate his ideas into my playing without really thinking of it! Awesome demonstration of his coolest licks!
I've been listening to The Police since I was 6ish, longer than I want to admit,lol. I knew I wanted to be a drummer when I first heard Stewart Copeland. He's a mad genius! And you smoked those demonstrations. Big ups to you for sharing this! Great clip.
Another superb video, Rob, very informative. Copeland played tighter than a flute players lip.
Amazing. Brilliant. Thank you (to Stewart for creating and you for translating)
He is an amazing high hat king🤘🏻🥁 And a master of drumming.
Awesome video, Rob! SC is also a big part of the reason why I started playing drums. In fact, in the early 80's, while my drummer friends were learning Bonham and Peart's tricks, I was way deep into the Police catalogue, hanging on every note Stewart played, especially Zenyatta Mondatta-stuff like World is Running Down, Voices Inside My Head and Shadows in the Rain, just to name a couple. Actually, that whole album is a thesis on stylistic, nuanced and tasteful drumming-and, as you said, there was NO-ONE else around who doing anything quite like that. At all. Another favorite of mine is One World (Not Three) from Spirits-that's Stewart's playing at its finest-making that Reggae swing like only he can! Thank you for this great video!
Sick steppers beat @ 6:48 y'all. Awesome dynamics, Rob. Your one drop kills. Thanks for the tips!
Revisiting this video after reading the Steward Copeland news. Congrats!!!
Duuuuuude you should make a cover of "message in a bottle" i fell in love with the drums of that one
Just shared this video to Twitter... Man, I know I told you before but I really dig and appreciate your channel... I learn something new every time I stop by. I'm a huge Stewart Copeland fan myself and I love his drumming He has so many different styles and influences that combine to form who he is as a drummer and, not to be a kiss ass, but that's how I see you as well. I appreciate what you do here on UA-cam.. It's the best drum tutorial Channel, by far, on UA-cam. And that's coming from an intermediate level, self-taught drummer. I grew up and taught myself in the days before UA-cam, so it was always a struggle trying to find resources and people to watch. I remember watching MTV for hours just to get a split-second glimpse of what a drummer was doing on a certain song. I mean, that's what you had to do back in the day, other than listen very intently to a record and try to figure out what was happening. UA-cam has been wonderful. And you are a huge part of that. I recommend your channel to everyone,... Thus, the Tweet just now. There's something about your demeanor and manner in which you teach and instruct that's just so welcome and inviting and makes things simple to understand. I wish you the the best and the most success on your UA-cam channel and hope that you have a hundred million subscribers. Good luck in all that you do and in all your endeavors. Take care and God bless!
Thanks for that great message, man. Super encouraging. Im definitely from the same camp. We had to WORK to find our information back in the day. But YT is definitely a cool platform today. Thanks for watchin and Tweetin', man 🙂🤘🏽
Awesome that Stewart gave you a shout out.