@@RhythmNotes its a collection of 11 books full of movements patterns palindromes , rhythmic countetpoints for two voices, etc! Its for drummers and percussionist !
I guess there's always a bit of showing off when it comes to fills or solos. I think the hard part is balancing the musicality with the chops and licks. I prefer to practice enough to not think about the rudiments or technique. I feel like it's more musical that way.
@@RhythmNotes Additionally, I see a guy like Giovanni Hildalgo, who still has great chops & technique, in spite of diabetes. Only because he studied hard & practiced hard in the beginning...
For sure … I remember in tee idea with percussionists who grew up with Giovanni. They said he would practice eight hours a day and a lot of percussionists developed on the instrument because of his example. Amazing player. He’s just the best.
No. I don’t tune to specific pitches. I’ll change the drum tuning to better fit a song but that’s only if it doesn’t sound good. Most of the time, I tune the head for best resonance and relative intervals among the drums.
Thank you again for one more informative video :) I remember you talking about hertas in a earlier vid. Thanks for the 'reminder' and indepth training guide!
Another great video!
Thanks. I’m glad you like it!
Ive been putting in work on doubles and find that they are a great way to execute this. Once you get the doubles down, sticking the hertas is simpler.
Right on!
Cool, thanks! Do you know "the book of movements" collection?
I'm not familiar with that one. Please tell me more.
@@RhythmNotes its a collection of 11 books full of movements patterns palindromes , rhythmic countetpoints for two voices, etc! Its for drummers and percussionist !
Actually, I hear them, I never knew the name, or rhyme or reason. I thought change of pace? Maybe showing off one's technique.
I guess there's always a bit of showing off when it comes to fills or solos. I think the hard part is balancing the musicality with the chops and licks. I prefer to practice enough to not think about the rudiments or technique. I feel like it's more musical that way.
@@RhythmNotes Additionally, I see a guy like Giovanni Hildalgo, who still has great chops & technique, in spite of diabetes. Only because he studied hard & practiced hard in the beginning...
For sure … I remember in tee idea with percussionists who grew up with Giovanni. They said he would practice eight hours a day and a lot of percussionists developed on the instrument because of his example. Amazing player. He’s just the best.
don't herta yo self
No promises.
So happy the gorgeous bongo guy is still alive and kicking, or ig slapping ❤
Glad to be alive
@@RhythmNotes Wouldn't have it any other way cutie
Dexterity is the key. Thanks.
Absolutely!
I want to study this from the beginning, please send me the link
The link to what?
Did you tune your conga to C4? Sounds like tuned to C4.
No. I don’t tune to specific pitches. I’ll change the drum tuning to better fit a song but that’s only if it doesn’t sound good. Most of the time, I tune the head for best resonance and relative intervals among the drums.
Herta is usually written in 16ths and 32nds
It can be written in any subdivision, and it’s often developed with triplet eighths and sixteenths.
What was the song you played to at the very end? Thank you
It’s called “Cha Cha Cha” by Son Habana
Thank you again for one more informative video :) I remember you talking about hertas in a earlier vid. Thanks for the 'reminder' and indepth training guide!
You’re very welcome!
Interesting and informative. Thanks. Sound & technique.
I’m glad you found value in it.
Your playing sounds really good! Thanks for the lesson. Just got a requinto and going to try this out. :)
Thanks! Very cool … requinto is fun.