Yes of course, I agree. And I love it. But sometimes if you have a really dirty break with a lot of ambient noise, it’s difficult to have control over the individual sounds with EQ and compression. As I said in the outro, you can use this method, and then run the original break in parallel, so you have the control in the mix over the individual sounds, and have the original vibe and noise quieter in the background. Perfect situation.
Some sound engineers do the opposite Gate first, then compress. You get way more pop in the attack portion. You can also just compress and then use adsr to shape sample.
Yup good shout. I used to gate then compress on my SSL in the 90s, but I find on the MPC, you get more consistent results with the compressor first. But there’s no right or wrong. Also I have found over the years I get more pop compressing first but it depends on the gate and the compressor. As I said in the video, there are always plenty of ways to get the same result, this is just one of them. ADSR has mixed results on the MPC in my opinion and doesn’t sound as natural. There’s a thin line between not enough and too much. With that all said, the aim of all my videos are to inspire people to try things they may not have thought about before. I am not into those UA-camrs that say “this is the only way to do it” lol. Thanks for watching.
Wow.... When you show the waveform of the drum loop after you bounced it was so sick. Now the threshold chop will have no problem getting the chops PERFECT!
you're the best MPC teacher on here by miles. The way you explain things and link them to standard studio practices is really helpful for me. do you offer any courses? How can i pay you back for all the help?
I do keep getting asked to put together a course, but it’s finding the time. You can pay me back by sharing any knowledge you’ve learned. Pay it forward. Keep the knowledge alive.
What a difference , wow, and transciënts came out perfect. I kinda wished we had visual refference when we mix/eq stuff in standalone , so i learn what im doing. But thats to much for the machine to handle i guess
I’ve saved this to share it with people, there’s only one other drum processing tutorial of this kind of quality, that teaches in this way… that I’ve ran across that is. Good job and thank you sir.
Love the old school tutorials. Really helpful
We need to keep the knowledge alive mate. Pass it on. 🙏🏼
Fountain of knowledge is running again!
🙏🏼
Yep
Massive technique brother
Simple but massively useful.
To be honest, the noise and that "crackieness" kinda gives you the old school vibes
Yes of course, I agree. And I love it. But sometimes if you have a really dirty break with a lot of ambient noise, it’s difficult to have control over the individual sounds with EQ and compression. As I said in the outro, you can use this method, and then run the original break in parallel, so you have the control in the mix over the individual sounds, and have the original vibe and noise quieter in the background. Perfect situation.
@@TheCratesMotel that's true. Thank you for your work!
@@soobpl 🙏🏼
More Knowledge from Conan.
🙏🏼
Exactly!
Fresh is the WORD!
“Mantronix is the …” 🙏🏼
Some sound engineers do the opposite
Gate first, then compress. You get way more pop in the attack portion. You can also just compress and then use adsr to shape sample.
Yup good shout. I used to gate then compress on my SSL in the 90s, but I find on the MPC, you get more consistent results with the compressor first. But there’s no right or wrong. Also I have found over the years I get more pop compressing first but it depends on the gate and the compressor. As I said in the video, there are always plenty of ways to get the same result, this is just one of them. ADSR has mixed results on the MPC in my opinion and doesn’t sound as natural. There’s a thin line between not enough and too much. With that all said, the aim of all my videos are to inspire people to try things they may not have thought about before. I am not into those UA-camrs that say “this is the only way to do it” lol. Thanks for watching.
🤯🔥 nicely done
🙏🏼
Thanks for all the knowledge! Much appreciated
You’re welcome man. Thank you for watching.
Hardly anyone does videos the MPC/Force Gate FXs. Thanks for the gold!
You’re welcome brother 🙏🏼
The best MPC sound engineer on UA-cam.
Thank you brother, I appreciate that.
Absolutely love these. Thanks
You're welcome dude, thank you for watching.
Wow.... When you show the waveform of the drum loop after you bounced it was so sick. Now the threshold chop will have no problem getting the chops PERFECT!
Exactly brother 🙏🏼
you're the best MPC teacher on here by miles. The way you explain things and link them to standard studio practices is really helpful for me. do you offer any courses? How can i pay you back for all the help?
I do keep getting asked to put together a course, but it’s finding the time. You can pay me back by sharing any knowledge you’ve learned. Pay it forward. Keep the knowledge alive.
@@TheCratesMotel you're too good to us
What a difference , wow, and transciënts came out perfect. I kinda wished we had visual refference when we mix/eq stuff in standalone , so i learn what im doing. But thats to much for the machine to handle i guess
At least visual reference for an EQ would help a lot of people.
@@TheCratesMotel absoluty. People who are new to it would benefit of it , cuz than you have a understanding what you do
Thanks again for dropping gems.
You’re welcome mate. Thanks for watching.
Great video🔥🔥🔥🔥
Thank you and thank you for watching
Great advice
🙏🏼
I’ve saved this to share it with people, there’s only one other drum processing tutorial of this kind of quality, that teaches in this way… that I’ve ran across that is. Good job and thank you sir.
You’re welcome mate. Thank you for watching and taking the time to comment.
🔥🔥🔥
🙏🏼