I would love to hear this recording several times purely for the sake of Mani iyer. My perspective, of course. He intuitively seems to know in advance what would follow from the vocalist and the violinist who are titans themselves
An excellent recording. After listening to this Kalyani Masterpiece we can visualize as to why he was a Titan. The short Raaga essay with trademark Aharams and ending with the flourish and flash would definitely leave a mark on the listener who would have demanded that the Maestro could have extended the Raaga delineation. The masterly rendition of the Composition of the Saint and the imaginative Swaras were to say the least simply brilliant. An inspired TNK's faithful to the tee following and not to forget Mani Iyervaal's mrindangam left us speechless. My late Father would often tell me that Maestros such as MMI, GNB Sir, MLV Amma , in many ways took inspiration from the Titan. Thanks very much.
I must have listened to this rendition over 500 times, even now I get goose bumps during the Neraval !! If I get a warning before I leave this world, this rendition along with Koluvamaregadara in Todi and Sri subramanyaya namaste in Kambhoji will be the last sounds I wish to hear ! ...Adiyen " Ramanuja" dasan.
If we notice between 16:45 till 17:15 the madhyamakala patterns reveals shades of at least 10 movie songs many years before those songs were composed . Noteworthy mannavan Vandanadi
Brilliant.. this is arranged, recorded, edited and played in srI vaikuNTham and broadcast on earth through this mahAn and the supremely talented accompanists. The opening phrase of alapana itself is a winner.. if we notice, it is த நி ரி கா.. theoretically, no diff between sbharaNam and kalyANi with those notes. But, the musical gene in iyengArvAL gives it the perfect kalyANi stamp. He was, is ans will be known for the subtle shake he gave to the svaras and touched a fraction low or high for certain notes to bring out the beauty and flavor of a rAgam. The God of anuswarams 🙏
One among the best. Can not say the best ever.
Pranam
Adiyen Ramanujana dasan. Iyengarwal Kalyani Usathi❤❤
Oh!! That opening da ni ri ga phrase.. quintessential kalyANi, when sung by ARI
I would love to hear this recording several times purely for the sake of Mani iyer. My perspective, of course. He intuitively seems to know in advance what would follow from the vocalist and the violinist who are titans themselves
The genius Shri Mani Iyer simply outclasses .......
An excellent recording. After listening to this Kalyani Masterpiece we can visualize as to why he was a Titan. The short Raaga essay with trademark Aharams and ending with the flourish and flash would definitely leave a mark on the listener who would have demanded that the Maestro could have extended the Raaga delineation. The masterly rendition of the Composition of the Saint and the imaginative Swaras were to say the least simply brilliant. An inspired TNK's faithful to the tee following and not to forget Mani Iyervaal's mrindangam left us speechless. My late Father would often tell me that Maestros such as MMI, GNB Sir, MLV Amma , in many ways took inspiration from the Titan. Thanks very much.
அரியக்குடி சுவாமியின் தெய்வீக குரல் நம்மை உயர்ந்த எண்ணங்கள் கொண்டவர்கள் ஆக்கி விடுகிறது. நன்றி .நமஸ்காரம்
I must have listened to this rendition over 500 times, even now I get goose bumps during the Neraval !! If I get a warning before I leave this world, this rendition along with Koluvamaregadara in Todi and Sri subramanyaya namaste in Kambhoji will be the last sounds I wish to hear ! ...Adiyen " Ramanuja" dasan.
So glad to connect with you here. Adiyen.
Satha sahasra pranams. If kalyani is the form of Shakti...samagana vinodini Amma must be waving Her head in bliss being unseen. 🙏
Simply fantatic. My favourate KalyAni.
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Thanks for sharing Sir 🙏🏻
My pleasure sir
If we notice between 16:45 till 17:15 the madhyamakala patterns reveals shades of at least 10 movie songs many years before those songs were composed . Noteworthy mannavan Vandanadi
Brilliant.. this is arranged, recorded, edited and played in srI vaikuNTham and broadcast on earth through this mahAn and the supremely talented accompanists.
The opening phrase of alapana itself is a winner.. if we notice, it is த நி ரி கா.. theoretically, no diff between sbharaNam and kalyANi with those notes. But, the musical gene in iyengArvAL gives it the perfect kalyANi stamp. He was, is ans will be known for the subtle shake he gave to the svaras and touched a fraction low or high for certain notes to bring out the beauty and flavor of a rAgam. The God of anuswarams 🙏
Very well analysed Sir.Thank you
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