Should YOU use Flatwound or Roundwound Strings?
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- Опубліковано 26 чер 2024
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My take on the classic debate of flat vs round wound strings.
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I have played an archtop with 10 gauge flats and folks did not noticed. I seemed to get away with it unnoticed because I used a thick pick and manipulate the EQs!
I have used 10s on every electric I have owned for since the early 70s. They are a balanced set which helps the guitar stay in tune. In Nashville studios, tuning is everything . Great video! Thanks Jamie!
Thanks for sharing!
Great video, Jamie. Lots of sensible points!
Thanks!
Another good one, Jamie. Thanks!
Thanks!
Thank you I appreciate the information.
No problem
String size 011 or 012, depends on the guitar, the action, the scale lenght, the frets!
All down to personal preference I appreciate, but I've settled for '10 Hybrids' (Rotosound Blues) - fat bottoms, thin tops! 😄
Depends on a lot of things: which guitar, what amp ... Flats don't have that much dynamics ;-( Sound a bit "flat" ;-) and very often sound a bit dull too ;-p
That Guild with the flats sounded as smooth as a stick of butter floating down a milk chocolate river into a far-away land of golden sunrises and cotton candy. Let me know if you ever want to sell it.
Ha thanks for your comment! It’s a a great guitar.
The only 10s in jazz go on a Selmac! Anything else is anemic pinging.
I've tried it all - flat, round, gold (do these still exist?), settled for Kaman Performers until they went out of business and then returned to d'Addario size 010. I found that guitar synths were triggered better and subtler with Kaman Performers. For my bass guitars it's flatwounds - ghs brite flats for the jazz bass and La Bella flats for the headless. Double ball flats for bass are difficult to find. Thomastik Infelds were a disappointment - they proved brittle and I wasn't overjoyed with the sound.
To my ear flat wounds lack some midrange mid bass
What was the piece you were playing at 5:08?
Moonlight in Vermont
It’s beautiful! Sounds great 👍
There's still a myth about flatwounds as the "jazz guitar" sound. Peter Bernstein uses round wounds. Howard Alden used rounds when I saw him play years ago. Jimmy Bruno uses rounds, from what I remember. There's certainly benefits to playing flats--but I think it's all about the sound that you are chasing. You can get a brighter sound that can be easier to dial in with a larger combo with round wounds--and more acoustic projection. Flats sound way more even across the fretboard and have no string noise, but they are often a darker sound. A lot of people in the 40s and 50s used rounds and filed them down, like Johnny Smith. There's a certain shimmer and complexity to rounds that you don't get with flats--but it's all about what sound you are chasing... and how you set your guitar tone pot (full up) and amp. I think Pat Metheny ruined guitar EQ for most jazz guitarists. Funny that he usually touts guitarists such as Joe Cohn and Pasquale Grasso--they do NOT sound as dark as him. Then again, Jim Hall didn't sound as dark either and Wes's pop happened because he guitar DIDN'T sound as dark as a bass--his sound was brighter than many realize. But that's a another can of internet guitar worms ;)
Some great points! Thanks
How dare you question Pat Metheny in any way whatsoever!
@@MrPDTaylor I think that even Pat Metheny spoke about the frustration of everyone sounding like him. Look at the guitarists he's given accolades to--Joe Cohn and Pasquale Grasso--they sound nothing like Pat. If we all liked the same sounds and played the same sounds, jazz would be quite boring--no?
Passqual grazzo told me he’s a round wounder.., dadarrio la Bella
With all respect for those among my guitar idols who got great results with flats, I've never cared for the feel or sound I get with them. They just sound lifeless to me. I mainly play acoustic archtop, which benefits from heavier strings -- in my case, 13-56, with the 13 and 17 swapped out for 14 and 18 -- so I'm used to that feel. Accordingly, on my electric archtops and even my Rickenbacker, I run a standard 13-56; lighter strings just feel noodly for me. Though I'm actually enjoying the ease of playing single-note lines on my brand new Tele, which has yet to be set up, I find the 10s quite awkward for chords on the upper strings ... and I hate an unwound G.