Sergey, thank you very much for making this outstanding tutorial, been following this channel for sometime now, however the new content is just on a different level.
Thank you so much! Outstanding tutorials. May I have a request for a video of a rendering a white car in a white studio? I always have trouble with the balance between blacks/whites and reflections.
@@AutomotiveCGI Thank you. One more question I would like to ask you. How do you deal with bad mesh flow? It is easy to take a supercar model and render it, but sometimes we need to render an average van for a client. It is hard to buy a model that would have a perfect mesh flow (especially from stores on letter H or S). Often the wetline is crooked and spoils the realism completely. I mean this: www.ebalstudios.com/blog/3d-modeling-artifacts-flow-check-reflection-map
@@c26084 I know exactly what you mean haha. What I would recommend in those situations is this. Render out the carpaint in two separate passes. Base Coat and then a clear coat. In photoshop add the clear coat as a screen blend mode, then go in and mask out the parts of the reflections that are messy. This would be the easiest/fastest way to get a job done and bill a client vs spending hours remodeling areas. With that said. I have done both methods, quick fixes as well as remodeling to make sure it can be good for animation purposes.
Interiors are actually not too bad, the only thing that separates a basic interior from a decent interior is model details and proper lighting. Materials wise it does help but if your model is not detailed, not much will help fix that. So to do a good tutorial on it I will need to find a model with a high res interior first lol.
Hello, I really like your content, I would like to buy this one scene for learning purpose, I try to follow tutorial but I can't rally achieve the same results, is it possible to buy this scene? Thank you
Thanks for taking the time to do that, I learnt loads! Can I ask why you'd work in 8 bit in Photoshop, rather than 16 or 32? I usually work with Vray in After Effects in 32bit, so it seems weird to drop it back to 8 bit.
So I use to do 16 bit but to be honest, with my workflow I don't ever depend on using all that dynamic range. If I ever do need to, I usually create a few brackets of exposure before going down to 8 bit so I can brush in exposure areas like I would with my photography. I dont really do what most studio workflows do lol. I do what works for me and what helps me get to the finish line as fast as possible and if clients are happy I am happy haha.
the final retouching is truly amazing... seems simple.. never done it before that way but now i know and i will try it ! thanks !
Sergey, thank you very much for making this outstanding tutorial, been following this channel for sometime now, however the new content is just on a different level.
This is absolute gold brother, I learned a lot of stuff about lighting with this. Thanks for the great content!
No problem man, glad to help!
You've saved me so much time, now I don't have to do these tutorials to please everyone in the Discord channel.
ahahahha!
Would you be kind enough to the same tutorial using Corona? Or give me a couple of tips on how can i make it look as good in Corona? Thankyou
Thank you so much! Outstanding tutorials. May I have a request for a video of a rendering a white car in a white studio? I always have trouble with the balance between blacks/whites and reflections.
Let me see what I can do Adam. Client work/revisions coming back in so things might be slowing down a little with free time lol.
@@AutomotiveCGI Thank you. One more question I would like to ask you. How do you deal with bad mesh flow? It is easy to take a supercar model and render it, but sometimes we need to render an average van for a client. It is hard to buy a model that would have a perfect mesh flow (especially from stores on letter H or S). Often the wetline is crooked and spoils the realism completely. I mean this: www.ebalstudios.com/blog/3d-modeling-artifacts-flow-check-reflection-map
@@c26084 I know exactly what you mean haha. What I would recommend in those situations is this. Render out the carpaint in two separate passes. Base Coat and then a clear coat. In photoshop add the clear coat as a screen blend mode, then go in and mask out the parts of the reflections that are messy. This would be the easiest/fastest way to get a job done and bill a client vs spending hours remodeling areas.
With that said. I have done both methods, quick fixes as well as remodeling to make sure it can be good for animation purposes.
@@AutomotiveCGI That sounds good, I will try it out. Thank you.
have any tutorials for blender?
Thank you for sharing the good stuff also how did you bring back the old V-Ray material preview?
There is a checkbox for legacy materials in the vray render settings, settings tab.
Hi Master, can you think of a tutorial on the interior? :)
Interiors are actually not too bad, the only thing that separates a basic interior from a decent interior is model details and proper lighting. Materials wise it does help but if your model is not detailed, not much will help fix that. So to do a good tutorial on it I will need to find a model with a high res interior first lol.
@@AutomotiveCGI Thanks, master for reply, looking forward to your more wonderful tutorials
Hello, I really like your content, I would like to buy this one scene for learning purpose, I try to follow tutorial but I can't rally achieve the same results, is it possible to buy this scene? Thank you
Thanks for taking the time to do that, I learnt loads! Can I ask why you'd work in 8 bit in Photoshop, rather than 16 or 32? I usually work with Vray in After Effects in 32bit, so it seems weird to drop it back to 8 bit.
So I use to do 16 bit but to be honest, with my workflow I don't ever depend on using all that dynamic range. If I ever do need to, I usually create a few brackets of exposure before going down to 8 bit so I can brush in exposure areas like I would with my photography. I dont really do what most studio workflows do lol. I do what works for me and what helps me get to the finish line as fast as possible and if clients are happy I am happy haha.
@@AutomotiveCGI fair enough! That's a good idea regarding creating the different exposure. Thanks for the reply!