Berta Rojas plays Julia Florida with Yamaha classical guitar GC82C
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- Опубліковано 6 вер 2024
- Paraguayan great guitarist Berta Rojas plays Julia Florida with Yamaha GC82C at Teatro del Centro Paraguayo Japonés (2015). Special Thanks to Music Hall in Paraguay (www.musichall.c....
Gran guitarrista Paraguaya Berta Rojas interpreta Julia Florida con Yamaha GC82C en Teatro del Centro Paraguayo Japonés (2015). Agradecimiento especial a Music Hall en Paraguay (www.musichall.c... al Sr. Marcelo Cornut (FOH/Live recording engineer).
www.bertarojas....
www.yamaha.com/
Wow, can't believe Yamaha makes such beautiful high end guitar. Berta sure makes the guitar sing. Absolutely beautiful.
This is my favorite version. Berta really understands the music of Barrios.
+Michajeru I totally agree with you.
She's wonderful but her phrasing especially on the opening and ending is not to my liking. It's different from every version I've listen to. I also find her a little to dramatic with her timing. But I'm not a fan of slowing and rushing the tempo regardless of who it is. It's still beautiful.
It's called "Story Telling" (Rubato in musical terms), something Agustin Barrios was a master at, and the classical guitar is perfectly suited for. As Michajeru says, Berta really understands the music of Barrios.
Barrios plays with heart and soul of Guaraníes.
Here I am yet ANOTHER year later, and can only repeat it !!!
The Sound of that Guitar is Perfect!!
Yes it does, but is it because of player skill and taste, or perhaps the sound system? I have heard real turkeys of an instrument sound wonderful in the hands if a master, if you factor the sound system, as well, it is difficult to discern the quality of the instrument
For $18,000 it better sound more than perfect.
It is not the guitar
she came to malaysia in 2011, she use michel o'leary guitar, marvelous...but when she play other guitar ,the sound also amazing...so..that means not only the guitar...the player will produce the nice tone and great sound..
@@MirambellCastrillónFranco What did David Russel once say: The artist goes on stage but also the guitar.
Probably the best version ever. Great guutar also
Berta hai nella tua anima la musica e in particolare la musica Agustin Barrios. Unica e meravigliosa esecuzione e interpretazione
Son mis viajes astrales por el Paraguay, cuando recorro todo el pasado y el presente. Cuando voy a buscar agua al Chaco, cuando me resisto a ser el Hijo de Hombre y vuelvo a Buenos Aires sediento de Villa Florida. Cuanta belleza, Berta interpreta a Mangoré como nadie. Viva Paraguay! Viva la sinergia que nos faltó!
Wow! So beautiful!
un modo di suonare che è una preghiera ! Bravissima Berta Rojas
Belíssima!
Parabéns!
Viva Berta!!! Viva el Paraguay!!!
This is truly a beautiful rendition... and what a sound... I like the romantic drama in it, a wonderful performance!
Que grande Berta CARAJO!!!!
tekoteve pio picha la ere? ... e poro respetana leka.
Gorgeous. The dynamics and rubato in her playing are perfect. The best.
Buenas tardes. Podrían por favor incluir en los créditos a Marcelo Cornut como FOH and Live recording engineer? Gracias!
Beautiful, , Berta, uma linda música e maravilhosamente bem interpretada !! Parabéns !
This top of the line Yamaha cost $18,000 USD made in their custom shop.
She can make any composition sound perfect on any good guitar. This is an experience of a life time to hear such a magnificent performer.
+James McCutcheon I'd rather buy a Redgate or even an used Dammann with that much money.
Yeah, It sounds good but am to old to put that much in a guitar. At 63 I just keep my Takamine 1977 Hirade 5 signature. I am surprised how good it sounds against major custom shop guitars
+Esteban Aguayo Or an Erez Perelman. Have you heard them? Incredible clarity and power.
I'm curious as to why people commenting here appear to be biased against these Yamaha guitars. Could it be because of the lack of prestige associated with Yamaha GC guitars? Maybe some aren't listening carefully enough...
For 18,000 your are only getting 3,000 USD of Tone and paying mostly for exotic wood. A Classical Guitar not matter what design, woods are used = Maximum Ceiling of Sound Quality. The Guitarists do most of the work in performing. However; guitars do get a short shot from the Luthiers world, when I am see teachers using a $30,000.00 Cello. Come on how can you may a cello sound that good, they play in groups. Now Violins amaze me that people would pay millions for a Violin. Yamaha has never and never will make the cut because is now a Stock Holder profit driven machine. I do appreciate their early introduction of Classical guitars in the 1970' 80's but after that. nothing. Also, the Chinese deserve not credit in the builders. At least the Japanese when to Spain to learn from the best luthiers. That's all I have to say. I will now pick up my 1977 Signature Takamine Hirade 5 and play it with great joy my friend for so many years let's see 39 years in my hand, on stage, and teaching.
What a magnificent guitarist and certainly one of the very finest interpreters of her countryman, Barrios.
Hermosa música!!! Grande, Berta!!
geniuses the lady (from Paraguay) and the composer (from Paraguay)...God bless them!
fabulosa
I think Berta has the most beautiful tone and musicality guitarist.. Excellent!!
Потрясающий, прекрасный звук инструмента . Проникновенная, высококлассная игра и романтичное исполнение !
What an artist! ¡Que artista, que música! Muchísimas gracias Sra Rojas, cariños, besos . . . En el corazón siempre sabía que era posible tocar esta obra así. Ahora me siento tranquilo que no era en vano. ¡Gracias!
You really moved me Betra, Thank you for performing this beautiful piece
Te deja hipnotizado ..
Super bravo madame la concertiste.Merci beaucoup.
close eyes eyes while you listen.
Grande Bertita estas obras muestras tu capacidad de gran Guitarrista !!! Grande Barrios !!
¡Impresionante versión!
A mais linda interpretação que eu ouvi.
I think this is the most beautiful piece of music I've ever heard played on the classical guitar by a genius exponent of the instrument. Simply wonderful and a real incentive to strive hard to improve my attempts at playing the most beautiful of all musical instruments.
Insuperable la gran dama de la guitarra tocando a Mangoré. Bravo!
Magnifique.jadore♥️♥️♥️♥️♥️.
Great tone, wow.
BRAVISSIMA !!!!!!!
Perfection!❤
So beautiful...
A melhor intérprete de Agustin Barrios. Maravilhoso e hipnotizante!
A execução de b
Berta Rojas e a mais perfeita que já vi ... ate mais que de John Willians ... mas o violão yamaha o som é o mais lindo timbre que ja vi encaixado para esta musica
that is THE interpretation of that that song. GREAT, in only wish i can do it this way... (and not only following the notes while playing it)
Impecable!!!!! Lo escucho una y otra vez y sigo emocionándome!!! Mis sinceras felicitaciones!!! María Marta.
What a beautiful lyrical interpretation... to my ears the best version to be heard on the internet... Bravo!
This is just wonderful!
Berta and Barrios.... perfect combo
Beautiful as always Maestra!
Very lovely Maestra Rojas- bravo!!!
AMAZING MIRACLE
Such a musician! Thank you, Ms Rojas, thank you.
A great guitar and a very great player also outstanding audio recording . I hate to say it but the very top range guitars from the big guitar factories like Yamaha , Takamine or Taylor for eg can often more than equal those of the small independent luthiers particularly in terms of value and consistency of quality .With traditional top end luthiers one can be paying a lot just for a name while having to compete in price with guitar collectors who will never play them. The big manufacturers have access to incredibly high tech tools and purchasing power to obtain finest woods as well as very long traditions of craftsmanship . What the big manufactures cannot do however is add the unique aspect to an exquisitely hand made guitar from a great luthier.
Just awesome....
Here I am today, 3 years later, and can only repeat what I said below !!
que belleza
wow! wonderfull performance
Tres jolie son, belle interprétation un trop arythmique a mon gout ...
Sublime! Thank you Berta. My favorite version of this piece. You make love to the guitar with this piece.
Es como si Dios ejecutara esa música a través de las manos de ella.
lovely to hear beautiful
Que belleza de interpretación! Gran sensibilidad y musicalidad!
Great interpretation. Perfect tempo and never too sentimental.
Thank you,Thank you. wow. Perfect
No te mueras nunca ❤
Diosa Berta !!!
Une Interprétation d'une poésie grandiose!
Wow...!! BRAVO...!!!
vraiment magnifique
Como Wladyslaw Szpilman para Chopin, Berta Rojas para Mangore así de sencillo, la maestría de Berta es celestial, la guitarra parece buena abrá que tañirla para tener mejor crítica.
chaque note est une perle que du bonheur bravo
Wonderful.
Berta plays barrios beautiful more that anyone in this whole planet. 💐💐
Brava..Brava....Bravissima
Best interpretation and recording of this piece I have ever heard Barr none
They started clapping a little early lol but understandably, what a performance! Definitely interested in that Yamaha guitar as well.
Nicely recorded too. Sounds just great.
Beautiful guitar tone. Most of the time, it is the tribute mostly from the guitar player, the better a guitar is, the worse it will sound from poor technique and nails. Very beautiful tones, this player made this guitar shines :)
Lindo demais.
inmensa Berta,
Very Kohno-like. Big articulate sound but still delicate.
숨 막히도록 멋진 연주네요.
very beatuiful
Bravo
Congratulations ! You play really well and you have the best sounding guitar of UA-cam, also your audio engineer did a great job. It is a pleasure to hear you play. Keep up with the good art.
tres super cannon jolie quelle prestation je sui tres emmue
Bravissima!
excelente.
Para la musica del Maestro Barrios Mangore solo Bertha !!!!
Love Berta. Adore Julia. Hate Yamaha. But the guitar sounds great, let's admit it.
best interpretation of dis piece :p
Im pretty sure Barrios didnt write that slide around bar 20...sounds great though, beautiful interpretation
Can anyone tell me where to get the sheet music for this version? it's beautiful!! and also what level of guitar playing is required to play this piece?
In the liner notes to her Intimate Barrios cd, Berta Rojas says that she plays the edition that was edited and published by Rico Stover. Hopefully, that helps. I invite you to check out my interview with Berta Rojas on my channel. She discusses the interpretation of Julia Florida and much more. Cheers, ~Miguel, Guitar Lessons from Spain 🇪🇸
2:09 Did she play a g instead of f#?? o_O
Yes. Maybe it should be E instead F#...
Yes, she did!
I tried many times on my guitar to compare the defference, and found that G seems more reasonable than F# here.
Here is Berta Rojas playing Barrios ‘s famous guitar piece “Un sue no en la Floresta” ua-cam.com/video/mAOWxwULTi0/v-deo.htmlsi=lw22q3Eos4mVz1mN
Compare the sounds of two guitars and you will have a more realistic assessment of the sound quality of the Yamaha guitar.
A melhor intérprete de Agustin Barrios
Avec la compréhension de fait !
Though it IS possible to play this piece more barcarolla-like ...
When Kevin Eubanks heard her he said "Hey, heh heh heh, I can play that WITH MY DING-A-LING!!" UH HUH!!
Too much rubato in my opinion, but the sound of that guitar is amazing!
What you call rubato is a variation an a personal interpretation of the piece , no law against that?
@@victormonreale9217 yeah, exactly! in fact i was referring to the interpretation, because there is no rubato in the original sheet music
So, that's what a $10,000 Yamaha sounds like. Not bad.
Premature applauculation
I think a lot of comments are biased just because they're watching Berta Rojas playing. With a blind listening, this version would be just a run of the mill affair. The tempo choices are beyond awful, the way she conducts the melody, with that annoying and excessive use of rubato, altering the notes durations, etc. I think she's just trying to make HER version, like if the piece was written for her, instead of Barrios. Rojas' version has nothing of "barcarola".
I agree with you. She makes a lovely sound, but this piece is meant to have a pulse. There is some kind of myth that classical guitarists have an entitlement to abuse the inherent rhythm of a piece that is meant to have a relaxed pulse, but that doesn't mean you can just ignore rhythm on a whim. I think the origins of pulse-abuse started with technical difficulty or reaching difficult intervals. This has now becoming translated into a free-for-all and an assumption that you can completely ignore the intended rhythm. There is a big difference between tasteful rubato and taking ridiculous liberties. Above all, this is not a musical way of playing, even though the tone is exemplary.
non sense grow up!
You forgot to say 'in my opinion.' You are not Barrios, therefore, you cannot judge the correctness of interpretation.