Great video Kev! You crushed it!! It's really cool for me seeing all the different ways people can rig out the same camera. You really did a great job explaining everything. Can't wait to see more from you and this channel, and lets collab soon!
The smallrig rig was the first rig I had for the C200B, however after I used the Tilta shoulder rig for C200, I'd never go back. The only advantage that smallrig has is adapter plates and small accessories. The smallrig top plate also has more mounting options comparing to the Tilta, but Tilta offers accessories in much better quality.
I use a combination of two of your builds. Should rig I use the cine T4.4 18-80mm zoom. Handheld I use the same 17-55mm 2.8. Hard to beat that lens. Nice video.
Great Video! I really love the way you mounted the teradek from the back! What kind of adapter is it, that connects the teradek to the could shoe mount? Thank you and keep it up :)
Do you think its possible to start a decent local videography business (Interviews, Corp, Real Estate, Commercials etc) using the Canon C200 as your main camera?
Sean Sweeney absolutely, I think the c200 is perfect for those looking to get into cinema style cameras. Especially for those genres - corporate, interviews, real estate, weddings. The only thing that compared in my opinion is the Ursa mini pro G2 which has a leg up in internal raw /prores codecs. But I’d probably hand it to the c200 for what you’re looking to get into.
@@KevinReyesDP Hey Kevin wow thanks so much for the fast response! I really appreciate that and I like what you're doing here with your channel. The ways you rig up your C200 are awesome and I very much like the look and format how you made the videos. Super easy to follow, great camera shots to show viewers step by step how to setup/add/ to each rig, and I'm a rig junky anyways so I love this stuff. I have already copied your bullet point list of gear for each rig into my personal "video biz startup" notes and will be using your rig suggestions for Run/Shoulder/and Easy Rig. I hope you make more C200 videos and dive into what type of jobs you can get and how to grow with C200. Another question if you don't mind, based on your opinion and experience, do you think entering into the Real Estate videography markets with something like a C200 (if you know how to operate it like a master of course) will give you a more competitive edge than say, buying a DSLR like and something cheaper like a Canon 1DX MarkII-III? Will it help you win customers from realty/marketing agencies and can you charge more? Also, are the C200's used on any high end music videos, product commercials for large corporations (like Nike, Johnson and Johnson, etc)? Or do you think to get to that level you need to have knowledge and access to ARRIs and REDs? I'm also curious to know that once you did buy your C200 do you feel that it helped propel your reputation and grow your business/paying gigs faster? Sorry for the 20 questions, I just like how down to earth you are and seem like a really good dude to get some guidance from. Thanks Kevin!
Sean Sweeney this is a very big topic but the short answer is that the way you should look at cameras, and the c200 in this case, is like a tool. I think the c200 is a fantastic camera for the lower to mid level productions. Any big looking camera “looks” cool and might impress the client. But it’s the final product that really matters. These days, any camera can do a great job and make a great image, so it’s more of choosing which camera has the feautures you want that will help you do your job better and easier. Things like built in ND filters, autofocus, ergonomics, etc.. as far as higher end commercial productions and feature films, Alexa mini has been the industry standard. The music video world tends to lean more towards RED. For me, the c200 has been a great cine camera that is dedicated to video only. I can easily use this camera for the rest of my career but I plan on upgrading soon because I want to challenge myself with working with higher end gear and acquiring the best image possible. But if I had to do it all over again, I’d probably still get the c200 to help start my career.
Great video Kev! You crushed it!! It's really cool for me seeing all the different ways people can rig out the same camera. You really did a great job explaining everything. Can't wait to see more from you and this channel, and lets collab soon!
Appreicate you big dog!!!
I've had a UA-cam account since 2009. This might be my favourite video I've ever watched! Now I'm off to buy some SmallRig parts!
Thanks Dan! Appreciate the kind words my friend 🙏🏽
Ahah tuning in as I just got a C200 a few months ago ! cheers boss
Super helpful, thanks for the work!
Alex Champ thank Alex! Glad you dig it
Would love to see a follow up video on how you deal with packing up and approche transport for the rigs👌great work
That’s funny, I’m working on that very video in the next couple weeks! 👍🏽
Great video! Thanks👏🏼👏🏼😁
GREAT vid man. Love that it was 3 set-ups and not just one!
Dude that swivel rod clamp mount is a game changer! Ordering one right now!
Your videos are soooo underrated. Great content. Thanks man
run ‘n gun every day babyyyy
Treat me good
Super clean. Long live SmallRig!
Really nice work on this Kevin!
Great video
That’s a great video mate, may try some of these set ups on my c200
Fantastic video. Seen your stuff on the FB groups. EXCITED to see you progress here too!
Didier Brival appreciate that! Stay tuned 🙏🏽
Dude, Thanks for the video man, it was awesome to see how you hooked everything up. Always fun to mess with rigs. Thanks for the examples!
Thanks man! Love gettin riggy 🕺🏻🎥
Awesome video bro! Love the builds :)
🙏🏽🙏🏽🙏🏽
Nice work Kevin
The smallrig rig was the first rig I had for the C200B, however after I used the Tilta shoulder rig for C200, I'd never go back. The only advantage that smallrig has is adapter plates and small accessories. The smallrig top plate also has more mounting options comparing to the Tilta, but Tilta offers accessories in much better quality.
The GOAT right here dawg!
When can we get a tour of your own digs????
Bro I love you!! haha My two biggest hype men right here LOL
Well done and thank you for the info 🔥
Hey dude, never hotswap with the vlock. It gives a spike and it fries your camera. Happend to me few months ago and it was a €1200 repair!
I use a combination of two of your builds. Should rig I use the cine T4.4 18-80mm zoom. Handheld I use the same 17-55mm 2.8. Hard to beat that lens. Nice video.
Clean and functional rigs man! Sub’d!
Yew thanks Ty!!
Great Video! I really love the way you mounted the teradek from the back! What kind of adapter is it, that connects the teradek to the could shoe mount? Thank you and keep it up :)
What do you think of the sigma 18-35mm f1.8?
What is best for sports?
Which filter did you use to shoot this video? I like the highlight bloom on this one (:
Thanks man, BPM 1/4
Roughly How much cost for entire rig equipment
Nice video breakdown man! So with the 702 monitor and the SDI connection, is there any lag with that set up? Thanks!
Corey Andolina thanks! Not much lag, the teradek bolt is the top of the line as far as wireless video transmissions go.
So, how are you pulling focus? Manually directly on the lens?
W cine lenses, I’ll sometimes use a follow focus w a focus puller. Smaller jobs I like to pull directly from the barrel.
And this costs how much?
Do you think its possible to start a decent local videography business (Interviews, Corp, Real Estate, Commercials etc) using the Canon C200 as your main camera?
Sean Sweeney absolutely, I think the c200 is perfect for those looking to get into cinema style cameras. Especially for those genres - corporate, interviews, real estate, weddings. The only thing that compared in my opinion is the Ursa mini pro G2 which has a leg up in internal raw /prores codecs. But I’d probably hand it to the c200 for what you’re looking to get into.
@@KevinReyesDP Hey Kevin wow thanks so much for the fast response! I really appreciate that and I like what you're doing here with your channel. The ways you rig up your C200 are awesome and I very much like the look and format how you made the videos. Super easy to follow, great camera shots to show viewers step by step how to setup/add/ to each rig, and I'm a rig junky anyways so I love this stuff. I have already copied your bullet point list of gear for each rig into my personal "video biz startup" notes and will be using your rig suggestions for Run/Shoulder/and Easy Rig. I hope you make more C200 videos and dive into what type of jobs you can get and how to grow with C200. Another question if you don't mind, based on your opinion and experience, do you think entering into the Real Estate videography markets with something like a C200 (if you know how to operate it like a master of course) will give you a more competitive edge than say, buying a DSLR like and something cheaper like a Canon 1DX MarkII-III? Will it help you win customers from realty/marketing agencies and can you charge more? Also, are the C200's used on any high end music videos, product commercials for large corporations (like Nike, Johnson and Johnson, etc)? Or do you think to get to that level you need to have knowledge and access to ARRIs and REDs? I'm also curious to know that once you did buy your C200 do you feel that it helped propel your reputation and grow your business/paying gigs faster? Sorry for the 20 questions, I just like how down to earth you are and seem like a really good dude to get some guidance from. Thanks Kevin!
Sean Sweeney this is a very big topic but the short answer is that the way you should look at cameras, and the c200 in this case, is like a tool. I think the c200 is a fantastic camera for the lower to mid level productions. Any big looking camera “looks” cool and might impress the client. But it’s the final product that really matters. These days, any camera can do a great job and make a great image, so it’s more of choosing which camera has the feautures you want that will help you do your job better and easier. Things like built in ND filters, autofocus, ergonomics, etc.. as far as higher end commercial productions and feature films, Alexa mini has been the industry standard. The music video world tends to lean more towards RED. For me, the c200 has been a great cine camera that is dedicated to video only. I can easily use this camera for the rest of my career but I plan on upgrading soon because I want to challenge myself with working with higher end gear and acquiring the best image possible. But if I had to do it all over again, I’d probably still get the c200 to help start my career.
@@KevinReyesDP GREAT insight Kevin! Really appreciate it. You should start a master class or skillshare course! I'd definitely sign up ASAP.
@@KevinReyesDP Thanks for taking time out of your schedule to provide me with a detailed and informative response. It means alot bro thanks!