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How to get Perfect Exposure on the C200 | C-Log, C-Log2, C-Log3
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- Опубліковано 3 гру 2020
- In this video we talk about how to properly expose the Canon C200 for C-log2 in Raw-light. These principles also work with C-log and C-log3 and gives you an understanding of how to read the Waveform to get the best image out of the C200 or the C300MKIII.
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I currently my teeth shooting with c100 II 8bit 420. I treat it like shooting film. I just use the EVF. So impressed with the C100II I bought a C200. When it arrived I am not going to attach the monitor, keep it compact and used to working with OVF/EVF.
This is so crucial. All stuff I had heard before shooting on Sony but having it broken down like this so I can apply it to my new C500-invaluable!
Awesome, I'm glad it helps!
Playbackspeed of 1.25 did it for me for this video 😁 Thanks for sharing!
Glad it helped!
Very helpful i just brought a new one going into 2024 i love it.
Thanks so much Ben. I love the C200 but have not found a good explanation for waveforms until I watched your video. Very practical and easy to remember. Cheers from Oz.
Awesome! Thank you!
I just add a canon lut on my monitor, and expose regular. So far, been happy with that approach!
That also helps, also not covered here is false colour which is a great option
ok thnx. dynmc range 15 stops no problem very easy
Found this super helpful. First time finding all this info in one video. Thanks so much!
Awesome! Glad that it’s helpful!
just subbed im an videographer with about 2 years of video editing and filming and love seeing other artists take on filming and gear used...
Awesome, welcome to the channel!
This was very helpful for me. TY!
Perfect!
Thanks! Super helpful!
Thanks! It was really helpful.
Glad it helped!
Great explanation for using the waveform.
Thanks!
Yeah Waveform is like flying aircraft with instruments. Professional’s use and trust the waveform not the monitor.
I can't find the custom button to turn zebras on and off in canon r6 so how i can fix it please ? Thanks
Super helpful - thanks!
Perfect!
Nice explanation. 👍
Thanks!
Great video. Thanks.
Glad you liked it!
Thanks for the video! What is the best way to overexpose by 2 stops but monitor at a lower exposure aka how I want it to look in post?
ISO400= 1Stop over
ISO200= 2stops over
@@BenSchubert So you would recommend overexposing at 800 then dropping down to 200 for monitoring? Instead of using a 2 stop under LUT?
If you have that lut you should do a comparison. They should be similar. This is how I shoot low light scenes and it gives me lots of room in post
Watching It . Amazing footage...
Awesome! Hope this helped!
Thanks for the useful info! Small correction that your comment at 5:17 that raw on C200 is 'in Clog2' might confuse people a bit. You're not recording any log curve, it's raw, and you can choose how it's interpreted in your software later as explained at 4:40 in this: ua-cam.com/video/5rHY_oMT0Qo/v-deo.html&ab_channel=ShareGrid Thanks for the tips!
thanks for sharing !
Your welcome!
Thx Ben, really helpfull.
Awesome!
Awesome vid thanks
Thanks!
how do you get that red square?
Nice job
Thanks!
Brother I have one more doubt. When I set the red mark between 50 and 20 IRE, some times the wave form in camera shows that the highlight portions are going above the 100 ire( not the red marked area) . But when I brought that footage in post. In davinci resolve the wave form is located properly at the middle . As you said the exposure on camera monitor seems to be over exposed .. May I know Why is this. Please let me know when you get time.. Thanks for your help Bro...
It might just be that there are some elements in that section that are going over though most of it is fine. Also, your colour management settings in DaVinci Resolve will play a roll in that outcome
Thanks! This is very helpful! Also Vancouver lol.
Haha awesome!
Could I ask your opinion? I trust your input. Love your channel. I’m a beginner videographer, using my R6: Should I adjust my exposure with the CLOG image on the screen?..... or turn on the LOG view assist feature THEN adjust my exposure? MANY THANKS! I almost always use my external monitor with false color, zebras at 95%, and histogram.
I keep view assist on all the time. If your monitor has LUT support you can use the Canon c-log lut to see how it will turn out. Generally I recommend doing tests with your setup until you get a consistent look that you like
I just got the Canon XF605 and noticed some grain when I shot in clog 3. I'll use your tips to see if that helps. Also, I noticed on your monitor you're shooting hdr-hlg?
Have you checked out the C200 user group on Facebook? Lots of good content there. You should post your videos there. Keep the videos coming. Cheers!
Thanks. I am in that group and post there when I make videos. I just not super consistent with UA-cam when work is crazy busy
@@BenSchubert Roger that.
Watch at 1.25x or 1.5x speed. 00;00 to 3;30 can be summed up as, "Dont use the monitor and gauge with your eye, use the waveform". Good for beginners, refresher for experienced videographers, not useful for experts. You pick your bucket. Video could have been total of 60s.
On my RED, I just expose for 800 ISO and pull things just barely under peaking, always looks good! Then their stop lights + zebras for underexposure + dropping my ISO (middle grey) if I don't have lots of uncontrolled highlights. Love this R5 & they just released RAW light for it, should I expose this in a similar way for C-Log2 (RAW then C-Log2 in post) at 800 ISO? Also wondering if I should do the same with C-Log3, I thought it was also designed for exposure at 800 ISO in bright settings. Thanks for the awesome video!
Yes to all of this. I’m not 100% on where to base the ISO on the R5 yet but you would be safe to do it at 800. Otherwise protecting your highlights when you can is a good way of doing it
@@BenSchubert I just found since the new R5 firmware, it won't let me dip my ISO under 800 shooting RAW unless I monitor in Clog. It let's me shoot in Clog-3 in Mp4 4K HQ & dip below 800 for low light grey shift, so not sure what's going on there.
Hey Ben, I may have missed it in the video, but do you use the REC709 preview lut on your monitor or do you just view everything in the CLOG look?
I use the rec709 Lut. I would underexpose a lot otherwise. I need some sense of back to know how dark things are getting. I also use a preview LUT on a NinjaV to help.
@@BenSchubert Hiya Ben quick question here - is your Rec709 affecting the signal going to the waveform? If so, then the IRE values you described in the video would only apply if you are viewing with the Rec709 conversion LUT?
No. My lut is applied after signal so signal isn’t affected by the lut. I also go by the camera waveform and not the monitor
@@BenSchubert Ah ok cool, that makes sense thank you so much!!
film in C-log or C-log 3 to better deal with this problem of grain in the dark?
I own the C200, I still can't get a good exposure without grain on Raw.
C-log and c-log3 have more contrast so they hide it a little better. C-log2 shows the most grain but has more detail in highlights and shadows. The noise you see in the shadows is supposed to be darkened in post. Anything under 20ire will have noise. Make sure anything you want clearly visible like skin tones is above 20ire
@@BenSchubert okay, so best as you said and stay between 20 and 70 for a good exposition. Does the opening of the diaph play on the grain as well? Anyway, thank you very much for your advice.
Aperture only makes a difference when it changes where your exposure lands in the waveform
@@BenSchubert Thanks you very much !
You’re welcome!
c200 menu, only clog and clog3
hey man im also located in vacnouver! it would be nice to do something together in the future! let me know! 👍
That could be cool. DM me in Instagram or email me at ben@imagecapture.ca
Wich cfast card you using to give e you a 120 mins of recording raw?
1tb Angelbird. I don’t really recommend it unless you are doing long recordings. I’ve had times on projects where the camera won’t recognize the card if I power down. Issue seems to be with the camera not the card.
Thanks for the information. Sould just get 4 250 gb ?
Depends on your style. 256gb seems to be safest but I have pulled off big projects with bigger cards. You just have to eject them now and again. But if you aren’t shooting for longer that 20-30 min 256 is perfect
@@BenSchubert yea thats the plan to shoot just for 25-30 mins then take the card out and use 4
Thanks
You’re welcome
does this look oversharpened to anyone else?
Could be. I get greedy for sharpening on these UA-cam videos to see how far I can push things. Also could be your display. Hard to say
@@BenSchubertvery much appreciate your content btw, played this video back in full screen and it does not look over sharpened!
Nice!
Thanks for this video Ben. Also, not sure if anyone has posted this. I found a video on how to turn on the red box meeter.
Canon Tech Tip: In-Camera Waveforms
ua-cam.com/video/k84kQ10fZWA/v-deo.html
Took 3 minutes, way too long, to finally get to your point about waveform. Appreciate the effort to put out content, but please cut all the meandering bs and just get to the point.
Nope. Your not the boss of me
@@BenSchubert ok. do you, boo, good luck
What you may see as meandering is context for people who are in a different place than you.
@@BenSchubert ok. You're either gonna take feedback or you're not. I get why you wouldn't, I'm a stranger, so you immediately get into a defensive posture. But I'm just trying to help. Either way, good luck.