Hi David! Has anybody mentioned "Venus", made famous by Bananarama in the late eighties? This song was first recorded by the Dutch rock band Shocking Blue in 1969.
Shocking Blue's Venus in turn is a rework of The Banjo Song by The Big 3 (which in turn is an arrangement of the folk song Oh! Susannah, but the melody is very different). One of the members of The Big 3 by the way was Tim Rose, who made the arrangement of Hey Joe that Jimi Hendrix used. (Coincidentally, another member of the Big 3 was called Jim Hendricks. He was the husband of the third member, Cass Elliot, of the Mamas & the Papas fame)
@@rossamullen5918 I didn't know that! It seems Robert Hodgens of The Bluebells co-wrote it with Bananarama and then adapted it. Listening to the original and it's very different
"Black Magic Woman," famously played by Santana, was originally released by Fleetwood Mac from their lesser popular blues album of the same title. I found this out when my college was clearing out some of their vinyl collection and were giving them out to students at the time
Fleetwood Mac's "Black Magic Woman" wasn't released on an album, it was only released as a single (and on later compilation albums, like "English Rose"). That was pretty common back then, even for popular songs.
@@SamiKankaristo I think they're referring to a compilation album titled Black Magic Woman, which is just the debut album and the English Rose comp in one package. Still technically a non-album single.
@@SamiKankaristo I remember Juice Leskinen with his band that time was playing before Santana at some summer festival, Santana denied anyone to play his tunes there. Juice played Black Magic Woman, Carlos was upset, Juice pulled him back to ground: "We played Fleetwood Mac's Black Magic Woman" :D
I feel so old...I've been collecting music since I was given my first lp in 1963 - before I could read. Had 8-Track, cassette, reel-to-reel, cds. Started digitizing everything in the late 90s. I have most of these originals, plus the covers. Still, it was nice to hear and learn a few new tidbits! Two of my uncles were DJs, but the whole family loved music! Thanks!
Tom Cochrane's "Life is a Highway" was a major hit in the US (and Canada obviously) and was a staple of mainstream rock radio for many years (and basically still is). It's the much better known version here; it just didn't cross the pond.
Just an anecdote but I'm from the US and have never heard the Cochrane version before, but I've heard the Rascal Flats version countless of times. I'm not sure if the original is the more popular one over here.
@@gabrielhicks8043 I suspect it's a generational thing. The original came out in 1991 and was popular for a long time afterwards (especially in Canada) so if you were listening to rock radio in the 90's then it's the one you know. After 2006 the Rascal Flats version probably took over (except maybe in Canada where CanCon rules apply).
How about I Heard It Through The Grapevine? Written for Gladys Knight and the Pips but first recorded by The Miracles, and then by Marvin Gaye, and finally by Gladys Knight. Her version was released first and became Motown's biggest hit at that time. Then The Miracles version was released about 1 year later and Marvyn Gaye's about 4 months later. His version eclipsed hers and became Motown's best seller ever. But whose is the original and whose the cover.
@@DavidBennettPiano You're doing it wrong, David. I've watched many "WatchMojo" countdown lists and what you're supposed to do is give us an audio description of every clip, without actually showing the clip - because that's what everyone clicks on the video for, to experience a "tell, don't show" audio description list - and then "mansplain" it all for an extra minute as well, because you need the video to last 10 minutes for the ads. (I jest. But the UA-cam Algorithm - all hail the Algorithm! - seems to think this is awesome, as "WatchMojo" plagues every recommended list, no matter what you're watching or searching for.)
I never thought I'd hear David Bennett mention Irish comedian/singer Brendan Grace. He was huge in Ireland in the 90s my parents loved him ,a very niche Irish audience
Fr Stacks fave banging tune is itself a remix ( or cover version, if you will ) of Cutty Ranks Limb by Limb, by someone i cant google right now. So now ye are all sitting there , imagining it, with a big smile on yer faces.
I like the way you thread the story through the music and the artists, it adds some love. I'm 63, so I did know a lot of these, but mostly forgotten, so thanks for trip down memory lane. Keep it up :)
Underdog by Sly and The Family Stone is also one of those weird covers of unreleased songs. It was originally writen by Beau Brummels but never released until Sly and The Family Stone covered it.
The Star Spangled Banner which was a popular hit for Whitney Houston, was actually written by Frank Key in 1814 and released on his album 'Songs Of The Revolution' in 1816.
The Star Spangled Banner used the music to a song called To Anacreon in Heaven written in 1775, or so it is claimed. Dunno, I didn't pick up all the many similarities when I checked it out, personally, but I'm far from the best at noticing those kind of things. FWIW, the Battle Hymn of the Republic is nothing more than re-written lyrics to the music used for John Brown's Body. That one, even I notice. I think this kind of thing used to be very common, before effective copyright came into existence.
Whiskey in the Jar is Irish and at least 300 years old. Black Betty dates back to a game played at Appalachian weddings 200 years ago, but a similar song was known to freed slaves serving alongside British forces during the War of 1812. Also, in the South, black and white people often shared music. Cotton Eyed Joe is a good example. Most people think it's whiter than white, but earliest accounts say it's black. And where I live there are plenty of black kickers who line dance one county over. They even have a Reconstruction era HBCU. BTW, "kicker" is short for "sh1t kicker", an East Texas term for a small plot rancher.
@@cisium1184 Texas was also originally a Mexican territory before seceding and then joining the US shortly after. We were taught that in school, at least in Florida, but most people seemed to quickly forget, and the popular perception seems to be that there's a lot of Mexican culture in Texas strictly because of Mexican immigrants, like borders are real geographical or even social constructs and not political ones subject to whim. As an aside "Come and take it!" as an anecdote from the Texan secession is something I love about Texas as a non-Texan. The fact that it was -a cover- an echo of something Leonidas told Xerxes at Thermopylae only makes it better. That human-spiritual connection across two millennia is fantastic.
Another of my favourite songs is "Hazy Shade of Winter" originally recorded by Simon & Garfunkel and beautifully covered by The Bangles many years later. And covered by many other artists as well.
THANK YOU SO MUCH for the Maggie Reilly track! So many people told me i was wrong, but i love Maggie who was also the performer of Moonlight Shadow for Mike Oldfield
Simon and Garfunkel's "Scarborough Fair" is also based on an old English folk song, but their particular version comes from an English folk singer named Martin Carthy, who was not properly credited. One of my favorite 1960s singer-songwriters is Laura Nyro - I lover her original versions of "Wedding Bell Blues", "Stoney End", "And When I Die", "Eli's Coming" and "Save The Country" - these were big hits for The Fifth Dimension, Barbra Streisand, Blood Sweat and Tears, Three Dog Night and again 5th Dimension.
Great comment, I've been a fan of those songs for a long time. There's a version of Save the Country from a TV show with Ray Stevens and Lulu that is also awesome.
I actually remember hearing the original versions of most of the songs on this list on the radio. Wow, I'm old. A lot of songs from the Big Band era were originally written for somebody else and only later recorded by the original songwriter. Two that immediately spring to mind are "My Way" by Paul Anka (made popular by Frank Sinatra) and "The Christmas Song (Merry Christmas To You)" by Robert Wells and Mel Tormé (made popular by The King Cole Trio). It's a fairly common practice in the music industry to this day. It's important to remember that the reason they're called "covers" is because back in the day the songs were re-recorded and surreptitiously placed in record stores, often blatantly violating the song owner's copyright, literally covering up the original recordings with the covers. In many cases the original singer was Black and the cover singer was White.
@@welcometonebalia David Bowie took a crack at the lyrics, but they didn't like them, gave the song with new lyrics to Sinatra, Bowie got upset, and wrote Life On Mars?.
No, the lyrics of ¨My way¨ were written by Paul Anka, the melody was stolen from that french song. Something like ¨I´m a man¨ by Chicago was an honest known cover of ¨The Spencer Davis group¨.
When I found out Elton John recorded a cover of ‘To Be Young, Gifted, and Black’, I assumed he did it as a political statement to celebrate the Black community and show solidarity with them. Then I found out that he was actually hired as a session singer to record one of those ‘soundalike’ knock-off records in 1970 (a few months after Nina Simone released her version). So they hired a white British man to impersonate a Black American woman singing a civil rights anthem about Black excellence. Edited: I just looked up Elton’s version as it’s been years since I listened to it, and his version was a copy of Bob & Marcia’s reggae version. There’s a female vocalist duetting with Elton who was apparently white too.
Killing Me Softly reportedly has over 160 covers, but it wasn’t originally by Roberta Flack or The Fugees, but by the songwriter Lori Lieberman. Flack heard the song on an airplane flight and decided to cover it to great success. It’s reportedly about a performance of another singer songwriter, Don McLean.
The original version by Lieberman is so beautiful. Now, I’m not saying that Flack’s and the Fugees versions aren’t great in their own right and ways, but being that the idea for the lyrics came from Lieberman herself, you can really feel what she’s singing about in a way you haven’t before when listening to this song. Almost like growing a new sense of understanding of the lyrics.
When I was a kid, I entered a competition to win Fugees concert tickets. The question was ‘who originally sang Killing Me Softly?’ I answered Roberta Flack, and I won. It wasn’t until a few years ago that I discovered Lori Lieberman recorded it first. So if I’d known the correct answer, I would have lost.
COVER SONGS : @00:14 : 'ACHY BREAKY HEART" by BILLY RAY CYRUS ("DON'T TELL MY HEART" by MARCY BROTHERS ) @00:40 : "EVERYTIME WE TOUCH" by CASCADA ( MAGGIE REILLY ) @01:12 : "DON'T LEAVE ME THIS WAY" by THELMA HOUSTON ( HAROLD MELVIN AND THE BLUE NOTES ) @01:42 : "ALONE" by HEART ( I - TEN ) @02:05 : "MICKEY" by TONI BASIL ( "KITTY" by RACEY ) @02:28 : "HANGING ON THE TELEPHONE" by BLONDIE ( NERVES ) @03:03 : "DENIS" by BLONDIE ("DENISE" by RANDY AND THE RAINBOWS ) @03:24 : "THE TIDE IS HIGH" by BLONDIE ( PARAGONS ) @03:40 : "EVERYBODY'S TALKIN' " by HARRY NILSSON ( FRED NEIL ) @04:03 : "WITHOUT YOU" by HARRY NILSSON ( BADFINGER ) @04:30 : "DON'T CHA" by PUSSYCAT DOLLS ( TORI ALAMAZE ) @05:08 : "IF I WERE A BOY" by BEYONCE' ( B C JEAN ) @05:40 : "MACARTHUR PARK" by DONNA SUMMER ( RICHARD HARRIS ) @06:28 : "BLINDED BY THE LIGHT" by MANFRED MANN'S EARTH BAND ( BRUCE SPRINGSTEEN ) @06:48 : "THE MIGHTY QUINN" by MANFRED MAN ( BOB DYLAN ) @07:11 : "MAKE YOU FEEL MY LOVE" by ADELE ( BOB DYLAN ) @07:40 : "IF NOT FOR YOU" by GEORGE HARRISON ( BOB DYLAN ) @08:18 : "WAGON WHEEL" by OLD CROW MEDICINE SHOW ( DARIUS RUCKER ) ( "ROCK ME MAMA" by BOB DYLAN ) @08:58 : "MR. TAMBOURINE MAN" by BYRDS ( BOB DYLAN ) @09:22 : "TURN TURN TURN" by BYRDS ( PETE SEEGER ) @09:45 : "SAILING" by ROD STEWART ( SUTHERLAND BROTHERS ) @10:08 : "1985" by BOWLING FOR SOUP ( SR - 71 ) @10:37 : ADVERTISEMENT FOR D B PIANO @11:04 : "UNCHAINED MELODY" by RIGHTEOUS BROTHERS ( TODD DUNCAN ) ( FROM MOVIE : "UNCHAINED" ) @11:34 : "HEARTBEATS" by JOSE' GONZALES ( KNIFE ) @11:54 : "IT MUST BE LOVE" by MADNESS ( LABI SIFFRE ) @12:18 : "RED RED WINE" by UB 40 ( NEIL DIAMOND ) @12:41 : "GIRL YOU'LL BE A WOMAN SOON" by URGE OVERKILL ( "PULP FICTION" ) ( NEIL DIAMOND ) @13:10 : "WHEN YOU SAY NOTHING AT ALL" by RONAN KEATING ( KEITH WHITLEY ) @13:49 : "THE COMBINE HARVESTER" by BRENDAN GRACE ( A PARODY ) ( "BRAND NEW KEY" by MELANIE ) @14:22 : "LIFE IS A HIGHWAY" by RASCAL FLATTS ( TOM COCHRANE ) @14:57 : "GIRLS JUST WANT TO HAVE FUN" by CINDI LAUPER ( ROBERT HAZARD ) @15:35 : "I WANNA BE YOUR MAN" by ROLLING STONES ( BEATLES ) @16:05 : "CALIFORNIA DREAMIN' " by MAMAS AND THE PAPAS ( BARRY MACGUIRE ) @16:40 : "CHINA GIRL" by DAVID BOWIE ( IGGY POP ) @17:08 : "DOIN' TIME" by LANA DEL REY ( SUBLIME ) "SUMMERTIME" ( FROM MOVIE "PORGY AND BESS" ) "SUMMERTIME" by HERBIE MANN ( INSTR . ) @18:14 : "BLACK BETTY" by RAM JAM ( LEADBELLY ) @18:37 : "WHERE DID YOU SLEEP LAST NIGHT" by NIRVANA "(IN THE PINES" by LEADBELLY ) @19:10 : "GALLOWS POLE" by LED ZEPPELIN ("THE GALLIS POLE" by LEADBELLY ) @19:38 : 'WHISKEY IN THE JAR" by METALLICA ( THIN LIZZY ) @20:03 : "HEY JOE" by JIMI HENDRIX EXPERIENCE ( SEEDS ) ( WRITTEN BY BILLY ROBERTS ? ) @20:23 : "EL CONDOR PASA" by SIMON AND GARFUNKEL ( LAS INCAS - INSTR. ) ( WRITTEN BY DANIEL ALOMIA ROBLES IN 1913 )
I'm glad this video exists. It scratches the itch of "where have I heard this song before?" Growing up in the 90s I vaguely remember listening to handful of these originals on the local AM station, only for my memory to be overshadowed by the newer artists. I'm not saying the covers aren't good in their own right, but it's a nostalgic to hear "Denise" and "The Tide is High" ring in my head as it did back then.
@8.08 Bob Dylan does not play on George Harrison’s version of If Not For You but George does appear on Bob’s version that was released on Bob’s Bootleg Series Vol 1-3.
@@illegal_space_alien Believe it or not, the song captures an afternoon in the eponymous park. If Webb was high on anything, it might have been heartbreak.
Badfinger were extraordinary talented, and their music was so outstanding .... but they were so so unlucky and got scammed. So so so sad. Good those who were enchanted by their music still remember them. They should get all the credit they deserve. From South America with gratefulness.
The story behind the track Without you, was that Nilsson didn't want to do the track. His producer kept one him about it. They made a deal, but Nilsson backed out. The producer kept at it and really gone Harry pissed and he went in and out down that masterpiece. In one or two takes.
All By Myself originally recorded by Eric Carmen and became a huge hit for Celine Dion. I Will Always Love You, originally written and recorded by Dolly Parton became the massive hit for Whitney Houston. Both of the hit versions by Celine and Whitney were arranged and produced by David Foster.
Wow! And I Drove All Night by Celine Dion was a cover of Roy Orbison. My favourite version of the song, however, is Cyndi Lauper's, before Celine Dion.
Just about everything The Specials recorded on their first album were covers. This is immediately apparent if you listen to the SomaFM music channel Heavyweight Reggae. Even "Stupid Marriage" is derived from a couple "Judge Roughneck-style" novelty reggae records.
since you mention cascada and manfred mann's earth band there is a direct pipeline of songs originally written by bruce springsteen, then recorded or covered by someone else and then covered or remixed by a german techno duo in the 2000s... ok by pipeline i mean it happened 3 times but ‘if i had a penny’ etc etc the songs i am referring to are ‘because the night’ (springsteen (inconplete and only recorded live in concert)->completed and recorded by patti smith->patti smith version covered by cascada) ‘blinded by the light’ (springsteen->covered by manfred mann->manfred mann remixed by michael mind) ‘for you’ (springsteen-> covered by manfred mann-> remixed by the disco boys) though the cascada version was the only intl hit, the other 2 got a good amount of radio play at least in germany and france
"Because The Night", made really famous by that superb version by 10,000 Maniacs, was actually a Springsteen song that he gave to Patti Smith, who completed it, so they're both considered writers.
You are quite wrong about Richard Harris. He was absolutely stellar in the '60s as a singer alone, though he was already a very accomplished actor with an Oscar. He played the lead in Camelot which was only marginally less successful than The Sound of Music or Oliver! His interpretation of MacArthur Park is fantastic and basically sets the template for Donna Summer. To get a 7 minute song into multiple Top 10s and be a million seller is no mean achievement, especially when it's on such an abstruse topic. Dumbledore is unquestionably going out on a high but if one properly appreciates the rest of his career, both singing and acting, then it's really only a postscript.
Jimmy Webb originally wrote a piece of music that was a 17 minute cantata with the Association in mind. He played it for the group and their producer Bones Howe in late 1967. Although Bones thought that the group should record it, they turned it down because it would take up a whole side of an album. They thought that they could do better (they only had one more top 10 hit after that "Everything That Touches You"). Jimmy was quite disappointed and decided to take the last seven minutes of the cantata, called "The MacArthur Park Suite" and produce it for Richard Harris, who took the song to No. 2 on the Hot 100. Ten years later Donna Summer would best Richard's chart position and took the song to No. 1 for three weeks in November of 1978.
@@robertbrescia3196 Thanks for taking the time to give us that bit of backstory and history. It's very much appreciated. I think, from the reading around I did to check my facts but which are a little rusty 2 weeks later, that he got to No.1 in the UK, which is what counts. ;) Having said that, Donna Summer's version is the one I tend to listen to these days.
I read somewhere that in the case of California Dreaming by McGuire it has not only Phillips and Cass singing the backings, it IS the same backing track as the Mamas & Papas version.
Very few people are aware that the famous Procol Harum song "A Whiter Shade of Pale" is actually a cover of a JS Bach organ sonata. I got into Bach in the mid seventies and had a vinyl record back then on the Deutsche Grammafon (German) label of Bach organ sonatas, which had that particular sonata with the exact song melody. Unfortunately I later donated that record to a public library. Nobody (including the world wide web) seems to be aware of this connection of Bach to Procol Harum, and credit the song to PH members. Wish I still had that record...
@@DavidMoxham957 Yes I'm sure it was Bach because the entire vinyl record was solely Bach organ works, and labeled as such on the "Archiv" label, which was or is still a subsidiary of Deutsche Grammafon. I was never much a fan of Pachelbel actually and would've noticed if there was a single work of his among the Bach works, I would've thought that odd. The only Pachelbel work I'm very familiar with actually is that canon similar to an endless loop with variations worked in, never really liked it.
@@BlacksBeachBoogieBurner I bow to your superior knowledge especially as I don't have the well rounded knowledge of classical music that you obviously have. My favourite piece by Bach remains "Jesu' joy of thy desiring".
@@DavidMoxham957 yeah that's a great one among so many greats, what's funny is I had forgotten this video was about pop and rock music, I had gotten so absorbed in the Bach thing...
As a non-English native looking out for information about Procol Harum's A Whiter Shade of Pale, the first thing I read was to notice the Bach's intro. And it was back in 1968.
"Act Naturally", written by Johnny Russell and Voni Morrison, first recorded and published by Buck Owens & The Buckaroos, later covered by the Beatles.
@@dustmybroom288I have always been a fan of Buck Owens. He had a great sound. But I think the Beatles version is superb. It rocks more. Ringo is the lead vocalist on it. Also, Ringo recorded a duet with Buck Owens of « Act Naturally » in the 80s, I think.
The Beatles , The Rolling Stones and The Grateful Dead are three of the greatest cover bands of all time, believe it or not. The Beatles covered everyone from Smokey Robinson to The Marvelettes to The Cookies to Carl Perkins and Buck Owens. Who HAVEN'T the Stones covered? The Dead is probably the most shameless cover band of all time. All three could do Country, R&B and Blues.....just about anything, and weren't shy about it either, to their credit.
The song "The Power of Love" was made famous by such super artists like Air Supply, Laura Branigan and Celine Dion, but it was co-written and recorded by Jennifer Rush for her debut album in 1985. Also, the popular 80's song "Our Lips Are Sealed," was co-written by Jane Wiedlin, guitarist for the Go-Go's and Terry Hall, singer of the Specials and Fun Boy Three. The Go-Go's version was a huge hit in the U.S. in 1981 and then the Fun Boy Three released their version in 1983, which was a top-10 hit in the UK, which topped the Go-Go's version there, which only hit 47.
I think there's a video to be made on Songs You Thought Were Traditional. I grew up thinking the song Fields of Athenry was written in or around the 1840s, when it's set. It's an important song in Ireland, where I'm from, not least for being sung by crowds at rugby matches. I was shocked to find it was written in 1979. It just feels too authentic for that. I think most rugby crowds singing it assume it's old too, but you'd have to ask them. Maybe similarly, there's also And the Band Played Waltzing Matilda, set during the first world war but written in 1971, but for me, when I first heard that, I took it to be a modern (post-Dylan) piece of writing, which it is. For all the great poetry of the first world war, nobody thought to write a song like that in 1918.
And Back Home in Derry. Lyrics Bobby Sands MP, music is Gordon Lightfoot's Wreck of the Edmund Fitzgerald. Back Home in Derry just sounds like it's really old, telling a tale but was like 1980 or 81. Christy Moore made it famous.
One fascinating example of a cover is Diana Ross's version of Ain't No Mountain High Enough. Originally done by Marvin Gaye and Tammi Terrell. The Ross cover is so different from the original that you could probably call it less a cover and more an extrapolation (like 7 Rings). But that version was produced by the songwriters, Ashford and Simpson. Very smart, as they were able to double-dip on the royalties.
My favorite version of the Dylan song "If Not For You" is actually Olivia Newton John's, I believe it was her first major hit also. Pretty sure it was recorded after George Harrison's version
Badfinger were extraordinary talented, and their music was so outstanding .... but they were so so unlucky and got scammed. So so so sad. Good those who were enchanted by their music still remember them. They should get all the credit they deserve. From South America with gratefulness.
I drove all night was a hit for Cindi Lauper in 1989. It was written by Billy Steinberg and Tom Kelly in 1987 for Roy Orbison. He recorded a demo that was never released, so the writers gave the song to Cindi. Then in 1992 Jeff Lynne produced a new version with Roy's vocals which was a big hit.
Could taste your sweet kisses, Your arms open wide, This fever for you, Is just burning me up insi…. iiiiiid… iddddeeeee! Roy Orbison, eh? What an amazing voice!
My introduction to "Make You Feel My Love" came via covers by two of my favorite singers, Neil Diamond and Billy Joel. Neil's is not bad, but I can't stand Billy's.
Being a bit of a music geek, it's always a fun game finding out about original songs/artists I didn't know yet. And many of these covers are really owned by the newer artists, bc the execution in a newer version is so good!
Harris' version is fantastic and a classic 60s song. It shows how old I am because I find it hard to believe that anyone wouldn't know the newer one was a cover. The cover version sucked.
Harris’ original version was a HUGE hit. I remember hearing it on the radio daily. Nothing against Donna Summer, she was in a different universe from Harris as a singer, but I would bet Harris outsold her.
“Summertime” was also used by Mahalia Jackson (I think in the 60s) and merged with “Sometimes I Feel Like a Motherless Child” for an absolutely exquisite spiritual version ❤
Very cool! I've always wondered what the recorder was used for. I had one around age ten from school in the late 70s--didn't get as far, but the magic didn't happen for me until I saw Michael Anthony do a bass solo in an arena-sized show a decade later.
Keith Whitley was married to Lorrie Morgan and before he died and they did the song as a duet. She then recorded a version of the song by herself after his death which also garnered a fair amount of airtime long before Alison Krauss covered it. So there are a great many different versions of this song.
It's interesting he brought up the Old Crow Medicine Show version and not the Darius Rucker cover which came a few years later, because that's the one that was the true crossover hit that everyone's heard. The Old Crow Medicine Show was only a hit in bluegrass circles.
Everlasting Love the 1975 hit has an origin from late 1967 LOVE AFFAIR. Sadly, only the singer and session men play on it they are John Paul Jones and drummer Clem Cattini
"I know an old lady who swallowed a fly" covered by a lot of people including Pete Seeger and Burl Ives, although most don't know it is not traditional and was first recorded by one of the writers in 1952. Led Zeppelin also covered "nobody's fault but mine", from a WPA recording of Blind Willie Johnson.
In the middle of the Zep's 'Whole Lotta Love' has Plant singing a-capella: "And I got you in the sights of my love......(and then his voice wanders off)" Earlier, bluesman Albert King had a song, with the chorus: "I got you in the sights of my love gun."
Great. Very enjoyabl'e. One of my favourite covers is David Gray's cover of Soft Cell's 'Wave Goodbye, Say Hello' which appears on White Ladder. The best Soft Cell version is one of the extended remixes.
"How Am I Supposed To Live Without You" was pretty big too, written by Michael Bolton and Doug James (and later released by Michael Bolton, where it became a hit all over again). Of course, this track was released on her 2nd album... (SIDE NOTE: Laugh all you want about Michael Bolton, he wrote "I Found Someone" for Branigan, which was a minor Branigan hit, a massive Cher hit, and a massive hit a THIRD time when Bolton himself released it.) Man, she had a set of pipes on her! Her unique vocal cracks always added a certain something to her tunes. I grew up listening to the entire "Self Control" cassette in my father's car, and nearly forty years later a digital copy still gets regular playback in mine. Her rendition of "Will You Still Love Me Tomorrow" is probably my favorite cover of that song. "Heart, are you still beating? Is there enough of you left to break?" from "Heart," off "Self Control."
I'm a Believer: most people these days probably know The Smash Mouth version and be vaguely aware that it's a cover. The Monkees had a hit with it in the mid 60's, but Neil Diamond originally wrote it. I don't know if Mr. Diamond's version was recorded before or after the Monkees' version, as he wrote many songs for other artists back then.
Pretty sure I'm a Believer was written specifically FOR the Monkees. According to Wikipedia, Neil Diamond plays on that recording. Also of note, other than Mickey Dolenz's singing, the Monkees don't play ANY of the instruments. All studio musicians. I think they did play instruments in their live performances later though...
Bands typically did not play their own instruments in those days. All four band members had been working musicians before getting the Monkees gig. If you do a little research, you'll find that each studio or locale had its own group of dedicated studio musicians. In LA, it was the Wrecking Crew. In Muscle Shoals, they were known as the Swampers, cited in the song, "Sweet Home Alabama."
Diamond probably did pitch "I'm a Believer" to the Monkees. They recorded it in 1966; he recorded it in 1967. They sang several of his songs. If I remember correctly Kirschner contacted several songwriters and asked for submissions.
@MelissaThompson432 true. Also true in modern times, in many cases! But the Monkees were not originally a band, but a TV show. The execs never expected them to play instruments on their songs. But as they grew in popularity, they became an actual band, and even wrote a few songs (I think). The band members had to campaign for that, as they were not necessarily cast in their best instruments (Dolenz was a guitarist, I believe). The story of the Monkees is particularly interesting!
Niel Diamond is also dubiously famous for having one of the most expensive divorce settlements in history. He was a good song writer, but I never cared for his singing voice.
The quintessential "two original versions" for me is Because the Night. It was mostly written by Bruce Springsteen, but he wasn't happy with it and agreed to let Patti Smith record it (they shared an agent). Smith's version has some original lyrics by her, but the music is all Springsteen; Springsteen has never put his version on a record, but plays it live.
I was under the impression Springsteen wrote the music and chorus, but didn't have any verses. It was given to Smith who added the verses. I could be wrong though. I though Life is a Highway was Tom Petty until I saw this video.
@@scottruisch6593 "Well, it's time to start so let's say hi to uh, Natalie and 10,000 Maniacs!" Their MTV Unplugged album is great, and when you listen to it in surround sound... 🤯 Fully-immersive, it really sounds like you're at an actual concert in-the-round. Even the person in the audience who randomly whistles during "About the Weather" seems to have a specific place that "feels" as if it's across the stage on the opposing side. The audio engineers and mixers really nailed it. According to a brief Wikipedia search, in 1993/94 it reached #7 on Billboard US Top 40/Mainstream, #7 on Billboard Modern Rock Tracks, and #9 on Billboard Hot Adult Contemporary. Not too shabby, especially for a live recording of an all-acoustical song!
The verses Springsteen eventually wrote are quite different, and were in a state of flux for a while. The versions he played live from 78-84 eventually coalesced into what's on the "Live 75-85" box set. He did go back and rework his '78 recordings with lyrics closer to Patti Smith's on the 2010's "The Promise", a collection of 77-78 era outtakes.
Another multi-release is "I'm Not Scared" by Eigth Wonder (released spring 1988 on their debut album "Fearless") which was written by the Pet Shop Boys, who released their own version October 1988 on their own album "Introspective".
Surprised there was no mention of the fact that, although Bob Dylan did indeed write and record "Make You Feel My Love," the earliest release of the song was actually performed by Billy Joel.
Thanks for your videos David returning me back to the good old days of music. Keep It coming please. Also for others who don't know you have to pay money to play a cover!!!
I dunno if ya mentioned it previously, but "It's My Life," which was a huge hit for No Doubt, in 2003, was actually recorded and released by Talk Talk, back in 1984.
My mother's favorite song was MacArthur Park. I've heard several versions including the original. This is the first I've ever heard of a Donna Summer cover.
Midnight Special and Cotton Fields are two more Lead Belly songs that were covered by other musicians. He wrote Cotton Fields, while Midnight Special is a folk song of unknown origin. CCR did versions of both songs, and Johnny Rivers' cover of Midnight Special was used as the theme song for the TV concert show of the same name. The Beach Boys also covered Cotton Fields.
@@Jeff_Lichtman I apologize for the duplicate information. My post was originally just going to mention the Highwaymen, and then I thought, "Another group has a version I really like, who is it, oh yes, CCR, but I had better spell it out in case some younger people don't know the group's official name." I was so focused on the Beach Boys mention that I didn't realize you had mentioned another artist, too.
i don't know if you've mentioned either one yet, but i can think of two songs by Robert Johnson that have cover versions that are much more famous than his originals: They're Red Hot, popularized by the Red Hot Chili Peppers in 1991, and Cross Road Blues, popularized by Cream as "Crossroads" in 1968
"Brand New Key - Melanie" (The Rollerskate Song) reminds me so much of "The Pushbike Song - The Mixtures" which I believe came out a year before. I wonder if they're related?
What's funny for me is that, for a lot of these, I was aware of the original version without knowing it had been covered later, particularly if it was originally from 50s-70s and a regular on the "oldies" radio station my parents always listened to in the car when I was a kid in the 80s and early 90s or on one of the vinyl albums that they would play at home.
I was a big fan of Herman's Hermits as a teenage girl in the mid-1960s. I later learned that most of their hits were covers: "I'm Into Something Good" - American r&b singer Earl-Jean "Can't You Hear My Heartbeat" - Goldie or Goldy & the Gingerbreads "I'm Henry the 8th I Am" - song dates back to 1911 "Leaning on the Lamp Post" - song dates back to the 1930s "Silhouettes" - late 1950s hit by the Rays "Wonderful World" - late 1950s or early 1960s hit by Sam Cooke, later covered by Art Garfunkel I don't think "A Kind of Hush" was a cover, but it was later covered by the Carpenters.
@@Resgerr The Sam Cooke song that was also done by Herman's Hermits is a different song from the Louis Armstrong song. And while the Louis Armstrong song is sometimes called "Wonderful World", its actual title is "What a Wonderful World".
I love that song! Written by Mike D'Abo, also known for being the main vocalist in Mannfred Mann 1966-69. Chris Farlowe published a singel of it in 1967, the same year D'Abo wrote it. This was the first time the song got recorded and published. Love Affair covered it in their album in 1968. Rod Stewart did a cover in 1969. Big George used it for the Office in 2001, the same year as Stereophonics made a cover of the song. ❤
You probably know this already, but Istanbul (Not Constantinople) by TMBG is a cover, the original song was made by The Four Lads for the 500th anniversary of the collapse of Constantinople.
In the music video for 'It Must Be Love' by Madness, Labi Siffre appears towards the end playing the violin and is seen singing part of the final chorus.
The origins of "Black Betty" are somewhat murky, but it's generally believed to be a traditional African American work song with roots in the 19th century, possibly even earlier. The song was first documented in 1933 by the musicologist John A. Lomax, who recorded an African American prisoner named James "Iron Head" Baker singing it in a Texas penitentiary. This was 6 years before the Leadbelly version.
If Leadbelly was involved, it's no surprise, because Leadbelly did a raft of traditional songs, including 'Blue Tail Fly.' He loved to sing with an acoustic guitar, no mic, for any group of kids who would gather around. A true traveling minstrel. Way back in 1971, I recorded a Leadbelly cover (There a Man Going 'Round Taking Names) with a group of Spanish gypsies called The Gong. At 3 a.m. the band was so happy with the recording that they all went out to celebrate. They were so rowdy, they got put in jail for a month. I was the only member who went to my $4/night apartment, because I had a g.f. and she didn't want me getting too rowdy. I stayed out of jail, but the band broke up and the record came out with a pic of a whole different set of young Spanish guys.
One song I was surprised to learn was a cover was Crash by Matt Willis. I grew up with Willis' version thanks to the movie Mr. Bean's Holiday, so I was quite surprised to learn it wasn't the original.
It Ain't Necessarily So by George and Ira Gerswhin is (cheekily) based on a Hebrew blessing. From Wikipedia: "The first and most direct example of influence occurs at the start of the song; the melody and phrasing is nearly identical to the blessing incanted before reading from the Torah. The words "It ain't necessarily so" stand in place of Bar'chu et adonai ham'vorach, meaning Bless Adonai, who is blessed. This motif repeats multiple times in both, and both include a response from a congregation."
My way by frank sinatra was originally an Italian song. Popcorn by hot butter is actually a cover originally recorded by writer Gershon Kingsley and his first moot quartet. and Ymo’s Firecracker off their first album was a Martin Denny
"Fourteen originals you didn't know were covered by other artists, nine songs you didn't know were covers, and twenty songs you never knew were songs." FIFY
Fun Fact: the song "Sexy, and I Know It" by pop duo and national embarrassment LMFAO, was originally written by Eric Satie in an early draft of his "Gnossiennes" compositions, including the lyrics, although they were originally written in French. The only reason that it was never published as an official part of his collection was the threat of obscenity charges, which would have prevented it from being played live.
Our Lips Are Sealed was released by both the Go Go's and Fun Boy Three. It was written by Terry Hall (Fun Boy Three) and Jane Wiedlin (Go Go's). So also a case of 2 hits from 2 bands without one being a cover of the other.
Isn't Summertime actually just a traditional folk song? I have seen Doc Watson performing that song way back. Edit: the original is from George Gershwin from 1935
Even deeper, William Grant Still likely wrote it as Gershwin stole a lot of his music. Now there’s a rabbit hole to venture down if you’re into cross-genre music.
07:28 Garth Brooks covered the song as "To Make You Feel My Love" in 1998. It appeared on the soundtrack of the 1998 film Hope Floats, along with a cover version by Trisha Yearwood (whom Brooks would marry in 2005) as the first and last tracks. Yearwood's version would be the only version of the song on the soundtrack's 2007 reissue. It was included first as the bonus track on Fresh Horses for Brooks' first Limited Series box set and then included on all later pressings of that album. Brooks' version resulted in a nomination at the 41st Grammy Awards for Best Male Country Vocal Performance and a nomination for Bob Dylan for Best Country Song.
Rod Stewart also covered Downtown Train, featuring Jeff Beck. A Tom Waits original. Latter-day single, but the video got some heavy rotation on MTV back in the day.
📌 18:14 I had to cut out the clip of Ram Jam's "Black Betty" due to copyright issues. Sorry for any confusion caused by the janky cut.
There's an even older Black Betty version from 1933 by James Iron Head Baker and Group.
ua-cam.com/video/tiCEVl_9-MM/v-deo.html
@DavidBenettPiano
Surprise, surprise.... Led Zeppelin - Stairway To Heaven
Original a jazz/blues song by Dave Brubeck - Fujiyama
What a fantastic song. Have you heard the house music remix?
@@commonsensecraziness7595 I have a recording of Leadbelly doing "Black Betty", probably from the 40's.
I have to say that I'm loving how you show as many of the old 7" singles sleeves as possible. They are a real slice of history.
Hi David! Has anybody mentioned "Venus", made famous by Bananarama in the late eighties? This song was first recorded by the Dutch rock band Shocking Blue in 1969.
Love Buzz by Nirvana was a Shocking Blue song too (he might’ve covered that in this series already, I don’t remember)
Shocking Blue's Venus in turn is a rework of The Banjo Song by The Big 3 (which in turn is an arrangement of the folk song Oh! Susannah, but the melody is very different). One of the members of The Big 3 by the way was Tim Rose, who made the arrangement of Hey Joe that Jimi Hendrix used. (Coincidentally, another member of the Big 3 was called Jim Hendricks. He was the husband of the third member, Cass Elliot, of the Mamas & the Papas fame)
Didn't Bananarama originally write Young at heart, which was later released by The Bluebells?
what's weird is they play both versions of this song where i work.
@@rossamullen5918 I didn't know that! It seems Robert Hodgens of The Bluebells co-wrote it with Bananarama and then adapted it. Listening to the original and it's very different
"Black Magic Woman," famously played by Santana, was originally released by Fleetwood Mac from their lesser popular blues album of the same title. I found this out when my college was clearing out some of their vinyl collection and were giving them out to students at the time
That's on the previous video he did on this subject
Fleetwood Mac's "Black Magic Woman" wasn't released on an album, it was only released as a single (and on later compilation albums, like "English Rose"). That was pretty common back then, even for popular songs.
Learn something new every day, thanks 🍺
@@SamiKankaristo I think they're referring to a compilation album titled Black Magic Woman, which is just the debut album and the English Rose comp in one package. Still technically a non-album single.
@@SamiKankaristo I remember Juice Leskinen with his band that time was playing before Santana at some summer festival, Santana denied anyone to play his tunes there. Juice played Black Magic Woman, Carlos was upset, Juice pulled him back to ground: "We played Fleetwood Mac's Black Magic Woman" :D
I feel so old...I've been collecting music since I was given my first lp in 1963 - before I could read. Had 8-Track, cassette, reel-to-reel, cds. Started digitizing everything in the late 90s. I have most of these originals, plus the covers. Still, it was nice to hear and learn a few new tidbits! Two of my uncles were DJs, but the whole family loved music! Thanks!
This documentary was hypnotic, I loved every second of it. I could watch it for hours and hours, I hope they release more.
Vete al peo
Tom Cochrane's "Life is a Highway" was a major hit in the US (and Canada obviously) and was a staple of mainstream rock radio for many years (and basically still is). It's the much better known version here; it just didn't cross the pond.
It was big in Australia, I remember when it was a hit in the early 90s.
In Portugal, it was also a hit - when I heard it in Cars, I knew straightaway it was a cover.
Just an anecdote but I'm from the US and have never heard the Cochrane version before, but I've heard the Rascal Flats version countless of times. I'm not sure if the original is the more popular one over here.
@@gabrielhicks8043 I suspect it's a generational thing. The original came out in 1991 and was popular for a long time afterwards (especially in Canada) so if you were listening to rock radio in the 90's then it's the one you know. After 2006 the Rascal Flats version probably took over (except maybe in Canada where CanCon rules apply).
@@eileennono5039 Agreed. I think it even showed up in a soundtrack to a big American movie, so there must be some non-Canucks that heard it back then.
Best part of this video is the fact you just get on with it, no transitions or bs. Thanks!
😊😊
So TRUE that!😊
How about I Heard It Through The Grapevine? Written for Gladys Knight and the Pips but first recorded by The Miracles, and then by Marvin Gaye, and finally by Gladys Knight. Her version was released first and became Motown's biggest hit at that time. Then The Miracles version was released about 1 year later and Marvyn Gaye's about 4 months later. His version eclipsed hers and became Motown's best seller ever. But whose is the original and whose the cover.
@@richdiddens4059
Most white rockers know it by CCR, quite a monumental reworking, but nowhere a soul song like Marvin or Gladys
@@DavidBennettPiano You're doing it wrong, David.
I've watched many "WatchMojo" countdown lists and what you're supposed to do is give us an audio description of every clip, without actually showing the clip - because that's what everyone clicks on the video for, to experience a "tell, don't show" audio description list - and then "mansplain" it all for an extra minute as well, because you need the video to last 10 minutes for the ads.
(I jest. But the UA-cam Algorithm - all hail the Algorithm! - seems to think this is awesome, as "WatchMojo" plagues every recommended list, no matter what you're watching or searching for.)
I never thought I'd hear David Bennett mention Irish comedian/singer Brendan Grace. He was huge in Ireland in the 90s my parents loved him ,a very niche Irish audience
And a starring role in Father Ted.
“Who’d he be like? Hitler or one of those mad fellas?”
“Good god no. You wouldn’t find Hitler playing jungle music at three in the morning.”
Fr Stacks fave banging tune is itself a remix ( or cover version, if you will ) of Cutty Ranks Limb by Limb, by someone i cant google right now. So now ye are all sitting there , imagining it, with a big smile on yer faces.
I like the way you thread the story through the music and the artists, it adds some love. I'm 63, so I did know a lot of these, but mostly forgotten, so thanks for trip down memory lane. Keep it up :)
Underdog by Sly and The Family Stone is also one of those weird covers of unreleased songs. It was originally writen by Beau Brummels but never released until Sly and The Family Stone covered it.
The Star Spangled Banner which was a popular hit for Whitney Houston, was actually written by Frank Key in 1814 and released on his album 'Songs Of The Revolution' in 1816.
... Giggle !
I preferred Jimi Hendrix's version to Whitney's though.
That’s a solid debut wax cylinder
The Star Spangled Banner used the music to a song called To Anacreon in Heaven written in 1775, or so it is claimed. Dunno, I didn't pick up all the many similarities when I checked it out, personally, but I'm far from the best at noticing those kind of things.
FWIW, the Battle Hymn of the Republic is nothing more than re-written lyrics to the music used for John Brown's Body. That one, even I notice.
I think this kind of thing used to be very common, before effective copyright came into existence.
I’ve always wondered whether Lady Gaga was singing an original at the inauguration…
Whiskey in the Jar is Irish and at least 300 years old. Black Betty dates back to a game played at Appalachian weddings 200 years ago, but a similar song was known to freed slaves serving alongside British forces during the War of 1812. Also, in the South, black and white people often shared music. Cotton Eyed Joe is a good example. Most people think it's whiter than white, but earliest accounts say it's black. And where I live there are plenty of black kickers who line dance one county over. They even have a Reconstruction era HBCU.
BTW, "kicker" is short for "sh1t kicker", an East Texas term for a small plot rancher.
And of course Texas has the whole German-Mexican thing, too. Texas is a far more diverse place than its sometimes given credit for.
The Metallica cover of Whiskey In A Jar is badass
@@cisium1184 Texas was also originally a Mexican territory before seceding and then joining the US shortly after. We were taught that in school, at least in Florida, but most people seemed to quickly forget, and the popular perception seems to be that there's a lot of Mexican culture in Texas strictly because of Mexican immigrants, like borders are real geographical or even social constructs and not political ones subject to whim.
As an aside "Come and take it!" as an anecdote from the Texan secession is something I love about Texas as a non-Texan. The fact that it was -a cover- an echo of something Leonidas told Xerxes at Thermopylae only makes it better. That human-spiritual connection across two millennia is fantastic.
I thought the Irish Rovers wrote it, too funny. ua-cam.com/video/cYGyERe2Vbw/v-deo.html
Ahh.. I like a lot of Metallica… but I actually very much dislike their cover of Whiskey in the Jar - I think the best version is from the Dubliners
Another of my favourite songs is "Hazy Shade of Winter" originally recorded by Simon & Garfunkel and beautifully covered by The Bangles many years later. And covered by many other artists as well.
THANK YOU SO MUCH for the Maggie Reilly track! So many people told me i was wrong, but i love Maggie who was also the performer of Moonlight Shadow for Mike Oldfield
Simon and Garfunkel's "Scarborough Fair" is also based on an old English folk song, but their particular version comes from an English folk singer named Martin Carthy, who was not properly credited.
One of my favorite 1960s singer-songwriters is Laura Nyro - I lover her original versions of "Wedding Bell Blues", "Stoney End", "And When I Die", "Eli's Coming" and "Save The Country" - these were big hits for The Fifth Dimension, Barbra Streisand, Blood Sweat and Tears, Three Dog Night and again 5th Dimension.
Nyro was a good writer, but a less than average singer.
@@Nomad-vv1gk Ridiculous comment
Great comment, I've been a fan of those songs for a long time. There's a version of Save the Country from a TV show with Ray Stevens and Lulu that is also awesome.
Ewan MacColl might have a few things to say it was copied from Carthy. Anyway, the song goes back to the 19C
Girl From the North Country by Bob Dylan, and North Country Girl by Pete Townshend are from the same song "tree."
I actually remember hearing the original versions of most of the songs on this list on the radio.
Wow, I'm old.
A lot of songs from the Big Band era were originally written for somebody else and only later recorded by the original songwriter. Two that immediately spring to mind are "My Way" by Paul Anka (made popular by Frank Sinatra) and "The Christmas Song (Merry Christmas To You)" by Robert Wells and Mel Tormé (made popular by The King Cole Trio). It's a fairly common practice in the music industry to this day.
It's important to remember that the reason they're called "covers" is because back in the day the songs were re-recorded and surreptitiously placed in record stores, often blatantly violating the song owner's copyright, literally covering up the original recordings with the covers. In many cases the original singer was Black and the cover singer was White.
Well, "My Way" is the adaptation in English of a French song by Claude François, "Comme d'habitude", so...
@@welcometonebalia David Bowie took a crack at the lyrics, but they didn't like them, gave the song with new lyrics to Sinatra, Bowie got upset, and wrote Life On Mars?.
No, the lyrics of ¨My way¨ were written by Paul Anka, the melody was stolen from that french song.
Something like ¨I´m a man¨ by Chicago was an honest known cover of ¨The Spencer Davis group¨.
@@welcometonebaliaabsolutely!!! David Bennett is the not absoulte knowledge. Wish he becomes aware of this...
When I found out Elton John recorded a cover of ‘To Be Young, Gifted, and Black’, I assumed he did it as a political statement to celebrate the Black community and show solidarity with them. Then I found out that he was actually hired as a session singer to record one of those ‘soundalike’ knock-off records in 1970 (a few months after Nina Simone released her version). So they hired a white British man to impersonate a Black American woman singing a civil rights anthem about Black excellence.
Edited: I just looked up Elton’s version as it’s been years since I listened to it, and his version was a copy of Bob & Marcia’s reggae version. There’s a female vocalist duetting with Elton who was apparently white too.
Killing Me Softly reportedly has over 160 covers, but it wasn’t originally by Roberta Flack or The Fugees, but by the songwriter Lori Lieberman. Flack heard the song on an airplane flight and decided to cover it to great success. It’s reportedly about a performance of another singer songwriter, Don McLean.
The original version by Lieberman is so beautiful. Now, I’m not saying that Flack’s and the Fugees versions aren’t great in their own right and ways, but being that the idea for the lyrics came from Lieberman herself, you can really feel what she’s singing about in a way you haven’t before when listening to this song. Almost like growing a new sense of understanding of the lyrics.
lori's version is my favourite
I love the Roberta Flack version. Lieberman should get more credit for creating the song but was cheated by her colleagues.
When I was a kid, I entered a competition to win Fugees concert tickets. The question was ‘who originally sang Killing Me Softly?’ I answered Roberta Flack, and I won. It wasn’t until a few years ago that I discovered Lori Lieberman recorded it first. So if I’d known the correct answer, I would have lost.
Still crazy Liebermann is still uncredited
Nirvana "Love Buzz" is a cover of the Shocking Blue song. They also wrote "Venus" which was covered by Bananarama.
And Shocking Blue found their inspiration in 'The Banjo Song' by The Big 3
COVER SONGS :
@00:14 : 'ACHY BREAKY HEART" by BILLY RAY CYRUS
("DON'T TELL MY HEART" by MARCY BROTHERS )
@00:40 : "EVERYTIME WE TOUCH" by CASCADA
( MAGGIE REILLY )
@01:12 : "DON'T LEAVE ME THIS WAY" by THELMA HOUSTON
( HAROLD MELVIN AND THE BLUE NOTES )
@01:42 : "ALONE" by HEART
( I - TEN )
@02:05 : "MICKEY" by TONI BASIL
( "KITTY" by RACEY )
@02:28 : "HANGING ON THE TELEPHONE" by BLONDIE
( NERVES )
@03:03 : "DENIS" by BLONDIE
("DENISE" by RANDY AND THE RAINBOWS )
@03:24 : "THE TIDE IS HIGH" by BLONDIE
( PARAGONS )
@03:40 : "EVERYBODY'S TALKIN' " by HARRY NILSSON
( FRED NEIL )
@04:03 : "WITHOUT YOU" by HARRY NILSSON
( BADFINGER )
@04:30 : "DON'T CHA" by PUSSYCAT DOLLS
( TORI ALAMAZE )
@05:08 : "IF I WERE A BOY" by BEYONCE'
( B C JEAN )
@05:40 : "MACARTHUR PARK" by DONNA SUMMER
( RICHARD HARRIS )
@06:28 : "BLINDED BY THE LIGHT" by MANFRED MANN'S EARTH BAND
( BRUCE SPRINGSTEEN )
@06:48 : "THE MIGHTY QUINN" by MANFRED MAN
( BOB DYLAN )
@07:11 : "MAKE YOU FEEL MY LOVE" by ADELE
( BOB DYLAN )
@07:40 : "IF NOT FOR YOU" by GEORGE HARRISON
( BOB DYLAN )
@08:18 : "WAGON WHEEL" by OLD CROW MEDICINE SHOW ( DARIUS RUCKER )
( "ROCK ME MAMA" by BOB DYLAN )
@08:58 : "MR. TAMBOURINE MAN" by BYRDS
( BOB DYLAN )
@09:22 : "TURN TURN TURN" by BYRDS
( PETE SEEGER )
@09:45 : "SAILING" by ROD STEWART
( SUTHERLAND BROTHERS )
@10:08 : "1985" by BOWLING FOR SOUP
( SR - 71 )
@10:37 : ADVERTISEMENT FOR D B PIANO
@11:04 : "UNCHAINED MELODY" by RIGHTEOUS BROTHERS
( TODD DUNCAN ) ( FROM MOVIE : "UNCHAINED" )
@11:34 : "HEARTBEATS" by JOSE' GONZALES
( KNIFE )
@11:54 : "IT MUST BE LOVE" by MADNESS
( LABI SIFFRE )
@12:18 : "RED RED WINE" by UB 40
( NEIL DIAMOND )
@12:41 : "GIRL YOU'LL BE A WOMAN SOON" by URGE OVERKILL ( "PULP FICTION" )
( NEIL DIAMOND )
@13:10 : "WHEN YOU SAY NOTHING AT ALL" by RONAN KEATING
( KEITH WHITLEY )
@13:49 : "THE COMBINE HARVESTER" by BRENDAN GRACE ( A PARODY )
( "BRAND NEW KEY" by MELANIE )
@14:22 : "LIFE IS A HIGHWAY" by RASCAL FLATTS
( TOM COCHRANE )
@14:57 : "GIRLS JUST WANT TO HAVE FUN" by CINDI LAUPER
( ROBERT HAZARD )
@15:35 : "I WANNA BE YOUR MAN" by ROLLING STONES
( BEATLES )
@16:05 : "CALIFORNIA DREAMIN' " by MAMAS AND THE PAPAS
( BARRY MACGUIRE )
@16:40 : "CHINA GIRL" by DAVID BOWIE
( IGGY POP )
@17:08 : "DOIN' TIME" by LANA DEL REY
( SUBLIME )
"SUMMERTIME" ( FROM MOVIE "PORGY AND BESS" )
"SUMMERTIME" by HERBIE MANN ( INSTR . )
@18:14 : "BLACK BETTY" by RAM JAM
( LEADBELLY )
@18:37 : "WHERE DID YOU SLEEP LAST NIGHT" by NIRVANA
"(IN THE PINES" by LEADBELLY )
@19:10 : "GALLOWS POLE" by LED ZEPPELIN
("THE GALLIS POLE" by LEADBELLY )
@19:38 : 'WHISKEY IN THE JAR" by METALLICA
( THIN LIZZY )
@20:03 : "HEY JOE" by JIMI HENDRIX EXPERIENCE
( SEEDS ) ( WRITTEN BY BILLY ROBERTS ? )
@20:23 : "EL CONDOR PASA" by SIMON AND GARFUNKEL
( LAS INCAS - INSTR. )
( WRITTEN BY DANIEL ALOMIA ROBLES IN 1913 )
I'm glad this video exists. It scratches the itch of "where have I heard this song before?" Growing up in the 90s I vaguely remember listening to handful of these originals on the local AM station, only for my memory to be overshadowed by the newer artists. I'm not saying the covers aren't good in their own right, but it's a nostalgic to hear "Denise" and "The Tide is High" ring in my head as it did back then.
If Not For You was an album track for George Harrison but it was also Olivia Newton-John's first international hit. She uses George's arrangement.
Yes, I was going to post that Olivia's version is probably the most famous.
Right! That's the version l remember. My prepubescent voice could nail Olivia's range. Now, I'm more like Ronnie Millsap 😂
Hers was best imo
Actually, Harrison was covering a Dylan tune released on his New Morning album.
@8.08 Bob Dylan does not play on George Harrison’s version of If Not For You but George does appear on Bob’s version that was released on Bob’s Bootleg Series Vol 1-3.
Let's not kid ourselves. The most popular rendition of MacArthur Park is undoubtedly Jurassic Park by Weird Al.
Weird Al's version makes more sense.
I know the Richard Harris and the Weird Al versions but not the Donna Summer version.
@@Chigger 🤣 Seriously. MacArthur Park lyrics feel like they were written in a fever (or drug) delusion.
@@illegal_space_alien Believe it or not, the song captures an afternoon in the eponymous park. If Webb was high on anything, it might have been heartbreak.
I had no idea it was based on a real song until this video lol. I thought it was one of Al’s genre pastiches
4:22 The original Badfinger version of Without You is one of my favourite songs from the 70s. Good to see someone remember them.
Badfinger were extraordinary talented, and their music was so outstanding .... but they were so so unlucky and got scammed. So so so sad. Good those who were enchanted by their music still remember them. They should get all the credit they deserve. From South America with gratefulness.
It is unusual that multiple different versions on one song are all good, but Without You, is just that. Mariah can sing and she did the track well.
Nilsson is one of my favorite artists ever, and all his covers he took to another level. What a voice, what a soul.
Pete Ham gave the song Without You to Harry Nillson because he thought he could turn it into a hit He was right 😊
Very good, but he didn't compose a fu.... one
@@pelucrespins8562 Who wrote "One" then? I thought he did.
The story behind the track Without you, was that Nilsson didn't want to do the track. His producer kept one him about it. They made a deal, but Nilsson backed out. The producer kept at it and really gone Harry pissed and he went in and out down that masterpiece. In one or two takes.
All By Myself originally recorded by Eric Carmen and became a huge hit for Celine Dion. I Will Always Love You, originally written and recorded by Dolly Parton became the massive hit for Whitney Houston. Both of the hit versions by Celine and Whitney were arranged and produced by David Foster.
Wow! And I Drove All Night by Celine Dion was a cover of Roy Orbison. My favourite version of the song, however, is Cyndi Lauper's, before Celine Dion.
Co written by Rachmaninoff 😮😮
That Carmen song was YUGE in the 70s!
And in both cases he added a key change.
Actually the original 'All by Myself' was sung by Tre Cool for Green Days 1994 breakthrough album Dookie, where it appeared as a hidden track
"One Step Beyond" recorded by Madness in 1979 is a cover of the song firstly recorded by Prince Buster in 1964 (a wonderful song to be covered)
Just about everything The Specials recorded on their first album were covers. This is immediately apparent if you listen to the SomaFM music channel Heavyweight Reggae. Even "Stupid Marriage" is derived from a couple "Judge Roughneck-style" novelty reggae records.
@@weevie833The original of "You wondering now" is one of the best reggae ballads I know, but I doubt I'd ever heard it if for the Specials
They also got their name from a Prince Buster song.
@@reuireuiop0 andy and joey at studio one.orignal reggae mix, wondering now
'You're Wondering Now' is the theme tune of the TV drama 'Death in Paradise'.
since you mention cascada and manfred mann's earth band there is a direct pipeline of songs originally written by bruce springsteen, then recorded or covered by someone else and then covered or remixed by a german techno duo in the 2000s...
ok by pipeline i mean it happened 3 times but ‘if i had a penny’ etc etc
the songs i am referring to are ‘because the night’ (springsteen (inconplete and only recorded live in concert)->completed and recorded by patti smith->patti smith version covered by cascada) ‘blinded by the light’ (springsteen->covered by manfred mann->manfred mann remixed by michael mind) ‘for you’ (springsteen-> covered by manfred mann-> remixed by the disco boys)
though the cascada version was the only intl hit, the other 2 got a good amount of radio play at least in germany and france
I think Cascada based their version on the cover by 10,000 Maniacs, but I may be wrong.
@@fnjesusfreak jan wayne did also a cover of because the night in 2002. most of his song are covers
"Because The Night", made really famous by that superb version by 10,000 Maniacs, was actually a Springsteen song that he gave to Patti Smith, who completed it, so they're both considered writers.
Actually, Springsteen and Smith share writing credits for "Because the Night".
@@rustyknott-W.D Which is... exactly what I said above.
You are quite wrong about Richard Harris. He was absolutely stellar in the '60s as a singer alone, though he was already a very accomplished actor with an Oscar. He played the lead in Camelot which was only marginally less successful than The Sound of Music or Oliver! His interpretation of MacArthur Park is fantastic and basically sets the template for Donna Summer. To get a 7 minute song into multiple Top 10s and be a million seller is no mean achievement, especially when it's on such an abstruse topic. Dumbledore is unquestionably going out on a high but if one properly appreciates the rest of his career, both singing and acting, then it's really only a postscript.
Jimmy Webb was about 19 when he wrote it. Talented little bugger!
Jimmy Webb originally wrote a piece of music that was a 17 minute cantata with the Association in mind. He played it for the group and their producer Bones Howe in late 1967. Although Bones thought that the group should record it, they turned it down because it would take up a whole side of an album. They thought that they could do better (they only had one more top 10 hit after that "Everything That Touches You"). Jimmy was quite disappointed and decided to take the last seven minutes of the cantata, called "The MacArthur Park Suite" and produce it for Richard Harris, who took the song to No. 2 on the Hot 100. Ten years later Donna Summer would best Richard's chart position and took the song to No. 1 for three weeks in November of 1978.
@@robertbrescia3196 Thanks for taking the time to give us that bit of backstory and history. It's very much appreciated. I think, from the reading around I did to check my facts but which are a little rusty 2 weeks later, that he got to No.1 in the UK, which is what counts. ;) Having said that, Donna Summer's version is the one I tend to listen to these days.
Harris mad ex hell raiser
I read somewhere that in the case of California Dreaming by McGuire it has not only Phillips and Cass singing the backings, it IS the same backing track as the Mamas & Papas version.
yes, that's right!
that's correct, it's actually the same recording with just the lead vocal re-recorded by Danny Doherty and the harmonica solo replaced by a flute solo
McGuire had a voice like a wet sock full of garbanzo beans banging on a table.
The original recording of "California Dreamin'" was by Barry McGuire, the "Eve of Destruction" guy.
And the back up singers? Mamas and The Papas.
@@tommiesmith3191 I was a teenager in the 1960's. I never liked Barry McGuire's vocals. He sounded like a baked potato.
Here's one: Soft Cell's Tainted Love (1981) is a cover of a Motown-sounding recording from the mid 60's by Gloria Jones.
I think that's pretty common knowledge though. These are mostly deeper cuts.
@@Theartistformallyknownasnog I don't know. I knew several in the video, but this one was new to me fairly recently.
Northern Soul style. 🇬🇧👍🏽🥾
I could've been knocked over by a feather when I found that out.
@@NorkelFjols I think he covered that in the earlier video on covers...
This list is so British it features even Dumbledore
Yeah anyone that really knows what's going on is always going to know Richard Harris as "A Man Called Horse"...
@@kamojet 1970 !!! and NO STUNT was engaged! Quite a fellow Irish Richard Harris ...
Very few people are aware that the famous Procol Harum song "A Whiter Shade of Pale" is actually a cover of a JS Bach organ sonata. I got into Bach in the mid seventies and had a vinyl record back then on the Deutsche Grammafon (German) label of Bach organ sonatas, which had that particular sonata with the exact song melody. Unfortunately I later donated that record to a public library. Nobody (including the world wide web) seems to be aware of this connection of Bach to Procol Harum, and credit the song to PH members. Wish I still had that record...
Not sure it's Bach? It's a piece called "Canon in D Major" by an even earlier baroque composer called Johann Pachelbel.
@@DavidMoxham957 Yes I'm sure it was Bach because the entire vinyl record was solely Bach organ works, and labeled as such on the "Archiv" label, which was or is still a subsidiary of Deutsche Grammafon. I was never much a fan of Pachelbel actually and would've noticed if there was a single work of his among the Bach works, I would've thought that odd. The only Pachelbel work I'm very familiar with actually is that canon similar to an endless loop with variations worked in, never really liked it.
@@BlacksBeachBoogieBurner I bow to your superior knowledge especially as I don't have the well rounded knowledge of classical music that you obviously have. My favourite piece by Bach remains "Jesu' joy of thy desiring".
@@DavidMoxham957 yeah that's a great one among so many greats, what's funny is I had forgotten this video was about pop and rock music, I had gotten so absorbed in the Bach thing...
As a non-English native looking out for information about Procol Harum's A Whiter Shade of Pale, the first thing I read was to notice the Bach's intro. And it was back in 1968.
Not sure which songs you covered in the first video but I will check it out! There's always something there to remind me is a cover.
Another well known cover is Cum On Feel The Noize, which was covered by Quiet Riot but was originally by Slade.
And Oasis
Just wrote the same 😅. Not to mention that Slade version is way better (just listen to the drum section) than the copy.
Slade did it better.
It was a more minor hit, but they covered Slade again with "Mama Weer All Crazee Now"
@@RhymesWithCarbonIt wasn’t a hit at all.
La Bamba, made famous by Richie Valens, is actually an Afro-Mexican folk song.
And very very sung and celebrated in Hispanic America, I don't know if in Spain. A traditional song we all sing in Spanish.
La Bamba is about a guy showing off in a Mexican brothel, "I'm not a sailor, I'm the captain."
@@brahmburgers How come? "Yo no soy marinero, por ti seré, por ti seré por tí seré"?
I thought everyone knew that lol
"Act Naturally", written by Johnny Russell and Voni Morrison, first recorded and published by Buck Owens & The Buckaroos, later covered by the Beatles.
I have only ever heard of the Buck Owen’s version
@@dustmybroom288 Ditto.
@@dustmybroom288I have always been a fan of Buck Owens. He had a great sound. But I think the Beatles version is superb. It rocks more. Ringo is the lead vocalist on it. Also, Ringo recorded a duet with Buck Owens of « Act Naturally » in the 80s, I think.
The Beatles , The Rolling Stones and The Grateful Dead are three of the greatest cover bands of all time, believe it or not. The Beatles covered everyone from Smokey Robinson to The Marvelettes to The Cookies to Carl Perkins and Buck Owens. Who HAVEN'T the Stones covered? The Dead is probably the most shameless cover band of all time. All three could do Country, R&B and Blues.....just about anything, and weren't shy about it either, to their credit.
Thanks!
😊 thank you!
The song "The Power of Love" was made famous by such super artists like Air Supply, Laura Branigan and Celine Dion, but it was co-written and recorded by Jennifer Rush for her debut album in 1985. Also, the popular 80's song "Our Lips Are Sealed," was co-written by Jane Wiedlin, guitarist for the Go-Go's and Terry Hall, singer of the Specials and Fun Boy Three. The Go-Go's version was a huge hit in the U.S. in 1981 and then the Fun Boy Three released their version in 1983, which was a top-10 hit in the UK, which topped the Go-Go's version there, which only hit 47.
I think there's a video to be made on Songs You Thought Were Traditional. I grew up thinking the song Fields of Athenry was written in or around the 1840s, when it's set. It's an important song in Ireland, where I'm from, not least for being sung by crowds at rugby matches. I was shocked to find it was written in 1979. It just feels too authentic for that. I think most rugby crowds singing it assume it's old too, but you'd have to ask them.
Maybe similarly, there's also And the Band Played Waltzing Matilda, set during the first world war but written in 1971, but for me, when I first heard that, I took it to be a modern (post-Dylan) piece of writing, which it is. For all the great poetry of the first world war, nobody thought to write a song like that in 1918.
And Back Home in Derry. Lyrics Bobby Sands MP, music is Gordon Lightfoot's Wreck of the Edmund Fitzgerald. Back Home in Derry just sounds like it's really old, telling a tale but was like 1980 or 81. Christy Moore made it famous.
the melody is from the 1890s, tho.
Manfred Mann covered three songs from Springsteen's debut album, "Blinded by the Light", "Spirit in the Night", and "For You"
One fascinating example of a cover is Diana Ross's version of Ain't No Mountain High Enough. Originally done by Marvin Gaye and Tammi Terrell. The Ross cover is so different from the original that you could probably call it less a cover and more an extrapolation (like 7 Rings). But that version was produced by the songwriters, Ashford and Simpson. Very smart, as they were able to double-dip on the royalties.
I love Diana Ross but that one just doesn’t quite do it for me the way the original does
A lot of Motown hits were originally recorded by one of the label's other artists before the hit version.
My favorite version of the Dylan song "If Not For You" is actually Olivia Newton John's, I believe it was her first major hit also. Pretty sure it was recorded after George Harrison's version
Badfinger is the most underrated band of all time, with the most tragic fate at the same time.
One of quite a number of Welsh bands who did some amazingly influential work. Like Amen Corner.
Badfinger were extraordinary talented, and their music was so outstanding .... but they were so so unlucky and got scammed. So so so sad. Good those who were enchanted by their music still remember them. They should get all the credit they deserve. From South America with gratefulness.
Badfinger was one of the first bands signed to the Beatles new record company, Apple.
I drove all night was a hit for Cindi Lauper in 1989. It was written by Billy Steinberg and Tom Kelly in 1987 for Roy Orbison. He recorded a demo that was never released, so the writers gave the song to Cindi. Then in 1992 Jeff Lynne produced a new version with Roy's vocals which was a big hit.
Could taste your sweet kisses,
Your arms open wide,
This fever for you,
Is just burning me up insi…. iiiiiid… iddddeeeee!
Roy Orbison, eh? What an amazing voice!
Half of "She's So Unusual" is covers.
Celine Dion covered it, and it's a great cover.
Still love Cyndi's version, though.
Foe me, Cyndi's Version is the most amazing one.
@@dashcamandy2242 i prefer Cyndi Lauper's version not the nasalised Dion cover... I also dislike her version of Jennifer Rush's Power Of Love
David not knowing Life is a Highway was from Cars before the Office is the most surprising thing of this film
It’s not a well known song in the U.K. 😊
@@DavidBennettPiano your highways aren't as long, so the metaphor isn't as appropriate ;)
David is a kiddo lol. It was before his time
@@DavidBennettPiano It’s well known to any Brit who’s ever watched Cars!
@@CarysCreatesThings I was only 13 when I watched Cars so I guess I don’t recall. 🙂😅
My introduction to "MacArthur Park" was Weird Al's parody "Jurassic Park". My introduction to "To Make You Feel My Love" was Garth Brooks' cover.
Jurassic Park _is_ frightening in the dark!
My introduction to "Make You Feel My Love" came via covers by two of my favorite singers, Neil Diamond and Billy Joel. Neil's is not bad, but I can't stand Billy's.
His Achy Breaky Song parody is on the same album :)
my introduction was Maynard Ferguson's cover. if you like brass or jazz, definitely worth a listen
Being a bit of a music geek, it's always a fun game finding out about original songs/artists I didn't know yet. And many of these covers are really owned by the newer artists, bc the execution in a newer version is so good!
Many people today don't know that Big Yellow Taxi is not by Counting Crows originally, but by Joni Mitchell! Absolutely love this song.
I was born in 92, but I have never heard of the Crows' version until the advent of youtube as I have always listened to Joni Mitchell's version.
A good reason to look at the original to look at the differences
The original Harris version of McArthur Park is the only one I've ever heard, until today.
You are not missing anything.
Harris' version is fantastic and a classic 60s song. It shows how old I am because I find it hard to believe that anyone wouldn't know the newer one was a cover. The cover version sucked.
Glen Campbell also covered it, as he performed so many Jimmy Webb songs.
Harris’ original version was a HUGE hit. I remember hearing it on the radio daily. Nothing against Donna Summer, she was in a different universe from Harris as a singer, but I would bet Harris outsold her.
I mean, it was popular enough for Weird Al to parody it...
City of New Orleans by Arlo Guthrie, originally recorded by its author, Steve Goodman. (Maybe this was in Part I.)
“Summertime” was also used by Mahalia Jackson (I think in the 60s) and merged with “Sometimes I Feel Like a Motherless Child” for an absolutely exquisite spiritual version ❤
Very cool! I've always wondered what the recorder was used for.
I had one around age ten from school in the late 70s--didn't get as far, but the magic didn't happen for me until I saw Michael Anthony do a bass solo in an arena-sized show a decade later.
"When You Say Nothing At All" was also expertly performed by Alison Krauss and Union Station.
The only version I was aware of, and judging by the sounds of those clips, by far the best version. I was shocked he did not mention her
@@pensivepenguin3000I first heard the song in a homemade video Brian and Katie's evolution of wedding dance
So true.
But the Original was Sung by Keith Whitley
Keith Whitley was married to Lorrie Morgan and before he died and they did the song as a duet. She then recorded a version of the song by herself after his death which also garnered a fair amount of airtime long before Alison Krauss covered it. So there are a great many different versions of this song.
Was not expecting to get Wagon Wheeled mid video.
It's interesting he brought up the Old Crow Medicine Show version and not the Darius Rucker cover which came a few years later, because that's the one that was the true crossover hit that everyone's heard. The Old Crow Medicine Show was only a hit in bluegrass circles.
Tom Cochran's "Life is a Highway" was seemingly the *only* song on the radio at the time, lol.
Yes, I remember hearing it many times on the radio before Rascal Flatts ever did it. Perhaps that was mostly a US thing.
I much prefer his song: "I Wish You Well" that came out in the mid 90s. You never hear it played these days.
Love the Richard Harris crack. More trivia - Quinn the Eskimo refers to Anthony Quinn playing an eskimo in The Savage Innocents.
Everlasting Love the 1975 hit has an origin from late 1967 LOVE AFFAIR. Sadly, only the singer and session men play on it they are John Paul Jones and drummer Clem Cattini
U2 do a great cover of it.
Love is All Around by Wet, Wet, Wet made famous by 4 Weddings and A Funeral was a no.1 hit for The Troggs most famous for Wild Thing.
And famously covered by Billy Mack, becoming the Christmas #1... 😄
@@benjamingeiger The best version except for maybe the one REM did on their Unplugged.
The original Life is a Highway was a big hit as well. At least it was on WXPN in Philadelphia back then.
It dominated on VH1, which at the time targeted the Adult Contemporary audience
Couldn't escape it in Canada.
Yeah, I never heard the Rascal version of it.
"I know an old lady who swallowed a fly" covered by a lot of people including Pete Seeger and Burl Ives, although most don't know it is not traditional and was first recorded by one of the writers in 1952.
Led Zeppelin also covered "nobody's fault but mine", from a WPA recording of Blind Willie Johnson.
In the middle of the Zep's 'Whole Lotta Love' has Plant singing a-capella: "And I got you in the sights of my love......(and then his voice wanders off)" Earlier, bluesman Albert King had a song, with the chorus: "I got you in the sights of my love gun."
Good list. I knew some of the originals, some i knew were covers, and some i didn't. Nice mix
Great. Very enjoyabl'e. One of my favourite covers is David Gray's cover of Soft Cell's 'Wave Goodbye, Say Hello' which appears on White Ladder. The best Soft Cell version is one of the extended remixes.
Laura Branigan’s 2 most famous songs are covers of Italian song. Gloria by Umberto Tozzi and Self Control by RAF
Her producer was producing both those songs and had her record them almost simultaneously!
"How Am I Supposed To Live Without You" was pretty big too, written by Michael Bolton and Doug James (and later released by Michael Bolton, where it became a hit all over again). Of course, this track was released on her 2nd album...
(SIDE NOTE: Laugh all you want about Michael Bolton, he wrote "I Found Someone" for Branigan, which was a minor Branigan hit, a massive Cher hit, and a massive hit a THIRD time when Bolton himself released it.)
Man, she had a set of pipes on her! Her unique vocal cracks always added a certain something to her tunes. I grew up listening to the entire "Self Control" cassette in my father's car, and nearly forty years later a digital copy still gets regular playback in mine. Her rendition of "Will You Still Love Me Tomorrow" is probably my favorite cover of that song.
"Heart, are you still beating? Is there enough of you left to break?" from "Heart," off "Self Control."
She also did covers of The Power of Love and Forever Young
I'm a Believer: most people these days probably know The Smash Mouth version and be vaguely aware that it's a cover. The Monkees had a hit with it in the mid 60's, but Neil Diamond originally wrote it. I don't know if Mr. Diamond's version was recorded before or after the Monkees' version, as he wrote many songs for other artists back then.
Pretty sure I'm a Believer was written specifically FOR the Monkees. According to Wikipedia, Neil Diamond plays on that recording.
Also of note, other than Mickey Dolenz's singing, the Monkees don't play ANY of the instruments. All studio musicians. I think they did play instruments in their live performances later though...
Bands typically did not play their own instruments in those days. All four band members had been working musicians before getting the Monkees gig. If you do a little research, you'll find that each studio or locale had its own group of dedicated studio musicians. In LA, it was the Wrecking Crew. In Muscle Shoals, they were known as the Swampers, cited in the song, "Sweet Home Alabama."
Diamond probably did pitch "I'm a Believer" to the Monkees. They recorded it in 1966; he recorded it in 1967. They sang several of his songs. If I remember correctly Kirschner contacted several songwriters and asked for submissions.
@MelissaThompson432 true. Also true in modern times, in many cases! But the Monkees were not originally a band, but a TV show. The execs never expected them to play instruments on their songs. But as they grew in popularity, they became an actual band, and even wrote a few songs (I think). The band members had to campaign for that, as they were not necessarily cast in their best instruments (Dolenz was a guitarist, I believe). The story of the Monkees is particularly interesting!
Niel Diamond is also dubiously famous for having one of the most expensive divorce settlements in history. He was a good song writer, but I never cared for his singing voice.
The quintessential "two original versions" for me is Because the Night. It was mostly written by Bruce Springsteen, but he wasn't happy with it and agreed to let Patti Smith record it (they shared an agent). Smith's version has some original lyrics by her, but the music is all Springsteen; Springsteen has never put his version on a record, but plays it live.
It was also recorded by 10,000 Maniacs. Not sure if their version charted but Natalie Merchant did a great job with it.
I was under the impression Springsteen wrote the music and chorus, but didn't have any verses. It was given to Smith who added the verses.
I could be wrong though. I though Life is a Highway was Tom Petty until I saw this video.
@@scottruisch6593 "Well, it's time to start so let's say hi to uh, Natalie and 10,000 Maniacs!" Their MTV Unplugged album is great, and when you listen to it in surround sound... 🤯 Fully-immersive, it really sounds like you're at an actual concert in-the-round. Even the person in the audience who randomly whistles during "About the Weather" seems to have a specific place that "feels" as if it's across the stage on the opposing side. The audio engineers and mixers really nailed it.
According to a brief Wikipedia search, in 1993/94 it reached #7 on Billboard US Top 40/Mainstream, #7 on Billboard Modern Rock Tracks, and #9 on Billboard Hot Adult Contemporary. Not too shabby, especially for a live recording of an all-acoustical song!
The verses Springsteen eventually wrote are quite different, and were in a state of flux for a while. The versions he played live from 78-84 eventually coalesced into what's on the "Live 75-85" box set. He did go back and rework his '78 recordings with lyrics closer to Patti Smith's on the 2010's "The Promise", a collection of 77-78 era outtakes.
Another multi-release is "I'm Not Scared" by Eigth Wonder (released spring 1988 on their debut album "Fearless") which was written by the Pet Shop Boys, who released their own version October 1988 on their own album "Introspective".
I love rock n roll by Joan Jett and the Blackhearts is also a cover. The original version was recorded by the band The Arrows in 1975.
Joan Jett has done a lot of covers and I love most of them
@@ChasMusicyup crimson and clover is another one.
I was always much more familiar with the Tom Cochrane version of Life is a Highway. It was a big hit when I was younger.
100%!!
Surprised there was no mention of the fact that, although Bob Dylan did indeed write and record "Make You Feel My Love," the earliest release of the song was actually performed by Billy Joel.
Thanks for your videos David returning me back to the good old days of music. Keep It coming please. Also for others who don't know you have to pay money to play a cover!!!
I dunno if ya mentioned it previously, but "It's My Life," which was a huge hit for No Doubt, in 2003, was actually recorded and released by Talk Talk, back in 1984.
My mother's favorite song was MacArthur Park. I've heard several versions including the original. This is the first I've ever heard of a Donna Summer cover.
Have you heard the Beggars Opera version?
@@Bacopa68 Had to look it up, but yeah.
Midnight Special and Cotton Fields are two more Lead Belly songs that were covered by other musicians. He wrote Cotton Fields, while Midnight Special is a folk song of unknown origin. CCR did versions of both songs, and Johnny Rivers' cover of Midnight Special was used as the theme song for the TV concert show of the same name. The Beach Boys also covered Cotton Fields.
The Highwaymen and Creedence Clearwater Revival also did pretty good versions of "Cotton Fields".
@@rslitman CCR = Creedence Clearwater Revival
@@Jeff_Lichtman I apologize for the duplicate information. My post was originally just going to mention the Highwaymen, and then I thought, "Another group has a version I really like, who is it, oh yes, CCR, but I had better spell it out in case some younger people don't know the group's official name." I was so focused on the Beach Boys mention that I didn't realize you had mentioned another artist, too.
i don't know if you've mentioned either one yet, but i can think of two songs by Robert Johnson that have cover versions that are much more famous than his originals: They're Red Hot, popularized by the Red Hot Chili Peppers in 1991, and Cross Road Blues, popularized by Cream as "Crossroads" in 1968
"Brand New Key - Melanie" (The Rollerskate Song) reminds me so much of "The Pushbike Song - The Mixtures" which I believe came out a year before.
I wonder if they're related?
Awesome cover songs video. one of the most greatest i´ve found ever
What's funny for me is that, for a lot of these, I was aware of the original version without knowing it had been covered later, particularly if it was originally from 50s-70s and a regular on the "oldies" radio station my parents always listened to in the car when I was a kid in the 80s and early 90s or on one of the vinyl albums that they would play at home.
I was a big fan of Herman's Hermits as a teenage girl in the mid-1960s. I later learned that most of their hits were covers:
"I'm Into Something Good" - American r&b singer Earl-Jean
"Can't You Hear My Heartbeat" - Goldie or Goldy & the Gingerbreads
"I'm Henry the 8th I Am" - song dates back to 1911
"Leaning on the Lamp Post" - song dates back to the 1930s
"Silhouettes" - late 1950s hit by the Rays
"Wonderful World" - late 1950s or early 1960s hit by Sam Cooke, later covered by Art Garfunkel
I don't think "A Kind of Hush" was a cover, but it was later covered by the Carpenters.
Wonderful World was sung by Louis Armstrong not Sam Cooke
@@Resgerr The Sam Cooke song that was also done by Herman's Hermits is a different song from the Louis Armstrong song. And while the Louis Armstrong song is sometimes called "Wonderful World", its actual title is "What a Wonderful World".
A Kind of Hush was cover. It was originally done by the New Vaudeville Band, the guys who did Winchester Cathedral.
@@notu13man63 Thanks. I didn't know this.
@@Resgerr Don’t know much about (music) history
"Handbags and Gladrags" was covered multiple times. But still, my favorite one is from The Office UK :)
Yes! Big George's cover is brilliant.
It’s Rod Stewart
Stereophonics
I love that song!
Written by Mike D'Abo, also known for being the main vocalist in Mannfred Mann 1966-69.
Chris Farlowe published a singel of it in 1967, the same year D'Abo wrote it.
This was the first time the song got recorded and published.
Love Affair covered it in their album in 1968.
Rod Stewart did a cover in 1969.
Big George used it for the Office in 2001, the same year as Stereophonics made a cover of the song. ❤
You probably know this already, but Istanbul (Not Constantinople) by TMBG is a cover, the original song was made by The Four Lads for the 500th anniversary of the collapse of Constantinople.
It's nobody's business but the Turks'.
“Why they changed it, I can’t say - people just liked it better that way..”
In the music video for 'It Must Be Love' by Madness, Labi Siffre appears towards the end playing the violin and is seen singing part of the final chorus.
The origins of "Black Betty" are somewhat murky, but it's generally believed to be a traditional African American work song with roots in the 19th century, possibly even earlier.
The song was first documented in 1933 by the musicologist John A. Lomax, who recorded an African American prisoner named James "Iron Head" Baker singing it in a Texas penitentiary. This was 6 years before the Leadbelly version.
The James Baker version is pretty haunting, it's out there on youtube.
If Leadbelly was involved, it's no surprise, because Leadbelly did a raft of traditional songs, including 'Blue Tail Fly.' He loved to sing with an acoustic guitar, no mic, for any group of kids who would gather around. A true traveling minstrel. Way back in 1971, I recorded a Leadbelly cover (There a Man Going 'Round Taking Names) with a group of Spanish gypsies called The Gong. At 3 a.m. the band was so happy with the recording that they all went out to celebrate. They were so rowdy, they got put in jail for a month. I was the only member who went to my $4/night apartment, because I had a g.f. and she didn't want me getting too rowdy. I stayed out of jail, but the band broke up and the record came out with a pic of a whole different set of young Spanish guys.
One song I was surprised to learn was a cover was Crash by Matt Willis. I grew up with Willis' version thanks to the movie Mr. Bean's Holiday, so I was quite surprised to learn it wasn't the original.
The Primitives, right? A roommate at university in the 80s had it on heavy rotation.
It Ain't Necessarily So by George and Ira Gerswhin is (cheekily) based on a Hebrew blessing. From Wikipedia:
"The first and most direct example of influence occurs at the start of the song; the melody and phrasing is nearly identical to the blessing incanted before reading from the Torah. The words "It ain't necessarily so" stand in place of Bar'chu et adonai ham'vorach, meaning Bless Adonai, who is blessed. This motif repeats multiple times in both, and both include a response from a congregation."
Wow, this is great. Thanks!
My way by frank sinatra was originally an Italian song. Popcorn by hot butter is actually a cover originally recorded by writer Gershon Kingsley and his first moot quartet. and Ymo’s Firecracker off their first album was a Martin Denny
My Way is a French song. David Bowie wrote the first English lyrics to the tune, then Paul Anka wrote the Sinatra version .
The Happy Mondays 'Step On' is in fact a cover, the original was called 'He's Gonna Step On You Again' by South African artist John Kongos from 1971.
"Fourteen originals you didn't know were covered by other artists, nine songs you didn't know were covers, and twenty songs you never knew were songs." FIFY
Fun Fact: the song "Sexy, and I Know It" by pop duo and national embarrassment LMFAO, was originally written by Eric Satie in an early draft of his "Gnossiennes" compositions, including the lyrics, although they were originally written in French. The only reason that it was never published as an official part of his collection was the threat of obscenity charges, which would have prevented it from being played live.
The guitar break is nicked from Hendrix
Ohh you know, it makes sense now that If I Were A Boy was a cover, because I don't think Beyonce ever revisited those themes in that way.
Our Lips Are Sealed was released by both the Go Go's and Fun Boy Three. It was written by Terry Hall (Fun Boy Three) and Jane Wiedlin (Go Go's). So also a case of 2 hits from 2 bands without one being a cover of the other.
Great bit of music history. Thank you. 8:54 let'a not forget, Wagon Wheel was also covered by Darious Rucker and Nathan Carter.
tide is high was then cover again by atomic kitten who covered the blondie version!
Which is a over of the original from the 60s by The Paragons.
All Along the Watchtower was another Bob Dylan song made famous by someone else, that someone being Jimi Hendrix
But not so much a cover as a transformation.
Isn't Summertime actually just a traditional folk song? I have seen Doc Watson performing that song way back.
Edit: the original is from George Gershwin from 1935
Even deeper, William Grant Still likely wrote it as Gershwin stole a lot of his music. Now there’s a rabbit hole to venture down if you’re into cross-genre music.
07:28
Garth Brooks covered the song as "To Make You Feel My Love" in 1998. It appeared on the soundtrack of the 1998 film Hope Floats, along with a cover version by Trisha Yearwood (whom Brooks would marry in 2005) as the first and last tracks. Yearwood's version would be the only version of the song on the soundtrack's 2007 reissue. It was included first as the bonus track on Fresh Horses for Brooks' first Limited Series box set and then included on all later pressings of that album. Brooks' version resulted in a nomination at the 41st Grammy Awards for Best Male Country Vocal Performance and a nomination for Bob Dylan for Best Country Song.
Rod Stewart also covered Downtown Train, featuring Jeff Beck. A Tom Waits original. Latter-day single, but the video got some heavy rotation on MTV back in the day.
There's a songwriting troika that wrote songs you didn't know weren't written by artists who made them famous which is Dylan, Springsteen and Diamond.
Maybe add Dolly
What about the begezz