I love the how hard the drummer goes, by the end everyone else is resolved and he has to slow it down to the very last second but to me it sounds to me like a perfect transition from fast to slow right at the end.
5:45 this is the first time I have actually heard the sound correctly. There are at least two distinct tones of the guitar and he is controlling them simultanisly. And for the first time at 5:52 I heard the person who makes some sort of barking sound. Don't blame them this is mind blowing audio and footage.
Sorry for my lack of Japanese proficiency; I think Kazumi is overplaying here slightly because of nerves, but as a musician, I can say it is SO much different playing on a huge stage versus a comfortable recording studio. The energy just takes you away, and this performance (to me) is more about feeling and excitement than any groove or nuance. Plus, the drummer is a monster -- hard to hold back as a guitarist with someone like that egging you on 🤗
I was there, Kazumi is brilliant, hi hat clutch gave out.
全世代、全ジャンルを通じて渡辺香津美が日本人No.1ギタリスト。
I love the how hard the drummer goes, by the end everyone else is resolved and he has to slow it down to the very last second but to me it sounds to me like a perfect transition from fast to slow right at the end.
5:45 this is the first time I have actually heard the sound correctly. There are at least two distinct tones of the guitar and he is controlling them simultanisly. And for the first time at 5:52 I heard the person who makes some sort of barking sound. Don't blame them this is mind blowing audio and footage.
この演奏当時TVで見ました。演奏中雨でスタッフに指示されているのも懐かしい気がします
Bravo, top shelf
返しのデカさに珍しくナーバスになりそれに触発されたかの如く弾きまくる香津美さんの貴重な映像ですね
beast Kazu !!!!
Any idea what year this was ? Awesome performance.......
1991
@@KenHada thanks
Any idea what guitar that is he's playing on?
Valley Arts Kazumi Watanabe custom.
香津美さんのこのギターはなんだろう？
バレイアーツです。
@@小倉よしお ありがとうございます そんなメーカーありましたね。この形は始めてみました。理想的な音していますね。素敵です
Cab cover ?..
渡辺香津美、俺は好きですよ。音の線がか細い嫌いは否めませんが。
あぁ、日本人って繊細な音作りが得意なんだなぁって思わせてくれます。
渡辺さんのフレーズは詰め込み、詰め込みで、大きなノリが感じられないですね。少しでも間があったら、突っ込み気味に細かい音符やコードを入れようとするから、極めて皮相的な音楽になっていると思います。
同意見です。間を持たせないから息苦しい音楽にしてしまっている。
Sorry for my lack of Japanese proficiency; I think Kazumi is overplaying here slightly because of nerves, but as a musician, I can say it is SO much different playing on a huge stage versus a comfortable recording studio. The energy just takes you away, and this performance (to me) is more about feeling and excitement than any groove or nuance. Plus, the drummer is a monster -- hard to hold back as a guitarist with someone like that egging you on 🤗
基本ベースになってるのはjazzですから。