As an artist myself, this video is very useful. One of my main suggestions to my viewers is to do a warm up and let go, because if you're too rigid and think to much, it will hinder your creative process/expression. Thank you for sharing!
Thanks Andrea, I've watched lots of UA-cam programs on abstract painting, but you have a talent for breaking key elements down without sounding pedantic. I'm going to watch your long program and I'll be back.
When I was very small I decided I was going to be a Grandma Moses and paint when I was Old. When I saw Easy Rider at 18 with my future husband I can remember thinking..."I'd rather be in NM than married". So here I am at 72 in Santa Fe as a hobby artist doing abstractions. Looking back I feel my "detour" adds to my need to create. :) I will look for your work as I gallery hop this summer. Thank You for this info.
I love this story! When I was just out of college a man told me about the "artist communes" in Santa Fe. So I thought to myself, "If I'm not happy in my life I'm going to move to Santa Fe and be an artist". And then about 10 years later I made the move! You are welcome!
@@andreacermanskipainting I've been in NM over 40 yr now. Second time in SF renting from Desi, Navajo/Laikota/15% Irish. Around the corner from The Pantry. It's an old neighborhood of people born here. I have a Secret Garden at the end of 4th. :)
Hey fellow Santa Fean, I wanted to invite you to my FREE online abstract 4-day painting challenge from September 3-6, 2024. Here's the link if you want to join:) santafepaintingworkshops.com/abstract-floral-challenge-yt
After taking quite a few classes on color theory, my last teacher recommended this book “ Color Choices by Stephen Quiller “ it brought it all home for me, the big aha moment… we already know so much, it’s that trying it all together… Thank you for reinforcing the Creative Journey is just that… push pull.. resistance / joy…
I have that book! It was out of print for a while, so I'm glad you grabbed it. I visited his studio/gallery in Creede, CO last summer--I didn't even realize he lived there until I happened upon his space. Was great to see his work in person.
Thank you for sharing your expertise. I found the tips really interesting and helpful. Certainly intend to refer back to this to help develop my painting.
The palette knife and sponges are my favorite tools for acrylic. I also use sponges and paper towels when I am doing watercolor abstracts. I will pull out my color theory book and actually read it now. Thank you for a very informative video. I look forward to watching the training video.
Then I would go with that and say to yourself, "every mark should be different." There's no need to make every mark the same; in fact, that could be boring at times! Contrast is a good thing!
Good video. It'll be news to many people that just because you paint in an abstract style that doesn't mean you get to ignore the things that make a realistic style painting good too. Balance, flow, focal points, color, composition and even perspective, are all things to keep in mind when you paint anything. I normally paint in a realistic, representational, style. Yet, when I wanted to understand what abstract art is about, I tried it. It gave me respect for the style, and respect for the accomplishments of good abstract artists. I believe that my exploration of abstract painting really helped my realistic art as well.
My tools of choice to use for my abstract paintings are my hands and fingers, combs , cardboard, plastic bags ,a lot of kitchen utensils. Thank you for your time.
Thank you Andrea. Very pinpointed. Very precise. I use old bank cards, I love to spread paint with them. AS for lhe collage I love to press with my hands.
Ive been fan of abstract art with a desire to make my own. Some art talent here. My grandmother was a savant with art first time she picked up a brush. My mom created beautiful paintings. I did some above average 11 y/o Bob Ross art as a kid *lol* and actually, realistic sculpture comes naturally. Some art classes. Always wanted to make big canvas abstracts but worry about spending lots of $$ only to make mud. I believe it'll come intuitively as other art has to me. But I am going to take your generous offering and watch your other tutorials. Happy I found your channel! Thank you!! Excited to learn some basics before I waste too much on trial and error $$ lessons! I have always believed abstract was not "easy" like people imagine and takes much knowledge to create that mystery. Already formulating visions!! ❤
Long time quilter and local professional quilter. This is all new for me, so going from one medium to one of many has been eye opening. But overwhelming. I also did hair for 25 year. A special colorist when I retired to quilt. I get color, but I feel like I have so many choices and abstract art makez makes me feel emotional. I want to be more neutral but it’s not my natural or first love. New development. I feel out of my depth. Deep breath and try again, tmrw. I’ve made hundreds of quilts. Quilted even more, hand and machine, but I’ve managed two paintings and three broken gelli plates. Back to canvas and paper. Does real life chaos make us like this? Your art, most of it, moves me. Ty.
Hi Patti! All that experience with hair and quilting will serve you so much in abstraction! Real life is chaotic, isn't it? Keep on keeping on, friend!
So feel that emotion, and let the feeling drive what colors you choose. Then, take a brush and paint the marks of that feeling. Then play and have fun and continue following your inner voice--it knows exactly what to do!
I love using wax paper, placing paint on paper, scribbling into paint with brush end or nail and placing it on your piece like a stamping effect. I got the idea from an abstract painter ‘the danish painter’ it’s become a favourite way to add texture and layers!
@@andreacermanskipainting , I find that I have a hard time pushing the dark and light contrast, everything seems to just wind up mid-tone. I also quilt and I'm able to do that with fabrics, but paint is a whole other thing. I just really struggle to not wind up with everything in the middle values.
For you next painting I want you to pick three colors. Mix the first with mostly white paint, the second you can use as is, and the third mix a bit of black. So you should have one very light tint, one medium tone, and one dark. Then paint with those colors making sure you don't blend them too much. Let me know if that helps .
Thank you, I tend to forget that there is supposed to be a focal point, sometimes I go into an overall pattern design. I think if I watch more of your videos I will get some new direction. I have an MFA in painting but none of my instructors were as clear as you in describing the approach to abstract painting. Also I did get to visit Santa Fe and I loved it ! felt sacred.
Wow, thanks for sharing that! It's on to have evenly spaced things in your painting so that they are all equally important. If that's your style go with it! I've seen many amazing paintings done that way. But if you want to break out, then maybe try rule of thirds and make the focal point big, bright, or contrasty compared to the rest.
I talk about focal point a whole lot in my FREE online abstract 4-day painting challenge that is happening next week, September 3-6, 2024. Here's the link if you want to join:) santafepaintingworkshops.com/abstract-floral-challenge-yt
I'm self-taught, and I was having trouble with the concept of focal point at one point. I understood rule of thirds, but I still didn't understand HOW to make something the focal point other than placement. So I started looking at paintings with that exclusively in mind. When I saw a painting, I reminded myself just to mentally note what first caught my attention in it--and then look at the painting as a whole. That was my way of studying just that one element. It was quite helpful. But Ms. Cermanski is the first person I've ever heard spell out three specific methods to create a strong focal point. Truly a great teacher!❤
Hey Isabelle, Since you like my instruction, I wanted to invite you to my FREE online abstract 4-day painting challenge from September 3-6, 2024. Here's the link if you want to join:) santafepaintingworkshops.com/abstract-floral-challenge-yt
You have a great channel! Just found you with this in my feed. I love your art, so rich and beautiful.. was just looking over some of your videos on your page. You’re going to be very informational for me i can tell. Thank you for being here!!
Since you love the channel, you might want to consider my FREE online abstract 4-day painting challenge from September 3-6, 2024. Here's the link if you want to join:) santafepaintingworkshops.com/abstract-floral-challenge-yt
I'm glad you said abstract painting is hard. I approach fine art painting of either realist work, impressionist or abstract painting from a designer's perspective. I was a professional graphic designer/illustrator for major companies in my design career of over forty years and I see everything in terms of effective composition and finished product. I was responsible for gaining multi-million-dollar contracts for companies I worked either fulltime or as a freelancer within design companies. I had to deliver at a high level. I also believe through much of my work in architectural and interior design renderings that I learned color well because I had to constantly match color selections and render surfaces in light and shadow. I'm sixty-three years old now and the one thing I know for sure is we are never done learning. It's a constant journey. I had success as a realist painter and was published in many books, magazines and so on in being there and done that. In recent years I started into abstract painting because I love the adventure and unpredictability of it which was somewhat by accident because of my varied interests in design. I'm a collector of vintage midcentury modern furnishings and grew up in household where my father was a design director for four major companies in his career. I was surrounded by that period my entire life and it just became part of me and a vocabulary. I started doing abstract paintings that were about color, composition and texture. I have found success in that as a painter. It feels good doing it and primarily at its core is design. I see equal value in all of it when it comes to how one approaches painting.
What a great background to have for abstract painting! I think having a strong knowledge of these fundamentals is so important, and I bet your knowledge of architectural design adds a unique edge to your work. I agree that painting is a constant journey!
Great question. What I teach in this video doesn't apply to all of abstract art. Especially contemporary *conceptual* art, which is very much about the ideas, more than aesthetics in my opinion.
I love abstracting realistic forms, such as trees. I'm exploring all you are talking about here and it really makes it a journey, not just a destination. I think my biggest struggle is making up my mind when it comes to a composition. That takes time, practice, and study. Thank you for this 💖
Yes it does! And sometimes I like to figure out the focal point as it emerges. In other words, I don't plan it from the beginning, but I see where the painting is going. Have fun on the journey!
Hey @NarcArtTherapy, I wanted to invite you to my FREE online abstract 4-day painting challenge from September 3-6, 2024. Here's the link if you want to join:) santafepaintingworkshops.com/abstract-floral-challenge-yt
I studied color theory years ago, but still use it every time I create. I do get into a meditative state and listen to music I love when I create. I use dozens of colors in my paintings. I paint with a shish kebab skewer and a chopstick. I paint primarily abstract expressions on magnetic vinyl. In 28 years of painting I’ve sold thousands of pieces. I still haven’t found other artists using my media in a similar fashion.
Abstract work is a good way of relaxing and having a good laugh. The big mistake is thinking of selling. Forget it, just have fun. Make cheerful paper cards to send friends and cheer them up. We should all dance, sing and make marks, like our ancestors did.
Andrea, how wonderful to find you here. I rarely use a brush when I paint. Pallete knives, brayers, squeegees, plastic bags, crushed up paper, packing materials are my mainstay. I look forward to more of your videos. I can always learn more about composition. from Malika
@@malikahealey8828 and so good to see you on here too! I believe you were one of my very first students back in the day when I started the adult painting classes. Are you still doing mostly abstraction?
@@andreacermanskipainting Only abstraction - went down the oil painting cold wax path for many years. Due to health concerns I am back to oil pastels but getting ready to try another wet medium with non toxic inks. Creativity never stops!
Balance. I feel like I sometimes I can go too far or not far enough with obtaining balance. Balance has some craft or technical fundamentals, but even if you understand those, there IS something intuitive to it that can be challenging to capture. I sometimes get this sense like I’m trying to catch smoke with my bare hands. I’d love to hear your thoughts on that.
Very inspiring-very helpful! - very glad having found you! Will certainly make your course you mentioned! A propos other tools than brush: i use sponge, towel, spatula in every size, also kitchen tools.... 😊 sometimes news paper (stamp or/and remove color)....
Great tips! Composition has been my biggest challenge, as I studied color theory while becoming a hairstylist years ago. Looking forward to learning more from you. Thanks so much!
Hey @k8marlowe, I wanted to invite you to my FREE online abstract 4-day painting challenge from September 3-6, 2024. Here's the link if you want to join:) santafepaintingworkshops.com/abstract-floral-challenge-yt
Since you liked this video, I wanted to invite you to my FREE online abstract 4-day painting challenge from September 3-6, 2024. Here's the link if you want to join:) santafepaintingworkshops.com/abstract-floral-challenge-yt
Just started, mud is my colour (🤣), i am an old man trying to have fun and learn. Some tools I use are a bottle wash brush, skewer stick, cotton buds. My biggest issue with abstract work is clarity of idea and how to express it. I understand it comes with practice and visualising! Thought/idea from mind to surface as intended is a goal. A work/s in progress.
LOL!😂 "Mud" can be beautiful, too! If it is intentional. Just the right shade of "mud"... There's textural mud, a wash of mud, a bit of mud marks, impasto mud...I am channeling my inner "Forrest Gump" (only not shrimp, but mud).
Keep painting, old man boy!!!!! Mud by Polly Chase Boyden
Mud is very nice to feel All squishy-squash between the toes! I'd rather wade in wiggly mud Than smell a yellow rose. Nobody else but the rosebush knows How nice mud feels Between the toes.
Yes, you can totally paint over them. And you don't have to Jess with them. Just go over them with one color so you're not starting from ground zero. Are you using acrylic or oil?
We also need to put in the time. You will learn by just doing, everyday. Also, push ourselves past our comfort zone on a regular basis. Try as many things as possible. Finally, sometimes you need to paint over things you like because it doesn’t work. Trust your instincts.
I 100% agree! I paint over things A LOT! It's almost part of my process now. Continuing to paint is important, and also trying to change up what you do as we sometimes get stuck in a rut:)
Based on your comment about following your instincts, I think you might enjoy my FREE online abstract 4-day painting challenge from September 3-6, 2024. Here's the link if you want to join:) santafepaintingworkshops.com/abstract-floral-challenge-yt
I do not paint abstractly, although from time to time, I try it when I'm just "noodling around". I recently did one that I think came out very well. As you spoke here, I was looking at my painting to see if I made any of the mistakes you mention. I would attach a picture of it, but not sure how to do that. Anyway, I just signed up for your one-hour training. Always good to learn.
Yes, noodling around is a great way to start! And then it gets harder as you keep working, right, because you have to make sure it "works". Glad you are jumping on the training! Thanks for being here and your participation!
Great help! My issue is that I want my abstract to mean something? to have a story to it? or does that really matter? What am I trying to say in my art? I get so frustrated with coming up with the ideas of what to create. Thoughts?
I LOVE this question! It matters if it matters to you. However, if having an idea keeps you back from creating, you might need to put it aside. For me, I love to just create and see what emerges. I am inspired by nature, and I believe those memories of being in nature drive my work. That process works for me, and when I try to make my work about ideas too much, it holds me back from experimenting and doing whatever my paint brush wants to do. So, long answer short, no your work does not need to be about something, but if you want it to be, keep those ideas loosely in your head, but allow yourself to experiment and play with paint so that you have freedom. How does that sound?
@@andreacermanskipainting thank you so much. That makes sense. I do find myself in my head and then trying to silence my inner voice. I just need to let go and create!
I can't get anything right. I start with an image in my head. And as soon as I start with my color. It changes in my head. I don't know what are why this happens
Maybe try NOT to have an image in your head. Instead, just pretend you're a toddler and play. Move paint around and see what happens. And then look for some structure in the randomness. Another idea would be to use a reference image that you will abstract by either changing colors, forms, etc. Hope this helps!
Hey Katie, Since you like my instruction, I wanted to invite you to my FREE online abstract 4-day painting challenge from September 3-6, 2024. Here's the link if you want to join:) santafepaintingworkshops.com/abstract-floral-challenge-yt
I know the popular view of Picasso is that he was an innate genius but his father was a painter and renowned art teacher who taught his son how to paint from his earliest years. His father was also a curator at the local museum where Pablo would have seen many of the ethnographic objects he turned into Cubism. That said, I don't know where he got his misogyny from.
This is all very true for Picasso. There's a great book I read many years ago about him, Martha Graham, and others who showed themselves to be prodigies at a young age. Yes, the misogyny was a real issue!
Yes! Thanks for reminding me. It's "Creating Minds: An Anatomy of Creativity Seen Through the Lives of Freud, Einstein, Picasso, Stravinksy, Eliot, Graham, and Gandhi". It's old, from 1993, but amazing. It's on Amazon! a.co/d/a83o3XP
I’m definitely struggling with colours and for me I would say I have a hard time toning the colours down in the right amount. How much white/black should I use etc and still get that feeling that I want from the painting. Guess studying colour theory is the way to go 🙈
I feel like I've heard all this advise before and I "think" I've adhered to it but my paintings are still "not there yet". They're getting better though... albeit slowly... thank you! I will try the one hour video...
@@elsagrace3893 Whatcha talkin' about, Willis? I think you got confused and posted this comment on the wrong video, because I didn't say anything of the sort. lol.
Interesting video, touches on really relevant issues. I think I struggle most with creating space within my abstract works. I want to escape the 2dness of shapes but I really can't. Also - I have a feeling that watercolour, which I often use, isn't really a great medium for abstract painting, sort of lacks the substance, the body. Do you have an opinion on that?
Yes, I think you are totally correct. Acrylic is much more versatile and allows you to change sheen, texture, and the thickness of the paint with painting mediums. I would give it a try. Check out my freebie on using painting mediums if you decide to try acrylic: santafepaintingworkshops.com/5mediums
Part intuitive and part knowing when you have achieved a balance of sorts. With abstraction, it's harder to know. One thing you can do is flip the painting in different directions and if the piece seems relatively balanced and works well in those directions, it's likely done. Over time you do develop knowing the "when it's done" muscle:)
Hey Elisabeth, Since you are struggling to know when your painting is finished, you might consider my FREE online abstract 4-day painting challenge from September 3-6, 2024. Here's the link if you want to join:) santafepaintingworkshops.com/abstract-floral-challenge-yt
Great into to abstract painting. I have done hundreds of acrylic abstracts. But I don't get the vibrance I see in other's works. I wondered if it was the color, ie making mud, that is colors across the color wheel. But I find even with straight tube color it is dull. Perhaps
I discuss color a lot in my upcoming FREE online abstract 4-day painting challenge from September 3-6, 2024. Here's the link if you want to join:) santafepaintingworkshops.com/abstract-floral-challenge-yt
Interesting tips. I don't share my work except to my local art mentors that are old pros at this. I am developing a unique style(I have always been a bit off beat) and I don't want it to all of a sudden start showing up on a You Tube program or on online art for sale. 😂 I don't remember ever having a problem creating art out of my imagination. I think it is fun! But I do concentrate on a focal point and having balance in my art. Lead the eye to where you want it to go... 😉 Colors! I love them! Layers? Yes please! 😊 And when I am not sure if it is done? I ask our 23 year old Son with the critical eye and if he says STOP! I listen. Then I step away for a few days and see if I am happy with the piece. Been doing art since I was a child. Work and life got in the way of focus in my art so here over the last few years I started back up b a little. Abstracts I first started doing in the last few m I months. I find them easier then realism. 🤷♀️
Wonderful! It's nice you have someone who has a strong, critical eye. I think stopping way before you think it's done is also a good practice. And I like to hang it on the wall for a bit so I can see it in different light, etc. Have fun!
I want the layers, but I feel like I end up covering up more than I want, and rather than layering, it ends up more blended in a more homogenized way than desired…. Not sure if that’s a brush issue or paint consistency issue
Are the newer layers opaque (not see through)? I would recommend adding layers by doing washes, glazes or dry brush so that you keep a lot of what is underneath.
I have been teaching myself abstract art with pretty good results. But, my biggest block is I get to a certain point with many layers and then I get stuck and don’t know what to do next. I’m completely blocked! What is the next step rather then walking away for a period of time?
I think determining if you have a strong focal point OR if you have sufficient contrast. If you don't want to walk away, keep working until you do have a strong focal point or enough contrast.
Such wonderful advises and the painting behind you so wrong 😝: having the biggest contrast et bottom right edge, having colors of equally rich chroma saturation everywhere, the choice of colors themselves….. But the one from the poster about the course is wonderful, including the brushstrokes and shades of grey as background to reacher spots.
@@andreacermanskipainting ALL of the advises I like! About the painting: if it’s a portion only then I can’t have a full impression… It’s colors reminded me of what I used to do. Then one day I examined lots of Monet paintings and discovered that they were all nuances of grey with only the key spot having saturated pure colors. In my “mind” they were all so wonderful color wise that I put mostly pure colors and thought I’m going in that direction (but was producing sweet syrup 😝)……. Good luck
I actually love the painting behind her! My number one rule is "if it works, then all other rules don't matter" No painitng is "wrong", it just doesn't work for you...
To create any art takes courage and that includes non-abstract. To me, Kandinsky excluded of course, a lot of abstract work appears decorative and meaningless ( a mismash of shapes and colours). Also many people who take it up cannot draw or paint impactful images and start doing abstracts as an escape. You also said abstract art is harder which I don’t agree with. Let’s all just do what we want and enjoy the process💕
You might want to try my FREE online challenge from September 3-6, 2024. Here's the link if you want to join:) santafepaintingworkshops.com/abstract-floral-challenge-yt
Hmm...how about you just give it a go. You may just keep making excuses and never start. You might find this tutorial helpful:ua-cam.com/video/ge07K0oj6YM/v-deo.html&lc=UgyL1HuNpiXtAt57VYN4AaABAg
I have a hard time naming what my paintings are of--it's hard to explain--I just like to look at the design or whatever it is but I cannot give it a name, it's not like a realistic one where you know what it is, but I prefer abstract art. Does it have to have a meaning?
The color was too thin? Maybe not the best brand of color? Or maybe the gloss medium wasn't the best. But I do see some other artists have brilliance even better then oils. How do you do that?
If you want very brilliant colors, Golden is the best acrylic brand, but it's expensive. They also make a gloss medium. You are sure to get brilliance with Golden, but if it's too spendy, Liquitex Professional is very good too. Nova color has high pigment concentration and is much more affordable :)
I use mostly acrylic. The email subscribes you to my list so you can get the link about the class. You can unsubscribe at any time by scrolling to the bottom and pushing "unsubscribe".
I don't think so. You can easily make luminous layers with acrylics mixed with glazing medium. And they dry so much faster. But it's up to you and what you like;)
@@andreacermanskipainting thanks for the reply. It's good to hear you think acrylics can achieve luminosity. I prefer acrylics because they are so much easier to work with in my limited space.
I am a representative painter/artist who struggles with letting go. My style is somewhat graphic and crisp and I would really like to be able to loosen up. I was a graphic designer for many years and have a lot of training and experience with colour theory and composition...but struggle with trying not to make an abstract painting "look like something" and I also struggle with keeping things loose and free. My tendency is to constantly try to smooth things over (a metaphor for my life???). I branched out with watercolours this winter, hoping to get looser, but still battled my desire for control...and tended to overwork the image and loose that spontaneity.
Yes that's a common issue for representational painters. I have a free e-book that gives five exercises to move from representational to abstract painting. Do You want me to give you a link to it?
If you want to loosen up, you might want to consider joining my online abstract 4-day painting challenge from September 3-6, 2024. Here's the link if you want to join:) santafepaintingworkshops.com/abstract-floral-challenge-yt
How exciting! How about posting it to Facebook or Insta and I can take a look? Also, get on my email list so you can find out about free classes coming up!
I always got the highest of scores in our class. But when I started my abstract journey it was the hardest thing I've ever done in my entire life. To find my own voice style and technique was very difficult.
Thanks for sharing. I totally understand that. When I go back to doing landscapes, I remember how much easier it is for me to have everything laid out already. For me it's nice to go back-and-forth between abstraction and representational . How about you? Are you doing all abstraction now?
But I don't understand something. Some people love that busy, chaotic kind of abstract. Which is what I love and it seems to be my style. I started about a year ago. I've been trying to understand color, value, composition, design, shapes, etc. I always tend to go with the same colors and im trying to make new marks. I haven't tried big marks and having a hard time blending. But I realized that I haven't played enough in my sketchbooks. My question is though, what about busy style?
A busy style is great. Basquiat, DeKooning, and Pollock all had a "busy" style. Some people prefer busy, and others prefer more space in their work. It's a matter of preference!
@@dianecharest8365 Start with what you love to do. It will make painting more enjoyable. Later you can challenge yourself with the "quiet" style, but for now, there is some business in there that you need to get out!
I find abstract painting gives me the most freedom 😊 I dont feel like it has to look a certain way because it's not about that. Thank you for your advice
You just told everyone to add a 😅. lot of layers and I just smiled since I have done and sold art of many mediums which I know is KNOW WHEN to S T O P.
Paint, paint, paint. experiment, make mistakes, paint paint paint. Don't save your mistakes and gesso over it and paint again and again and again. Learn the forte, pianissimo of painting. Put your whole body into. Paint,Paint,Paint. And experiment!
One of the biggest mistakes one can make is not first learning to paint in one or more of the many traditional painting styles to develop your own skills as an artist. Once you have achieved some level of confidence, and have gained a thorough understanding of color theory, form and composition, you could begin to experiment with abstraction and non-representational art forms.
I found your video informative…thank you for your insights. Just letting you know that the music did not add anything and just competed with your voice. I think an information video works best without it…but just my humble opinion. 😊
Don't forget to like, subscribe & comment! Much love, my creative friends! 💖✨🖌
The background music is disrurbing.
"Loved" questions we should be asking ourselves when embarking on our creative journey!❤
Nice and clear, much appreciated.
As an artist myself, this video is very useful. One of my main suggestions to my viewers is to do a warm up and let go, because if you're too rigid and think to much, it will hinder your creative process/expression. Thank you for sharing!
Great tip! Thanks for your comment ;)
Thanks Andrea, I've watched lots of UA-cam programs on abstract painting, but you have a talent for breaking key elements down without sounding pedantic. I'm going to watch your long program and I'll be back.
Thanks so much for saying that! I appreciate it ;)
Your blouse is it's own work of art . Very pretty.
Thanks!
This is the best video I have heard about creating an abstract painting….will now watch your free one hr video. Thanks. 😊
Thanks so much for saying that! Hope you enjoy the more in-depth version of this video!
Very helpful! I’m a novice watercolorist at 76. I have discovered
most of your points along the way, but your emphasis is so helpful.
I'm so glad to hear that
When I was very small I decided I was going to be a Grandma Moses and paint when I was Old. When I saw Easy Rider at 18 with my future husband I can remember thinking..."I'd rather be in NM than married". So here I am at 72 in Santa Fe as a hobby artist doing abstractions. Looking back I feel my "detour" adds to my need to create. :) I will look for your work as I gallery hop this summer. Thank You for this info.
I love this story! When I was just out of college a man told me about the "artist communes" in Santa Fe. So I thought to myself, "If I'm not happy in my life I'm going to move to Santa Fe and be an artist". And then about 10 years later I made the move! You are welcome!
@@andreacermanskipainting I've been in NM over 40 yr now. Second time in SF renting from Desi, Navajo/Laikota/15% Irish. Around the corner from The Pantry. It's an old neighborhood of people born here. I have a Secret Garden at the end of 4th. :)
@@redmoondesignbeth9119 I know exactly where it is! Good to see a local on my channel;)
Hey fellow Santa Fean, I wanted to invite you to my FREE online abstract 4-day painting challenge from September 3-6, 2024. Here's the link if you want to join:) santafepaintingworkshops.com/abstract-floral-challenge-yt
My dream place
After taking quite a few classes on color theory, my last teacher recommended this book “ Color Choices by Stephen Quiller “ it brought it all home for me, the big aha moment… we already know so much, it’s that trying it all together… Thank you for reinforcing the Creative Journey is just that… push pull.. resistance / joy…
I have that book! It was out of print for a while, so I'm glad you grabbed it. I visited his studio/gallery in Creede, CO last summer--I didn't even realize he lived there until I happened upon his space. Was great to see his work in person.
Thank you for sharing your expertise. I found the tips really interesting and helpful. Certainly intend to refer back to this to help develop my painting.
Glad it was helpful! You are welcome!
The palette knife and sponges are my favorite tools for acrylic. I also use sponges and paper towels when I am doing watercolor abstracts. I will pull out my color theory book and actually read it now. Thank you for a very informative video. I look forward to watching the training video.
All great tools. You are welcome!
thanks for the great video! one of my issue is composition and making paint marks that all don't look the same.
Then I would go with that and say to yourself, "every mark should be different." There's no need to make every mark the same; in fact, that could be boring at times! Contrast is a good thing!
Great presentation, thank you for sharing!
Glad you enjoyed it!
Good video.
It'll be news to many people that just because you paint in an abstract style that doesn't mean you get to ignore the things that make a realistic style painting good too. Balance, flow, focal points, color, composition and even perspective, are all things to keep in mind when you paint anything.
I normally paint in a realistic, representational, style. Yet, when I wanted to understand what abstract art is about, I tried it. It gave me respect for the style, and respect for the accomplishments of good abstract artists. I believe that my exploration of abstract painting really helped my realistic art as well.
I couldn't agree with that more!
There’s a way of working Intuitively where you don’t need any rules
My tools of choice to use for my abstract paintings are my hands and fingers, combs , cardboard, plastic bags ,a lot of kitchen utensils. Thank you for your time.
Love it! Combs are a good one ;)
Please don't use background music. I just can't listen to this overloud of sounds.
Thanks for the feedback. I will keep that in mind:)
I’m with you!
Agreed. Good tips, but I struggled to hear the talk.
@@Northumbergull ok thanks for the feedback.
Great help thanks for the video!
I am painting an abstract lion today for the first time.
All these tips are helping me
Thank you Andrea. Very pinpointed. Very precise. I use old bank cards, I love to spread paint with them. AS for lhe collage I love to press with my hands.
Very cool! What do you mean that you press collage with your hands?
Great tips, thank you! 💖
Thanks, and you're welcome!
You're an excellent teacher!
Thanks so much! Out of curiosity, what did you find most helpful?
Ive been fan of abstract art with a desire to make my own. Some art talent here. My grandmother was a savant with art first time she picked up a brush. My mom created beautiful paintings. I did some above average 11 y/o Bob Ross art as a kid *lol* and actually, realistic sculpture comes naturally. Some art classes. Always wanted to make big canvas abstracts but worry about spending lots of $$ only to make mud. I believe it'll come intuitively as other art has to me. But I am going to take your generous offering and watch your other tutorials. Happy I found your channel! Thank you!! Excited to learn some basics before I waste too much on trial and error $$ lessons! I have always believed abstract was not "easy" like people imagine and takes much knowledge to create that mystery. Already formulating visions!! ❤
I am so glad to hear this, and I am happy you are going to start creating your visions!
Long time quilter and local professional quilter. This is all new for me, so going from one medium to one of many has been eye opening. But overwhelming. I also did hair for 25 year. A special colorist when I retired to quilt. I get color, but I feel like I have so many choices and abstract art makez makes me feel emotional. I want to be more neutral but it’s not my natural or first love. New development.
I feel out of my depth. Deep breath and try again, tmrw. I’ve made hundreds of quilts. Quilted even more, hand and machine, but I’ve managed two paintings and three broken gelli plates.
Back to canvas and paper.
Does real life chaos make us like this?
Your art, most of it, moves me. Ty.
I refuse to be “artsy”. I want to understand how to convey all of this emotion. Uggghh.
Hi Patti! All that experience with hair and quilting will serve you so much in abstraction! Real life is chaotic, isn't it? Keep on keeping on, friend!
So feel that emotion, and let the feeling drive what colors you choose. Then, take a brush and paint the marks of that feeling. Then play and have fun and continue following your inner voice--it knows exactly what to do!
I love using wax paper, placing paint on paper, scribbling into paint with brush end or nail and placing it on your piece like a stamping effect. I got the idea from an abstract painter ‘the danish painter’ it’s become a favourite way to add texture and layers!
These are great techniques! Thanks for sharing!
I struggle the most with composition and not so much color, but value contrasts
What do you struggle with in value contrasts?
@@andreacermanskipainting , I find that I have a hard time pushing the dark and light contrast, everything seems to just wind up mid-tone. I also quilt and I'm able to do that with fabrics, but paint is a whole other thing. I just really struggle to not wind up with everything in the middle values.
Thinking about it a bit more, I think I struggle with placement, too. Not sure where to put the darks and lights.
For you next painting I want you to pick three colors. Mix the first with mostly white paint, the second you can use as is, and the third mix a bit of black. So you should have one very light tint, one medium tone, and one dark. Then paint with those colors making sure you don't blend them too much. Let me know if that helps .
Put the lights in your focal point areas, and the darks could be in your background.
Thank you Andrea! you are a great art teacher. My most challenging aspect of abstract painting is focal point.
Yes, that can be hard. Can you tell me more? Would love to help you!
Thank you, I tend to forget that there is supposed to be a focal point, sometimes I go into an overall pattern design. I think if I watch more of your videos I will get some new direction. I have an MFA in painting but none of my instructors were as clear as you in describing the approach to abstract painting. Also I did get to visit Santa Fe and I loved it ! felt sacred.
Wow, thanks for sharing that! It's on to have evenly spaced things in your painting so that they are all equally important. If that's your style go with it! I've seen many amazing paintings done that way. But if you want to break out, then maybe try rule of thirds and make the focal point big, bright, or contrasty compared to the rest.
I talk about focal point a whole lot in my FREE online abstract 4-day painting challenge that is happening next week, September 3-6, 2024. Here's the link if you want to join:) santafepaintingworkshops.com/abstract-floral-challenge-yt
I'm self-taught, and I was having trouble with the concept of focal point at one point. I understood rule of thirds, but I still didn't understand HOW to make something the focal point other than placement. So I started looking at paintings with that exclusively in mind. When I saw a painting, I reminded myself just to mentally note what first caught my attention in it--and then look at the painting as a whole. That was my way of studying just that one element. It was quite helpful. But Ms. Cermanski is the first person I've ever heard spell out three specific methods to create a strong focal point. Truly a great teacher!❤
Hi Andrea, thank you for this valuable information. I struggle with composition, but I keep trying.
You are welcome! Keep studying composition from artists you love, and try to incorporate those principles into your work. Just keep on keepin' on!
Hey Isabelle, Since you like my instruction, I wanted to invite you to my FREE online abstract 4-day painting challenge from September 3-6, 2024. Here's the link if you want to join:) santafepaintingworkshops.com/abstract-floral-challenge-yt
Well done video! Good speed and valuable info. You had me for the entire 11+ minutes 😅 l also enjoyed the subtle background music.
Thanks! So glad to hear that!
Some very good pointers Andrea
Thanks! So glad they helped!
You have a great channel! Just found you with this in my feed. I love your art, so rich and beautiful.. was just looking over some of your videos on your page. You’re going to be very informational for me i can tell. Thank you for being here!!
Thank YOU for your comment and sharing that with me. I am very happy you are on my channel. I love teaching, so much more to come!
Since you love the channel, you might want to consider my FREE online abstract 4-day painting challenge from September 3-6, 2024. Here's the link if you want to join:) santafepaintingworkshops.com/abstract-floral-challenge-yt
I'm glad you said abstract painting is hard. I approach fine art painting of either realist work, impressionist or abstract painting from a designer's perspective. I was a professional graphic designer/illustrator for major companies in my design career of over forty years and I see everything in terms of effective composition and finished product. I was responsible for gaining multi-million-dollar contracts for companies I worked either fulltime or as a freelancer within design companies. I had to deliver at a high level. I also believe through much of my work in architectural and interior design renderings that I learned color well because I had to constantly match color selections and render surfaces in light and shadow. I'm sixty-three years old now and the one thing I know for sure is we are never done learning. It's a constant journey. I had success as a realist painter and was published in many books, magazines and so on in being there and done that. In recent years I started into abstract painting because I love the adventure and unpredictability of it which was somewhat by accident because of my varied interests in design. I'm a collector of vintage midcentury modern furnishings and grew up in household where my father was a design director for four major companies in his career. I was surrounded by that period my entire life and it just became part of me and a vocabulary. I started doing abstract paintings that were about color, composition and texture. I have found success in that as a painter. It feels good doing it and primarily at its core is design. I see equal value in all of it when it comes to how one approaches painting.
What a great background to have for abstract painting! I think having a strong knowledge of these fundamentals is so important, and I bet your knowledge of architectural design adds a unique edge to your work. I agree that painting is a constant journey!
@@StephenHeigh this! Yes!
:)
How would you apply these techniques and explain the mindset of pieces like Yves Klein, blue?
Great question. What I teach in this video doesn't apply to all of abstract art. Especially contemporary *conceptual* art, which is very much about the ideas, more than aesthetics in my opinion.
I love abstracting realistic forms, such as trees. I'm exploring all you are talking about here and it really makes it a journey, not just a destination. I think my biggest struggle is making up my mind when it comes to a composition. That takes time, practice, and study. Thank you for this 💖
Yes it does! And sometimes I like to figure out the focal point as it emerges. In other words, I don't plan it from the beginning, but I see where the painting is going. Have fun on the journey!
Hey @NarcArtTherapy, I wanted to invite you to my FREE online abstract 4-day painting challenge from September 3-6, 2024. Here's the link if you want to join:) santafepaintingworkshops.com/abstract-floral-challenge-yt
Value is right up there. As important as color or more so.
YES! So many people just use mid-tones. Good add!
I studied color theory years ago, but still use it every time I create.
I do get into a meditative state and listen to music I love when I create.
I use dozens of colors in my paintings. I paint with a shish kebab skewer and a chopstick. I paint primarily abstract expressions on magnetic vinyl.
In 28 years of painting I’ve sold thousands of pieces.
I still haven’t found other artists using my media in a similar fashion.
@@MagneticOriginals That's awesome! Would love to see your work!
Abstract work is a good way of relaxing and having a good laugh. The big mistake is thinking of selling. Forget it, just have fun. Make cheerful paper cards to send friends and cheer them up. We should all dance, sing and make marks, like our ancestors did.
Love this! Painting is so relaxing and gets us off of our devices. I totally celebrate this attitude!
Andrea, how wonderful to find you here. I rarely use a brush when I paint. Pallete knives, brayers, squeegees, plastic bags, crushed up paper, packing materials are my mainstay. I look forward to more of your videos. I can always learn more about composition. from Malika
@@malikahealey8828 and so good to see you on here too! I believe you were one of my very first students back in the day when I started the adult painting classes. Are you still doing mostly abstraction?
@@andreacermanskipainting Only abstraction - went down the oil painting cold wax path for many years. Due to health concerns I am back to oil pastels but getting ready to try another wet medium with non toxic inks. Creativity never stops!
I hear you! I had to stop oil painting many years ago!
How does a limited color palette remain limited when mixing the chosen colors creates other colors?
Because those colors will be harmonious because they are made with the original colors in the limited palette.:)
I only just found you, this really makes sense. Would love to watch the longer video but the link isn't working
Here you go: santafepaintingworkshops.com/yt-blank-canvas-to-bold-abstracts-registration
Balance. I feel like I sometimes I can go too far or not far enough with obtaining balance. Balance has some craft or technical fundamentals, but even if you understand those, there IS something intuitive to it that can be challenging to capture. I sometimes get this sense like I’m trying to catch smoke with my bare hands. I’d love to hear your thoughts on that.
Thanks!
You're welcome!
Very inspiring-very helpful! - very glad having found you! Will certainly make your course you mentioned!
A propos other tools than brush: i use sponge, towel, spatula in every size, also kitchen tools.... 😊 sometimes news paper (stamp or/and remove color)....
Awesome, thank you!
Great tips! Composition has been my biggest challenge, as I studied color theory while becoming a hairstylist years ago. Looking forward to learning more from you. Thanks so much!
@@k8marlowe you are very welcome! I have a blog post called "composition is king.@ that might be helpful. Want me to link it here for you?
Hey @k8marlowe, I wanted to invite you to my FREE online abstract 4-day painting challenge from September 3-6, 2024. Here's the link if you want to join:) santafepaintingworkshops.com/abstract-floral-challenge-yt
@@andreacermanskipainting Great! Thanks so much!
Sure thing!
Thank you for this clear and insightful video!
You are very welcome!
Thank you for this video. Hit on key struggles that i have had ❤❤❤
You're welcome, hope it helps!
Since you liked this video, I wanted to invite you to my FREE online abstract 4-day painting challenge from September 3-6, 2024. Here's the link if you want to join:) santafepaintingworkshops.com/abstract-floral-challenge-yt
I like to do a abstract painting , its nice to see it. Thank you.🎉🎉
My pleasure 😊
So helpful! Thank you I’ve subscribed 😊
I'm so glad to hear that!
Thank you very much for the generous tips
My pleasure!
I use a platlet knife , make-up wedge, paint stirrer, and fabric. It's a great video!
Love that you're using fabric - so creative!
Just started, mud is my colour (🤣), i am an old man trying to have fun and learn. Some tools I use are a bottle wash brush, skewer stick, cotton buds. My biggest issue with abstract work is clarity of idea and how to express it. I understand it comes with practice and visualising! Thought/idea from mind to surface as intended is a goal. A work/s in progress.
@@boyfmbalcatta A skewer stick is a great idea!
LOL!😂 "Mud" can be beautiful, too! If it is intentional. Just the right shade of "mud"... There's textural mud, a wash of mud, a bit of mud marks, impasto mud...I am channeling my inner "Forrest Gump" (only not shrimp, but mud).
@@GeometryMatters Totally! I love the neutrals and semi-neutrals!
Keep painting, old man boy!!!!!
Mud
by Polly Chase Boyden
Mud is very nice to feel
All squishy-squash between the toes!
I'd rather wade in wiggly mud
Than smell a yellow rose.
Nobody else but the rosebush knows
How nice mud feels
Between the toes.
Love this poem!
What can you do with the canvases that you have messed up?
I paint over them! What do you do right now with them?
Right now, stacking in a corner. I thought I could paint over but wasn’t sure. Thanks!
Yes, you can totally paint over them. And you don't have to Jess with them. Just go over them with one color so you're not starting from ground zero. Are you using acrylic or oil?
Excellent advice.you really nailed it.
Thanks so much for saying that! I'm passionate about the topic:)
We also need to put in the time. You will learn by just doing, everyday. Also, push ourselves past our comfort zone on a regular basis. Try as many things as possible. Finally, sometimes you need to paint over things you like because it doesn’t work. Trust your instincts.
I 100% agree! I paint over things A LOT! It's almost part of my process now. Continuing to paint is important, and also trying to change up what you do as we sometimes get stuck in a rut:)
Based on your comment about following your instincts, I think you might enjoy my FREE online abstract 4-day painting challenge from September 3-6, 2024. Here's the link if you want to join:) santafepaintingworkshops.com/abstract-floral-challenge-yt
I do not paint abstractly, although from time to time, I try it when I'm just "noodling around". I recently did one that I think came out very well. As you spoke here, I was looking at my painting to see if I made any of the mistakes you mention. I would attach a picture of it, but not sure how to do that. Anyway, I just signed up for your one-hour training. Always good to learn.
Yes, noodling around is a great way to start! And then it gets harder as you keep working, right, because you have to make sure it "works". Glad you are jumping on the training! Thanks for being here and your participation!
Great help! My issue is that I want my abstract to mean something? to have a story to it? or does that really matter? What am I trying to say in my art? I get so frustrated with coming up with the ideas of what to create. Thoughts?
I LOVE this question! It matters if it matters to you. However, if having an idea keeps you back from creating, you might need to put it aside. For me, I love to just create and see what emerges. I am inspired by nature, and I believe those memories of being in nature drive my work. That process works for me, and when I try to make my work about ideas too much, it holds me back from experimenting and doing whatever my paint brush wants to do. So, long answer short, no your work does not need to be about something, but if you want it to be, keep those ideas loosely in your head, but allow yourself to experiment and play with paint so that you have freedom. How does that sound?
@@andreacermanskipainting thank you so much. That makes sense. I do find myself in my head and then trying to silence my inner voice. I just need to let go and create!
Thank you very much. Video is super!
Glad you liked it!
I often use the mesh bags my onions come in for gel printing, but I like to snip the ends off, like tiny brushes, to make marks with.
That is so clever!
I can't get anything right. I start with an image in my head. And as soon as I start with my color. It changes in my head. I don't know what are why this happens
Maybe try NOT to have an image in your head. Instead, just pretend you're a toddler and play. Move paint around and see what happens. And then look for some structure in the randomness. Another idea would be to use a reference image that you will abstract by either changing colors, forms, etc. Hope this helps!
@@andreacermanskipainting thank you. I haven't thought about that.
@@katieechols4491 Yes, there are many ways to start an abstract painting. Give it a try!
Hey Katie, Since you like my instruction, I wanted to invite you to my FREE online abstract 4-day painting challenge from September 3-6, 2024. Here's the link if you want to join:) santafepaintingworkshops.com/abstract-floral-challenge-yt
I know the popular view of Picasso is that he was an innate genius but his father was a painter and renowned art teacher who taught his son how to paint from his earliest years. His father was also a curator at the local museum where Pablo would have seen many of the ethnographic objects he turned into Cubism. That said, I don't know where he got his misogyny from.
This is all very true for Picasso. There's a great book I read many years ago about him, Martha Graham, and others who showed themselves to be prodigies at a young age. Yes, the misogyny was a real issue!
@@andreacermanskipaintingdo you remember the name of that book?
Yes! Thanks for reminding me. It's "Creating Minds: An Anatomy of Creativity Seen Through the Lives of Freud, Einstein, Picasso, Stravinksy, Eliot, Graham, and Gandhi". It's old, from 1993, but amazing. It's on Amazon! a.co/d/a83o3XP
I’m definitely struggling with colours and for me I would say I have a hard time toning the colours down in the right amount. How much white/black should I use etc and still get that feeling that I want from the painting. Guess studying colour theory is the way to go 🙈
Yes, studying color theory is important, perhaps the most important foundation to tackle.
I feel like I've heard all this advise before and I "think" I've adhered to it but my paintings are still "not there yet". They're getting better though... albeit slowly... thank you! I will try the one hour video...
I'm so glad to hear that this was helpful!
@@elsagrace3893 Whatcha talkin' about, Willis? I think you got confused and posted this comment on the wrong video, because I didn't say anything of the sort. lol.
I totally agree with you abstract painting is hard but it is an amazing artistic language....second point i amso agree you NEED to know color theory
Totally! Abstraction is a universal language. Glad we're on the same page ;)
Great video, do you have classes for adults in your town? Composition is trippy, you answered my question.
Yes it is! And yes I do.
Thank you, Good Advice.
You're welcome!
Interesting video, touches on really relevant issues. I think I struggle most with creating space within my abstract works. I want to escape the 2dness of shapes but I really can't. Also - I have a feeling that watercolour, which I often use, isn't really a great medium for abstract painting, sort of lacks the substance, the body. Do you have an opinion on that?
Yes, I think you are totally correct. Acrylic is much more versatile and allows you to change sheen, texture, and the thickness of the paint with painting mediums. I would give it a try. Check out my freebie on using painting mediums if you decide to try acrylic: santafepaintingworkshops.com/5mediums
Excellent information
I’m glad it was helpful!
I have difficulty in knowing when to stop a painting. Is it intuitive?
Part intuitive and part knowing when you have achieved a balance of sorts. With abstraction, it's harder to know. One thing you can do is flip the painting in different directions and if the piece seems relatively balanced and works well in those directions, it's likely done. Over time you do develop knowing the "when it's done" muscle:)
Hey Elisabeth, Since you are struggling to know when your painting is finished, you might consider my FREE online abstract 4-day painting challenge from September 3-6, 2024. Here's the link if you want to join:) santafepaintingworkshops.com/abstract-floral-challenge-yt
Great into to abstract painting. I have done hundreds of acrylic abstracts. But I don't get the vibrance I see in other's works. I wondered if it was the color, ie making mud, that is colors across the color wheel. But I find even with straight tube color it is dull. Perhaps
What brand paints are you using?
I discuss color a lot in my upcoming FREE online abstract 4-day painting challenge from September 3-6, 2024. Here's the link if you want to join:) santafepaintingworkshops.com/abstract-floral-challenge-yt
Thank you Andrea!
You are welcome!
Interesting tips. I don't share my work except to my local art mentors that are old pros at this. I am developing a unique style(I have always been a bit off beat) and I don't want it to all of a sudden start showing up on a You Tube program or on online art for sale. 😂 I don't remember ever having a problem creating art out of my imagination. I think it is fun! But I do concentrate on a focal point and having balance in my art. Lead the eye to where you want it to go... 😉 Colors! I love them! Layers? Yes please! 😊 And when I am not sure if it is done? I ask our 23 year old Son with the critical eye and if he says STOP! I listen. Then I step away for a few days and see if I am happy with the piece. Been doing art since I was a child. Work and life got in the way of focus in my art so here over the last few years I started back up b a little. Abstracts I first started doing in the last few m I months. I find them easier then realism. 🤷♀️
Wonderful! It's nice you have someone who has a strong, critical eye. I think stopping way before you think it's done is also a good practice. And I like to hang it on the wall for a bit so I can see it in different light, etc. Have fun!
I want the layers, but I feel like I end up covering up more than I want, and rather than layering, it ends up more blended in a more homogenized way than desired…. Not sure if that’s a brush issue or paint consistency issue
Are the newer layers opaque (not see through)? I would recommend adding layers by doing washes, glazes or dry brush so that you keep a lot of what is underneath.
I have been teaching myself abstract art with pretty good results. But, my biggest block is I get to a certain point with many layers and then I get stuck and don’t know what to do next. I’m completely blocked! What is the next step rather then walking away for a period of time?
I think determining if you have a strong focal point OR if you have sufficient contrast. If you don't want to walk away, keep working until you do have a strong focal point or enough contrast.
Thank you.
You're welcome!
Such wonderful advises and the painting behind you so wrong 😝: having the biggest contrast et bottom right edge, having colors of equally rich chroma saturation everywhere, the choice of colors themselves….. But the one from the poster about the course is wonderful, including the brushstrokes and shades of grey as background to reacher spots.
You are only seeing a small section of both of those paintings. Glad you like the "advice."
@@andreacermanskipainting ALL of the advises I like! About the painting: if it’s a portion only then I can’t have a full impression… It’s colors reminded me of what I used to do. Then one day I examined lots of Monet paintings and discovered that they were all nuances of grey with only the key spot having saturated pure colors. In my “mind” they were all so wonderful color wise that I put mostly pure colors and thought I’m going in that direction (but was producing sweet syrup 😝)……. Good luck
I actually love the painting behind her! My number one rule is "if it works, then all other rules don't matter" No painitng is "wrong", it just doesn't work for you...
@@kaseyp2988 I agree:) Thanks.
To create any art takes courage and that includes non-abstract. To me, Kandinsky excluded of course, a lot of abstract work appears decorative and meaningless ( a mismash of shapes and colours). Also many people who take it up cannot draw or paint impactful images and start doing abstracts as an escape. You also said abstract art is harder which I don’t agree with. Let’s all just do what we want and enjoy the process💕
I : 1. Use too many colors, 2. Poor composition. I have a fairly good grasp on color theory, so i don't make mud. This video was VERY helpful.
Glad to hear this video was helpful!
I have beautiful visions of the piece i want to create but often i am unable to get that vision onto the canvas😢😢
You know, I prefer to play and see what emerges. Try to let go of a pre-determined result, and instead play with techniques.
You might want to try my FREE online challenge from September 3-6, 2024. Here's the link if you want to join:) santafepaintingworkshops.com/abstract-floral-challenge-yt
thank you for sharing 👏👏👏🙌
My pleasure 😊
5 problems: mindset, colour, focal point, tools, layering... this sounds very useful.
Perfect! Glad you think so ;)
Nice vid!
Thanks so much!
It's very difficult for me to start painting unless i am fully confident i can get through it. I keep looking at different tutorials before I begin.
Hmm...how about you just give it a go. You may just keep making excuses and never start. You might find this tutorial helpful:ua-cam.com/video/ge07K0oj6YM/v-deo.html&lc=UgyL1HuNpiXtAt57VYN4AaABAg
I have a hard time naming what my paintings are of--it's hard to explain--I just like to look at the design or whatever it is but I cannot give it a name, it's not like a realistic one where you know what it is, but I prefer abstract art. Does it have to have a meaning?
I think what you are probably doing is non- representational ;)
The color was too thin? Maybe not the best brand of color? Or maybe the gloss medium wasn't the best. But I do see some other artists have brilliance even better then oils. How do you do that?
If you want very brilliant colors, Golden is the best acrylic brand, but it's expensive. They also make a gloss medium. You are sure to get brilliance with Golden, but if it's too spendy, Liquitex Professional is very good too. Nova color has high pigment concentration and is much more affordable :)
Curious what medium you work in? Also would like to know how my email address will be used if i register for the 1 hour course.
I use mostly acrylic. The email subscribes you to my list so you can get the link about the class. You can unsubscribe at any time by scrolling to the bottom and pushing "unsubscribe".
Thanks very much for your response.
@@cindypenner4998 sure!
Ultimately, are oils just better? I feel like they really are… especially for building layers and luminosity.
I don't think so. You can easily make luminous layers with acrylics mixed with glazing medium. And they dry so much faster. But it's up to you and what you like;)
@@andreacermanskipainting thanks for the reply. It's good to hear you think acrylics can achieve luminosity. I prefer acrylics because they are so much easier to work with in my limited space.
I prefer acrylics, too. And you can absolutely achieve luminosity! Just go for about 30% pigment and 70% medium and that will make a nice glaze.
I am a representative painter/artist who struggles with letting go. My style is somewhat graphic and crisp and I would really like to be able to loosen up. I was a graphic designer for many years and have a lot of training and experience with colour theory and composition...but struggle with trying not to make an abstract painting "look like something" and I also struggle with keeping things loose and free. My tendency is to constantly try to smooth things over (a metaphor for my life???). I branched out with watercolours this winter, hoping to get looser, but still battled my desire for control...and tended to overwork the image and loose that spontaneity.
Yes that's a common issue for representational painters. I have a free e-book that gives five exercises to move from representational to abstract painting. Do You want me to give you a link to it?
If you want to loosen up, you might want to consider joining my online abstract 4-day painting challenge from September 3-6, 2024. Here's the link if you want to join:) santafepaintingworkshops.com/abstract-floral-challenge-yt
I always tell folks when I’m stuck that, “we’re still negotiating”. Talking it out. Once I laugh, I can usually move forward in a short time.
That is a FANTASTIC way to say it.!
I did my first abstract after watching your video today. I spent 2 and 1/2 hours on it.
But I can’t show it to you on here…there is no way to send it
How exciting! How about posting it to Facebook or Insta and I can take a look? Also, get on my email list so you can find out about free classes coming up!
With layers less is more more or less. It's mainly knowing when to say when time and time again.
Yes! That's the art of it for sure...sometimes you want a lot of layers, and sometimes layers appear too busy.
I always got the highest of scores in our class. But when I started my abstract journey it was the hardest thing I've ever done in my entire life. To find my own voice style and technique was very difficult.
Thanks for sharing. I totally understand that. When I go back to doing landscapes, I remember how much easier it is for me to have everything laid out already. For me it's nice to go back-and-forth between abstraction and representational . How about you? Are you doing all abstraction now?
I have started geometric hard edged compositions and I have enjoyed it very much. It was different for me
Theme, I hear paint from feeling. Can't come up with either
Interesting. What do you think is keeping you come up with them?
In santa fe painting, how to pop color I thought you lost some specific shapes that awsome. Overall, the painting is beautiful
It's not done yet, so we'll see where it goes. Thanks!
But I don't understand something. Some people love that busy, chaotic kind of abstract. Which is what I love and it seems to be my style. I started about a year ago. I've been trying to understand color, value, composition, design, shapes, etc. I always tend to go with the same colors and im trying to make new marks. I haven't tried big marks and having a hard time blending. But I realized that I haven't played enough in my sketchbooks. My question is though, what about busy style?
A busy style is great. Basquiat, DeKooning, and Pollock all had a "busy" style. Some people prefer busy, and others prefer more space in their work. It's a matter of preference!
Ok. Thank you. I, myself love busy. But I'm trying so hard with the blending, quiet kind of style.
@@dianecharest8365 Start with what you love to do. It will make painting more enjoyable. Later you can challenge yourself with the "quiet" style, but for now, there is some business in there that you need to get out!
@@andreacermanskipaintingthank you
Sure thing!
Do you have an email or probably an Instagram soni can send you one of my painting so you can tell me if it is a strong abstract.
Yes, @santafepaintingworkshops
gianttttttttt window squeegee, cheap paint brushes i cut to an inch long bristles so it's great for dry brushing, card board pieces used like a wedge
Card board pieces as a wedge is a great idea! I love the squeegees too!
another tool to make marks: a ravioli wheel, or patternmakers wheel. and for scratching use dental tools. squeegees or a trowel
Yes! One of my students did a pizza cutter, but love the ravioli wheel! Great ideas :)
I find abstract painting gives me the most freedom 😊 I dont feel like it has to look a certain way because it's not about that. Thank you for your advice
I totally agree! It's up to the person. Some people do it for freedom and to enjoy themselves- it's great for that!
You just told everyone to add a 😅. lot of layers and I just smiled since I have done and sold art of many mediums which I know is KNOW WHEN to S T O P.
Totally! It's so easy to overwork it!
Paint, paint, paint. experiment, make mistakes, paint paint paint. Don't save your mistakes and gesso over it and paint again and again and again. Learn the forte, pianissimo of painting. Put your whole body into. Paint,Paint,Paint. And experiment!
Yes, yes and YES! I NEVER gesso over my pieces. Instead, I will go over it with one color with a dry brush technique so that I keep what's below.
One of the biggest mistakes one can make is not first learning to paint in one or more of the many traditional painting styles to develop your own skills as an artist. Once you have achieved some level of confidence, and have gained a thorough understanding of color theory, form and composition, you could begin to experiment with abstraction and non-representational art forms.
I agree! It's so important to learn the foundations.
Art is easy
Good art is hard
100!
Sometimes I paint a abstract usually focus on semi realist elements .
That's a great idea. It's wonderful to abstract thins we can relate to.
Great video but please don’t have music. Thanks. ❤❤❤
Noted!
I found your video informative…thank you for your insights. Just letting you know that the music did not add anything and just competed with your voice. I think an information video works best without it…but just my humble opinion. 😊
Thanks, I have heard that. I can't edit it after it's been published :(