Concert au Lotos Jazz Festival À Bielska Zadymka Jazzowa en Le 20.02.2014 Pat Martino - Guitare Pat Bianchi - Orgue Hammond B3 Carmen Intorre - Batterie
@DrRachelRApe His playing says something to me, it doesn't sound mechanical. Often times there are superbly talented players who can play amazingly complex ideas, at frightening speeds but it doesn't connect with you. This does. Hope I make sense.
I love Pat's playing in this it's superb, but I feel when I listen to Wes do the song there is a little more instrumental interplay. Not to say this version doesn't have that. Wes, soloed a lot less, and let all the music breath around him. That's what truly made him amazing in my eyes.
This reminds me of NYC 1968 fried Chicken and Waffles on Sunday night @ a restaurant listening to Jimmy Smith on Organ. At least I think it was Jimmy? But it was unforgettable. I was with my Dad and Brother at Xmas time taking gifts to relatives. Cigarettes were 37 cents back home in the South, but in NYC a pack was $1.45 and I thought that was outrageous.
Bravi! This is a nice performance by Pat and his secret euro-agents. Proving that Italians really do get jazz this rhythm section is bouncing nicely on this super Wes tune which is all about the implied cross-rhythm (3/4-6/8, 2/4) though Jimmy Cobb was on the live Wes version I think with Wynton Kelly on piano (heavy cats to dep for). Pat's tone is excellent here, and his major dominant lick is brave at 3.28 but works except for the out. so easy to drop the time. The Hammond to me sounds a bit under-fed, and isn't glowing incandescent with overcooking AT-7s, like eg Joey's at a similar Pat gig at Umbria, but he's nailing the Mel Rhyne nasal twang. The 4.52 augmented lick is savage but by 5.48 its meandering, toward a nice final head where they get the feel rite. Thanks for posting.
+Deely Stan As someone who loves death metal, fusion, world music, all types of jazz, etc... I don't understand why people have such contentious attitudes toward other forms of music. Why think of them as "the enemy"? I support anyone who has invested hours of their lives learning and honing a craft. The surprising thing you may find is how many of these metal guitarists love jazz. Especially with today's crop of young talent, the more progressive and technical metal players are well versed in many jazz techniques. And I can't Imagine someone like Pat Martino, who views music holistically, would have such a contentious view of other musicians based on their specific genre. Music is ONE thing. It's only our egos that cause us to fashion it into weaponry. Cheers, my friend.
Man these comments.Everyone has a different version of the song.It should be played however every artist wants and fits his style.It would be absolutely boring if he played it exactly like Wes.It also gives everyone something new to hear or add to his/her playing and improve their version of the song.Stop with this minimalistic way of thinking expect if you are kids,cause if you are you must grow up learn to play even a third as good as this man,gather experience as a musician and listen to many jazz players and then talk about Pat Martino and compare his style to others which is not a competition by the way.And all this is just for the song im not even debating about the improv.
I've been listening to "Full House" played by Wes for decades, and cannot help but regard it as the yardstick. Well, Pat's play here sounds a bit shallow without as much groove or drive. It's as if a straight A student tries to emulate his master but cannot quite make it.
A} The original Full House had one of the greatest rhythm sections ever in Wynton Kelly, Paul Chambers and Jimmy Cobb B} this club date is clearly not Pat in his prime C} Wes may be the greatest jazz guitarist of all time
slow it down then and hear the groove.its not straight and you can clearly hear it.its difficult to hear it because he is playing at a very fast pace but is you listen carefully its there or you maybe feeling it unconsiously and you dont know it.
It's been a long time, his first album El Hombre is perfect, I think at that time the feel of Pat Martino, when he was 22, was so natural honest and much closer to the Wes influence. He sounds plasticky to me now too, but because of the overly muffled guitar tone and the organist who I don't quite dig. It's not elevator music to me but it sounds more artificial somehow.
Pretty good, but nowhere near the original w. Johnny Griffin, Wynton Kelly, PC and JimmyCobb, IMO. Martino also does the bridge twice for some reason, probably to put his stamp on the tune, but it does not improve it.
Pat idiolized Wes and never the other way around and Wes later heard Pat, Im sure. Those cats lived the music and didn't depend on transcribe 7 like the clones of today do!
People use software to transcribe? Wow that's sad. Of course Wes's version is better, there's no opinion, he is god, and it's his composition. I love how Johnny Griffin and Wes don't perfectly coincide in the melody sometimes.
Blue StarFractal playing another musician's work is usually nothing more than paying respect to the composer. also i'd kill to be able to play as «embarassingly» as martino tbh
Wow it's far to easy tear down,every expression of one's gifting should be met with appreciation, even a child's first notes on any instrument it's not about perfection but affection!!! a LOVE for music and a desire to share what YOU HAVE!!!! MUSIC IS NOT ABOUT COMPETITION!!!!!
Wes Montgomery would be proud...
I just learned of Pat OMG I will be a fan forever Rip 🙏🙏
Pat was a genius... We miss him....
From 3:00 the lick is like that SUNNY!
R.I.P. maestro.😥
excellent guitarist Pat Martino 👌🤝
Pat Martino number one
Pat Martino quel incroyable guitariste !
RIP, Pat...
Yo ví a este trío en directo en Madrid y fue brutal. Repetí concierto al día siguiente, algo que no había hecho nunca.
Pat is a special man! Always feel something when he plays, there's an honesty in his playing
Not in this case Dexter Shumba! Why copy without an acknowledment?
@@bluestarfractal5434 What do you mean?
"there's an honesty in his playing" What? lmao.
@DrRachelRApe His playing says something to me, it doesn't sound mechanical. Often times there are superbly talented players who can play amazingly complex ideas, at frightening speeds but it doesn't connect with you. This does. Hope I make sense.
@@bluestarfractal5434 please enlighten me
As we enjoy this great video, we should say a prayer for Pat,who has had some serious health issues over the last couple of years
The living legend who's set the bar for the jazz guitar,and has guided many young guitarists along the way.
Thanks Pat. You are simply awesome. Best playing on Earth.
wonderful ;I can hear so many really cool melodies in his playing- and his band too.
I regained faith in today's music, this deserves so many more listens...
Great sound!!!!!
I love Pat's playing in this it's superb, but I feel when I listen to Wes do the song there is a little more instrumental interplay. Not to say this version doesn't have that. Wes, soloed a lot less, and let all the music breath around him. That's what truly made him amazing in my eyes.
I agree a little bit ........ But two masters !
This reminds me of NYC 1968 fried Chicken and Waffles on Sunday night @ a restaurant listening to Jimmy Smith on Organ. At least I think it was Jimmy? But it was unforgettable. I was with my Dad and Brother at Xmas time taking gifts to relatives. Cigarettes were 37 cents back home in the South, but in NYC a pack was $1.45 and I thought that was outrageous.
Pat Martino The Boss
Bravi! This is a nice performance by Pat and his secret euro-agents. Proving that Italians really do get jazz this rhythm section is bouncing nicely on this super Wes tune which is all about the implied cross-rhythm (3/4-6/8, 2/4) though Jimmy Cobb was on the live Wes version I think with Wynton Kelly on piano (heavy cats to dep for). Pat's tone is excellent here, and his major dominant lick is brave at 3.28 but works except for the out. so easy to drop the time. The Hammond to me sounds a bit under-fed, and isn't glowing incandescent with overcooking AT-7s, like eg Joey's at a similar Pat gig at Umbria, but he's nailing the Mel Rhyne nasal twang. The 4.52 augmented lick is savage but by 5.48 its meandering, toward a nice final head where they get the feel rite. Thanks for posting.
You sound like a rocket jazz scientist. In-depth take.
@@GARRY3754 compliments on such magnanimity, fellow afficionado. I was practising my listening and criticism chops, lol...
Love it. The organ player is happening!
so much soul!! amazing playing from all three, such a treat to listen to!
Life just isn’t fair. RIP maestro.
Three monsters.
5:30 You know you're saying something when Pat looks over and smiles.
Favorite Guitarist...
相変わらずカッコイイ！
He is a legend!
Always amazing.
Very good so far !
Pat Bianchi!!!
Pat is awesome!
Rest in Peace, Pat
Good job!Wes was,is and forever will be The Light...we only try to follow,sometimes in a good way
Great trio.
Pat is a hella of a music genius .
Awesomeness!! So cool ..
me encanta como toca êste tipo es muy expresivo
This is so good
30代，40代の音ですね。本当に驚異的です！
Un temon.
Magical!
That sweater he's wearing is sharp, too...
RIP. :(
Pat sei grandi ciao ....
Rip Pat.
...Respetos al Señor...
RIP.
I like the way Pat rests his thumb on top the neck... large hands!
Wow!
Power!
美しい・・・
6/8 minor jazz is the best.
❤
SMOKIN!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
two of my influences. i personally love jazz organ trios. his cover is truly hot stuff!
Heard Pat is Ill....get well soon Pat !!
good for nervous!
Doubled bridge and modified A changes (vis-a-vis '62 Wes changes) leave me feeling a little empty. Still, these guys are great.
this is jazz
3:01 Ah fuck... here we go again...
hahaaa
Estasi !
3:53
omg that audience...
audience bored by silly attempt at mimicking by Martino!
It's been a long day.
☺️🌱💛🍎
Who’s on base? Or is the organist just left handing it??!
Bass player seems to be attached to the organist.
Looks like heavy gauge strings and high action neck..??
that's my kind of playing. been watching modern digital, bedroom metal guitarists all morning on a "know your enemy" basis. this is the perfect detox.
+Deely Stan As someone who loves death metal, fusion, world music, all types of jazz, etc... I don't understand why people have such contentious attitudes toward other forms of music. Why think of them as "the enemy"? I support anyone who has invested hours of their lives learning and honing a craft. The surprising thing you may find is how many of these metal guitarists love jazz. Especially with today's crop of young talent, the more progressive and technical metal players are well versed in many jazz techniques. And I can't Imagine someone like Pat Martino, who views music holistically, would have such a contentious view of other musicians based on their specific genre. Music is ONE thing. It's only our egos that cause us to fashion it into weaponry. Cheers, my friend.
+Stephen Baker good for you
:*
Man thats funny..same here but some of those shredders have the talent but choose to play ego instead of music.
Shreding and that kind of thing is garbage. It's not for the music. It's not melodic. Jazz is melodic. When metal gets melodic it's usually corny.
Man these comments.Everyone has a different version of the song.It should be played however every artist wants and fits his style.It would be absolutely boring if he played it exactly like Wes.It also gives everyone something new to hear or add to his/her playing and improve their version of the song.Stop with this minimalistic way of thinking expect if you are kids,cause if you are you must grow up learn to play even a third as good as this man,gather experience as a musician and listen to many jazz players and then talk about Pat Martino and compare his style to others which is not a competition by the way.And all this is just for the song im not even debating about the improv.
Where's the grease?
Which one is Uncle Jessy?
How do we get the sheet music for what he's playing?
You can probably find someone online who has transcribed Pat's solo. The music for the song they played called "Full House" is easy to find online.
パットマルティーノ、ギタリスト目線なら好きだが他楽器のジャズメンはどう見るんだろう。
いや、私は好きなんだよ。
28 dislikes?? Really? What’s wrong with some people?
Some people got no taste n no soul
His energy reminds me Steve Vai... somehow.
vmro
Look at the army of the dead in the audience
yeah - but their toes are tappin' like crazy! :-)
wheres the F - ing bass mate !! ??
Have a guess ! hint: not too far from the organ player...
Girls looking bored......
I've been listening to "Full House" played by Wes for decades, and cannot help but regard it as the yardstick. Well, Pat's play here sounds a bit shallow without as much groove or drive. It's as if a straight A student tries to emulate his master but cannot quite make it.
Wes is the King man but damn I wish I "emulated" a tenth as well as Pat Martino. I love his tone. Full muted flat wound smoky goodness!
A} The original Full House had one of the greatest rhythm sections ever in Wynton Kelly, Paul Chambers and Jimmy Cobb B} this club date is clearly not Pat in his prime C} Wes may be the greatest jazz guitarist of all time
slow it down then and hear the groove.its not straight and you can clearly hear it.its difficult to hear it because he is playing at a very fast pace but is you listen carefully its there or you maybe feeling it unconsiously and you dont know it.
you listen to this after wes montgomery and it's elevator music
It's been a long time, his first album El Hombre is perfect, I think at that time the feel of Pat Martino, when he was 22, was so natural honest and much closer to the Wes influence.
He sounds plasticky to me now too, but because of the overly muffled guitar tone and the organist who I don't quite dig. It's not elevator music to me but it sounds more artificial somehow.
Let’s here you cats play when you are into your seventies. Save your energy for the greater good, whatever it may be. Peace
garry weinberg can you hum me back one single line from
His entire solo?
electric tweed i would sure hope so. Peace.
Pretty good, but nowhere near the original w. Johnny Griffin, Wynton Kelly, PC and JimmyCobb, IMO.
Martino also does the bridge twice for some reason, probably to put his stamp on the tune, but it does not improve it.
Pat idiolized Wes and never the other way around and Wes later heard Pat, Im sure. Those cats lived the music and didn't depend on transcribe 7 like the clones of today do!
People use software to transcribe? Wow that's sad.
Of course Wes's version is better, there's no opinion, he is god, and it's his composition. I love how Johnny Griffin and Wes don't perfectly coincide in the melody sometimes.
Organist is BAD!!!
ベースがオルガンなので興覚め。全然歯切れの良いビート感が無い。
What was the point to your performace Martino? A shallow embarassemt of a attemented copy?
Blue StarFractal playing another musician's work is usually nothing more than paying respect to the composer. also i'd kill to be able to play as «embarassingly» as martino tbh
Interestingly enough, I can't find any videos of your playing. How about posting a few?
Wow it's far to easy tear down,every expression of one's gifting should be met with appreciation, even a child's first notes on any instrument it's not about perfection but affection!!! a LOVE for music and a desire to share what YOU HAVE!!!! MUSIC IS NOT ABOUT COMPETITION!!!!!
You're just being silly!
I'm sure the sole purpose of this performance was simply to irritate YOU Mr Non Player.
I'm wondering why the audience didn't clap after Pat's guitar solo but did clap after the organ solo? Rude or ignorant?