I saw "Dame Joan" perform live many time with my father. She was by far, his favourite diva! I have also met her in person, and believe me, her beautiful personality matched her gorgeous voice! I have always loved this song since I was a child because it reminds me of my Dad. Happy Fathers' Day to all the wonderful dads out there!
Exquisitely beautiful and charming. The discerning listener is elevated to another, kinder and genteel world. The way she floats the lines with subtle inflection, technical ease, rounded tone, and astonishing trill are virtually beyond compare. A truly great singer.
I heard this for the very first time on Classic FM last night just before I was going to the supermarket. I just sat in my car listening to this, utterly mesmerized. What a wonderful way to start any day listening to the legend that is Dame Joan!
This version of the song has not been surpassed it sends shivers down your spine! The study of the audiences faces is brilliant too, thank you so much.
Richard really did bring the best of Dame Joan out in her and his accompaniment here is so expressive yet never overwhelming, although Dame Joan had it in her to drown any piano or orchestra! I have listened to the two versions of her singing this beautiful song, this one and the orchestral version as well and just wept through them both! Thank you Dame Joan and may God bless you richly and rest in peace.
e bello sapere che sono esistite cantanti cosí! ringrazieró sempre questa signora per aver circondato il mondo di bellezza sonora! mancano oggi persone cosí e si fanno sempre più difficili da trovare!
@paminaase Thank you for your admirable reality check. Calls wears thin on me with the screeching, uneveness and hooting. Joan as pure singer is one of the immortals.
As Lord Harewood recalls, Callas once heard Sutherland rehearse this aria at Covent Garden for a gala concert in 1958. La Divina stopped to listen, raised one eyebrow, and said: "She has learnt very well to copy from me." Sutherland was delighted when Lord Harewood told her this.
Dame Joan is a wonderful Sheila (Aussie slang). I saw her on a PBS interview with either Dick Cavett or Charlie Rose and she was so down-to-earth and dismissed entirely the notion that she is a dominant soprano in the world. The work that requires is immense and it is great her husband is a great musician too.
When comparing this to the Norman, I can only say what I usually say about these comparisons: Joan's is ethereal. I love Norman's, don't get me wrong, as earthy and perfectly on the ground. But Joan takes it to another plane, far more airy and tender, as if floating on air. The trill at 3:12 takes me up for the ride. Incomparable!
I've listened to and vocalized with Joan since a teenager (now 67). The Bohemian Girl opera, sadly..is not found for sale anywhere. It appears not to even be on video, and this is very disappointing for those who have opera collections. Opera and other classical music has the ability to create healing endorphins in the body, unlike much of today's harsh, brash and/or boring composings. Thank God for Joan and others like her, because my long term clinical depression has left!
A perfect example of Rosa Ponselle's dictum that one should sing not on the principal but the interest of one's voice. Sutherland was in her practically unreachable own class.
I am ashamed to admit that it took me 20 years of listening to opera to appreciate Dame Joan. I love her performance of this piece. There is, though, a very different recording of it by another protege of Bonynge's, Sumi Jo, that is completely different and equally lovely.
To Charles Henry, it is a pity you went asleep because you missed a most beautiful rendition of this wonderful song from one the worlds greatest singers of all time.
I like the story told about a woman who had flown 4,000 miles from San Francisco to London just to see Joan in Lucia. After she had told this to Joan after the performance, Joan turned to Richard and said ' more money than sense, some people' She could never see what the fuss was about, so modest.
I dreamt that suitors sought my hand, That knights upon bended knee And with vows no maidens heart could withstand, They pledged their faith to me. And I dreamt that one of that noble host Came forth my hand to claim. But I also dreamt which charmed me most That you loved me still the same That you loved me You loved me still the same, That you loved me You loved me still the same
Bahia82 There is no hype and your comment does you no credit, Joan's voice was huge yet with dazzling agility. This recording gives no idea of her physical vocal quality but does show the beautiful floating line. Try listening through better speakers, she's worth it.
I dreamt I dwelt in marble halls With vassals and serfs at my side, And of all who assembled within those walls That I was the hope and the pride. I had riches all too great to count And a high ancestral name. But I also dreamt which pleased me most That you loved me still the same, That you loved me You loved me still the same, That you loved me You loved me still the same.
Cet aria a été utilisé au cinéma dans "Dragonwyck" (Le château du dragon) de Mankiewicz (1947), dans une très belle scène avec Gene Tierney et Vincent Price. Extrait sur You tube à "Dragonwyck".
Are you crazy? Sutherland herself admired Callas a lot. When Callas became famous, she wasn't glamorous nor beautiful. So what made her such a great Opera diva? Of course, voice, technique and acting. It's undeaniable. Sutherland and Callas were the supreme coloratura sopranos of the 20th century.
what a wonderful interpretation, such a simple, soft and elegant way to sing. It's quite useless to compare sometimes. Singers touch us for different reasons and in different ways. Sutherland had an amazing technique, a poor actor's play but she could sing the emotion and that's all that matters really.
@paminaase How can you say that Callas has lessons to learn with Sutherland? I am a huge Sutherland fan, But there are some roles where Callas fits better, and other ones that seem to be made for Joan's voice. Callas had such a versatile voice that, from opera seria (and Wagner roles, etc) to the ones who made her famous (bel canto), etc, she could adapt perfectly to each kind of role. It wasn't only acting. Her vocal ornaments were amazingly criative, But in a different style than Sutherland.
fI just heard Joan Sutherland sing this very piece. I'd rather have Ms. NORMAN's rendition any second...any minute ...any time! It is certainly, with Ms. Norman's rendition, a more GLORIOUS one. Every note rests gentlly on my mind and heart! There is NO CROAKING which takes away from pure enunciation/diction as in the case of Ms. Sutrherland who is also one of my favorites.
This may not be much help, but the 1936 Laurel and Hardy movie of the same name should be available somewhere. And this aria was done very well by a woman named (I believe) Julie Bishop. Good Luck.
@paminaase Blasphemy!! How dare you say such a thing. Maria Callas had one of the most beautifully expressive voices in all of opera. It's hard to understand and may not be appreciated by all, but no way can you say she couldn't sing.
@Nicholas Ennos 'incorrect technique' probably not. Her bad choices/influences about preserving the voice or teeth/jaw issues probably yes. Sorry if I was abrupt. Very stressed with self-isolating.
The Norman version on UA-cam is also live and it's pure magnificence. The way she performs is it is without the ornamentation that Dame J adds here, so they're quite different.
I guess because there are differences in taste. To me this sounds exremely artificial. The 'folky' versions sound natural and fulll of emotion. It's just taste, though, nothing to get upset about.
I dreamt I dwelt in marble halls With vassals and serfs at my side, And of all who assembled within those walls That I was the hope and the pride. I had riches all too great to count, could boast Of a high ancestral name. But I also dreamt which pleased me most That you loved me still the same, That you loved me You loved me still the same, That you loved me You loved me still the same.
I saw "Dame Joan" perform live many time with my father. She was by far, his favourite diva! I have also met her in person, and believe me, her beautiful personality matched her gorgeous voice! I have always loved this song since I was a child because it reminds me of my Dad. Happy Fathers' Day to all the wonderful dads out there!
Exquisitely beautiful and charming. The discerning listener is elevated to another, kinder and genteel world. The way she floats the lines with subtle inflection, technical ease, rounded tone, and astonishing trill are virtually beyond compare. A truly great singer.
I heard this for the very first time on Classic FM last night just before I was going to the supermarket. I just sat in my car listening to this, utterly mesmerized. What a wonderful way to start any day listening to the legend that is Dame Joan!
This version of the song has not been surpassed it sends shivers down your spine! The study of the audiences faces is brilliant too, thank you so much.
My father adored the way Joan sang this. RIP Joan, we have lost yet another singing sensation.
Exquisitely beautiful. IMO the greatest voice of all time.
The final part, breaks my heart and brings me to tears
Wow, she's very good. And beautiful too!
Dame Joan Sutherland 1926-2010 RIP.
Yes, we loved you.
Such a beautiful song!
Too beautiful for words!
How is it possebly that this great performer with such an anormous voice kan make het voice soooo small. It's beautiful ! It's more: its heaven
ly !
it cuts right through my soul beautiful!
Richard really did bring the best of Dame Joan out in her and his accompaniment here is so expressive yet never overwhelming, although Dame Joan had it in her to drown any piano or orchestra! I have listened to the two versions of her singing this beautiful song, this one and the orchestral version as well and just wept through them both! Thank you Dame Joan and may God bless you richly and rest in peace.
e bello sapere che sono esistite cantanti cosí! ringrazieró sempre questa signora per aver circondato il mondo di bellezza sonora! mancano oggi persone cosí e si fanno sempre più difficili da trovare!
Refined, elegant, beautiful. Where is such singing now?
Magnificent, NO ONE ever sang Balfe like this, she has made this her own, I would love to hear the other arias from this delightful opera.
hace un montón de años que escucho a joan sutherland y cada vez me gusta más
Wonderful, thank you for sharing
@paminaase
Thank you for your admirable reality check. Calls wears thin on me
with the screeching, uneveness and hooting.
Joan as pure singer is one of the immortals.
I love this - Dame Joan is perfection ;)
Want to thank you for this recommendation. We bought it and loved it!
As Lord Harewood recalls, Callas once heard Sutherland rehearse this aria at Covent Garden for a gala concert in 1958. La Divina stopped to listen, raised one eyebrow, and said: "She has learnt very well to copy from me." Sutherland was delighted when Lord Harewood told her this.
Dame Joan is a wonderful Sheila (Aussie slang). I saw her on a PBS interview with either Dick Cavett or Charlie Rose and she was so down-to-earth and dismissed entirely the notion that she is a dominant soprano in the world. The work that requires is immense and it is great her husband is a great musician too.
When comparing this to the Norman, I can only say what I usually say about these comparisons: Joan's is ethereal. I love Norman's, don't get me wrong, as earthy and perfectly on the ground. But Joan takes it to another plane, far more airy and tender, as if floating on air. The trill at 3:12 takes me up for the ride. Incomparable!
la stupenda
absolutely brilliant!
I've listened to and vocalized with Joan since
a teenager (now 67). The Bohemian Girl opera, sadly..is not found for sale anywhere. It appears not to even be on video, and this is very disappointing for those who have opera collections. Opera and other classical music has the ability to create healing endorphins in the body, unlike much of today's harsh, brash and/or boring composings. Thank God for Joan and others
like her, because my long term clinical depression has left!
Also called I Dreamt I danced in Marble Halls
agreat to hear this chestnut from The Bohemian Girl. Wish it were produced more; lots of good music.
A perfect example of Rosa Ponselle's dictum that one should sing not on the principal but the interest of one's voice. Sutherland was in her practically unreachable own class.
Joan is the Queen of Sopranos
I am ashamed to admit that it took me 20 years of listening to opera to appreciate Dame Joan. I love her performance of this piece. There is, though, a very different recording of it by another protege of Bonynge's, Sumi Jo, that is completely different and equally lovely.
Enya's version is lovely - simple and affecting. But this is how you would hear it in the opera house and you can't get much better than Joan!
To Charles Henry, it is a pity you went asleep because you missed a most beautiful rendition of this wonderful song from one the worlds greatest singers of all time.
I like the story told about a woman who had flown 4,000 miles from San Francisco to London just to see Joan in Lucia. After she had told this to Joan after the performance, Joan turned to Richard and said ' more money than sense, some people' She could never see what the fuss was about, so modest.
“more money than sense, some people” can you explain this sentence? I am quite not understand it
I dreamt that suitors sought my hand, That knights upon bended knee And with vows no maidens heart could withstand, They pledged their faith to me. And I dreamt that one of that noble host Came forth my hand to claim. But I also dreamt which charmed me most That you loved me still the same That you loved me You loved me still the same, That you loved me You loved me still the same
Bahia82 There is no hype and your comment does you no credit, Joan's voice was huge yet with dazzling agility. This recording gives no idea of her physical vocal quality but does show the beautiful floating line. Try listening through better speakers, she's worth it.
💖🎼💖
I dreamt I dwelt in marble halls With vassals and serfs at my side, And of all who assembled within those walls That I was the hope and the pride. I had riches all too great to count And a high ancestral name. But I also dreamt which pleased me most That you loved me still the same, That you loved me You loved me still the same, That you loved me You loved me still the same.
LaBartoliLover Luciano Pavarotti credeasi mísera
Too many comments make comparisons as if there were a competition. Enjoy Sutherland, Sumi Jo and others. I would not miss any of them.
Cet aria a été utilisé au cinéma dans "Dragonwyck" (Le château du dragon) de Mankiewicz (1947), dans une très belle scène avec Gene Tierney et Vincent Price. Extrait sur You tube à "Dragonwyck".
@eyesk8er How wonderful to see an intelligent posting on this site :) I think what you have written is spot on.
oh, if only to have been there...
Are you crazy? Sutherland herself admired Callas a lot. When Callas became famous, she wasn't glamorous nor beautiful. So what made her such a great Opera diva? Of course, voice, technique and acting. It's undeaniable. Sutherland and Callas were the supreme coloratura sopranos of the 20th century.
what a wonderful interpretation, such a simple, soft and elegant way to sing.
It's quite useless to compare sometimes. Singers touch us for different reasons and in different ways.
Sutherland had an amazing technique, a poor actor's play but she could sing the emotion and that's all that matters really.
Now that is a marvellous version of the song. How could anyone listen to the appalling folky Enya-style versions?
Jessye Norman's version is indeed very beautiful
@paminaase How can you say that Callas has lessons to learn with Sutherland?
I am a huge Sutherland fan, But there are some roles where Callas fits better, and other ones that seem to be made for Joan's voice. Callas had such a versatile voice that, from opera seria (and Wagner roles, etc) to the ones who made her famous (bel canto), etc, she could adapt perfectly to each kind of role. It wasn't only acting. Her vocal ornaments were amazingly criative, But in a different style than Sutherland.
fI just heard Joan Sutherland sing this very piece. I'd rather have Ms. NORMAN's rendition any second...any minute ...any time! It is certainly, with Ms. Norman's rendition, a more GLORIOUS one. Every note rests gentlly on my mind and heart! There is NO CROAKING which takes away from pure enunciation/diction as in the case of Ms. Sutrherland who is also one of my favorites.
This was written by my great great grandfather Michael William Balfe, I guess I should do something with my life 😂
Wow! Is that true? More people should perform his work - an underrated composer.
@paminaase here, here
Goodlooking husband
Glad it put Miss Henry to sleep. That means no stupid comments that the rest of us have to listen to.
Shame , that nowhere can the delightful Arias of Balfe can be found, I know that there are some old Count MacCormick recordings
There's a huge different...
Callas can act but Sutherland can sing!!!!
I think that Callas should have learnt something from her!
This may not be much help, but the 1936 Laurel and Hardy movie of the same name should be available somewhere. And this aria was done very well by a woman named (I believe) Julie Bishop.
Good Luck.
fabulous singing suppose thsa's all her own hair?
dahling that isn't a wig~ ^_^
Listen to MARGARET SHERIDAN-whose diction is impeccable
@paminaase Blasphemy!! How dare you say such a thing. Maria Callas had one of the most beautifully expressive voices in all of opera. It's hard to understand and may not be appreciated by all, but no way can you say she couldn't sing.
Is that her real hair? O.o Sorry, even the absolutely perfect singing couldn't divert my attention from the thing on her head. :)
Get yer hand off that piano!!!!!!! Naughty opera singer.
What language is this in? I can never tell with Dame Joan. It did put me to sleep though. Got a good rest.
It's sad that somebody chooses to sleep instead of listening to beautiful music. Hope you enjoyed your nap.
I can understand ever word. I'd suggest you get your ears cleaned out.
@Nicholas Ennos you're such a scream!
@Nicholas Ennos 'incorrect technique' probably not. Her bad choices/influences about preserving the voice or teeth/jaw issues probably yes. Sorry if I was abrupt. Very stressed with self-isolating.
@Nicholas Ennos Going to do some research on this.
I prefer Jessye Norman's version
I'm sorry, Joan, I couldn't hear you over your massive headgear.
Sorry but I dont get all the hype, espeically after watching jessye norman version, this sounds like ameatur hour, lol
I LOVE Miss Sutherland, but for this eternally lovely song, give me JESSYE NORMAN'S rendition or Sumi JO's.
The Norman version on UA-cam is also live and it's pure magnificence. The way she performs is it is without the ornamentation that Dame J adds here, so they're quite different.
I guess because there are differences in taste. To me this sounds exremely artificial. The 'folky' versions sound natural and fulll of emotion. It's just taste, though, nothing to get upset about.
Sutherland is way barter ere than both if those. It is t supposed to sound folkish.
I thought Callas was beautiful. :)
Excellent, but go to Jesse Norman's rendition & compare.
Where the hell did she get that dreadful wig???
I dreamt I dwelt in marble halls
With vassals and serfs at my side,
And of all who assembled within those walls
That I was the hope and the pride.
I had riches all too great to count, could boast
Of a high ancestral name.
But I also dreamt which pleased me most
That you loved me still the same,
That you loved me
You loved me still the same,
That you loved me
You loved me still the same.
Thank you for posting these lyrics.