Understanding producer royalties (All music producers watch)
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- Опубліковано 5 жов 2024
- Postman breaks down producer royalties and how they can make you a fortune.
Download Catalog to Cash here:
www.liveoffbeat...
sell beats online, royalties, music producers, beatmakers, must watch this now.
Shout out to you man. I remember buying your Live Off Beats package close to maybe 10 years ago! Always been out here helping the producer community!
catalog 2 cash was a really good course. im not big on audio courses but postman always knows how 2 convey the right info in a real way
How do you know if an artist is performing your song on a tour, and how would you get paid for that? How is it tracked?
Another Postman era here coming! Yessir! LEGGO
Bro i been kikn with u since 2010 got dammit. bout to make my first Beneficial sale soon... u always come in on Point !!
Nice video
Can you breakdown a split sheet and percentages please?
Thanks a lot. This is helping a lot. I direct music videos. But my son does beats. He needs this
What’s his contact? I want to connect with him
@@RealUrbanKeyz itsbofornow @Instagram tell him pops sent you. Thanks fam
*Producer Royalties* or *Point's* on the Album needs to be clarified as it doesn't have anything to do with beats. In the Music Industry by professionals, Points are a percentage of record royalties that comes out of the Artist *Recording Agreement* from the exploitation of the *Masters* or *Records* that's negoicated between the *Artist* and the *Record Producer* for producing the *Master Recording* of the entire finished record NOT for the acutal beat that you composed for an Artist. Not all Record Producer's Co-Writes the music as you don't even have to make a beat have anything to do with Co-Writing any of the music and still be enittled to Producer Royalties as the director that oversees the creation and vision of the record like *Quincy Jones* or *P-Diddy.* Normally when a Record Producer that collaborates and works directly with the artist in the studio, they charge an upfront recoupable advance for the Master's of the finished record. Typically one half the money is paid from starting The recording and production and The other half upon completion of the Masters. Some times it's paid out of the approved Recording budget and some times not. The Producer would then neogicate his or her points let's say 3% of the *(Suggested Retail Listing Price).* How ever the SRLP model system is outdated and the industry has moved to the Artist *Net receipts* model. So instead of 3% of SRLP, it's 20% of Artist Net receipts. Normally the Producer would not receive any back end record royalties from the Artist until the Artist and Record Company has recouped all recording cost from the recording budget and all advances paid to the Producer have been recouped from record sales. If the Producer Co-wrote the music such as the beat, then they get thier back end Publishing royalties as the Co-Writer of the Composition. If you are just licensing beats, then it's simply a one time license fee plus back end publishing if Artist distributed the finished record. I'm a *Producer/Songwriter* that's pretty savvy on this as I hope this clears things up.
*PRODUCER=DIRECTOR*
*SONGWRITER=BEAT MAKER (COMPOSER OF MUSIC)/LYRICIST (WRITER OF LYRICS)*
So for me a beatmaker to obtain royalties from bmi does the artist have to include my name when they distribute the song
@@ZayBeatztm88 man I need to know this also.....we need all the info possible!!!
As a producer, I always negotiate not to wait til the artist has recouped. I get paid on record 1. That's their deal, not mine with the record company. It may or may not work. If they want it bad enough it shouldn't be a problem.
@@ZayBeatztm88 No, after you do your split sheet with the artist you personally go to your PRO based on that split sheet and fill out the percentages for writer's and publishing.
So let's say you sell a beat (lease rights) to an artist on *YOUR OWN WEBSITE* , and the song blows up, how exactly do you get your mechanical royalties aside from simply depending on the artist to hit you up? Is there an organisation that can do that? I've read so much and watched so many videos, but none of them address this whatsoever.
In your course do you discuss what you should include or mention in nonexclusive and exclusive leases, as well as different kind of leases?
Is it possible to just register the Instrumental on BMI/ASCAP? I mean as a producer you don’t have much power over the song as a end product after selling a beat online
@@thecrw how much the royalties should be for the producer ?
thats tight post that u mentioned catalog to cash where more of this info can be found i got the course and its a masterpiece im finna go back thru it i listen da knowledge errdaay ... yeah u def made me aware what i should be doing this really helped me out the techniques i applied
I am in talks with selling my beat to a Major artist. Once the beat is sold, how will I register the Beat with BMI if the song hasn't been made yet ??
Thanks for the great information.
666 likes, hell na had to break that.
Great content bro
Great video! Thanks for sharing your knowledge. I'm an aspiring producer. I'm finally ready to sell some beats and I'm planning on utilizing Beatstars platform to start. I have some questions. What happens if I sell the minimum license to a rapper on Beatstars and the song blows up. How can I ensure that I'll get compensated? I believe the minimum MP3 license is royalty free?
Also, Postman, could you listen to some of my beats and critique them?
Rob Fox
good stuff
Great informaion!
Thank you brethren... are you in LA by any chance? I would love to meet you for a personal session and just talk about my direction. I’ll compensate for your time.
@liveoffbeats how do I know how much royalties goes to a feature like a friend that likes my beat and wants to drop a verse on my song
How much does it cost to register a track on ascap?
Should producers get a percentage of streaming royalties? My producer thinks he should get a share of those as well.
Producers should get royalties for anything the track they produced is used for.
Ennui Weltschmerz- EnnuiWmusic but how much is fair?
That's where things get hazy. Producers can charge whatever royalties and fees they want and you can either accept or decline the terms but always have contracts that state the terms of the agreement. Even with friends. Also, be objective. If he makes HQ beats and has a good catalog and tons of placements then he is worth more than someone who is just learning how to be a producer or audio engineer.
Also, you can make offers until you both strike a deal. Just don't make insulting offers. This business is all about relationships.
I would just encourage you to study up on how other Producer at your Producers level are doing things and make negotiations that way.
Things can get complicated when you start talking writer shares, mechanical royalties, record royalties and all that so the best thing you can do is just obsessively research the subject so when it comes up your not lost in the conversation.
Hope that helps. Sorry I can't really provide a concrete answer. It's one of those things where there is a lot of gray area.
Ennui Weltschmerz- EnnuiWmusic thank you, that’s logical and useful info for me.
Wes up bra i been struggling on how to write up lease contracts. Do u have examples. Im using a lease contract from an example i got from a popular youtube producer. These lease contracts can get crazy.
Let’s say I release a beat on beatstars. What do I have to do before releasing it in order to get all my royalties and get paid.
I just sold 2 beats. Signed everything over for a single sum. I know this isn't how to do it, but I'm trying to make a name.
I hate the feeling of signing over my art entirely... what do I do???
No pain no gain. But try not to sign over your publishing rights. Ever. Learned this the hard way.
@@SdTwoTimez 11 months later and so did I. Doing much better. I'm going out of my way to help protect young artists from the machine.
Jaaa Beee I’m holding onto all my rights where possible and will be claiming whatever is due when the time comes, and splitting fairly with those who helped write/create. Come have a listen to some of my work on my channel, I hope you enjoy 🎧🔥
@@phobsdsr4326 gotta keep the lights on. I'll jam it in the morning. Thanks for sharing.
Jaaa Beee appreciated, drop some feedback if you dig anything, it will help spread to new audience and I can do with as much exposure as possible before launching debut single soon. Thanks again! 😎💥
Damn, some bitch just finessed me into signing away my royalties on a song!!
I got sold a beat to an artist. can i register the song too on ascap. even if i dont have ISRC of the song? how can i register to make sure i get mines??
How do I get Ascap if I'm under 18??
3:50
Im still a Little dog right now but BELIEVE when I grow my channel
and get to attracting a team Im DITCHIN' that Pyramid Format.
That PYRAMID FORMAT where the ARTIST is on top??? Fk all that LOL.
Like... for example, the engineer I work with..... WIZARD...
Lmaooo bro is a WIZARD in the booth.. Daunte Rogers. Mack P. WIZARD.
Engineers, Cameras, Producers, DJ.... They deserve a CUT in my opinion.
That Pyramid shit is OUT. Music is so amazing, we all love it.
And Performances??? Theres a DJ, theres a Camera guy... theres an Engineer.....
Im not hogging the Performance Royalties when THEY perform in their own way too..
im telling yall, theres a New era of Pay comin... PERIOD.
Im sick of all this Pyramid shit lolol
FIRST👏🏻👏👏🏻
I got a question bro, When a beatmaker sold a beat through beatstars or airbit under "lease/leasing" do he earns only the 20 or 25 dollars for licence? or do he takes a percentage of royalties for the beat turned into a song?
Best.
He gets a percentage, you only bought the lease... you do not own it
@@v9productions do the producer get a percentage of the streaming money like spotify and apple or just publishing and other movies
@@LESURELOVE yes. I’m a producer
@@SdTwoTimez how much the royalties should be for the producer ?
greedy
For getting paid? Lol
what’s greedy is a rapper taking 100% of the publishing and writing composition.