I have always felt that this piece illustrates every aspect of Tebaldi’s greatness better than any other aria in her repertoire. The high point for me comes at ‘voce piena d’armonia’ where she makes a dimineundo on the -nia- and then the portamento down to the sweeping forte lines to the end - ‘che grandezza’ . (And anyone who claims this B is under is deaf.)
È incredibile che la voce umana possa esprimere tanta bellezza. Quando questa registrazione fu immessa nel mercato tutta la critica di allora la definì la più bella mai ascoltata. La grande Tebaldi qui raggiunge una perfezione incredibile che la consacra sicuramente come una delle più grandi della storia della lirica.
The strong declamato, chest voice, firm, beautiful passaggio transition, squillo throughout the range all the way to the top and this heartbreaking phrasing. Only Tebaldi. We can hear why Toscanini was so impressed by her La mamma morta. It's unsurpassed. By the way, this recording is from the complete Andrea Chenier recording in 1957, not the 1950 recital.
most people agree that Callas 1954 la mamma morta studio recording is the best and most emotive recording of this aria, the millions of views speak for themselves. But yeah I can see why Tebaldians always prefer Tebaldi in every verismo roles over Callas
@@judygarland7186 yes, emotive is the right word for Callas' recording of La mamma morta. It was ideal for Philadelphia. Not sure why you keep chasing Tebaldi if you don't like her.
@@Orfeus80 I don't know why you don't like Callas' la mamma morta and where you hear the uneven and disconnected registers that you talked about in other comments. Callas in her vocal prime had great middle voice and well-connected, she always talked a lot about the importance of it in her masterclasses. I try to listen to more and more from Tebaldi to see what everyone finds in her, especially as they say she is better than Callas and they also say that Callas is rubbish as Tosca, Santuzza, Aida, Leonora (la forza del destino etc).
Si avra avuto anche una boce d angelo ma non sveva certamente il carisma e la varica sensazionale che aveva la Callas infatti quando si parla di lirica la prima vosa che tutti dicono e maria non Renata ormai dimenticata
I have never heard such perfection! No one can enunciate or glide between the notes as if the instrument is one breath of fresh air!
Merveilleuse Renata Tebaldi, voix extraordinaire, interprète sensible, la plus grande soprano lyrico-spinto du siècle.
I have always felt that this piece illustrates every aspect of Tebaldi’s greatness better than any other aria in her repertoire. The high point for me comes at ‘voce piena d’armonia’ where she makes a dimineundo on the -nia- and then the portamento down to the sweeping forte lines to the end - ‘che grandezza’ . (And anyone who claims this B is under is deaf.)
An incredibly touching performance
Una aria bella y cantada por Renata Tebaldi de voz preciosa,nos seduce,como
Magdalena de Coigny en el tercer acto de Andrea Chenier
... Renata Tebaldi ... , Predecessora de ...
... Aprile Millo !!!!!!!!!!!!!!!!!!!!!
❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤
Maravillosa artista , con una voz excepcional , que solo hace de marco a su "ENORME TALENTO ARTÍSTICO" Armando Cerutti
Sin palabras, conmueve los sentidos , estruja el corazón. Maravillosa Tebaldi , gracias !
Divina .
❤
Bellissima interpretazione !!!
È incredibile che la voce umana possa esprimere tanta bellezza. Quando questa registrazione fu immessa nel mercato tutta la critica di allora la definì la più bella mai ascoltata. La grande Tebaldi qui raggiunge una perfezione incredibile che la consacra sicuramente come una delle più grandi della storia della lirica.
Condivido parola per parola
Meravigliosa!!!!!
Brava, Diva!
Mamma mia che bellezza assoluta!!!
Voce portentosa..in questo ruolo insuperabile...
L'acme della perfezione vocale interpretativa
BRIVIDI!!! BRIVIDI!!! BRIVIDI!!!
Beautifully done!
Love this!
The strong declamato, chest voice, firm, beautiful passaggio transition, squillo throughout the range all the way to the top and this heartbreaking phrasing. Only Tebaldi. We can hear why Toscanini was so impressed by her La mamma morta. It's unsurpassed. By the way, this recording is from the complete Andrea Chenier recording in 1957, not the 1950 recital.
the audio belongs to the Cetra 1953 Andrea Chenier opera recording
Tebaldi need even more appreciation than she already have got.
She’s forever one of the best veristas ever existed.
most people agree that Callas 1954 la mamma morta studio recording is the best and most emotive recording of this aria, the millions of views speak for themselves. But yeah I can see why Tebaldians always prefer Tebaldi in every verismo roles over Callas
@@judygarland7186 yes, emotive is the right word for Callas' recording of La mamma morta. It was ideal for Philadelphia. Not sure why you keep chasing Tebaldi if you don't like her.
@@Orfeus80 I don't know why you don't like Callas' la mamma morta and where you hear the uneven and disconnected registers that you talked about in other comments. Callas in her vocal prime had great middle voice and well-connected, she always talked a lot about the importance of it in her masterclasses.
I try to listen to more and more from Tebaldi to see what everyone finds in her, especially as they say she is better than Callas and they also say that Callas is rubbish as Tosca, Santuzza, Aida, Leonora (la forza del destino etc).
Grazie
Perfetta, il più grande soprano italiano!
E non solo.
Sheer glowing, molten gold!
Perfection
❤️
The greatest soprano of all time
agree
You're right and you should say it!
Rethberg, Ponselle, Muzio, Flagstad, Callas…
I couldn't agree less.
Unvergessen weil einmalig in der Tongebung mit einer unvergleichlichen Timbre-Süße !
If only today there was a voice half as good on the operatic stage! Telbaldi or Callas the eternal dispute, both are incredible!
Cara Renata sei andata dalla tua mamma morta🙏
Tutti elogiano quest'aria cantata da Maria Callas. Personalmente, questa non ha niente da invidiare. Anzi...
È, infatti, abbastanza meglio. Tebaldi, nel suo repertorio (e nel suo tempo), non è mai stata superata da nessuna tranne che da Caballé, e non sempre
Si avra avuto anche una boce d angelo ma non sveva certamente il carisma e la varica sensazionale che aveva la Callas infatti quando si parla di lirica la prima vosa che tutti dicono e maria non Renata ormai dimenticata
yes…beautiful but vague when compared to callas.
I couldn't agree more.
Callas fans are like little children, nobody could be as good as their Maria, and they say the same things indiscrinately.