András Schiff - Sonata No.30 in E, Op.109 - Beethoven Lecture-Recitals

András Schiff - Beethoven Lecture-Recitals
Wigmore Hall (London, UK), 2004-06
András Schiff last performed the complete Beethoven piano sonatas at Wigmore Hall from 2004-06 to overwhelming critical acclaim, with the editor of the Guardian, Alan Rusbridger, describing one particular performance as ‘a riveting mixture of erudition, analysis, passion, wit and memory’.
On the day before each of the eight recitals in the series, the world-renowned pianist, pedagogue and lecturer gave a lecture-recital in which he explored the works to be performed. Deeply engaging and insightful, these thought-provoking lecture-recitals, recorded live at the Hall, are available below as eight audio lecture-recitals.
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Full playlist:
• Beethoven Lecture-Reci...
View the MP3 files on the Internet Archive:
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[@tinkerchel]

My fav Beethoven sonata. Upon hearing it you feel like you've known the composer, Beethoven for what seems to be a life time..Same with the other 3 of his last 4 sonatas.
It's like a spiritual experience.

[@TRRyan]

The last movement, which Schiff feels is the most beautiful ever written by Beethoven, is special to me too. Decades ago I decided I would have it played at my funeral.

[@LRosenthal49]

Fffffdfdfffdfdddffffgfddgdfffdfffdffdfffdfdfdffddffddfdffddfdfdgdfffdffdddddfdffdgfddgd

[@palebluegreen]

op. 109 is my favorite of beethoven’s piano sonatas as well

[@fungalbob]

Thankyou for this

[@esauponce9759]

Thank you for uploading this lectures!

[@jeanvanderstegen]

WHAT A LECTURE !!!! the end, waouwwwwwww

[@danaildanailov3847]

Maestro Schiff illuminates the sonata with a well deserved light.

[@cristinecarpena6322]

Absolutely wonderful! Another level.

[@agseu3668]

Magnífico.

[@andrewkimpiano]

22:47 second movement

[@somasabul3883]

If you were transcribing the 1st of E major, where would you put the bar lines? Interesting, I think, why it starts on an "upbeat."

[@user-hs2fj7vk9m]

32:27 3rd mov

[@militaryandemergencyservic3286]

19:53-20:06 - almost exactly like in the e flat op 126...

[@jason1675]

12:34

[@borisrizhamdze1230]

12:35

[@somasabul3883]

Why the need to be disparaging to musicologist? Not necessary.

[@OpenmusicEs]

Absolutely agreed! No need to be derogatory about a profession that is to music what critics is to literature. Musicology only exists in the realms of musicology itself, it does not belong to music.