A superb reaction. I think this is now my favorite reaction that you have done so far. A great song from my all time favorite band. You did such a fantastic job analyzing it. Even though I was glad you abandoned your song scoring system early in the channel, I was thrilled that you gave this a 10 out of 10. As a huge Zeppelin fan I was already very happy when you previously mentioned that "Kashmir" was one of your favorite songs, so this now makes me even happier. I love how this sounded on your harp, and wouldn't it be great if Jimmy Page saw this, so that he can hear how his various arpeggios and chord sequences were interpreted on your harp.
It shows it’s a right ropey recording with some terrible overlays and muffed up guitar parts , I loved it , still do but technically it is deeply flawed
Led Zeppelin was all about contrasts: fast/slow, rock/folk, loud/quiet, tension/release, etc. This song is one of the best at demonstrating that. These were four amazing musicians all working together flawlessly, nobody stepping on anyone else. Structure of the song is wonderful, too.
Indeed, this band used every heart string to get you to feel their music. This was my favourite choice of all bands I'd ever listened to from age 8 or 9. When I was 14, this is when I really heard Led Zeppelin on vinyl and they literally shook me to the core, as their recorded songs still do.
The distant sound you hear is Plant's voice singing the next phrase - they were allegedly recording over a previous take and the sound engineer /producer didn't realise there was a trace of the earlier vocal still on the tape - when they heard the playback they couldn't get rid of it - but also the band (Page and Plant) liked it - on some later recordings they kept bits of 'stray' recording and remnants where they worked with the feel - a tiny detail of what makes it such a great song
Yes. If I remember correctly, the earlier vocal was recorded on an adjacent track, and it "printed" onto the current track. The levels were high enough that it influenced the track, and they couldn't remove it. Good post, Shaun.
Same thing happened in Whole Lotta Love. They also left Page staying "stop" at the end of a riff in Out on the Tiles. Then of course, they left the sound of the airplane flying overhead as they recorded "Black Country Woman" outdoors at Headley Grange. Finally, they left the cough in at the end of In My Time of Dying.
It's a shame that such a "perfect" pitch-corrected and quantised to the nth degree recording techniques so avidly pursue means that we are unlikely to ever again to benefit from this and many other examples of "happy accidents" in the recordings of the past.
This reaction and analysis is like a master class on why I prefer classic rock to today’s music - rock or otherwise. There is humanity in the delivery that gets erased by modern production techniques.
When Led Zeppelin did somebody else's song, it could never really be called a straight cover. They would put a song through the Led Zeppelin machine and turn it into something extraordinary.
Ooh My Head into Boogie With Stu is a prime example. In about 1988 I went diving into Valens vinyl looking for the original and learned that, yes, it is a great tune, probably better than La Bomba, sadly the only Valens song most people ever heard. That said, what LZ did with the song made it entirely their own.
@@Fred_Lougeethey did with every song they covered. I don’t think a similar phrase, but different is really stealing, nor do the different music compositions. I think it was more how famous Led Zeppelin became, the families decided to whine about it, & wanted money. Any originals I heard, sound so different, & nothing like Led Zeppelin’s version.
So many if not almost all Led Zeppelin songs, are done to perfection. The instrumentals are always perfection, & Plant uses his vocals, like a newly discovered instrument. Plant’s vocals always suit each song to perfection, they all put so much passion into everything, musical geniuses all four of them.
@@sicotshit7068 I think that broad interpretations were a big thing in the Brit bands of the sixties. Look at Crossroads by Cream. So iconic that Clapton is still using the title for his occasional music festivals. Story goes that when they learned that the widow of the original artist, name escapes me and I don't feel like googling it, was still alive they had accounting draw up a royalties check and flew all the way to Mississippi to give it to her. Reportedly, she asked to hear their cover and when they played a recording of it she laughed and said "That's not my husband's song."
What one needs to remember is this was the introduction of Led Zeppelin to the world. This first album was an erotic hard driving masterpiece that we had never heard before. The energy that pulses through was an amazing jolt to what we knew previously
The incredible thing is.... they took the baton and RAN! There have been some incredible first time albums from other artists..... but rarely did they re-create the magic.
As a child I found this record in my grandmothers basement. It was stored there with a hundred others. When I first listened to it, it was like discovering some ancient secret.
Thank you for validating my decision to put my classical guitar studies on hold and start a rock band over 30 years ago. This song was the impetus with its fingerpicking style, acoustic lead and almost flamenco sound. Now I'm playing Zeppelin with the grandkids teaching them guitar etc. and they are all proud when they see they can play along.
For Zep fans; I just got home from seeing Jason Bonham and his Zeppelin tribute band with “Mr Jimmy “ from Tokyo as lead guitarist and a fantastic vocalist. It was FANTASTIC! The crowd was over the moon. If any of you get a chance to see them on their next tour, I would recommend you do.
Saw Mr. Jimmy twice in Tokyo several years ago with all Japanese band mates, in a bar that sat about 60 people. Going to see him December 16 in a Tokyo auditorium that appears to seat somewhere between 500 and 1,000 . . . this time all his band mates are non-Japanese. Jason is not listed as the scheduled drummer, but I'd love to see him make a surprise appearance.
@@tokyosteve5187 it was the last night of their tour here in Vegas when I saw them. Great show, but Mr Jimmy was more subdued than I’ve seen him in clips. He played well, but did not do allot of Pages’s onstage persona, which he usually does, and his face lacked expression. Probably just exhausted. He’s no spring chicken anymore. Hopefully he will be well and truly rested by December and will put in a great show for you and the other fans!
Amy is an alien - her musical brain is off this planet. I don't know how she can make me feel more passionate about a LZ song, than I have for the past 50 years. Absolute pleasure to watch these vids.
I 100% agree that it is the delivery that counts. It can it take you somewhere and make you feel something. It touches your heart or soul. Bob Dylan wasn't a great guitar player or singer but he could make you FEEL something with his delivery. Using one of Bob Dylan's songs, Jimi Hendrix could take you somewhere else because of HIS delivery.
The critics originally trashed the entire album as derivative and a waste of time. Time though has proven them so completely wrong. LZ I is really a masterpiece, a work that both showed the love the artists had for the Blues and a creative, interpretive leap. 54 years later I still hear the album as I did when I first heard it back then, in awe. Amy, listen to the entire album if you have the chance. 😄
I was about 12 when my older brother brought the first LZ album home, and it grabbed me from the very first notes. What an amazing musical era to grow up in.
You have to understand how most rock critics think. They want something to write about. They all want to be the first to champion a new artist with a new sound. They didn’t like Zeppelin because it was Blues Rock and not new. Critics were looking at T Rex and Bowie etc. because there was more to write about with a little controversy to toss around.
@@trappenweisseguy27 Rolling Stone are a collection of hacks. You know the expression "there are those that do, and the others teach." Well the same applies to music and movie critics.
Yes this is certainly one of his best performances, and its on their first album. Amazing to think that no one in the wider-world had ever heard of Plant before this record was released, There are moments that are just masterful and have never be "trained" or matched
It is the life of a musician on the road performing that is calling him. She is important to him but an artist is what he IS. Maybe that interpretation is wrong but that is how I have always heard it.
A few added thoughts for Amy … 1 I always hear the sound of leaves falling in their interpretation of this song, its atmospheric and definitely musically "walking in the park". I think their very atmospheric musical delivery was likely developed and refined over a long period. 2. This one is very early in their career, the first album . And its interpreted in this way - they basically all disappeared around the world, leaving any loved ones. That's probably why their delivery of this folk song has such power. From that point their lives changed. 3. There's also a complete lack of constant timing, as you say it's akin to the flexibility of an elastic band. Bands cant easily do that these days, and don't want to sadly. Unfortunately, this approach is reinforced by music colleges, which tend to train drummers and muscians extensively using metronomes.
Learning with a metronome is actually great for gaining control, but only to the point where you then need to intentionally break apart from the rigidity and still keep control. And when you can use that control as a means of expression, you might be doing art.
I'm an old man; saw them in '73, l still tear-up when listening to this ...the reactions from this masterpiece vary from being stunned to a metamorphisis...superb reaction.
While maybe not a “virtuoso” Jimi Page pretty much wrote the book on modern rock guitar, definitely one of the most influential rock musicians ever. He always went for feeling above technical precision.
@@cubstransplant1361 Very true! Will say it again and again, those that bash Page main thing being called 'sloppy', is nothing more than trendy by mediocre players who think they know what they're talking about. Other than Pete Townsend (who hated Zep and Page because the record company pulled Pete and put Jimmy in while recording few songs on the Who's first album, then having the nerve to become a bigger band than the WHo). As Bonnamossa says, Some may say Page is sloppy, but when you make those same irregularities over and over again it is intended and it works! The comments started during his heroin phase, and yes when very high he was sloppy on stage sometimes as anyone would be, but that somehow morphed later on into calling all his playing sloppy. Yet still influenced some of the great players of today who rate him at the top or in the top three, as do many lists. Add in his studio work with the variety of playing there on hundreds of albums and how it left an impact. Joe Cocker commented it was Page who added the lick and guitar work to Joe's version of "with a little help from my friends", saying without that lick at the start he'd probably still be only known in Ireland. IMO a man that can write the way he did, play the way he did (wrote and played some of the very best solos, riffs and songs), experiment the way he did, produce how he did and have it sound great today and not dated..... The Man is a Virtuoso!!
LZ1 changed the genre. The artistic virtuosity was breathtaking. It was rooted in the music that came before but somehow enanced and changed. Four of the most talented musians ever and all vituosos of their craft.
This song demonstrates the "light and shade" approach to Jimmy page's song writing, later developed in the 'Rain song. another led zeppelin masterpiece you should really give a listen to is "Achilles last stand" that will be something you can really get your teeth into 😊
This Lady is absolutely amazing with her analysis of this Incredible piece of music /art, she feels every note and has the musical knowledge and she's so expressive in the dissection of the music!!! I've Always loved this track, but now she has made me appreciate it even more!!!...
Wow! I wish you could have been my music teacher! When I was a youngster studying classical violin and piano my teachers totally dismissed my interest in pop and rock music. Your respect and appreciation of all music is very inspiring! Thank you for your openness and fabulous critique! ❤
As someone who grew up in the 70's as a teenager in LA (RIP KROQ and the mighty MET KMET) and heard Led Zeppelin on the radio and bought their LP's and was mesmerized by them so much so that I picked up and learned to play guitar (and have been doing ever since), this was the best interpretation of this song I've ever seen. Coming from a classically trained musician, you made me see this song as something so much more with all of it's nuances. You dear lady are amazing. Bravo.
It was the fall of 1969 when two friends and I attended the Led Zeppelin concert. It was their first US tour. During that concert we knew rock would never be the same. Yes, there were, and have been, great rock groups. But Led Zeppelin was the game changer. I have been a rabid fan ever since, and I recently turned 80! All of which to say, I am equally captivated by your reviews of this group. Thank you for your perspectives and analyses based on your knowledge of music structure.
Jimmy really struck gold when being introduced to Robert's voice and John's powerful drums. Jimmy and John Paul Jones were seasoned session players, and this foursome was very successful. Critics labeled them as Heavy Metal or Hard Rock and gave them poor reviews when their third album came around. They were MUCH more; in actuality they were four great musicians. Jimmy steered the ship, and their legacy grew. Another fine analysis! Thanks! 26:05 Robert's extra voice "I can hear it calling me" was in the mix while recording and Jimmy decided to leave it in the final mix. Sounds haunting.
I was in a garage band in high school. The drummer could listen to an album twice through and know the drums for every song. I thought that was the most musically impressed I could be until she played and explained this song on a full sized harp after hearing it 1 1/2 times. I can sing a little bit, and play basic guitar chords, but I am SO VERY impressed with true pure musical talent.
Somewhat more sophisticated than “Heavy Metal”, Led Zeppelin has more in common with many Jazz Artistry. Specifically, in artistic interpretations of a old folk song like this one. And, continuous improvisation on a chord progression using diatonic and sonic substitutions. Besides the skill and musicianship which is always evident and omnipresent. Not to mention the emotional impact and it’s importance.
Yes!! The last point you made in this was so important. Those people who are pushing you to listen to bands that play "technical" or music with "virtuosity" don't understand the real point of music. Music is a form of communication. It's a way of conveying not only ideas, but emotions as well. And, that is not saying that I don't appreciate virtuosity and technique as well, but without the emotion and ideas/story behind that virtuosity the playing just becomes an extension of the musicians ego. Zeppelin for that period of time in rock, was one of the bands that did incorporate virtuosity/technique in their music. Now if you want a rock guitar player who is a virtuoso, look to Ingvey Malmstien a classically trained guitarist, but as much as he could apply musical theory and technique to his playing, I never really felt "moved" by the songs he played in.
Yes your point highlights a significant dead-end that some got dragged down. The style of those players like Malmsteen should not be considered as virtuosity. Why? Its only about speed, notes -per-second, its reductionist. There's a noticeable absence of dynamics, tonal diversity, and musical variety, with a focus on metronome-like timing. It falls short in terms of expression when compared to the likes of Jimmy Page. It's musical machine-gun fire, albeit executed by a human being.
One of the great all time rock bands. Led Zeppelin has been criticized by many for knicking bits or whole songs from others. Especially old blues artists without proper credit given. I won't defend the practice beyond it was not cosidered as big a deal at the time, and they were young, but one thing they always did was elevate the song through their arrangements and artistic mastery to a level so much beyond the original compositions. So full of emotion. In a short time music changed so much in the sixties that by 68 and through the 70's the complexity and depth of the songs of bands like Zeppelin were so rich in sound. Despite your classical background or perhaps because of it, you pick up on the nuances of the artistry the musicians put into these songs.
You know, Amy: I’ve thought for so long that it was a mistake that, a couple of months into your journey, you got into allot of heavy metal ….skipping entire decades in the process. With this reaction, I think I’ve changed my mind. You got thrown into the deep end of the pool for sure, but you also got inoculated in a way to the extremes of rock. Now, you can hear Robert Plant soar and scream with his vocals and not be put off or shocked, as you no doubt would have been hearing this with “virgin ears” so to speak. 😉 This WAS a shock to us back in 1969 when we first heard this album……at least it was to me and my friends, and signaled a shift in how hard rock could be.
I find it interesting that many of the songs and bands that Amy has seemed to really like the most can be classified as hard rock. One of her early favorites was "Child in Time" by Deep Purple and later she has mentioned that "Kashmir" was one of her favorites. She has also really liked the Scorpions (granted not their hardest rocking song) and Boston (although I never thought of them as hard rock, but that is how they are classified and I understand why). And while not necessarily hard rock, I also find it interesting that she said the Doors might be one of her favorite rock bands, and Jim Morrison's screams would fit well into any hard rock or metal band.
@@LeeKennison She also seemed to mostly like the Rammstein Song Ohne dich, even if that is a particularily bad song to hear without the proper context and it was one of the very first songs she heard.
Joan's last name is pronounced "by-ez". You should listen to her version, it's not rock, it's folk. Just her and her guitar. Led Zeppelin's great rock cover of the song stays very close to the original in terms of chord structure and sequence, but gives a whole new experience in the rock arrangement, added instruments, Jimmy Page's great guitar solos and Robert Plant's great vocal styling. I still love both versions. When I was actively gigging as a solo act, I had it on my setlist for quite a few years, but after the Zeppelin version came out I didn't play it publicly very much, since I thought people would be expecting their version. Don't think I could pull that off with my acoustic guitar and harmonica :) I definitely think you should give the Joan Baez version a listen!
Totally agree. Joanie’s version is beautiful, haunting. She was the darling of the early folkies, sang at Carnegie Hall, back in the early ‘60s when the audience still dressed up like for the symphony.
@@estebandelrio6717 Pronunciation does vary by country, the common Mexican-Spanish sounds different than the Spanish pronunciation in Spain. Joan once said she pronounces it more like "bize" than "bi-ez".
For me , this has been one of the most enjoyable of all your reactions, Amy! No doubt colored by the fact that Zeppelin is a top favorite of mine , melded with the fact that you enjoyed it so much. I’ll watch this more than once. Delightful and informative. LOVED your playing of the main chordal theme on your harp…. It sounded beautiful.
...Timeless... ...A fog rolls in...a band appears and plays the greatest most beautiful musical sounds.....the band and fog slowly fade away... Was it just a dream...did you really just experience it...
I really love this one. The song has a whole story of its own as a composition, which I first knew as traditional, and today it's credited to Anne Bredon, a folk song that Joan Baez recorded in 1962, a version that Jimmy Page used as a starter for Zeppelin's 68 version, but added a production and a group delivery beyond imaginable. A real achievement.
In the 10th printing of the Joan Baez Songbook in 1967 (which seems to be still the first edition, copyright 1964) it IS credited to Anne Bredon, though perhaps not on the actual Baez 1962 recording.
@@SuzieKew It wasn't credited on the first release. Joan learned it from a college friend who said she had learned from another friend (Anne Bredon). Joan thought it was an old folk song so it was first credited as "Traditional". Then her friend told her it was actually written by Anne. Joan notified Vanguard, the record company, and all subsequent pressings had the corrected credit. I believe it was corrected before the songbook was created. I still have my copy from back then too,!
There is a quality of SINCERITY in Plants vocal performances. you believe what he is singing, and the emotion comes thru. Because whether it is a studio track for a record, or a cheap dive, he gives the song his all, and puts all of his energy, and sincerity, into the performance. I think this song is very touching. I think that any woman would want to hear this song, and believe the words, and I think any guy would want to relate to the emotions of a man expressing his devotion and regret, and in the end of the song, Hope. It's not just music. It's a Romantic Poem. And I don't read much poetry and probably no romances, but I GET this music. It is primal, and Plant taps into the essence of Love here. How can you not like it. Databyuter
Ty for listening to zep. Other great ones exist including the lemon song and how many more times. Don't think your ready for dazed and confused live. Ty again
16:56 "...and to me me that is what makes a really great piece of music when... when whatever material is used is used to such an effect that it leaves us with an experience a musical experience that takes us somewhere or gives us some... makes us feel something or understand something or... or see something. That is what happens here so effectively"
The dynamic control in both Jimmy and Robert's instruments is a big part of what gives LZ's music so much emotional power. It's not all of it of course. Tone and timbre and growl and playing with time as you say, and every other aspect of their voices are also very important. Truly masterful musicians and communicators. No rock band will ever come close.
For your discussion around the "ghost voice" (about 26:45 of your reaction), that is a bleed onto another track from a previous take of Robert Plant singing the line, "I can hear it calling me." The story goes that in those days physical recording tape was a more expensive resource, so it was common practice to use it and reuse it during recording sessions until you got the take you wanted, and then run with that version, while the other takes would get recycled and recorded over on different tracks or by different artists altogether. Apparently, tape from the drums (I believe) was rolling, and one of the microphones meant to pick up the kick drum actually picked up Robert's voice. Due to the different takes and re-takes, that bit of recording managed to sneak into the original mix. IIRC the engineer heard it as they were mixing and was going to take it out, but the band members said they liked that effect and convinced him to leave it in. It's one of those happy accidents that happens when real musicians record their real instruments live in a studio instead of producing everything on a computer and digitizing it to remove all the soul from it.
Great review Amy. It's greatness is in its untethered, emotional and raw innocence. All the musicians have abandoned themselves to the music and let it loose, not unlike a wild stallion. A rare example of 'freed' music.
Always interesting and insighful. Love seeing your passion for music regardless of genre. Also it was great hearing to you play that section on the harp. One of my favorite Led Zeppelin song. Robert's voice is perfect here.
I love how you explain things so well and help me to hear things in the song that I never heard before! Zeppelin has always been one of my favorite bands. So much talent in the four of them. 💙
This song inspires so much emotional longing and sadness expressed exquisitely. I'm brought to feel my own experience of past women I've loved. A fave.
Thank you for playing Zep's music on the harp; remharpabile ;) Congratulations to you for being incredibly musically talented and I'm looking forward to delving into what you play as it's a wonderful thing that you bring into the musical world :)
Because of life events, I've had to quit watching your channel, but now I can start again. And, what am I brought back with? "Virgin Rock reacts to Led Zeppelin" WOW! What a return for me! I LOVE Led Zeppelin, and your analysis is so good(!), just like I remember. What an awesome way to come back to Virgin Rock! Thanks, Amy!
I always loved the fading resonance of that final note. Like I'm being drawn back through a portal from this mysterious melancholy universe I just experienced.
it is a rather beautiful piece, and speaks to the soul, and I can understand the desire to just walk. But here I am at home with my lady, with my headphones on. Great reaction!
One with wanderlust for travel makes sense, but I always took it to be more about the musician's or star's life. Home is touring and practicing your craft of music. You have to leave your loved one behind to pursue your musical path, your calling. You come back after the tour, but before you know it, you're making more music, a new album, and traveling on tour again.
This was very enjoyable. I was a young adolescent when this music was released and it was very profound creating all sorts of emotion in a person not yet mature enough to fully understand the weightier things of life. Vietnam was still raging and the military draft was active and at 14 or 15 boys were well aware of the possibilities of the near future. As always your analysis is spot on and educational for me which is what I enjoy so much. Looking forward to more Led Zeppelin.
Ive listened to the other 2 babe Im gonna leave you versions and Jimmy's musically is totally different to the others.. Ive learnt the led zep version on the guitar and the chord progressions are just genius.
The chord progression is the same as the Joan Baez version. But yes, the musical arrangement with the added instruments, the guitar leads and Plant's vocals are very different, even though vocal melody is basically the same, Plant does vary from it in a number of passages.
It thrills me so to witness an accomplished musician appreciate the performance of this legendary rock band. The awareness and comprehension you've expressed during the song play and your analytical evaluation afterwards- fantastic. Many of the LZ recordings will grow with you as years pass. I feel blessed to have been exposed to your kind-spirited nature. Rock On!
Great reaction Amy! I've been watching your reviews off and on since your channel started. There is no denying that there are many great pieces of classical music. At first, I got the impression from you (for whatever reason) that you didn't expect modern rock and roll to compare favorably in any way to what you were familiar with. I am happy that you now are finding that there are also great pieces of music in the rock genre. Thank you and Vlad very much for this extremety interesting journey.
I do enjoy your reactions. I find it interesting that people with no musical education or training are intuitively drawn to songs that, upon analysis by professionally trained musicians and educators, are considered to be very good and worthwhile compositions and performances.
The way I understand it, this song is more about a young man who is being dragged off to war and is deeply saddened to leave his love. Led Zep's take on it seems to be about his longing to wander. I can't imagine he'd be so sad with his decision to end his relationship and enjoy the single life, if that's what he wanted to do. Very perceptive reactions! Keep up the great work.
A superb reaction. I think this is now my favorite reaction that you have done so far. A great song from my all time favorite band. You did such a fantastic job analyzing it. Even though I was glad you abandoned your song scoring system early in the channel, I was thrilled that you gave this a 10 out of 10. As a huge Zeppelin fan I was already very happy when you previously mentioned that "Kashmir" was one of your favorite songs, so this now makes me even happier. I love how this sounded on your harp, and wouldn't it be great if Jimmy Page saw this, so that he can hear how his various arpeggios and chord sequences were interpreted on your harp.
Agree with all your points, Lee!
@@w.geoffreyspaulding6588 Thanks Helene. Since you are also a huge Zep fan I thought you might. 😀
100% on point. Great stuff.
"Exquisite" I think better describes all 3 aspects of this subject. The song, the reaction and your reply. Cheers Lee.
@@Hartlor_Tayley Thanks Hartlor.
This entire album was recorded in 35 hours . The singer and drummer were 19 years old . Just astounding.
Not a big deal at all, but they were both 20 at time of recording first album.
My favorite Led Zeppelin song. ☮️💕
I was thinking the same thing. Nothing else like it.
The second one took even longer.
It shows it’s a right ropey recording with some terrible overlays and muffed up guitar parts , I loved it , still do but technically it is deeply flawed
The best three words in the English language are Led Zeppelin Weekend.
Or 'It's your round...' 😂
@@chrisbanks6659 Or "it's your round on the Led Zeppelin Weekend" 😋
🍻
Let’s gooooo!!!
Especially if the weather outside is crappy.
After all these years, and I’m old, this song still gives me goosebumps.
👊🏻👍🏻
Every. Time.
Absolutely!
Reminds me I'm still alive .
Deep, emotional, introspective like an early spring cloudy evening
Led Zeppelin was all about contrasts: fast/slow, rock/folk, loud/quiet, tension/release, etc. This song is one of the best at demonstrating that. These were four amazing musicians all working together flawlessly, nobody stepping on anyone else. Structure of the song is wonderful, too.
This band, as individuals and as a whole, were magical in my opinion. Wizardry happened when they made music together.
Indeed, this band used every heart string to get you to feel their music. This was my favourite choice of all bands I'd ever listened to from age 8 or 9. When I was 14, this is when I really heard Led Zeppelin on vinyl and they literally shook me to the core, as their recorded songs still do.
There wouldn't be "Stairway to Heaven" without "Baby, I'm gonna leave you". Great effort of these boys on their first record
The distant sound you hear is Plant's voice singing the next phrase - they were allegedly recording over a previous take and the sound engineer /producer didn't realise there was a trace of the earlier vocal still on the tape - when they heard the playback they couldn't get rid of it - but also the band (Page and Plant) liked it - on some later recordings they kept bits of 'stray' recording and remnants where they worked with the feel - a tiny detail of what makes it such a great song
Yes. If I remember correctly, the earlier vocal was recorded on an adjacent track, and it "printed" onto the current track. The levels were high enough that it influenced the track, and they couldn't remove it. Good post, Shaun.
Serendipity.
Same thing happened in Whole Lotta Love. They also left Page staying "stop" at the end of a riff in Out on the Tiles. Then of course, they left the sound of the airplane flying overhead as they recorded "Black Country Woman" outdoors at Headley Grange. Finally, they left the cough in at the end of In My Time of Dying.
It's a shame that such a "perfect" pitch-corrected and quantised to the nth degree recording techniques so avidly pursue means that we are unlikely to ever again to benefit from this and many other examples of "happy accidents" in the recordings of the past.
Wow that sounds fantastic on a harp. Jimmy Page would love it.
Please record this on harp! We would all love to hear this 😌
yeah the arpeggios are perfect for it.
@@colmhughes2004FACT
It’s my favourite Robert Plant vocal performance
This song to me has always had that "lost" feeling. Kinda makes me feel nostalgic for a time and place that i've never been. If that makes sense.
Makes perfect sense. 👍🏻
I've never been there either, but know how it feels to be there.
I feel like this was their super power.
This reaction and analysis is like a master class on why I prefer classic rock to today’s music - rock or otherwise. There is humanity in the delivery that gets erased by modern production techniques.
When Led Zeppelin did somebody else's song, it could never really be called a straight cover. They would put a song through the Led Zeppelin machine and turn it into something extraordinary.
Ooh My Head into Boogie With Stu is a prime example. In about 1988 I went diving into Valens vinyl looking for the original and learned that, yes, it is a great tune, probably better than La Bomba, sadly the only Valens song most people ever heard. That said, what LZ did with the song made it entirely their own.
@@Fred_Lougeethey did with every song they covered. I don’t think a similar phrase, but different is really stealing, nor do the different music compositions. I think it was more how famous Led Zeppelin became, the families decided to whine about it, & wanted money. Any originals I heard, sound so different, & nothing like Led Zeppelin’s version.
So many if not almost all Led Zeppelin songs, are done to perfection. The instrumentals are always perfection, & Plant uses his vocals, like a newly discovered instrument. Plant’s vocals always suit each song to perfection, they all put so much passion into everything, musical geniuses all four of them.
@@sicotshit7068 I think that broad interpretations were a big thing in the Brit bands of the sixties. Look at Crossroads by Cream. So iconic that Clapton is still using the title for his occasional music festivals.
Story goes that when they learned that the widow of the original artist, name escapes me and I don't feel like googling it, was still alive they had accounting draw up a royalties check and flew all the way to Mississippi to give it to her. Reportedly, she asked to hear their cover and when they played a recording of it she laughed and said "That's not my husband's song."
What one needs to remember is this was the introduction of Led Zeppelin to the world. This first album was an erotic hard driving masterpiece that we had never heard before. The energy that pulses through was an amazing jolt to what we knew previously
That’s why the music critics of the day dismissed them. When you prize mediocrity it’s hard to acknowledge greatness.
The incredible thing is.... they took the baton and RAN! There have been some incredible first time albums from other artists..... but rarely did they re-create the magic.
As a child I found this record in my grandmothers basement. It was stored there with a hundred others. When I first listened to it, it was like discovering some ancient secret.
Thank you for validating my decision to put my classical guitar studies on hold and start a rock band over 30 years ago. This song was the impetus with its fingerpicking style, acoustic lead and almost flamenco sound. Now I'm playing Zeppelin with the grandkids teaching them guitar etc. and they are all proud when they see they can play along.
That’s so cool ❤
Right! The two guitars are amazing and there is a flamenco kind of riff just before Plant's voice explodes
Maybe I'm just getting old but the emotional power of this song struck me hard. Crying like a baby. 😢 His voice, that delivery....
For Zep fans; I just got home from seeing Jason Bonham and his Zeppelin tribute band with “Mr Jimmy “ from Tokyo as lead guitarist and a fantastic vocalist. It was FANTASTIC! The crowd was over the moon. If any of you get a chance to see them on their next tour, I would recommend you do.
I wish I could.
I've seen him three times so far, yeah he's great.
Saw Mr. Jimmy twice in Tokyo several years ago with all Japanese band mates, in a bar that sat about 60 people. Going to see him December 16 in a Tokyo auditorium that appears to seat somewhere between 500 and 1,000 . . . this time all his band mates are non-Japanese. Jason is not listed as the scheduled drummer, but I'd love to see him make a surprise appearance.
@@tokyosteve5187 it was the last night of their tour here in Vegas when I saw them. Great show, but Mr Jimmy was more subdued than I’ve seen him in clips. He played well, but did not do allot of Pages’s onstage persona, which he usually does, and his face lacked expression. Probably just exhausted. He’s no spring chicken anymore. Hopefully he will be well and truly rested by December and will put in a great show for you and the other fans!
One of my favorite Led Zeppelin’s songs, can’t wait for this one.
Amy is an alien - her musical brain is off this planet. I don't know how she can make me feel more passionate about a LZ song, than I have for the past 50 years. Absolute pleasure to watch these vids.
Songs like this , separate them from the rest... There are more as you fall into Zeppelin Rabbit Hole ... Enjoy the journey... Best Band ever.
I 100% agree that it is the delivery that counts. It can it take you somewhere and make you feel something. It touches your heart or soul. Bob Dylan wasn't a great guitar player or singer but he could make you FEEL something with his delivery. Using one of Bob Dylan's songs, Jimi Hendrix could take you somewhere else because of HIS delivery.
The critics originally trashed the entire album as derivative and a waste of time. Time though has proven them so completely wrong. LZ I is really a masterpiece, a work that both showed the love the artists had for the Blues and a creative, interpretive leap. 54 years later I still hear the album as I did when I first heard it back then, in awe.
Amy, listen to the entire album if you have the chance. 😄
Rolling Stone magazine famously trashed LZ from the very beginning 🙄.
The critics couldn't recognize LZ's originality. And it still sounds fresh today.
I was about 12 when my older brother brought the first LZ album home, and it grabbed me from the very first notes. What an amazing musical era to grow up in.
You have to understand how most rock critics think. They want something to write about. They all want to be the first to champion a new artist with a new sound. They didn’t like Zeppelin because it was Blues Rock and not new. Critics were looking at T Rex and Bowie etc. because there was more to write about with a little controversy to toss around.
@@trappenweisseguy27 Rolling Stone are a collection of hacks. You know the expression "there are those that do, and the others teach." Well the same applies to music and movie critics.
Amy playing the harp is one of the most beautiful sounds that has ever entered my ears.
This still sounds great after 50 years. Robert Plant is astounding in front of his amazing band. Love your reaction.
Yes this is certainly one of his best performances, and its on their first album. Amazing to think that no one in the wider-world had ever heard of Plant before this record was released, There are moments that are just masterful and have never be "trained" or matched
It is the life of a musician on the road performing that is calling him. She is important to him but an artist is what he IS. Maybe that interpretation is wrong but that is how I have always heard it.
A few added thoughts for Amy …
1 I always hear the sound of leaves falling in their interpretation of this song, its atmospheric and definitely musically "walking in the park". I think their very atmospheric musical delivery was likely developed and refined over a long period.
2. This one is very early in their career, the first album . And its interpreted in this way - they basically all disappeared around the world, leaving any loved ones. That's probably why their delivery of this folk song has such power. From that point their lives changed.
3. There's also a complete lack of constant timing, as you say it's akin to the flexibility of an elastic band. Bands cant easily do that these days, and don't want to sadly. Unfortunately, this approach is reinforced by music colleges, which tend to train drummers and muscians extensively using metronomes.
Learning with a metronome is actually great for gaining control, but only to the point where you then need to intentionally break apart from the rigidity and still keep control. And when you can use that control as a means of expression, you might be doing art.
Countless numbers of equally talented bands never brought me the enjoyment that Zeppelin has.
I'm an old man; saw them in '73, l still tear-up when listening to this ...the reactions from this masterpiece vary from being stunned to a metamorphisis...superb reaction.
After the hundreds of times I've listened to this song over almost fifty years, it still gives me a tingle in my spine.
"The conflict (of) the wanderlust heart" Oh, Amy - how beautifully said. I love this song!
You've touch on them again. It may seem strange but, every song on every album is my favorite. Thank you so very much Amy.
While maybe not a “virtuoso” Jimi Page pretty much wrote the book on modern rock guitar, definitely one of the most influential rock musicians ever. He always went for feeling above technical precision.
Its become trendy to trash him but he inspired a generation to play guitar. He was so clever. Always experimenting with voicing and tuning.
@@cubstransplant1361 Very true! Will say it again and again, those that bash Page main thing being called 'sloppy', is nothing more than trendy by mediocre players who think they know what they're talking about. Other than Pete Townsend (who hated Zep and Page because the record company pulled Pete and put Jimmy in while recording few songs on the Who's first album, then having the nerve to become a bigger band than the WHo). As Bonnamossa says, Some may say Page is sloppy, but when you make those same irregularities over and over again it is intended and it works! The comments started during his heroin phase, and yes when very high he was sloppy on stage sometimes as anyone would be, but that somehow morphed later on into calling all his playing sloppy. Yet still influenced some of the great players of today who rate him at the top or in the top three, as do many lists. Add in his studio work with the variety of playing there on hundreds of albums and how it left an impact. Joe Cocker commented it was Page who added the lick and guitar work to Joe's version of "with a little help from my friends", saying without that lick at the start he'd probably still be only known in Ireland. IMO a man that can write the way he did, play the way he did (wrote and played some of the very best solos, riffs and songs), experiment the way he did, produce how he did and have it sound great today and not dated..... The Man is a Virtuoso!!
Disagree
LZ1 changed the genre. The artistic virtuosity was breathtaking. It was rooted in the music that came before but somehow enanced and changed. Four of the most talented musians ever and all vituosos of their craft.
This song demonstrates the "light and shade" approach to Jimmy page's song writing, later developed in the 'Rain song. another led zeppelin masterpiece you should really give a listen to is "Achilles last stand" that will be something you can really get your teeth into 😊
But he didn't write this !!
This
Lady is absolutely amazing with her analysis of this Incredible piece of music /art, she feels every note and has the musical knowledge and she's so expressive in the dissection of the music!!!
I've
Always loved this track, but now she has made me appreciate it even more!!!...
Wow! I wish you could have been my music teacher! When I was a youngster studying classical violin and piano my teachers totally dismissed my interest in pop and rock music.
Your respect and appreciation of all music is very inspiring! Thank you for your openness and fabulous critique! ❤
As someone who grew up in the 70's as a teenager in LA (RIP KROQ and the mighty MET KMET) and heard Led Zeppelin on the radio and bought their LP's and was mesmerized by them so much so that I picked up and learned to play guitar (and have been doing ever since), this was the best interpretation of this song I've ever seen.
Coming from a classically trained musician, you made me see this song as something so much more with all of it's nuances.
You dear lady are amazing. Bravo.
Little bit of heaven 94.7, KMET..tweedle dee.
Hey, where in LA, I wonder:) Jim Ladd...
It was the fall of 1969 when two friends and I attended the Led Zeppelin concert. It was their first US tour. During that concert we knew rock would never be the same. Yes, there were, and have been, great rock groups. But Led Zeppelin was the game changer. I have been a rabid fan ever since, and I recently turned 80! All of which to say, I am equally captivated by your reviews of this group. Thank you for your perspectives and analyses based on your knowledge of music structure.
Jimmy really struck gold when being introduced to Robert's voice and John's powerful drums. Jimmy and John Paul Jones were seasoned session players, and this foursome was very successful. Critics labeled them as Heavy Metal or Hard Rock and gave them poor reviews when their third album came around. They were MUCH more; in actuality they were four great musicians. Jimmy steered the ship, and their legacy grew. Another fine analysis! Thanks! 26:05 Robert's extra voice "I can hear it calling me" was in the mix while recording and Jimmy decided to leave it in the final mix. Sounds haunting.
the most evident thing about this song is that it has the flow and intensity of an act of love, it is love
as many a young musician faces when the intensity and passion for music requires the road versus love of partner - time old story
I was in a garage band in high school.
The drummer could listen to an album twice through and know the drums for every song.
I thought that was the most musically impressed I could be until she played and explained this song on a full sized harp after hearing it 1 1/2 times.
I can sing a little bit, and play basic guitar chords, but I am SO VERY impressed with true pure musical talent.
Im 57yrs old been into Led Zeppelin since my teens brings me back ever time i listen to my teen years absolutely the best times
Somewhat more sophisticated than “Heavy Metal”, Led Zeppelin has more in common with many Jazz Artistry. Specifically, in artistic interpretations of a old folk song like this one. And, continuous improvisation on a chord progression using diatonic and sonic substitutions. Besides the skill and musicianship which is always evident and omnipresent. Not to mention the emotional impact and it’s importance.
Jimmy Page said he took the break in this song from Chicago's song 25 or 6 to 4. It is the intro in the Chicago song.
Wow, they even play the same chords. But what they don't do is the punch on the 4th beat.
The sense of phrasing, the accelerand, ritardandi, the dynamic control is beyond most "rock" artists. Immense song.
Looking forward to this. Would love to hear your analysis of The Rain Song and No Quarter in the future, to name but two!
No Quarter is genius
I didn 't know I have some missed twin outhere in the World !
Yes!! The last point you made in this was so important. Those people who are pushing you to listen to bands that play "technical" or music with "virtuosity" don't understand the real point of music. Music is a form of communication. It's a way of conveying not only ideas, but emotions as well. And, that is not saying that I don't appreciate virtuosity and technique as well, but without the emotion and ideas/story behind that virtuosity the playing just becomes an extension of the musicians ego. Zeppelin for that period of time in rock, was one of the bands that did incorporate virtuosity/technique in their music. Now if you want a rock guitar player who is a virtuoso, look to Ingvey Malmstien a classically trained guitarist, but as much as he could apply musical theory and technique to his playing, I never really felt "moved" by the songs he played in.
Yes your point highlights a significant dead-end that some got dragged down. The style of those players like Malmsteen should not be considered as virtuosity. Why? Its only about speed, notes -per-second, its reductionist. There's a noticeable absence of dynamics, tonal diversity, and musical variety, with a focus on metronome-like timing. It falls short in terms of expression when compared to the likes of Jimmy Page. It's musical machine-gun fire, albeit executed by a human being.
led zeppelin deserves its own 100 song series as another special project because they are the publics most popular broup
Waiting for you to discover "Ten Years Gone"... The hidden gem in their production, one helluva song to analyze and listen to!
Absolutely agree
And The Rain Song
I can’t wait for this. I love this song! One of my favorite Zeppelin songs
I wish I had a time machine to see Zeppelin live. They were phenomenal from what I’ve heard.
One of the great all time rock bands. Led Zeppelin has been criticized by many for knicking bits or whole songs from others. Especially old blues artists without proper credit given. I won't defend the practice beyond it was not cosidered as big a deal at the time, and they were young, but one thing they always did was elevate the song through their arrangements and artistic mastery to a level so much beyond the original compositions. So full of emotion.
In a short time music changed so much in the sixties that by 68 and through the 70's the complexity and depth of the songs of bands like Zeppelin were so rich in sound. Despite your classical background or perhaps because of it, you pick up on the nuances of the artistry the musicians put into these songs.
You know, Amy: I’ve thought for so long that it was a mistake that, a couple of months into your journey, you got into allot of heavy metal ….skipping entire decades in the process. With this reaction, I think I’ve changed my mind. You got thrown into the deep end of the pool for sure, but you also got inoculated in a way to the extremes of rock. Now, you can hear Robert Plant soar and scream with his vocals and not be put off or shocked, as you no doubt would have been hearing this with “virgin ears” so to speak. 😉 This WAS a shock to us back in 1969 when we first heard this album……at least it was to me and my friends, and signaled a shift in how hard rock could be.
I find it interesting that many of the songs and bands that Amy has seemed to really like the most can be classified as hard rock. One of her early favorites was "Child in Time" by Deep Purple and later she has mentioned that "Kashmir" was one of her favorites. She has also really liked the Scorpions (granted not their hardest rocking song) and Boston (although I never thought of them as hard rock, but that is how they are classified and I understand why). And while not necessarily hard rock, I also find it interesting that she said the Doors might be one of her favorite rock bands, and Jim Morrison's screams would fit well into any hard rock or metal band.
@@LeeKennison She also seemed to mostly like the Rammstein Song Ohne dich, even if that is a particularily bad song to hear without the proper context and it was one of the very first songs she heard.
15:00 - Watch Amy's face and her silence...it says it all!!!
Joan's last name is pronounced "by-ez". You should listen to her version, it's not rock, it's folk. Just her and her guitar. Led Zeppelin's great rock cover of the song stays very close to the original in terms of chord structure and sequence, but gives a whole new experience in the rock arrangement, added instruments, Jimmy Page's great guitar solos and Robert Plant's great vocal styling. I still love both versions. When I was actively gigging as a solo act, I had it on my setlist for quite a few years, but after the Zeppelin version came out I didn't play it publicly very much, since I thought people would be expecting their version. Don't think I could pull that off with my acoustic guitar and harmonica :) I definitely think you should give the Joan Baez version a listen!
Totally agree. Joanie’s version is beautiful, haunting. She was the darling of the early folkies, sang at Carnegie Hall, back in the early ‘60s when the audience still dressed up like for the symphony.
Baez is a spanish surname. Is pronounced Ba-ez
To my ear Joans version is almost unrecognisable to Zeps. I could only see they are "close" in certain technical ways.
@@estebandelrio6717 Pronunciation does vary by country, the common Mexican-Spanish sounds different than the Spanish pronunciation in Spain. Joan once said she pronounces it more like "bize" than "bi-ez".
The harpist Analysis ! Excellent interpretations❤
It's been a Led Zeppelin weekend for me every weekend for 55 years
Thank you for appreciating one of the finest studio albums ever produced.
Page is a genius at making the music organic, alive
For me , this has been one of the most enjoyable of all your reactions, Amy! No doubt colored by the fact that Zeppelin is a top favorite of mine , melded with the fact that you enjoyed it so much. I’ll watch this more than once. Delightful and informative. LOVED your playing of the main chordal theme on your harp…. It sounded beautiful.
Found a new Zep fan. A couple times Amy was actually kind of dancing in a subdued way.
...Timeless...
...A fog rolls in...a band appears and plays the greatest most beautiful musical sounds.....the band and fog slowly fade away...
Was it just a dream...did you really just experience it...
I really love this one. The song has a whole story of its own as a composition, which I first knew as traditional, and today it's credited to Anne Bredon, a folk song that Joan Baez recorded in 1962, a version that Jimmy Page used as a starter for Zeppelin's 68 version, but added a production and a group delivery beyond imaginable. A real achievement.
Its hardly anything like previous versions though. 90% of it is Zeppelins.
@@lyndoncmp5751 Totally a creation!
In the 10th printing of the Joan Baez Songbook in 1967 (which seems to be still the first edition, copyright 1964) it IS credited to Anne Bredon, though perhaps not on the actual Baez 1962 recording.
@@SuzieKew It wasn't credited on the first release. Joan learned it from a college friend who said she had learned from another friend (Anne Bredon). Joan thought it was an old folk song so it was first credited as "Traditional". Then her friend told her it was actually written by Anne. Joan notified Vanguard, the record company, and all subsequent pressings had the corrected credit. I believe it was corrected before the songbook was created. I still have my copy from back then too,!
There is a quality of SINCERITY in Plants vocal performances. you believe what he is singing, and the emotion comes thru. Because whether it is a studio track for a record, or a cheap dive, he gives the song his all, and puts all of his energy, and sincerity, into the performance. I think this song is very touching. I think that any woman would want to hear this song, and believe the words, and I think any guy would want to relate to the emotions of a man expressing his devotion and regret, and in the end of the song, Hope. It's not just music. It's a Romantic Poem. And I don't read much poetry and probably no romances, but I GET this music. It is primal, and Plant taps into the essence of Love here. How can you not like it. Databyuter
Ty for listening to zep. Other great ones exist including the lemon song and how many more times. Don't think your ready for dazed and confused live. Ty again
That's gonna be a good one ..
I'm so happy you're getting Led Zeppelin!! 🥹
16:56 "...and to me me that is what makes a really great piece of music when...
when whatever material is used is used to such an effect
that it leaves us with an experience
a musical experience that takes us somewhere or gives us some...
makes us feel something or understand something or...
or see something.
That is what happens here so effectively"
One of my favorite Led Zeppelin songs. Guite simple, but makes you feel. Robert is amazing in this.
The dynamic control in both Jimmy and Robert's instruments is a big part of what gives LZ's music so much emotional power. It's not all of it of course. Tone and timbre and growl and playing with time as you say, and every other aspect of their voices are also very important. Truly masterful musicians and communicators. No rock band will ever come close.
I would love to hear you play that again!
This song has been so much to so many over the decades!
Hearing it played on a harp is absolutely beautiful!
For your discussion around the "ghost voice" (about 26:45 of your reaction), that is a bleed onto another track from a previous take of Robert Plant singing the line, "I can hear it calling me." The story goes that in those days physical recording tape was a more expensive resource, so it was common practice to use it and reuse it during recording sessions until you got the take you wanted, and then run with that version, while the other takes would get recycled and recorded over on different tracks or by different artists altogether. Apparently, tape from the drums (I believe) was rolling, and one of the microphones meant to pick up the kick drum actually picked up Robert's voice. Due to the different takes and re-takes, that bit of recording managed to sneak into the original mix. IIRC the engineer heard it as they were mixing and was going to take it out, but the band members said they liked that effect and convinced him to leave it in. It's one of those happy accidents that happens when real musicians record their real instruments live in a studio instead of producing everything on a computer and digitizing it to remove all the soul from it.
I love that Amy’s getting the Led out ❤
Joan Bye-ez. glad you love it! Led Zep one of the Top 5 rock bands all time.
Excited for this one. So many great Zep songs to explore. Try Goin to California, some great layered plucked-string instrumentation.
Great review Amy. It's greatness is in its untethered, emotional and raw innocence. All the musicians have abandoned themselves to the music and let it loose, not unlike a wild stallion. A rare example of 'freed' music.
Always interesting and insighful. Love seeing your passion for music regardless of genre. Also it was great hearing to you play that section on the harp. One of my favorite Led Zeppelin song. Robert's voice is perfect here.
That's beautiful on the harp.....what a classic.
and thats why I love blues and have distain for jazz
I love how you explain things so well and help me to hear things in the song that I never heard before! Zeppelin has always been one of my favorite bands. So much talent in the four of them. 💙
This song inspires so much emotional longing and sadness expressed exquisitely. I'm brought to feel my own experience of past women I've loved. A fave.
Thank you for playing Zep's music on the harp; remharpabile ;) Congratulations to you for being incredibly musically talented and I'm looking forward to delving into what you play as it's a wonderful thing that you bring into the musical world :)
Because of life events, I've had to quit watching your channel, but now I can start again. And, what am I brought back with? "Virgin Rock reacts to Led Zeppelin" WOW! What a return for me! I LOVE Led Zeppelin, and your analysis is so good(!), just like I remember. What an awesome way to come back to Virgin Rock! Thanks, Amy!
TWO OF THE BEST Led Zeppelin songs!
I always loved the fading resonance of that final note. Like I'm being drawn back through a portal from this mysterious melancholy universe I just experienced.
it is a rather beautiful piece, and speaks to the soul, and I can understand the desire to just walk. But here I am at home with my lady, with my headphones on. Great reaction!
One with wanderlust for travel makes sense, but I always took it to be more about the musician's or star's life. Home is touring and practicing your craft of music. You have to leave your loved one behind to pursue your musical path, your calling. You come back after the tour, but before you know it, you're making more music, a new album, and traveling on tour again.
I have a feeling, that you will love "The Battle of Evermore" and so much more!
We grew up in the UK with this quality of music. A great time to have been around.
It appears you like it,,,,💥💥👍
I really enjoyed your breakdown.
I absolutely adore the cadence at the end with the chromatic descent.
This was very enjoyable. I was a young adolescent when this music was released and it was very profound creating all sorts of emotion in a person not yet mature enough to fully understand the weightier things of life. Vietnam was still raging and the military draft was active and at 14 or 15 boys were well aware of the possibilities of the near future. As always your analysis is spot on and educational for me which is what I enjoy so much. Looking forward to more Led Zeppelin.
this is capable of evoking as much emotion as any other piece in any other genre .. and isn't that what it's all about ?
Ive listened to the other 2 babe Im gonna leave you versions and Jimmy's musically is totally different to the others.. Ive learnt the led zep version on the guitar and the chord progressions are just genius.
The chord progression is the same as the Joan Baez version. But yes, the musical arrangement with the added instruments, the guitar leads and Plant's vocals are very different, even though vocal melody is basically the same, Plant does vary from it in a number of passages.
It thrills me so to witness an accomplished musician appreciate the performance of this legendary rock band. The awareness and comprehension you've expressed during the song play and your analytical evaluation afterwards- fantastic. Many of the LZ recordings will grow with you as years pass. I feel blessed to have been exposed to your kind-spirited nature. Rock On!
babies love this song and every type of lullaby music.
Great reaction Amy! I've been watching your reviews off and on since your channel started. There is no denying that there are many great pieces of classical music. At first, I got the impression from you (for whatever reason) that you didn't expect modern rock and roll to compare favorably in any way to what you were familiar with. I am happy that you now are finding that there are also great pieces of music in the rock genre. Thank you and Vlad very much for this extremety interesting journey.
I adore this song
I wore out my record player needle listening to that one. Best reaction yet!
I do enjoy your reactions. I find it interesting that people with no musical education or training are intuitively drawn to songs that, upon analysis by professionally trained musicians and educators, are considered to be very good and worthwhile compositions and performances.
The way I understand it, this song is more about a young man who is being dragged off to war and is deeply saddened to leave his love.
Led Zep's take on it seems to be about his longing to wander. I can't imagine he'd be so sad with his decision to end his relationship and enjoy the single life, if that's what he wanted to do.
Very perceptive reactions! Keep up the great work.
Like Galveston and Love My Two Times.
Duality.
100% correct
This song is a lament.
It could be interpreted/viewed as a war protest for that reason.