I think you are an amazing artist and teacher. What I find amazing is the finished results seem to appear right before my eyes as you paint. I love that you teach in a way that I can comprehend and follow. I truly appreciate you! I wish I could express how much!
Shelley m sorry I missed your live stream. Perfect timing, I love painting water and waves and I came back from my art group earlier feeling a bit down and unfocused. BTW I really enjoyed last weeks video using Copic markers for quick sketches. I’ve since bought a few . Could you do a video focusing on this medium please. J
Thanks for answering the masking question. I use Pebeo as well, good to know you don’t have issues with heat over it. I will have to test this out to see if I can speed things along.
@@shelleypriorfineart yes ai went back and watched the beginning part that I missed. I will be testing some thing’s out now. So many times I have wanted to speed up the process just a bit but I always resist for fear of bonding my masking to the paper. I work on the Meeden Cotton paper a lot, I will have to try a low heat and keep it moving to see how it works.
Thank you. It’s a Speedball Color Wheel palette (plastic) but unfortunately it’s discontinued. The Stephen Quiller palette is very similar (plastic or ceramic).
Probably liquid soap of some kind - it protects the brush from getting all gummed up from the masking fluid. I add dish soap to mine. Cleans much easier when you're done.
Can you explain the reason you were painting wet on dry and not wet on wet? I’ve discovered I am petrified of the hard edges I get while painting wet on dry 😅😮
If you work with a brush full of wet color, you can easily work on dry. Reload the brush often with more paint and/or water. Wetting first is an extra step. It is difficult to wet irregular shapes with water and get back in with paint before it dries, so I prefer to work on dry with wet color.
Thank you Shelley for your gracious time and wonderful instructions. Love your tutorials!
I think you are an amazing artist and teacher. What I find amazing is the finished results seem to appear right before my eyes as you paint. I love that you teach in a way that I can comprehend and follow. I truly appreciate you! I wish I could express how much!
you are a great teacher.Thank you for Sharing.
Love the light coming through the wave. Wonderful!
Absolutely killer watercolor tutorials, Shelley! Thank you for carrying us through your process. I find these videos incredibly valuable. Cheers!
Fascinating video. U do the beat teaching videos.
Wow, that quin gold looked so strong at first and then it just turned into sunlight!!
Glad you visited our beaches. Wonderful instructor! ❤
You are an AWESOME watercolor artist. 😮WOW! Thank you for teaching us.❤
Thank you Shelley, I really enjoyed watching your waves come to life x❤
Great job love it
Brilliant result, looks fabulous and almost like an oil painting. Those green blues are perfect. More versatility from ❤ quin gold.❤
Thank you for sharing, Shelley! 🎉
Thanks once again for another instructive video!
Another fabulous tutorial!
Lovely!
Shelley m sorry I missed your live stream. Perfect timing, I love painting water and waves and I came back from my art group earlier feeling a bit down and unfocused. BTW I really enjoyed last weeks video using Copic markers for quick sketches. I’ve since bought a few . Could you do a video focusing on this medium please. J
Awesome video! Thank you thank you!
Thanks for answering the masking question. I use Pebeo as well, good to know you don’t have issues with heat over it. I will have to test this out to see if I can speed things along.
I do keep that heat gun moving though so the masking fluid doesn’t ‘bake’
@@shelleypriorfineart yes ai went back and watched the beginning part that I missed. I will be testing some thing’s out now. So many times I have wanted to speed up the process just a bit but I always resist for fear of bonding my masking to the paper. I work on the Meeden Cotton paper a lot, I will have to try a low heat and keep it moving to see how it works.
Ty. What part of Florida were you in? This must be the Atlantic coast bc kI live on the Gulf and our waves are miniscule (except in hurricanes lol).
@@moyke3 I was on the gulf side but it was quite windy. I’m zoomed in on the waves too which must make them seem larger
Hi There, I love your palette. What is the name of itf? Thanks!
Thank you. It’s a Speedball Color Wheel palette (plastic) but unfortunately it’s discontinued. The Stephen Quiller palette is very similar (plastic or ceramic).
Is there a way to download the photo you used so I can print it out & paint along with you? Love your videos!
It’s on my Facebook page, in the comments below my post about this video.
@@shelleypriorfineart Thank you!
What did you dip your brush in before using the masking fluid?
she probably dipped it in water to get a point started. Don't use a good brush with masking fluid, find something crappy in your house to use.
Probably liquid soap of some kind - it protects the brush from getting all gummed up from the masking fluid. I add dish soap to mine. Cleans much easier when you're done.
Sorry if I neglected to mention it. I used some soap to protect the bristles from sticking to the masking fluid.
Can you explain the reason you were painting wet on dry and not wet on wet? I’ve discovered I am petrified of the hard edges I get while painting wet on dry 😅😮
If you work with a brush full of wet color, you can easily work on dry. Reload the brush often with more paint and/or water. Wetting first is an extra step. It is difficult to wet irregular shapes with water and get back in with paint before it dries, so I prefer to work on dry with wet color.
I will try it! Thanks so much for replying. I also think my problem is not stepping away from the work, it looks SO different when you do!