That is reasonable general guidance for tri-tones, but as always it works situationally. Take an example like "Out of Nowhere" that has dominants that move to a parallel 4th that will not reasonably support a tritone as well as a dominant that moves a half-step down to another dominant that supports a tritone substitution wonderfully. Rules all have exceptions! :)
Great stuff, Chris! Perfect timing as I was practising moving from tritone to resolution this week and struggling to make it smooth. This way of doing it is so beautiful. Hope you're keeping well!
Chris mentions a Bb to Cmaj..... this has a similar function I think as Bb7s a family of the Cs V(G), so I guess its already a tritone of sorts but not really... the tritone of Bb7 here would be the 3 of the C but not a tritone. So Im thinking the tritone as Barry sees it is really Db of the C key.... are the family members thought of as a function of the V?
I know you are improvising when you continue from all your examples but it sounds so great. Are you just doing lines on the resolution? Maybe good to look more at the lines videos you made? I know its all there....I guess they sound like additional changes to me but are they like V to 1s?
All the episodes are gold
So many possibilities. Thanks.
Yes
I can hear so much bebop language in your playing, it's so nice!
I just gotta say... I love your channel. It’s awesome.
Thank you Sam.
Great lesson. Practical leason! Very nice line examples. Thanks.
That is reasonable general guidance for tri-tones, but as always it works situationally. Take an example like "Out of Nowhere" that has dominants that move to a parallel 4th that will not reasonably support a tritone as well as a dominant that moves a half-step down to another dominant that supports a tritone substitution wonderfully. Rules all have exceptions! :)
This is a great approach .........thank you Chris!
Barry's method is wonderful.
Chris I just figured this out on my own but damn so cool to see I’m on the right track! Meaning the copying of ideas across the tonic and TT! Love it
such a good lesson. Always inspiring, my friend
Thanks for sharing this series Chris! Always appreciated.
You're welcome
Great stuff, Chris! Perfect timing as I was practising moving from tritone to resolution this week and struggling to make it smooth. This way of doing it is so beautiful. Hope you're keeping well!
Barry has really checked this out. He really leaves no stone unturned. Hope you're doing well.
Great video again Chris!! Could you have a backing track playing chords you explain? Be good to have a reference.
I probably should. I've never practiced with a backing track.
Sometimes it’s nice to just ignore the lesson and listen to your lines. You had some great ones this video!
Thank you
Thanks Chris this is good sh* t
I love looking at this stuff.
Chris mentions a Bb to Cmaj..... this has a similar function I think as Bb7s a family of the Cs V(G), so I guess its already a tritone of sorts but not really... the tritone of Bb7 here would be the 3 of the C but not a tritone. So Im thinking the tritone as Barry sees it is really Db of the C key.... are the family members thought of as a function of the V?
It isnt Better ti use the Sharp four when you use B7 as a tritone?
Is there a begging to Barry's tritone sub video ?
I know you are improvising when you continue from all your examples but it sounds so great. Are you just doing lines on the resolution? Maybe good to look more at the lines videos you made? I know its all there....I guess they sound like additional changes to me but are they like V to 1s?
You should have tenfold subscribers
Thanks Ralph. Please share with your musician friends.
Is this video out of syn?