Thank you. This was a great interview and she was a very good interviewee. She was very smart and really knew everything she was talking about. She really seemed to know the product inside and out.
@@beyondourarena2207 Well, the codec from this camera is really good. Having 6k FF camera of this size, I can wait. Because I will probably shoot with it for 10+ year like I did with Canon 5D. Unless camera companies make a new sensor technology beyond CMOS, there is really no reason to keep buying camera. But I want to replace my 5D with Panasonic, so I can match them easier. This is perfect B Camera for my Varicam LT. I arranged test with Panasonic Hollywood. So in a few weeks check my channel and you will see a narrative test from this camera combo. Also most camera are shooting in raw but the sensor is so bad it is just a gimmick. From what I have seen from this camera, and vlog there is a lot more color and real 14 stops dynamic range. Varicam of course is the best camera on market with 6+ dynamic range over and under with no color change. Better than ARRI but never reported... tsk tsk Pany
@Cinema 5D - Thank you for awesome info interviews. But I was more amazed by the quality of video and audio you are producing. This video scores a perfect 10. Appreciate your hard work.
Again, RAW just announced today via Atomos Ninja V. www.dpreview.com/news/9129800662/atomos-and-panasonic-to-co-develop-raw-video-for-the-panasonic-s1h
@@en.6565 again only Prores raw and def only 4k, i wonder if it will even be full sensor or cropped, lol. If it is cropped 4k prores raw than this is camera that will cost $4,600 just for the body and 4k raw. thats no lens.... wow does the bmpcc6k look so much better to indie filmmakers
I like how Panasonic is calling aspiring filmmakers, giving an clear path way to the Varicam. Or even using the S1H as a main cam and the GH series as a B-cam.
Interesting hearing Panasonic positioning the EVA-1 as a broadcast camera. Its found very tough competition in that price range with Canon c200 and the UMP.
Very true. I was looking at the EVA1 for doc shooting and corporate, but the S1H will offer a lot more physical mobility, plus all the features like 14 stops of dynamic range, more lens choices, etc etc.
@@soultrekcentral It depends on if it is still aimed to compete with the S1H. The EVA has things that the S1H doesn't, like a Canon EF mount, built in XLR ports, a movable grip which allows it to be used handheld or shoulder rigged, a handle, ND filters, lots of stuff. I can imagine the EVA cameras being used for larger productions as a B cam for a Varicam, and where the camera op has to be mobile but in a traditional ENG way. It's essentially the Panasonic FS5/FS7.
@@soultrekcentral Easy: the form factor and shear processing power. There will always be a need for true cinema camera form factors. I think the EVA-2 needs an L mount no doubt.
@@raksh9 That's about what I was thinking. For the longest time Panasonic needed a camera that sits between the GH5S and the EVA-1. Looks like this is it!
€4.000,- for the body. Around €2.000 for a nice FF lens. An additional battery and some extra's maybe. Hitting the Cinema Camera price range there. Blackmagic really is disrupting the camera market. That being said, would love to see some real world footage of the S1H.
From a video quality perspective, yes BM seems to have more value. But from usability out of the box point of view, S1H offers more value for the $. Flip screen, much better battery, viewfinder, IBIS, tonnes lot of recording formats. Not everyone needs raw in the first place.
@@shem44 yeah true. I went for the Canon C200 not so long ago. Mainly because of that reason. Else I would've opted for the Pocket 4K back then I think. I just like to pick up a camera and not have to worry about ND's/Audio/Battery etc.
Panasonic really adds to the competition! If this camera was shooting prores it would be worth the effort. Tried editing h265 10 bits on my 16 core pc and it was impossible.
Polani Almoni How old is your CPU? Recent CPUs have native support for h.265 built in. I think Intel started including this sometime around the 7th gen i core series. Any new Ryzen 2 CPU (like the 3700X) should gobble up h.265 footage, no problem.
All of my purchases this year have been for Blackmagic because they will be the first to bring us 8K next at incredible price and they deserve my support. They are not holding many things back and I love the image from 6K pocket that I am getting. 6K raw uprezed to 8K looks great on 8K TV anyone needs to check it against RED. Remember when RED was braging about 4K soccer mom afordable camera years ago? Now we have it with Blackmagic without lies.
Panasonic and Atomos RAW sounds amazing but the same promise was made with the Nikon Z6. It’s been a good minute and nothing has been heard about its development so far.
Thanks so much for this announcement! The S1H is very exciting! I’m waiting to see more footage from the camera, especially dynamic range. It’s priced similarly to the ZCam F6, that would be a good comparison when both are available. I look forward to your full review!
Sorry but Blackmagic can't touch this. The S1H is a clearly refined camera. The P6k is just something they threw out there because they saw the competition getting ready to pounce.
Uhm what? I'll take 6K up to 60fps in an amazing 12 bit RAW codec over 6K (not really full 6K either) on full frame in a terrible h.265 codec. H.265 is AWFUL for editing so I hope you like transcoding and eating up even more hard drive space. Also you're gonna need tons of ultra fast SD cards to even be able to record for more than 15 minutes. Plus the BM 6K is half the price and comes with Davinci Resolve. BM is better for video quality. S1H is better for ergonomics.
@@cfl4286 I agree. That's why the S1H will do ProRes Raw to an external recorder. The reality is the price of high quality images is high. At this level you're riggin out the camera anyway.
@@BlackWarriorLures yes you definitely have to invest to get the best image out of both of them. I don't see proress raw coming anytime soon to the S1H. And if it does, it won't be 6K because HDMI can't handle a 6K raw signal. Every other camera that is capable of proress raw via an Atomos uses SDI. Plus that will negate the usefulness of the ergonomics and flip out screen since you have to buy a $700 monitor/recorder for it anyways. Either way you're still way above the price of a fully rigged BM 6K so you might as well do that if you're looking at shooting video. Also premiere doesn't support proress raw so you have to use FCPX. You can buy a $30 plugin for premiere to make it compatible with Braw and you also have Davinci for free which is better than both.
@@cfl4286 But can Blackmagic actually deliver a functional camera? People are still waiting on their P4ks, and BM's quality control lacks much. The price is temping, but they have cut the price so much that people getting cameras all scratched up, and who knows what other problems. Buy Blackmagic and you're just a beta tester. Buy Panasonic and you're buying a finished camera.
@@Hunselmann what an amazing video camera though, with button illumination, full size hdmi port, super rotating touch screen, 6k, fan, best full frame stabilization,,,, the list goes on...............
@@mirrorlessny you are right. That's all I want for the sony a7s3. But i guess sony can't deliver like panasonic. But i work a lot with AF. So panasonic is no option for me yet. If you don't need af that much the panasonic is killer. The low light performance looks fantastic!
@@Hunselmann work a lot with AF too & constantly moving, just checked B&H S1H weight is 1164g, a7iii + tamron 28-75 combined is 1200g, at the end of the day camera+lens weight can become a deciding factor
Canon shooter here, but looking to jump ship... The S1H looks great, but when I click over to B&H, the lenses look extremely limited (especially primes). I'm only seeing one 85mm, for example. I'm used to many options and ranges from multiple brands. Are the limited lens options of concern to anyone, or am I just spoiled from being used to the old Canon EF mount?
But no RAW!!!! The only feature that saves it is the IBIS. However if I don't need manual exposure control in slow motion then the S1 would be more than adequate.
Z-Cam has their 10bit full frame 8K camera coming Oct 2019, which records to a T5 SSD in Raw, similar price and used a common Sony $20 battery, EF lenses and uses your phone as the monitor. Seems like Z-Cam will produce the best image, easiest battery solution and most flexible media format with T5 drives instead of slow and expensive SD cards.
@@nicholasboule5134 I forget what UA-camr it was, might have been Kai, but they recorded a segment using the internal mics to show the fan noise. While I would have no intention of using the internal mic for audio I'm wondering if a shotgun mic on top would pick up the noise.
@@FreshWaterLake huh, i will look for it, im not that excited for this camera anyways as it seems way to high a price point for what they are implying it is good at, i would say this is a vastly capable video camera but def not a good cinema camera. codecs and bit rates are too crippled
@@nicholasboule5134 Out of my range for now but as I continue to grow and expand a legit lower end (non-RED) camera is what I'm ever becoming interested in. For now, my Nikon and Atmos' 10-bit is glorious.
Keith Hutson depending on your content, a bmpcc6k could be Ana amazing way to get the “RED” look for cheap. And if you have Nikon f glass it can adapt to the ef mount. But hopefully raw will come to the z6. I would get it for documentary and low end commercial work. But the image of the bmpcc4k and 6k is just worlds better than any h.265 could dream of being.
good luck selling h265 4:2:0 10bit 200mbit/s for $4k when you can get braw 200-400mbytes/s for $2.5k {FF and ibis are great to have over bmpcc6k but not sure it will compensate for the lack of raw}
The bmpcc has a fan too. Reading out these high resolution sensors and doing the necessary image processing obviously has some heat output, so it shouldn't be a surprise when you consider Sony's history with overheating issues just at 4k and Canon blaming overheating for why the 4k is cropped in the EOS R.
@ this point when is the auto focus gonna be rehalled? Yes I use manual but everyone else is doing it why can you guys? Every time you improve on other features but can't fix auto focus lol.
The S1H is looking really sweet. I own the BMPCC4K, and I love it. But, having worked with the GH5, I can see getting the S1H because of the quality I know that comes out of Panasonic.
4000€ Cinema camera with 25MB/sec (200Mbit) bitrate for 4K/60p ? 25MB/sec for 6K/30p ?? Is this a JOKE guys ??!!!?? For comparison ..... BRAW Q0 in Blackmagic 6K/50p can achieve 805MB/sec which equals to 6440Mbit/sec !!!!!!!!!!!!! Cinema means post production .... Color grading .... Effects ...... How the hell are you gonna work with 25MB/sec ???? And you call this CINEMA camera ???? This is a vBLOGGERS camera. Blackmagic is 10 years ahead. This camera , 12 months from today , will be in the Panasonic museum. Who is responsible in Panasonic for such decisions ???? F I R E him .... all the whole R&D group.
If you really take a serious look at the samples on UA-cam you can see that the S1H footage looks better than the BMPCC6K Raw codec footage. Why? In short: Full Frame Sensor! I own the BMPCC6K, but I still love the handling of the S1 more. And I really love the in body stabilization.
@@w.w.7148 This is a personal opinion. I do not think the footage is better. Furthermore you are talking about the BEST samples of Panasonic chosen one by one and NOT real life conditions. Wait until you OVER/UNDER expose with the S1H ..... Then the real disaster begins. If you LOVE full frame image just order a Magic BOOSTER that will transform your P6K into a Full frame camera. Problem solved. And you keep 1000€ to go to the movies with your girlfriend , for the next couple years. :)
So true man. The 6K will appeal to the masses. But anyone who knows a little more about editing and coloring will value codecs and bitrates over some of these specs any day.
W. W. If they call it a „pro“ camera for videoproduction, what does it actually bring over the existing model? The s1 has basically almost the same specs with worse codecs. To call a camera a film oriented tool“ and have a 1.5 crop in 4k60 (THE baseline spec these days) is just not good enough for this huge pricepoint. Bm6k can use the lucadapter and becomes FF, AND can do 6k 12bit RAW in 60p (!!!) for LESS money...srsly, why would anyone consider this cam?
You can tell they are angry 😡 with black magic. We have a fan in the camera, and a flip out screen... Yea but no RAW🧐... Oh yea and a price tag for 4g's... Nope
8k, 12k! No one can tell the difference. No one. Zero. If you are taking a magnifying glass to the cinema to watch a film, then you aren't really into story at all. Check out Steve Yedlin's discussion before you insult folks. nofilmschool.com/2017/08/yedlin-camera-resolution-myths
Thank you. This was a great interview and she was a very good interviewee. She was very smart and really knew everything she was talking about. She really seemed to know the product inside and out.
We are getting so many options in the camera world, it's awesome!
RAW is coming via Atomos Ninja V. Just announced today!
E N. Yes. But is it prores raw ? Or proper raw dng?
@@AlexDerrick_DP most likely prores and def only 4k as no hdmi recorder can do 6k
now it is just an annoucement : they annouced same things for nikon Z6 and from many months ago, and nothing appear until today. So...
@@beyondourarena2207 Well, the codec from this camera is really good. Having 6k FF camera of this size, I can wait. Because I will probably shoot with it for 10+ year like I did with Canon 5D. Unless camera companies make a new sensor technology beyond CMOS, there is really no reason to keep buying camera. But I want to replace my 5D with Panasonic, so I can match them easier. This is perfect B Camera for my Varicam LT.
I arranged test with Panasonic Hollywood. So in a few weeks check my channel and you will see a narrative test from this camera combo.
Also most camera are shooting in raw but the sensor is so bad it is just a gimmick. From what I have seen from this camera, and vlog there is a lot more color and real 14 stops dynamic range. Varicam of course is the best camera on market with 6+ dynamic range over and under with no color change. Better than ARRI but never reported... tsk tsk Pany
Beyond Our Arena because of the Apple and RED lawsuit about the RAW decoding that delays Prores RAW
4K can't die soon enough
@Cinema 5D - Thank you for awesome info interviews. But I was more amazed by the quality of video and audio you are producing. This video scores a perfect 10. Appreciate your hard work.
Nice, But my BMPCC4K does Prores and raw which I will not give up.
Blackmagic RAW
and so does the BMPCC 6K
Again, RAW just announced today via Atomos Ninja V. www.dpreview.com/news/9129800662/atomos-and-panasonic-to-co-develop-raw-video-for-the-panasonic-s1h
@@en.6565 again only Prores raw and def only 4k, i wonder if it will even be full sensor or cropped, lol. If it is cropped 4k prores raw than this is camera that will cost $4,600 just for the body and 4k raw. thats no lens.... wow does the bmpcc6k look so much better to indie filmmakers
really stoked by the port protecter
No kidding, right!
I like how Panasonic is calling aspiring filmmakers, giving an clear path way to the Varicam. Or even using the S1H as a main cam and the GH series as a B-cam.
For the 99% wondering about this feature 5:15 OOOWWW!!!
Interesting hearing Panasonic positioning the EVA-1 as a broadcast camera. Its found very tough competition in that price range with Canon c200 and the UMP.
Very true. I was looking at the EVA1 for doc shooting and corporate, but the S1H will offer a lot more physical mobility, plus all the features like 14 stops of dynamic range, more lens choices, etc etc.
what do you guys think what a EVA2 should have to compete with mentioned above and s1h, also price point wise?
@@soultrekcentral It depends on if it is still aimed to compete with the S1H. The EVA has things that the S1H doesn't, like a Canon EF mount, built in XLR ports, a movable grip which allows it to be used handheld or shoulder rigged, a handle, ND filters, lots of stuff. I can imagine the EVA cameras being used for larger productions as a B cam for a Varicam, and where the camera op has to be mobile but in a traditional ENG way. It's essentially the Panasonic FS5/FS7.
@@soultrekcentral Easy: the form factor and shear processing power. There will always be a need for true cinema camera form factors. I think the EVA-2 needs an L mount no doubt.
@@raksh9 That's about what I was thinking. For the longest time Panasonic needed a camera that sits between the GH5S and the EVA-1. Looks like this is it!
€4.000,- for the body. Around €2.000 for a nice FF lens. An additional battery and some extra's maybe. Hitting the Cinema Camera price range there. Blackmagic really is disrupting the camera market. That being said, would love to see some real world footage of the S1H.
From a video quality perspective, yes BM seems to have more value. But from usability out of the box point of view, S1H offers more value for the $. Flip screen, much better battery, viewfinder, IBIS, tonnes lot of recording formats. Not everyone needs raw in the first place.
Blackmagic Pocket 6k is 50fps 12-Bit BRAW for $2495 with EF mount.
I guess considering that the AF in this body is contrast based, you probably won't lose much by adapting non-native glass to this thing.
@@shem44 yeah true. I went for the Canon C200 not so long ago. Mainly because of that reason. Else I would've opted for the Pocket 4K back then I think. I just like to pick up a camera and not have to worry about ND's/Audio/Battery etc.
But tilty flippy outty screeny
Panasonic really adds to the competition!
If this camera was shooting prores it would be worth the effort.
Tried editing h265 10 bits on my 16 core pc and it was impossible.
No problem with DaVinci Resolve Studio.
Polani Almoni How old is your CPU? Recent CPUs have native support for h.265 built in. I think Intel started including this sometime around the 7th gen i core series. Any new Ryzen 2 CPU (like the 3700X) should gobble up h.265 footage, no problem.
the price is on the B&H link in the description. So no mysteries about it
around $4000 USD
4000 Euros? Nice! I will stay with the Blackmagic series.
All of my purchases this year have been for Blackmagic because they will be the first to bring us 8K next at incredible price and they deserve my support. They are not holding many things back and I love the image from 6K pocket that I am getting. 6K raw uprezed to 8K looks great on 8K TV anyone needs to check it against RED. Remember when RED was braging about 4K soccer mom afordable camera years ago? Now we have it with Blackmagic without lies.
if my fuji X-T3 had these aspect ratio options and in camera framing, i wouldn't be tempted whatsoever. firmware time, fujifilm?
Great interview!
And great camera is coming to the market soon!
Wow, and that with the exzellent, naturally image noise! I will keep an eye on it. Good work Panasonic and thanks for the great video.
Panasonic and Atomos RAW sounds amazing but the same promise was made with the Nikon Z6. It’s been a good minute and nothing has been heard about its development so far.
Thanks Cinema5D it was a really good interview.
What a monster cam
Whaaaw what a camera 🤩🤩🤩
Thanks so much for this announcement! The S1H is very exciting! I’m waiting to see more footage from the camera, especially dynamic range. It’s priced similarly to the ZCam F6, that would be a good comparison when both are available.
I look forward to your full review!
I could listen to her talk for hours
Interesting camera indeed. Looking forward to see what people think as it gets in the hands of the masses!
Sorry but Blackmagic can't touch this. The S1H is a clearly refined camera. The P6k is just something they threw out there because they saw the competition getting ready to pounce.
Uhm what? I'll take 6K up to 60fps in an amazing 12 bit RAW codec over 6K (not really full 6K either) on full frame in a terrible h.265 codec. H.265 is AWFUL for editing so I hope you like transcoding and eating up even more hard drive space. Also you're gonna need tons of ultra fast SD cards to even be able to record for more than 15 minutes. Plus the BM 6K is half the price and comes with Davinci Resolve. BM is better for video quality. S1H is better for ergonomics.
@@cfl4286 I agree. That's why the S1H will do ProRes Raw to an external recorder. The reality is the price of high quality images is high. At this level you're riggin out the camera anyway.
@@BlackWarriorLures yes you definitely have to invest to get the best image out of both of them. I don't see proress raw coming anytime soon to the S1H. And if it does, it won't be 6K because HDMI can't handle a 6K raw signal. Every other camera that is capable of proress raw via an Atomos uses SDI. Plus that will negate the usefulness of the ergonomics and flip out screen since you have to buy a $700 monitor/recorder for it anyways. Either way you're still way above the price of a fully rigged BM 6K so you might as well do that if you're looking at shooting video. Also premiere doesn't support proress raw so you have to use FCPX. You can buy a $30 plugin for premiere to make it compatible with Braw and you also have Davinci for free which is better than both.
@@cfl4286 good point. It'll probably be 4k 10 bit prores raw like on the eva-1
@@cfl4286 But can Blackmagic actually deliver a functional camera? People are still waiting on their P4ks, and BM's quality control lacks much. The price is temping, but they have cut the price so much that people getting cameras all scratched up, and who knows what other problems.
Buy Blackmagic and you're just a beta tester. Buy Panasonic and you're buying a finished camera.
I'd rather have 3:2, anamorphic V-log color science and that AA filter than b-raw (which isn't really raw) any day. Thanks Pany!
That's about how I see it.
Black Warrior Lures but come to find out that Atomos is working on hdmi raw (prores raw?)But i prefer a good codec than raw
@@AlexDerrick_DP hehe! Yeah, I bet it's Prores raw
wow so many amazing features, is it still contrast AF only though?
Unfortunately it is
@@Hunselmann what an amazing video camera though, with button illumination, full size hdmi port, super rotating touch screen, 6k, fan, best full frame stabilization,,,, the list goes on...............
@@mirrorlessny you are right. That's all I want for the sony a7s3. But i guess sony can't deliver like panasonic. But i work a lot with AF. So panasonic is no option for me yet. If you don't need af that much the panasonic is killer. The low light performance looks fantastic!
@@Hunselmann work a lot with AF too & constantly moving, just checked B&H S1H weight is 1164g, a7iii + tamron 28-75 combined is 1200g, at the end of the day camera+lens weight can become a deciding factor
Whats the name of the cinema lens that mounted on S1H and is this native L mount ? Thanks in advance
Canon shooter here, but looking to jump ship... The S1H looks great, but when I click over to B&H, the lenses look extremely limited (especially primes). I'm only seeing one 85mm, for example. I'm used to many options and ranges from multiple brands. Are the limited lens options of concern to anyone, or am I just spoiled from being used to the old Canon EF mount?
But no RAW!!!! The only feature that saves it is the IBIS. However if I don't need manual exposure control in slow motion then the S1 would be more than adequate.
It really needs Blackmagic RAW to be the best.
you dont always need raw. also they put out the option for prores raw
Timecode In/Out Wow thats great!!!!
I think a Bmpcc4k or 6k with a gimbal is a better deal
how
Men this camera is just crazy. I was going to get the S1 but how can I resist that 6k?
Lord help me please.
I wish the S1H did Pro-Res codecs.
keep wishing lol
Which one is the cheapest lens or the cheapest adapter+lens combi I can use with this cam?
this is pretty awesome. the ergonomics look pretty good as does the chassis. soon as panasonic nail the AF this will wipe the market. till then....
Has anyone adapted EF lenses to this L-mount? With the sigma adapter? What’s your experience?
Not upset by the contrast based AF because I can't afford native lenses for this camera anyway
4000 euro ?? Im gonna get a dozen of these :P :P
Dear Sir, in this video which camera was used?
Hi there. We used the FUJIFILM X-T3 for filming the interview. Thank you
I want this with an MFT mount.
Can You Get The CVP Price in The US That is a Big Price Difference
This is Nice and all but i am still waiting for the Panasonic DVX-200.
There is already a DVX-200!
Z-Cam has their 10bit full frame 8K camera coming Oct 2019, which records to a T5 SSD in Raw, similar price and used a common Sony $20 battery, EF lenses and uses your phone as the monitor. Seems like Z-Cam will produce the best image, easiest battery solution and most flexible media format with T5 drives instead of slow and expensive SD cards.
All codecs are 4:2:0 on the zcams :(
@@TylerHansenVideo the website says the camera includes "ZRAW" so it's going to be an option
10 bit fullframe thats nice..
What is the maximum power consumption?
Due to fan noise, will this camera work with a mic on the hotshoe?
ive heard the fan is virtually silent so not to worry
@@nicholasboule5134 I forget what UA-camr it was, might have been Kai, but they recorded a segment using the internal mics to show the fan noise. While I would have no intention of using the internal mic for audio I'm wondering if a shotgun mic on top would pick up the noise.
@@FreshWaterLake huh, i will look for it, im not that excited for this camera anyways as it seems way to high a price point for what they are implying it is good at, i would say this is a vastly capable video camera but def not a good cinema camera. codecs and bit rates are too crippled
@@nicholasboule5134 Out of my range for now but as I continue to grow and expand a legit lower end (non-RED) camera is what I'm ever becoming interested in. For now, my Nikon and Atmos' 10-bit is glorious.
Keith Hutson depending on your content, a bmpcc6k could be Ana amazing way to get the “RED” look for cheap. And if you have Nikon f glass it can adapt to the ef mount. But hopefully raw will come to the z6. I would get it for documentary and low end commercial work. But the image of the bmpcc4k and 6k is just worlds better than any h.265 could dream of being.
well, Z CAM F6 is full frame , and it's affordable, plus it'll shoots in prores and raw
Very impressed
good luck selling h265 4:2:0 10bit 200mbit/s for $4k when you can get braw 200-400mbytes/s for $2.5k {FF and ibis are great to have over bmpcc6k but not sure it will compensate for the lack of raw}
So sick! I can't wait!
Seriously a fan inside a mirrorless camera?
The bmpcc has a fan too. Reading out these high resolution sensors and doing the necessary image processing obviously has some heat output, so it shouldn't be a surprise when you consider Sony's history with overheating issues just at 4k and Canon blaming overheating for why the 4k is cropped in the EOS R.
@ this point when is the auto focus gonna be rehalled? Yes I use manual but everyone else is doing it why can you guys? Every time you improve on other features but can't fix auto focus lol.
Why is the youTube at 360p? Looks very interesting.
A7R III
You should monitor your audio before starting the interview ;-)
Get her; her own mic 🎤
😂😂
The S1H is looking really sweet. I own the BMPCC4K, and I love it. But, having worked with the GH5, I can see getting the S1H because of the quality I know that comes out of Panasonic.
Does the $4,000 price include the 24 - 105 lens??
Na, not at this level. You could spend $4k on a simple 50mm cinema prime lens.
Rip Sony a7s iii
Le Ba Vu Sony has the Iv they are all dead Bmpcc4k 6k a gunslinger
AR 23 yup. Agreed
Im waiting for the 8K version next year.
Lens ... if u shoot full frame u need lens on a budget oriented production if u go full frame go really pro with a arri rental
That doesn't make sense. Throw some old Nikon glass at this and you'll have beautiful footage
Sigma, Leica, Novoflex and Kipon have many adaptors for L mount (including an AF adaptor, Sigma's MC-21) EF, PL, M, R, F, OM, SA
4000€ Cinema camera with 25MB/sec (200Mbit) bitrate for 4K/60p ?
25MB/sec for 6K/30p ?? Is this a JOKE guys ??!!!??
For comparison ..... BRAW Q0 in Blackmagic 6K/50p can achieve 805MB/sec which equals to 6440Mbit/sec !!!!!!!!!!!!!
Cinema means post production .... Color grading .... Effects ......
How the hell are you gonna work with 25MB/sec ????
And you call this CINEMA camera ???? This is a vBLOGGERS camera.
Blackmagic is 10 years ahead. This camera , 12 months from today , will be in the Panasonic museum.
Who is responsible in Panasonic for such decisions ???? F I R E him .... all the whole R&D group.
If you really take a serious look at the samples on UA-cam you can see that the S1H footage looks better than the BMPCC6K Raw codec footage. Why? In short: Full Frame Sensor! I own the BMPCC6K, but I still love the handling of the S1 more. And I really love the in body stabilization.
@@w.w.7148 This is a personal opinion.
I do not think the footage is better.
Furthermore you are talking about the BEST samples of Panasonic chosen one by one and NOT real life conditions.
Wait until you OVER/UNDER expose with the S1H .....
Then the real disaster begins.
If you LOVE full frame image just order a Magic BOOSTER that will transform your P6K into a Full frame camera.
Problem solved. And you keep 1000€ to go to the movies with your girlfriend , for the next couple years. :)
@@allenpayne9182 Take a look at other samples, not just this video!
So true man. The 6K will appeal to the masses. But anyone who knows a little more about editing and coloring will value codecs and bitrates over some of these specs any day.
Unfortunately DFD AF is unusable for vlogging.
Hmm... still 4k60 only with apsc crop... thats just a huge fail... bm6k sounds much more competitive...
The BMPCC6K is not even full frame, so what is your point here?
W. W. If they call it a „pro“ camera for videoproduction, what does it actually bring over the existing model? The s1 has basically almost the same specs with worse codecs. To call a camera a film oriented tool“ and have a 1.5 crop in 4k60 (THE baseline spec these days) is just not good enough for this huge pricepoint.
Bm6k can use the lucadapter and becomes FF, AND can do 6k 12bit RAW in 60p (!!!) for LESS money...srsly, why would anyone consider this cam?
You can record full frame 4K at 60p from the hdmi output. Relax.
@@m0nztam0nk It will do RAW now too Atomos announced today.
You can tell they are angry 😡 with black magic. We have a fan in the camera, and a flip out screen... Yea but no RAW🧐... Oh yea and a price tag for 4g's... Nope
But they have FULL FRAME! :)
First like and Watching
360p, come on youtubes
A good camera is the one you can't afford
what a woman!
A little bit overpriced! as far as I'm concern. Lol..
Pricey. 6k is a gimmick that no one needs. Otherwise, the specs are good. I suspect they will be doing something to EVA and Varicam to differentiate.
Some years ago people said FHD is something no one needs ;-)
Not everyone is as dumb as you Scott, don't assume that your own stupidity is universal
@@zyxyuv1650 Ha ha ha. You're a f-ing idiot.
@@scottslotterbeck3796 nah Scot, you're the dumb one here..Go cry in the corner.
8k, 12k! No one can tell the difference. No one. Zero. If you are taking a magnifying glass to the cinema to watch a film, then you aren't really into story at all. Check out Steve Yedlin's discussion before you insult folks.
nofilmschool.com/2017/08/yedlin-camera-resolution-myths