@@THEDPJOURNEY quick question! Does PP improve rolling shutter performance? It would be very appealing to know since theoretically it should take less time to read the censor, especially in full HD
Again impeccable work! That camera is almost perfect, missing punch in while recording for nailing focus and somehow deliver in prores. Keep them coming we will keep watching. Cheers mate
yeah it has great features! ProRes is already there in 4K for external recording, but will come later in Q1 as they say with ProRes Raw. Let's wait and see. Thanks again
Fantastic and detailed review, as usual. I'm a bit late to the S1H party, but this "image area of video" is already one of my favorite features of the S1H. Maybe this will be implemented in the upcoming GH6?
Hello Sherif, as I already mentioned I have been following you "whitout you". Thank you for the quality of your interventions and the free sharing of your DOP experience. I hope to be able to participate one day in one of your shoots, while waiting thank you for the value brought and I am still as amazed by the quality of your images, even with a GH4 !!!
Hey Laurent. Thank you so much for your support and comment. I'm always on the lookout for filmmakers to work with. Let me know what's your strength and which side of the shoot you're best at and I'll surely consider. Thanks buddy
Best reviews on the internet. I just got my S1H in the mail. This is really helpful as I dive into becoming more familiar with shooting with it. I’m already so impressed with this camera. Be curious to see if they introduce RAW 12bit this spring. What do you think? 🤞🏼
Thank you so much Filip for the awesome comments and compliments, the S1H is a pretty awesome and interesting camera. It’s Full of features that it’s gonna take forever to cover them all in an episode. I’ll release a couple of more videos to break things down a little bit. Check this episode about the raw recording, I do believe it will be 12 bit ua-cam.com/video/sSGM7y1iClw/v-deo.html
as someone who doesnt have much interest in Panasonic (i only bought a Nikon Z6 last month and feel its is enough... i also find editing daunting and a little boring) kit i love the quality of your videos, the jargon free English and beautiful editing, i can imagine the videos you make take a while to put together. Thank you :)
Thank you so much May, yeah they do take a lot of time. I try hard to simplify things and make sure filmmakers in all levels can understand them. Thanks again for the support. and hope to hear from you soon
The 5.9K FF mode you mention at 9:45 is actually 10bit not 8bit?... it is 4:2:0... but I did my own tests and found the colour detail and noise is much better using this mode and then downsampling in post. There is almost no reason to ever shoot 4K 4:2:2 as the colour resolution is worse!... (shooting 5888x3312 gives 4.8mp colour resolution in 4:2:0 as against 4.1mp in 4K 4:2:2). In fact... why is it ever better to crop in camera rather than capture everything you can and crop in post, using a better processor?
Hey, yes I did already rectify the 8bit thing in the description. I honestly didnt see that the 6K is "much better" at all.. there's almost identical. Can you explain which area did you find that better? As I mentioned, both res have the same starting poitn of 5.9K so they both would theoretically have the same color resolution, even though I think the 4:2:2 being oversampled in camera would have a better bayer conversion since the camera knows it's sensor Vs FCPX for example that estimates. Even if you use Nule or Davinci to choose the method of oversampling, they're all guessing as they don't have the exact camera bayer pattern. The reasons why 4K is better: 1- 422 Vs 420.. better in chroma key 2- 5.9K is Long GOP, which is super sluggish, with that res it's more of a nightmare even on high spec machines 3- 5.9K doesnt shoot above 30fps
@@THEDPJOURNEY It’s totally counter intuitive, and not the result I was expecting, but the reason I thought the 6K 4:2:0 was better is simply because I tested it with a colour resolution chart, and found (to my big surprise) that it looked noticeably better than the 4K at 4:2:2. I included the results in a video review I made with this camera before knowing exactly why the 4:2:0 was looking so much better… it wasn’t until someone explained the maths to me that it all became clear! With 4:2:0 colour subsampling you have half the horizontal colour resolution and half the vertical resolution, which with 5.9K (5888x3312) is 4.8mp. When shooting 4K (3840x2160) and 4:2:2 colour subsampling, you have half the horizontal resolution with the full vertical resolution… which is just 4.1mp. The 4:2:2 isn’t better in chroma key if you are working in 4K… there’s more colour resolution in the downsampled 6K! The colour subsampling is all happening after the bayer filter and is used to compress the file size of the image data, so that’s not an issue here.
I gotta test that myself to see. Honestly I already have both footage with the color chart, and after playing with it I haven’t seen that obvious difference you’re referring to. In all cases, the other 2 points are also good to consider when choosing 4K over 6k Thanks again for your input. Really appreciate it
@@THEDPJOURNEY No worries... I don't want to put a link here... but my chart is at 11:43 on my video! By the way, I love the quality of your content... Have a good Christmas!
3:09 - where did you get these numbers from? There is no mode in the S1H that uses 24.89mm x 18.66mm. Those numbers give a 4:3 ratio, and yet your graphic is 16x9. 18.66mm is a theoretical number of a 4:3 crop based on 4 perf film, but the s35 modes in the camera are either 16x9 which is about 13mm tall, not 18.66mm, or their 4:3 mode which is 15.63mm in 4:3 and 14.75mm tall in PIXEL/ PIXEL 4:3. The whole upset with this camera's anamorphic modes has been that it doesn't reflect the 4 perf standard gate. I just wanted to point out this error as no one else seems to have caught it, but it should be at the least obvious that your numbers give a 4:3 image and the crop you're displaying is 16x9. Otherwise this was great, and thanks as always for the hard work.
The DP Journey Gotcha. Panasonic haven’t published the official numbers but the 4:3 numbers I provided are accurate and the S35 16x9 is probably about 13mm like most APS-C cameras in 16x9. Cheers!
Wait a minute. @7:48 you saying 4k has smaller noise then the other two, but I bet if you zoomed in on that even more to match the same view, they would be identical. The question from here is whats changes with detail and color fidelity? Assuming these have the same white balance, why does the 4k have a different color? Which is more 'accurate' because one has to be more so correct then the 2.
hey Chris, first you need to know that FF has a wider Field of view, meaning it sees more than S35 and PP. So I assume the confusion you have is because when i matched the magnification to 800%, the FF image looked smaller. And the key yo any comparison here is to have constants and check what changes. So with 800% magnification, noise looks smaller. And the reason is that it's sampling the whole frame rather than a portion of it. The color part is because just like pixel resolution, you have color resolution, since the sensor has RGGB photocells, if you samply more colors from th full sensor, you get more color resolution than if you sample part of the sensor in S35.
Mutshakkir awi for another awesome review Sherif; you can really tell the difference when the reviewer is a working DP and not just a tech buff! Re: 12:28 it does seem that in FHD mode (and maybe even S35) the pixel-to-pixel mode does have a discernible advantage in terms of sharpness, no?
El 3afw ya Mostafa basha. About the difference if you were mentioning, keep in mind that I was matching the full frame mode to the PIXSY to PIXSY mode which means I had to drastically magnify the image of the full frame to match the super 35. In other words the FF has a MUCH wider FOV
Sherif! I just watched this and thought damn this guy is good... so we’ll explained and top production quality. Then subscribed and realised it was you. Now I know why it’s so good 😆 Awesome to see 👏🏻 I think your channel is about to sky rocket 🚀
NO WAYYY... Jon!!! How's it going buddy, glad you stumbled upon my channel man. and thanks for the compliments. Very well appreciated. Didn't you had a youtube as well, just subscribed. Curious to know how did you find this video? Was it suggested by youtube or were you searching for it? Cheers buddy
THE DP JOURNEY - yeah I did a lot more on here last year but been pretty quiet for a while... likewise with my cinemagraphs. Mainly just dedicating more time to my daughter before she grows up too fast 😉 I think your video came up because the S1H has been on my searches a few times since it came out. Been saving for it but actually considering the Sigma fp now! I’ve also dreamed of raw on such a compact full frame camera and for my needs it’s more in budget.
@@mrjonkane yeah I have kids of the same age as well and i dont' want to miss those days. Cinemagraphs seem to have lost the battle it seems. great to hear from you again buddy
Thanks for the comment, yeah this camera has SO MUCH to cover that's very hard to have a review without gong beyond a 1 hour mark. I'm already working on it... so hopefully in Jan I'll release it. But yeah, if you have the budget for it and feel it fits your workflow... then it's a great choice
@@THEDPJOURNEY Compliments on the quality of your presentations. What are you using to achieve the zoom effect with your graphics? To illustrate, when you zoom in at an angle on the text on either side of your slides. My gratitude in advance.
Another great vid. Definitely one of the best technical camera channels out there. I've just bought an S1 which I'm loving to death (after selling my Red and fs5). The S1 seems to have a very similar architecture to the S1h. Do you happen to know if the s1 also oversamples the full sensor down to 4k, etc? Best of luck with your channel dude
Hey buddy... thanks for the comment. Glad you liked it. I honeslty don' tknow much about the S1 unfortunately, but I assume if this function exist there as well, then it'd be doing teh same thing yes.
Newbie question. So if you have a lens that is a S35 like a DZO Pictor, it should work with the S1H if you select the S35 image area of view, and that would eliminate vignetting?
Great video, you covered a lot, well, and in a short time. I have a S1r on it's way and I am looking forward to finding what hidden features it has for foto and video.
Thanks Steve for the compliment. Yeah Panasonic seem to be cramming a lot of stuff in their S lineup of cameras... i have a another episode int he works about more features.... much less complex than this one though ;)
Fantastic video. I really hope you impart your lighting knowledge in upcoming videos, as cameras and lenses aside, the way you approach light will be invaluable.
Hey Ferhan, yes for sure, I'm planning for some case studies with lighting and so on. I just didn't find much appreciation for those videos though (surprisingly). Nevertheless I'll still work on them. Thanks buddy
So with S1H you can use APSC lenses and can still get a 4K image which is oversampled? Please confirm. This can itself save a ton of money. Is there any other mirrorless camera which does this?
Just found your channel, so informative and enjoyable. Great job you're doing here! If you have the time to answer this question: If you were in my situation: owning an A7iii and some gear for basic productions, events, weddings, etc. Seeking for upgrades in quality, future "proofing" my equipment. What would you recommend? 8 bit and 1080p seems not sufficient anymore and I don't want to have the same quality as the masses. (of course story is king, but we're talking about gear here) I do rely on autofocus pretty often for some of my fast paced videos, those are mainly for events though. I'm trying to push my work more towards productions, which eliminates the need for autofocus. Maybe I should start investing in Canon lenses so switching to another brand is made easier in the future? What (camera) would you recommend for me at the moment? What is wisdom? Budget: 3,5k + willing to sell the A7iii / save up more
Hey Alon, thank you for the kind words. First, I would surely say invest in EF lenses... Sigma ART has the best value for money by far out there. I use EF lenses on all my cameras: RED-BM4K-A7III-S1H. Adapter now are very good that they act almost as good as native lenses. As for the camera, since autofocus is out of the equation now. I would say go for either BlackMagic 4K + Accessories, or invest more if you can and get the S1H. The BM4K's drawbacks are mainly battery life, no tilt screen, no IBIS or usable autofocus and it's M4/3. Which can be fixed with A battery grip with battery, an external screen, a gimbal or a pair of steady hands and some focus practice and a speed booster to make it more of a Super 35 Crop. Here's my personal kit: kit.co/THE-DP-JOURNEY/bmpcc4k-my-fav-kit But everything else about it is awesome! So you need to buy some accessories to bring it to the perfect working configuration. The S1H... Is great out of the box, you just need a couple of extra batteries and cards and you're set. You can get a cage to turn it into a full fledged Cinema cam. And based on Pana, they will release the RAW recording in Q1. Here's a link to the setup I have. kit.co/THE-DP-JOURNEY/s1h-kit-on-a-budget. Hope that answers your question buddy. Cheers ;)
So if you'd use FHD Pixel to Pixel, what kind of processing you'd apply to it to try to get similar IQ from S35 and FF 4k modes? I understand it won't be as good, but is it possible to make it good enough so one could really utilize S1H and one lens as a 3 focal lengths system? Also, if one one shoots in all three modes, would it be better to deliver in 1080p (downsample FF and S35 from 4k to 1080p) in post or to upsample that P2P 1080p to 4k?
Sweet graphics in this video! But I think your super35mm numbers might be a bit off. 24.89 x 18.66mm is the 4:3 frame size of motion picture film. A super35/APS-C crop of a FF 3:2 stills sensor is typically smaller. I Would think the super35 mode would be more like 23.7 x 15.8mm in 3:2 and 23.7 x 13.3mm in 16x9 no? I would also guess that in super35 anamorphic mode it uses this 15.8mm-ish height and in pixel by pixel anamorphic is would be around 14.8mm tall.
Thanks Ryan.... yeah my bad I didnt say it's the 16:9 from the 3:2 of 24.89 x 18.66mm. I didnt really focus on Anamorphic. Something probably I'll cover on another episode once I get my hands on a lens.
Is down sampling the 6K to 4K in post effectively making it 4:2:2 at 4K though? I think I saw a video talking about down sampling or over sampling and this was the case.
Yeah the problem with this video is that it is tooooo good for YT. I do have some questions though regarding the cage you are using for your S1H. Smallrig with ??
I'm really confused now. I'm interested in shooting 3:2 on S1H in anamorphic mode, they claim it's 4:2:0 10 bit (200Mbit LongGOP), this video says it's 8 bit. But the most important question is: Can I record 6k 3:2 via HDMI? What bit depth and chroma sampling I got in that case?
Great and informative video. Something I haven't seen covered anywhere is the following : what is the crop of the anamorphic mode? Is it academy size anamorphic ? Or a 4/3 crop in the s35 window? Thanks in advance and great work once again.
THE DP JOURNEY I'm wondering the same, whether everything is made from Fusion in resolve for example, or if you prepare them in a graphic software and animate them in the video compositing software?
@@THEDPJOURNEY That would be good, it would be nice to know if I can sell my Nikons and get this to go with my GH5 and still have a viable stills camera. The D4s and D800 have been my workhorses for a long time now.
Nice, good to hear! On the GH4/GH5 the 1:1 modes were always very noisy vompared to super sampled mode. Unless outside or well lit studio, it was not worth it and crop in post was better.
The S1H is a definitely a game changer for professional video production. The camera is really a full-blown 6K cinema camera in a mirrorless body that exceeds the capabilities of anything else in it’s class. For video, television, and film production I can confidently say it offers more bang for the buck of any video camera ever made. Here’s a link to my review of the camera and a trailer for a the 4-hour S1H master class I have produced that can help new owners get the best results with their camera. ua-cam.com/video/GhZP14WVCn0/v-deo.html
Hey Mark, our use Final Cut X for editing and testing all my work. Check other videos on my channel where I explained a lot of processes that are use in my projects. Thanks again for your comment
Hi can you compare the prores raw footage between nikon z 6 and panasonic s1h. I want to know how much can we recover highlight,shadow in daylight, lowlight and how is the highlight rolloff. There's a mixed opinion on Nikon z6 . What bitrate can we expect from prores raw in nikon z6 and panasonic s1h ? And for what I know atomos ninja v can only record upto dci 4k60p 10bit 4:2:2 then how nikon z6 is recording 12bit prores raw is the image true 12bit ?
Thanks Enrico... There isn't best for everything. I'd say best for the situation. So provided you shoot in 422 10Bit All-I, this would be the highest quality. now if you need widest FOV, then choose FF, if you need tighter FOV, then shoot S35. or P/P for the tightest FOV possible on this camera. Hope that helps
@@enricoparenti3057 it doesnt at all... what i did here was try to match to the P/P Field of view which is very cropped, so i had to enlarge it by 3.1X to match... Which reduces the quality.
Sherif, I'm thinking about trading my A7iv in on a S1H to get a proper companion camera to my S5, which I love. I've been re watching all your fantastic videos to make sure I'm doing the right thing. Anyway, hope all is well. I miss your nerdy analysis.
@@THEDPJOURNEY You Are so welcome DP .. as a film 🎞 music & Pop composer screen writer i got enough awareness of your amazing job given to help 🙏 Once my New plateform starts will forward you link , we may collaborate with pleasure DP! Cheers out Switzerland
Hey, I have a question, so, I bought this camera and I was testing it a few days ago, before this video, and I was using the stills mode that allows you to shoot 60 fps full frame vlog 6k silently, why nobody is talking about this too? I don't understand this mode quite well, but other cameras offer at most 15 fps and if you shoot silent, maby 7 fps... Can you talk about this please?
I never heard of this honestly as when i shoot video I usually have it on the video mode. not stills. As I was Checking now.... Are you talking about the 6K/4k Photo burst? Cuz that only shoots 30FPS at 6k and 60fps at 4K.
@@THEDPJOURNEY I'm not sure exactly what it is, I was just playing with it and found that option, but I mean, it works like video, you can also just hit the record button and let it roll as long as you want, the only difference is that you can ser straight dron the camera in the viewfinder frame by frame... By the way, thanks a lot for answering, I love your channel
I started signing up for EpidemicSound but they have completely unacceptable license conditions! For example, you can't use their sound if any of your works will ever be used in any broadcast or IPTV environment. How the heck am I supposed to know what might possibly happen in the future? Like, if I make a funny short and in 2 years it's being put into some collection shown on some tiny local TV channel or whatever, then suddenly I have to remove all music from it?!? Really!?! Insanity epidemic.
hey Marcus, disclaimer that I'm not working at Epidemic, but what you're saying is very reasonable and very prone to happen. Recently a similar thing happened to me with MusicBed and all I needed to do is to update that specific license for that project with them. So i suggest you clarify this with them and I'm 100% sure they have an answer already. Hope that helps
All the crop factor options are so useful... Would be awesome if Panasonic could produce an MFT smart mount and MFT crop factor option as I'm sure lot of us are from Gh4-5 background and have already got these lenses.
THE DP JOURNEY I watched thank you , but i wanna see how work S1H i have GH5s and i wanna change my camera soon , looking for right Camara for my production, mostly doing cars video .
@@RoyalIsmayilov I'll be uploading another couepl of videos about the S1H and comparing it to others in the market... stay tuned. Will upload in the coming couple of weeks ;)
Great video as always....I find the Extra Tele Conversion feature on my GH5 usefull for extending telephoto range. Could not get any reasonable close moon shots without it as I only have the Oly 40-150. What does suck is that the feature does not work in the GH5's max res of 20mb
Thanks Eric, the reason why i said it's useless cuz apparently it digitally crops and enlarges the image. Which is something you can do in post and get better results. Try it out yourself and compare, you'll see what I mean
@@THEDPJOURNEY ''Extended Tele Conversion enables you to take pictures that are further enlarged without deteriorating the picture quality." That's a quote from ua-cam.com/video/37-vbWAbG2I/v-deo.html I'm thinking due to the 10mb sensor on your GH5s that this feature is probably less useful than on the GH5. Sorry I don't have an "s" to compare it with:-)
@@Docfly62 hey Eric, honestly I only judge by my tests. I wouldnt trust much what Pana reps say as they'll obviously be biased. That's why I'm saying you go ahead and try it yourself, do a controlled test and see what it does. if you're happy with the results, then it's good for you. When I saw the consistent results of deterioration in quality, I didn't see any point to use it honestly and rather crop in post. I have a GH5 actually not S. Let me know when you conduct the test
it depends on your shooting style and your needs. There will never be an absolute answer unfortunately. I own both and I use them both on different types of shoots
60p is not available without changing focal length down to s35. If you want to switch back and forth for slow-mo you will have to use an older Panasonic GH5s camera or it will almost double your focal length. You can use only s35 on this if you want to spend twice the $$$ and lug around all the extra weight for indiscernible image quality to use it in that way but who would
if you shoot all your work at 60 then you won't make much use of this feature unless you're shooting at FHD. The GH5 is a M4/3 sensor, which is substantially smaller than S35 already. Paying the extra $$$ for this is justified by so many other factors and features, not just this feature for sure...
THE DP JOURNEY Flexibility of picking off b-roll in a shoot at 60p is a standard ask right now. This is not that tool. Full-frame varicam 23.98 4k with ibis is the main thing DP’s are looking at with this. Once you take away FF its nothing interesting. If its not full frame, s35 vs the DOF available in the crop of a gh5S, (which is wider than the old GH5 m 4/3) is not a difference anyone cares about. Shooting and keeping your framing is more valuable. The 6k has baked NR and looks smoothed and less sharp than 6k from proper video cams so thats certainly not this camera’s strongpoint.
In all cases that camera is not for everyone for sure. I’m working on a review for it and I can surely see it’s a very polarizing camera. The main drawback is the price that’s for sure. Wanted to ask you about where did you find the information about the 6k Denoise. Is it officially announced somewhere?
hmm if your timeline is 1080 then sure you can use it, if it's 4k then you need to upscale and even more if 6k. so why not shoot 6k and crop in post ? at least you keep the whole frame and then you can crop as you like. to me this is not such a great feature it is just physics.
Sooo professional this video, it’s the best I’ve ever seen! Amazing graphics & explanations; you’re so amazing! Thank you
Thank you so much Elizabeth, really appreciate your support and kind compliments. Merry Christmas
you are right. I think THE DP JORNEY should make a video to tell us how to make this video. HA!
Total agree with you. His video is just amazing
@@THEDPJOURNEY quick question! Does PP improve rolling shutter performance? It would be very appealing to know since theoretically it should take less time to read the censor, especially in full HD
Dam !!... This channel is quality!!!... So good...can't wait for the next video.
Thank you so much for the awesome comment. I’m already working on my next episode, so stay tuned. Thanks again. Cheers
this is by far the most professional and informative channel ive seen in the camera world...keep it up man!
Thanks Feras. Really appreciate your complements.
This is seriously an amazing breakdown of yet more reasons why I love Panasonic. Thanks, man.
I am still amazed by this quality. Merry Christmas!
THNAK YOU so much this flattering comment :) Merry Christmas to you too
I love the quality of your videos
Cheers thanks for the compliment
Again impeccable work! That camera is almost perfect, missing punch in while recording for nailing focus and somehow deliver in prores.
Keep them coming we will keep watching.
Cheers mate
yeah it has great features! ProRes is already there in 4K for external recording, but will come later in Q1 as they say with ProRes Raw. Let's wait and see. Thanks again
Fantastic and detailed review, as usual. I'm a bit late to the S1H party, but this "image area of video" is already one of my favorite features of the S1H. Maybe this will be implemented in the upcoming GH6?
Excellent video, graphics and instruction. Much better than many others.
Thanks Ricardo... Super happy you liked it
Hello Sherif, as I already mentioned I have been following you "whitout you". Thank you for the quality of your interventions and the free sharing of your DOP experience. I hope to be able to participate one day in one of your shoots, while waiting thank you for the value brought and I am still as amazed by the quality of your images, even with a GH4 !!!
Hey Laurent. Thank you so much for your support and comment. I'm always on the lookout for filmmakers to work with. Let me know what's your strength and which side of the shoot you're best at and I'll surely consider. Thanks buddy
Contrast auto focus is a deal breaker. In every other respect the camera is blindingly good. Great review, intense!
Yeah i know... not sure why they didnt crack this one yet!
Best reviews on the internet. I just got my S1H in the mail. This is really helpful as I dive into becoming more familiar with shooting with it. I’m already so impressed with this camera. Be curious to see if they introduce RAW 12bit this spring. What do you think? 🤞🏼
Thank you so much Filip for the awesome comments and compliments, the S1H is a pretty awesome and interesting camera. It’s Full of features that it’s gonna take forever to cover them all in an episode. I’ll release a couple of more videos to break things down a little bit. Check this episode about the raw recording, I do believe it will be 12 bit ua-cam.com/video/sSGM7y1iClw/v-deo.html
as someone who doesnt have much interest in Panasonic (i only bought a Nikon Z6 last month and feel its is enough... i also find editing daunting and a little boring) kit i love the quality of your videos, the jargon free English and beautiful editing, i can imagine the videos you make take a while to put together.
Thank you :)
Thank you so much May, yeah they do take a lot of time. I try hard to simplify things and make sure filmmakers in all levels can understand them. Thanks again for the support. and hope to hear from you soon
The 5.9K FF mode you mention at 9:45 is actually 10bit not 8bit?... it is 4:2:0... but I did my own tests and found the colour detail and noise is much better using this mode and then downsampling in post. There is almost no reason to ever shoot 4K 4:2:2 as the colour resolution is worse!... (shooting 5888x3312 gives 4.8mp colour resolution in 4:2:0 as against 4.1mp in 4K 4:2:2). In fact... why is it ever better to crop in camera rather than capture everything you can and crop in post, using a better processor?
Hey, yes I did already rectify the 8bit thing in the description.
I honestly didnt see that the 6K is "much better" at all.. there's almost identical. Can you explain which area did you find that better?
As I mentioned, both res have the same starting poitn of 5.9K so they both would theoretically have the same color resolution, even though I think the 4:2:2 being oversampled in camera would have a better bayer conversion since the camera knows it's sensor Vs FCPX for example that estimates. Even if you use Nule or Davinci to choose the method of oversampling, they're all guessing as they don't have the exact camera bayer pattern.
The reasons why 4K is better:
1- 422 Vs 420.. better in chroma key
2- 5.9K is Long GOP, which is super sluggish, with that res it's more of a nightmare even on high spec machines
3- 5.9K doesnt shoot above 30fps
@@THEDPJOURNEY It’s totally counter intuitive, and not the result I was expecting, but the reason I thought the 6K 4:2:0 was better is simply because I tested it with a colour resolution chart, and found (to my big surprise) that it looked noticeably better than the 4K at 4:2:2. I included the results in a video review I made with this camera before knowing exactly why the 4:2:0 was looking so much better… it wasn’t until someone explained the maths to me that it all became clear!
With 4:2:0 colour subsampling you have half the horizontal colour resolution and half the vertical resolution, which with 5.9K (5888x3312) is 4.8mp. When shooting 4K (3840x2160) and 4:2:2 colour subsampling, you have half the horizontal resolution with the full vertical resolution… which is just 4.1mp. The 4:2:2 isn’t better in chroma key if you are working in 4K… there’s more colour resolution in the downsampled 6K!
The colour subsampling is all happening after the bayer filter and is used to compress the file size of the image data, so that’s not an issue here.
I gotta test that myself to see. Honestly I already have both footage with the color chart, and after playing with it I haven’t seen that obvious difference you’re referring to.
In all cases, the other 2 points are also good to consider when choosing 4K over 6k
Thanks again for your input. Really appreciate it
@@THEDPJOURNEY No worries... I don't want to put a link here... but my chart is at 11:43 on my video!
By the way, I love the quality of your content... Have a good Christmas!
Merry Christmas to you too mate! And again thanks for your valuable input. Will try and have a closer look at your comparison. Cheers
3:09 - where did you get these numbers from? There is no mode in the S1H that uses 24.89mm x 18.66mm. Those numbers give a 4:3 ratio, and yet your graphic is 16x9. 18.66mm is a theoretical number of a 4:3 crop based on 4 perf film, but the s35 modes in the camera are either 16x9 which is about 13mm tall, not 18.66mm, or their 4:3 mode which is 15.63mm in 4:3 and 14.75mm tall in PIXEL/ PIXEL 4:3. The whole upset with this camera's anamorphic modes has been that it doesn't reflect the 4 perf standard gate. I just wanted to point out this error as no one else seems to have caught it, but it should be at the least obvious that your numbers give a 4:3 image and the crop you're displaying is 16x9. Otherwise this was great, and thanks as always for the hard work.
you're absolutely right. the number is inaccurate. Gotta check the real number. Too late to change now unfortunately
The DP Journey Gotcha. Panasonic haven’t published the official numbers but the 4:3 numbers I provided are accurate and the S35 16x9 is probably about 13mm like most APS-C cameras in 16x9. Cheers!
Wait a minute. @7:48 you saying 4k has smaller noise then the other two, but I bet if you zoomed in on that even more to match the same view, they would be identical.
The question from here is whats changes with detail and color fidelity?
Assuming these have the same white balance, why does the 4k have a different color? Which is more 'accurate' because one has to be more so correct then the 2.
hey Chris, first you need to know that FF has a wider Field of view, meaning it sees more than S35 and PP. So I assume the confusion you have is because when i matched the magnification to 800%, the FF image looked smaller. And the key yo any comparison here is to have constants and check what changes. So with 800% magnification, noise looks smaller. And the reason is that it's sampling the whole frame rather than a portion of it. The color part is because just like pixel resolution, you have color resolution, since the sensor has RGGB photocells, if you samply more colors from th full sensor, you get more color resolution than if you sample part of the sensor in S35.
Most underrated UA-cam channel, EVER!
Thanks!!! Thanks to Awesome supporters like you will the channel will reach further. Thanks again
Your videos are so thorough and the graphics are great! I've been learning so much.
Glad you like them!
Mutshakkir awi for another awesome review Sherif; you can really tell the difference when the reviewer is a working DP and not just a tech buff! Re: 12:28 it does seem that in FHD mode (and maybe even S35) the pixel-to-pixel mode does have a discernible advantage in terms of sharpness, no?
El 3afw ya Mostafa basha. About the difference if you were mentioning, keep in mind that I was matching the full frame mode to the PIXSY to PIXSY mode which means I had to drastically magnify the image of the full frame to match the super 35. In other words the FF has a MUCH wider FOV
Sherif! I just watched this and thought damn this guy is good... so we’ll explained and top production quality. Then subscribed and realised it was you. Now I know why it’s so good 😆 Awesome to see 👏🏻 I think your channel is about to sky rocket 🚀
NO WAYYY... Jon!!! How's it going buddy, glad you stumbled upon my channel man. and thanks for the compliments. Very well appreciated. Didn't you had a youtube as well, just subscribed. Curious to know how did you find this video? Was it suggested by youtube or were you searching for it? Cheers buddy
THE DP JOURNEY - yeah I did a lot more on here last year but been pretty quiet for a while... likewise with my cinemagraphs. Mainly just dedicating more time to my daughter before she grows up too fast 😉 I think your video came up because the S1H has been on my searches a few times since it came out. Been saving for it but actually considering the Sigma fp now! I’ve also dreamed of raw on such a compact full frame camera and for my needs it’s more in budget.
@@mrjonkane yeah I have kids of the same age as well and i dont' want to miss those days. Cinemagraphs seem to have lost the battle it seems. great to hear from you again buddy
Great video! And of course very informative as usual! Thanks again and again. Always eager and looking forward to your next video!
Thanks Omneya. Your support is always appreciated
Woah dude so much work went into this. Keep crushing it!
Cheers buddy. Thanks for the support
You are always so smart. Like watching your reviews. Well done
Thanks a lot Daniel for the awesome compliment. I will make sure to always create great content for you and everyone
This should be one the list of THE ESSENTIAL S1H videos to watch.
Thanks David for the kind words! Glad you liked it
Dude, your reviews are A+++!! Those animations are just WOW! Subbed!
hahaah... Thank you so much for the support and compliments
Dude your channel is so amazing
That because I have amazing audience like you 👍👍
Thanks for all the amazing S1H videos :)
When will your review be up?
I really consider buying this camera for professional work :)
Thanks for the comment, yeah this camera has SO MUCH to cover that's very hard to have a review without gong beyond a 1 hour mark. I'm already working on it... so hopefully in Jan I'll release it. But yeah, if you have the budget for it and feel it fits your workflow... then it's a great choice
Man, you keep blowing my mind!!!!! You need to have your own seminar
Thanks Maggie!
Agree on his presentation, otherwise mistakes in his technical aspects and personal opinions.
You can’t have mistakes on “personal” opinions. 😉
complete madness, dude what planet are you from? I had to watch about 5 times but I think I got it. I appreciate you though, I really do...thank you!!
No mention here of the fabulous X T3. Looking forward to what Fuji will incorporate in the X T4!
Your wishes are answered...X-T4 is out
Best reviews ever!! Thanks for your work mate!!!!
That’s super kind of you
Great explanation, this was one of the reasons I love using the GH-series and now Panasonic S1H.
Yeah it’s a much better option in the S1H though. Thanks again for the comment. Happy holidays
@@THEDPJOURNEY You too, Sherif!
Your work is mind blowing bro....keep it up..BTW what software you choose for edit video...!
Thanks a lot buddy... really appreciate it. I use FCPX for editing
@@THEDPJOURNEY Compliments on the quality of your presentations. What are you using to achieve the zoom effect with your graphics? To illustrate, when you zoom in at an angle on the text on either side of your slides. My gratitude in advance.
@@jayaharidasa Hey Jaya, I use a plugin called mCamer Rig from motion VFX ;)
@@THEDPJOURNEY Thank you kindly, and free to boot!
Another great vid. Definitely one of the best technical camera channels out there. I've just bought an S1 which I'm loving to death (after selling my Red and fs5). The S1 seems to have a very similar architecture to the S1h. Do you happen to know if the s1 also oversamples the full sensor down to 4k, etc? Best of luck with your channel dude
Hey buddy... thanks for the comment. Glad you liked it.
I honeslty don' tknow much about the S1 unfortunately, but I assume if this function exist there as well, then it'd be doing teh same thing yes.
Newbie question. So if you have a lens that is a S35 like a DZO Pictor, it should work with the S1H if you select the S35 image area of view, and that would eliminate vignetting?
Amazing video. 😍. Please let me know are the Super 35 and APSC mode same in S1H and S1?
Great video, you covered a lot, well, and in a short time. I have a S1r on it's way and I am looking forward to finding what hidden features it has for foto and video.
Thanks Steve for the compliment. Yeah Panasonic seem to be cramming a lot of stuff in their S lineup of cameras... i have a another episode int he works about more features.... much less complex than this one though ;)
Fantastic video. I really hope you impart your lighting knowledge in upcoming videos, as cameras and lenses aside, the way you approach light will be invaluable.
Hey Ferhan, yes for sure, I'm planning for some case studies with lighting and so on. I just didn't find much appreciation for those videos though (surprisingly). Nevertheless I'll still work on them. Thanks buddy
Thanks mate! you really kill it! looking forward for more video from you, Merry Christmas!!
Thank you buddy! Glad you liked it. Working on my next one already ;)
So with S1H you can use APSC lenses and can still get a 4K image which is oversampled? Please confirm. This can itself save a ton of money. Is there any other mirrorless camera which does this?
Just found your channel, so informative and enjoyable.
Great job you're doing here!
If you have the time to answer this question:
If you were in my situation: owning an A7iii and some gear for basic productions, events, weddings, etc.
Seeking for upgrades in quality, future "proofing" my equipment.
What would you recommend? 8 bit and 1080p seems not sufficient anymore and I don't want to have the same quality as the masses. (of course story is king, but we're talking about gear here)
I do rely on autofocus pretty often for some of my fast paced videos, those are mainly for events though.
I'm trying to push my work more towards productions, which eliminates the need for autofocus.
Maybe I should start investing in Canon lenses so switching to another brand is made easier in the future?
What (camera) would you recommend for me at the moment?
What is wisdom?
Budget: 3,5k + willing to sell the A7iii / save up more
Hey Alon, thank you for the kind words.
First, I would surely say invest in EF lenses... Sigma ART has the best value for money by far out there. I use EF lenses on all my cameras: RED-BM4K-A7III-S1H. Adapter now are very good that they act almost as good as native lenses.
As for the camera, since autofocus is out of the equation now. I would say go for either BlackMagic 4K + Accessories, or invest more if you can and get the S1H.
The BM4K's drawbacks are mainly battery life, no tilt screen, no IBIS or usable autofocus and it's M4/3. Which can be fixed with A battery grip with battery, an external screen, a gimbal or a pair of steady hands and some focus practice and a speed booster to make it more of a Super 35 Crop. Here's my personal kit: kit.co/THE-DP-JOURNEY/bmpcc4k-my-fav-kit
But everything else about it is awesome! So you need to buy some accessories to bring it to the perfect working configuration.
The S1H... Is great out of the box, you just need a couple of extra batteries and cards and you're set. You can get a cage to turn it into a full fledged Cinema cam. And based on Pana, they will release the RAW recording in Q1.
Here's a link to the setup I have. kit.co/THE-DP-JOURNEY/s1h-kit-on-a-budget.
Hope that answers your question buddy.
Cheers ;)
@@THEDPJOURNEY Thanks for taking the time to answer and confirming some of my thoughts. I know what to do now. Cheers!
My pleasure buddy. All the best
So if you'd use FHD Pixel to Pixel, what kind of processing you'd apply to it to try to get similar IQ from S35 and FF 4k modes?
I understand it won't be as good, but is it possible to make it good enough so one could really utilize S1H and one lens as a 3 focal lengths system?
Also, if one one shoots in all three modes, would it be better to deliver in 1080p (downsample FF and S35 from 4k to 1080p) in post or to upsample that P2P 1080p to 4k?
Good job! Keep it like this, you’ll be higher than many out there!! Nice explanation on every single video.👍🏻
I appreciate your support Alvaro! Thanks for watching
Quality video. Good information and clearly and logically explained. I just subscribed. :)
Thank you so much for the comment. Welcome to the channel. Happy Holidays
Sweet graphics in this video! But I think your super35mm numbers might be a bit off. 24.89 x 18.66mm is the 4:3 frame size of motion picture film. A super35/APS-C crop of a FF 3:2 stills sensor is typically smaller. I Would think the super35 mode would be more like 23.7 x 15.8mm in 3:2 and 23.7 x 13.3mm in 16x9 no? I would also guess that in super35 anamorphic mode it uses this 15.8mm-ish height and in pixel by pixel anamorphic is would be around 14.8mm tall.
Thanks Ryan.... yeah my bad I didnt say it's the 16:9 from the 3:2 of 24.89 x 18.66mm. I didnt really focus on Anamorphic. Something probably I'll cover on another episode once I get my hands on a lens.
@@THEDPJOURNEYNo prob, I think the 3:2 s35 is 23.7 x 15.8mm-ish though, not 18.66mm (FF in C4K mode is actually about that height).
Interesting...and the S5 has the same feature? Would great to see your thoughts in that.
I was here even before this channel crossed 8k subscribers.
Shashank Sharma I was here before they thought of the channel name
Hahaha... I was here before all of that
Do you use the L mount alliance lenses ? Or an adaptor for the lenses you already had before buying the s1h?
Is down sampling the 6K to 4K in post effectively making it 4:2:2 at 4K though? I think I saw a video talking about down sampling or over sampling and this was the case.
Technically yes that would be the case
@@THEDPJOURNEY thanks, super interesting
Yeah the problem with this video is that it is tooooo good for YT. I do have some questions though regarding the cage you are using for your S1H. Smallrig with ??
kit.co/THE-DP-JOURNEY/s1h-prores-raw-kit
I'm really confused now. I'm interested in shooting 3:2 on S1H in anamorphic mode, they claim it's 4:2:0 10 bit (200Mbit LongGOP), this video says it's 8 bit.
But the most important question is: Can I record 6k 3:2 via HDMI? What bit depth and chroma sampling I got in that case?
Great and informative video. Something I haven't seen covered anywhere is the following : what is the crop of the anamorphic mode? Is it academy size anamorphic ? Or a 4/3 crop in the s35 window? Thanks in advance and great work once again.
True... I wanted to get some anamorphic sand test them out 😉
Gerald Undone has left the room. 😂 Great channel sir!
Hahaha... thanks buddy! That's a great compliment. Gerald is awesome!
Quick q- how do you create those amazing motion graphics??
THE DP JOURNEY I'm wondering the same, whether everything is made from Fusion in resolve for example, or if you prepare them in a graphic software and animate them in the video compositing software?
@@JohnTSteinbeck On Keynote ;)
Thanks for the work. Do you know if the S1 also has the "Image area of video" Super 35mm 4K option?
not sure honestly
the best in the business! thanks for your service!
Much appreciated. Thanks for watching
can you do a video on the photography (stills) side of this camera as well please?
I was curious about its photography feature as well... let me see if I can work on that. Thanks for the suggestion 😉👍
@@THEDPJOURNEY That would be good, it would be nice to know if I can sell my Nikons and get this to go with my GH5 and still have a viable stills camera. The D4s and D800 have been my workhorses for a long time now.
Are you still able to use Image area of video if your shooting with your ninja v?
Yes
Nice, good to hear! On the GH4/GH5 the 1:1 modes were always very noisy vompared to super sampled mode. Unless outside or well lit studio, it was not worth it and crop in post was better.
yeah I guess that's why they released the GH5s. Thanks for the comment
Will you review the Z cam e2 - s6? Since it's a consumer camera on par with BMPCC 6k and S1H? I'm having trouble deciding.
I will try to get in touch with them to send me a unit ;)
Another impressive educational insightful video!!!!
Thank you so much Ewa, you’ve always been a great support
The S1H is a definitely a game changer for professional video production. The camera is really a full-blown 6K cinema camera in a mirrorless body that exceeds the capabilities of anything else in it’s class. For video, television, and film production I can confidently say it offers more bang for the buck of any video camera ever made. Here’s a link to my review of the camera and a trailer for a the 4-hour S1H master class I have produced that can help new owners get the best results with their camera. ua-cam.com/video/GhZP14WVCn0/v-deo.html
How about Autofocus ? Just curious because I heard it doesn't have one, how do you get around this?
Pretty bad AF
@@THEDPJOURNEY big deal breaker for me :(
Thank you for another great video. Would it be possible to detail the software you use in your workflow please.
Hey Mark, our use Final Cut X for editing and testing all my work. Check other videos on my channel where I explained a lot of processes that are use in my projects. Thanks again for your comment
Awesome video! As usual. Will watch again.
Thanks buddy. God you liked it. Happy holidays
@@THEDPJOURNEY Happy Holidays!
Someone commented on a different video that the camera has more color resolution at 6k 8bit 4:2:0 than at 4K 10bit 4:2:2.
Scientifically it's true. but the difference based on my calculations is negligible.
Hi can you compare the prores raw footage between nikon z 6 and panasonic s1h. I want to know how much can we recover highlight,shadow in daylight, lowlight and how is the highlight rolloff. There's a mixed opinion on Nikon z6 . What bitrate can we expect from prores raw in nikon z6 and panasonic s1h ? And for what I know atomos ninja v can only record upto dci 4k60p 10bit 4:2:2 then how nikon z6 is recording 12bit prores raw is the image true 12bit ?
Well the RAW recording update on the S1H is not out yet.... so we gotta wait and see till Q1 based on Panasonic
@@THEDPJOURNEY do you have any plans for testing nikon z6?
Is the p/p mode small enough to use super16 lenses?
in FHD mode yes
Hi great video! as usual on your channel! Based on your finding what is the best mode to shoot FHD? S35?
Thanks Enrico... There isn't best for everything. I'd say best for the situation. So provided you shoot in 422 10Bit All-I, this would be the highest quality.
now if you need widest FOV, then choose FF, if you need tighter FOV, then shoot S35. or P/P for the tightest FOV possible on this camera. Hope that helps
@@THEDPJOURNEY just seems to me that full HD looks mushy in full frame mode. Like if it's downscaling with line skipping or something similar.
@@enricoparenti3057 it doesnt at all... what i did here was try to match to the P/P Field of view which is very cropped, so i had to enlarge it by 3.1X to match... Which reduces the quality.
Sherif, I'm thinking about trading my A7iv in on a S1H to get a proper companion camera to my S5, which I love. I've been re watching all your fantastic videos to make sure I'm doing the right thing. Anyway, hope all is well. I miss your nerdy analysis.
DP J is a real killer channel !! unique guys ;-))
Thank you so much for your support! Really appreciate it
@@THEDPJOURNEY You Are so welcome DP .. as a film 🎞 music & Pop composer screen writer i got enough awareness of your amazing job given to help 🙏
Once my New plateform starts will forward you link , we may collaborate with pleasure DP!
Cheers out Switzerland
Can it capture the whole sensor at 3:4
unfortunately not
Do you know if the S5 also has this feature and if it works the same way?
It does. Works the same
My english is very bad. So i don't understand what this video says. Please can you tell me is this camera good or bad? Thanks
It's good yes
gooood comparison, a lot of my questions are answered!
Thanks Sean. Happy I answered them. Hopefully the upcoming videos will answer the rest
Thanks for this valuable information. Happy Christmas🙏
Thank you for your support. And Merry Christmas to you too 🎄
Amazing video as usual. You are the best. Thanks for everything you do.
I appreciate that! Thanks for the support and the kind words
Nicely explained and very neat discovery! Great job!!
Thanks Ihab... you've been a great help as always! So thank you!
8:35 The 6K is also 10 bit. ;)
Yeah my bad... corrected in description already. Thanks for the note
Hey, I have a question, so, I bought this camera and I was testing it a few days ago, before this video, and I was using the stills mode that allows you to shoot 60 fps full frame vlog 6k silently, why nobody is talking about this too? I don't understand this mode quite well, but other cameras offer at most 15 fps and if you shoot silent, maby 7 fps... Can you talk about this please?
I never heard of this honestly as when i shoot video I usually have it on the video mode. not stills.
As I was Checking now.... Are you talking about the 6K/4k Photo burst? Cuz that only shoots 30FPS at 6k and 60fps at 4K.
@@THEDPJOURNEY I'm not sure exactly what it is, I was just playing with it and found that option, but I mean, it works like video, you can also just hit the record button and let it roll as long as you want, the only difference is that you can ser straight dron the camera in the viewfinder frame by frame... By the way, thanks a lot for answering, I love your channel
14:42 the S1H, Fuji are using that new Sony imx sensor.
Thanks for the info. Is this listed somewhere we can confirm? Cheers
A7iii has digital zoom too.
You don't seem to have watched till the end... My answer is at 13:45 😉
So do you recommend using s35 with apsc lenses or just ff lenses ?
You don’t really have a choice. Otherwise you’ll get a ridiculous solid black vignette. Like looking through a tube
THE DP JOURNEY no choice as yes use s35 with apsc lenses or ff lenses? I watched your video multiple times but i really got confused with this part
@@Shulcyo My bad! with S35 you can use both... sorry for the confusion. it doesn't really matter at all FF or S35.
THE DP JOURNEY thanks for clarification
I started signing up for EpidemicSound but they have completely unacceptable license conditions! For example, you can't use their sound if any of your works will ever be used in any broadcast or IPTV environment. How the heck am I supposed to know what might possibly happen in the future? Like, if I make a funny short and in 2 years it's being put into some collection shown on some tiny local TV channel or whatever, then suddenly I have to remove all music from it?!? Really!?! Insanity epidemic.
hey Marcus, disclaimer that I'm not working at Epidemic, but what you're saying is very reasonable and very prone to happen. Recently a similar thing happened to me with MusicBed and all I needed to do is to update that specific license for that project with them. So i suggest you clarify this with them and I'm 100% sure they have an answer already. Hope that helps
All the crop factor options are so useful... Would be awesome if Panasonic could produce an MFT smart mount and MFT crop factor option as I'm sure lot of us are from Gh4-5 background and have already got these lenses.
Do you know if there is any similar modes like you have describe on XT3?
No idea.. sorry
I think we need more production and post-production video ( editing color ) great video thanks
Thanks for the comment, I already posted a couple of videos about coloring. But of course I'm working ona lot more stuff now... so stay tuned ;)
THE DP JOURNEY I watched thank you , but i wanna see how work S1H i have GH5s and i wanna change my camera soon , looking for right Camara for my production, mostly doing cars video .
@@RoyalIsmayilov I'll be uploading another couepl of videos about the S1H and comparing it to others in the market... stay tuned. Will upload in the coming couple of weeks
;)
THE DP JOURNEY great thank man 🙌🏼👋🏻🇺🇸 LA
Great video as always....I find the Extra Tele Conversion feature on my GH5 usefull for extending telephoto range. Could not get any reasonable close moon shots without it as I only have the Oly 40-150. What does suck is that the feature does not work in the GH5's max res of 20mb
Thanks Eric, the reason why i said it's useless cuz apparently it digitally crops and enlarges the image. Which is something you can do in post and get better results. Try it out yourself and compare, you'll see what I mean
@@THEDPJOURNEY ''Extended Tele Conversion enables you to take pictures that are further enlarged without deteriorating the picture quality." That's a quote from ua-cam.com/video/37-vbWAbG2I/v-deo.html I'm thinking due to the 10mb sensor on your GH5s that this feature is probably less useful than on the GH5. Sorry I don't have an "s" to compare it with:-)
@@Docfly62 hey Eric, honestly I only judge by my tests. I wouldnt trust much what Pana reps say as they'll obviously be biased. That's why I'm saying you go ahead and try it yourself, do a controlled test and see what it does. if you're happy with the results, then it's good for you.
When I saw the consistent results of deterioration in quality, I didn't see any point to use it honestly and rather crop in post. I have a GH5 actually not S.
Let me know when you conduct the test
what's your opinion :-
Panasonic Lumix S1H
or
Black magic 6k
???
it depends on your shooting style and your needs. There will never be an absolute answer unfortunately. I own both and I use them both on different types of shoots
cause we been busy working with this little monters already！
Yuuup
como haces estos videos tan buenos, increíble trabajo!!!
Thanks a lot for the compliments :)
Love it, thank you for this.
Thanks Dan, glad you liked it! Happy Holidays
Would pixel to pixel be useful if shooting in fhd and need more reach?
Yes for sure. The only drawback is being FHD not 4k
60p is not available without changing focal length down to s35. If you want to switch back and forth for slow-mo you will have to use an older Panasonic GH5s camera or it will almost double your focal length. You can use only s35 on this if you want to spend twice the $$$ and lug around all the extra weight for indiscernible image quality to use it in that way but who would
if you shoot all your work at 60 then you won't make much use of this feature unless you're shooting at FHD. The GH5 is a M4/3 sensor, which is substantially smaller than S35 already. Paying the extra $$$ for this is justified by so many other factors and features, not just this feature for sure...
THE DP JOURNEY Flexibility of picking off b-roll in a shoot at 60p is a standard ask right now. This is not that tool. Full-frame varicam 23.98 4k with ibis is the main thing DP’s are looking at with this. Once you take away FF its nothing interesting.
If its not full frame, s35 vs the DOF available in the crop of a gh5S, (which is wider than the old GH5 m 4/3) is not a difference anyone cares about. Shooting and keeping your framing is more valuable.
The 6k has baked NR and looks smoothed and less sharp than 6k from proper video cams so thats certainly not this camera’s strongpoint.
In all cases that camera is not for everyone for sure. I’m working on a review for it and I can surely see it’s a very polarizing camera. The main drawback is the price that’s for sure. Wanted to ask you about where did you find the information about the 6k Denoise. Is it officially announced somewhere?
Great channel, very professional and informative Well done👌
Cheers Michael 😉
I would love for you to compare the GH5 and GH5's sensor size with the S1H.
hmm if your timeline is 1080 then sure you can use it, if it's 4k then you need to upscale and even more if 6k. so why not shoot 6k and crop in post ? at least you keep the whole frame and then you can crop as you like. to me this is not such a great feature it is just physics.
There's a lot more to it than what you said. Have another look at the video
Excellent Video!!! Exiting Times !!!
Cheers. Thanks for the compliments
Hi brother, I am short film maker, so S1h is good for my work ?
It’s perfect for such projects of course.
The DP Journey thanks
Great graphic as usual!
Cheers thanks
Nicely done and great points well presented.