Yes! As someone who was into photography, camera gear talk is exciting :D Just a couple more inputs from me if anybody sees this: - When you zoom in more, you get this effect called "background compression". What that means is that whatever is in the background will actually look closer to you than they actually are, but yes, it still gets blurred out more. - While having a wider aperture and higher zoom will get you the most blurry background, do take note that your lens will inevitably become more chonky, and this is especially apparent with zoom lenses that have a persistent wide aperture like the one shown at 07:18. This is because to get more light into your lens, you need more space in the lens to allow more light to pass through, and more space means wider front element, and more front element space means more glass and whatever mechanics exist in the lens and with zoom lenses, even more space for the moving parts, meaning you'll end up with a chonky boi. - If you are able to have your camera a little further away from you, I'd strongly recommend the 35mm f1.8 or 50mm f1.8. Both are really small, lightweight, perform great in low light because of the wide aperture and most importantly, they are one of the most bang for buck lenses out there that don't snap your wallet out of existence (I believe it's around US$100, but my info mayyy be a little bit outdated, but it's definitely much cheaper than Harris' Sigma 16mm f1.4 lens) - For those of you who are struggling to understand the whole full frame sensor and cropped sensor deal, just know that full frame = bigger, catches more light (thanks to it's extra surface area), more expensive. Cropped sensor = smaller, looks more zoomed in than full frame with a lens of the same focal length, cheaper. - If you're looking for lenses, please also find out if your camera has a full frame or cropped sensor (or micro four-thirds sensor if that's what you have). Many camera brands sell lenses designed specifically for each of those sensors, and full frame lenses are generally more expensive as well and you definitely don't want to spend money on a lens that you can't make full use of. Also very important like Harris has mentioned, the size of your sensor also affects how zoomed in the resulting image looks, meaning that depending on the size of your sensor, the focal length of the lens you're looking for will also vary. So please do very thorough research.
Hmmm I do have a question for you. If my camera is mounted about 1m (100cm) away from me. At 15mm (stock lens) I get a pretty wide shot (but a bit too wide almost for my setup and background) So instead of a 16mm f/1.4, what do you think about something like a 22mm f/2. How would these compare vs each other. Obviously the 1.4 will be a bit more blurry I assume and have a bit more of a wider shot. But the 22mm might be the better size for me with the camera a solid distance away from me and still be a pretty nice blurry with the f/2? Also for me its about availability in my country and the price of course. The Sigma 16mm f/1.4 will cost me roughly $500 and the 22mm f/2 will cost me $260 give or take... so it is a huge difference ofcourse. What do you think?
@@ChessDoctorsOrigins With the stock lens you can definitely afford to move your camera much closer to you to restrict what it captures and keep the f-stop as low as possible. That would be your most affordable choice since you wouldn't have to buy extra gear. And since it's the stock lens, it's most likely a zoom lens too so what I'd suggest is to adjust the zoom on that lens first to roughly 22mm to see what the shot looks like so you have an estimate without having to actually buy the lens and potentially finding out that it's not the look that you want. Play around with the full range of zoom on your stock lens, play around with the camera's positioning and angle and test it until it's something you're happy with before thinking about buying lenses. I know your stock lens isn't going to have nearly the same background blur compared to even the f/2, but I'd suggest figuring out your camera's position and the kind of view you're most happy with, then look again at the different lenses available according to the focal length you want. Don't rush to buy gear.
@@mystixisme987 Yeah I hear you. Since asking the question I have done all of that :). 22mm is going to be perfect at the angle and distance from my seat at the desk and the f/2 will add the blur I need. So i already ordered the lens (was basically just wondering between 16mm f/1.4 vs 22mm f/2. But I have made my decision as the 16mm would just be too wide of a shot at the distance I am going to be using (i am quite limited for space in this small room). Thank you very much for your replay and in general the information you gave in your post!
Harris looks like he been eating good lol 🍽 JP.. You've helped me a lot on my journey and I have never commented and told you that so I just wanted to. I appreciate your vids bro. You deserve all the success.
I film almost everything on that Sigma 16mm. I love it. It's an amazing lens. I also have the 15-45 kit lens that I used prior to the Sigma and it's ok but nowhere near as good as that Sigma. I think the Sigma is the best EF-M lens available.
I really like my Tokina 12-24mm lens. I find it versatile for both landscape photography and filming for my UA-cam channel! There are so many different options though, and I think these suggestions are great!
andd I have a sigma 16mm prime in my cart from yesterday from what I learned from yesterdays video... And you just confirmed it🙏🏼🙏🏼 appreciate the content bro, got me loving working on production quality, still learning but getting better!
This is great! Many people tried to explain this to me a lot, and I didn't understand it at all, but these 12 minutes literally explained it all. Thank you!
I honestly love how you explain things, because you know what you are talking about and it shows in how simple you make everything to be. Thanks for another amazing video!
the first 2 minutes alone has helped me understand camera lenses better than most video guides. #1 reason i love this channel is bc of how simple you make everything
Thanks Harris. This definitely helps out a bunch A6400 for streaming, vlogging and potentially other things in future, but definitely need something like the 11/12mm and up that you recommended, and maybe something larger for photography.
My wife and I were just talking about getting into photography and didn't know where to start with these basic definitions... Thanks for posting this!!!!!!
Seeing a seemingly non photographer nailing all this information is crazy props to you explaining all this stuff and the research you did you're really smart!
I had to watch this a second time because I couldnt remember what the 15-45m meant ( or atleast in which direction the numbers zoom). Now I understand that the sigma 16mm 1.4f is a nice wide angle with very shallow depth of field. Perfect for that youtube look :). Great video as always @alpha gaming!
I've got an RP and an M50 that I've been using. Now, with my own Flexispot desk, I just use one camera setup. I'd have one camera for standing up and one when I'm seated, in case I was giving a presentation. I like using the Viltrox speedbooster. Because I can use EF lenses on my EF-M camera AND I get an even better aperture number with it giving the appearance of a full frame lens.
a crop sensor focal length is the focal length times the crop, w/ sony's crop sensor believe its 1.5 and cannon it's 1.6 (check owners manual to be sure). So whatever the lens focal length you multiply it by the crop factor so a 16mm on a sony crop sensor would be the equivalent of a 24mm on a full frame. It also applies to the dof as well. That same 16mm f1.4 will still give you 1.4 stops of light, but due to crop nature and needing to pull back from the subject to get same shot you lose some of the dof. Fast and dirty way is to apply the crop factor to the aperture so 1.4 * 1.5 (crop factor) and y ou get 2.1. So essentially to frame your shot to match a full frame camera you'd be shooting at an equivalent of 2.1 f/stop so a little less dof. Lastly that sigma lens he showed is an apsc specific lens. So while generally you can take any sony e-mount full frame lens and put it on either a full frame or apsc, the sigma being an apsc specific lens will not work with a full frame. I'm also pretty certain that with an apsc specific lens they are designed with crop factor in mind so you don't lose the dof like mentioned earlier so 1.4 is 1.4 worth of dof. Also he fails to mention that even at 1.4 on apsc you are still receiving a lot less light due the smaller sensor, which is why apsc have poor low light performance when using an equivalent lens on a full frame. If you have the extra cash instead of buying say a sony 6400 for say 1k, for 600 more you can get the a73 full frame and will serve better over all, and less headache when deciding on what glass to get.
You somehow explained lens functionality better than any of my Digital Communications and Media teachers ever did within the 3 years that I was in school. Very helpful.
Great explanation for those who don't know anything about camera lenses! I use my photo camera as my stream camera (Sony 24-70mm F/2.8 G). Having it set to F/2.8 is ideal as I've tried my 35mm F/1.4 and I feel like its too blurry for my liking (for streaming at least).
I've done photography for over 15 years and while I got everything you were saying, it felt a lot more rambly and harder to follow than your usual stuff. Might be linked to the live nature of streaming though. Only major thing I would have added is some kind of visual queue, chart or ressource explaining that every major F jump (1.2, 1.8, 2.8, 4, 5.6, etc) is equal to half the light entering the sensor and so that going from a 1.8 to a 5.6 might seem like a small number jump but you actually have 8 times less light touching your sensor
I use the canon 10-18 mm f/4.5-5.6 lens for streaming and I love it. I don’t have a lot of space in the room I stream in, so being able to have my camera closer to me and still be able to have a wide field of view is amazing.
This was honestly your most manic video... if you’re going to explain the difference between a prime lens and a zoom, a zoom is a jack of all trades good at everything master of none, a prime is the best lens it can be at say 16mm. You also kind of just threw in the difference between an apsc sensor and full frame. A 16mm 1.4 on my a6100 is the same as a 24mm f2 on my A7iii. And yes I know most people aren’t dropping money on a full frame but I wish I bought lens that could of helped my transition into full frame. Also minimum focusing distance and sensor size are just as important as focal length for Bokeh. I bought a camera to bring my stream quality up, it got me into photography and now I’m working professionally doing that
You have the strangest and almost perfect timing when uploading this video as of yesterday I was researching how to lower my aperture on the camera. HMMM
Harris thank you for allowing us to use your music in/on our content. I always blast Streambeats on my streams. Would you be into possibly making Reggaeton/Latin music as well?
if you have an apsc sensor, and use a full frame lens then you need to times the focal length by 1.6x or 1.4x, i actually cant remember the exact number xD
I use Canon's webcam plugin and I've tried different camera modes but my depth of field doesnt seem to change no matter what aperture I use, my background stays blured, I can only see difference when I actually press to shoot and take the picture, never in the LIVE video... what am I doing wrong? LOL
I’m moving from a Brio to a Sony Alpha camera probably a 5100. I’m thinking I’ll get a prime wide aperture lens (f/1.4-f/1.8). I’m trying to decide on the focal length. My desk sits in the corner of my room so I have room for a wider shot, but I don’t want it too wide. Would your recommend a 16mm, 24mm, or a 30mm? I’ll be about 2-3 feet from the end of the lens. I’d appreciate your feedback!
Just so you are aware, I'm not sure what song done it. But I did get a dmca on Facebook a couple days back of 22 seconds of your song sounding like something completely different 😂😂
I've got a DSLR camera with a 80-200mm lens and when I mount it on my desk it is way too close xD I still need to get a smaller lens to not have only my nose in view xD xD I've been looking for a second hand x-45mm lens but they are just not available in my region... I might have to mount my camera as far away as possible xD
Hello, I'm in the market for a Camera that I can use for video conferencing, live streaming, ebay listings, and pc repair video's, I'm under the understanding that a mirroless camera that is full frame, would fit the bill, but my budget is tight. meaning I have around 500 to 1000 to spend, so what is a good reliable 4k camera that comes with a lens that will get me started. there's a lot of choices out there, and I don't want sony because they are, how to say it, they are Aholes as a company, so I don't buy there products. I'm looking at cannon and Panasonic, LUMIX G7 4K Mirrorless I know is not full frame, however what is a good cannon full frame equivalent. I know this is a lot to ask but I've spent weeks looking and have run into a dead end.
i think you forgot to mention that sensor size matter too .the depth of field to get the blurriest background you can get the lowest F-Stop Number which usually is a Prime Lenses (also usually the blurriest), (or a kit lens Works too) ,Also the further the background is the blurrier it should get And more zoom-in that's about it . -Sensor size -Zoom -focal length -further separation of background -Lowest F-Stop Number Most of the time (f 1.8)
Legend has it that if you listen to StreamBeats everyday, you get a bigger lens. Only one way to find out...
hey harris
Hii
2 hours ago?
How was this text sent 2 hours ago when this was just released lol
Lens or you mean?...
This is what I needed.
Sometimes I feel like Harris enjoys talking about cameras. He always has this special kind of enthusiasm. That's nice.
Yes! As someone who was into photography, camera gear talk is exciting :D Just a couple more inputs from me if anybody sees this:
- When you zoom in more, you get this effect called "background compression". What that means is that whatever is in the background will actually look closer to you than they actually are, but yes, it still gets blurred out more.
- While having a wider aperture and higher zoom will get you the most blurry background, do take note that your lens will inevitably become more chonky, and this is especially apparent with zoom lenses that have a persistent wide aperture like the one shown at 07:18. This is because to get more light into your lens, you need more space in the lens to allow more light to pass through, and more space means wider front element, and more front element space means more glass and whatever mechanics exist in the lens and with zoom lenses, even more space for the moving parts, meaning you'll end up with a chonky boi.
- If you are able to have your camera a little further away from you, I'd strongly recommend the 35mm f1.8 or 50mm f1.8. Both are really small, lightweight, perform great in low light because of the wide aperture and most importantly, they are one of the most bang for buck lenses out there that don't snap your wallet out of existence (I believe it's around US$100, but my info mayyy be a little bit outdated, but it's definitely much cheaper than Harris' Sigma 16mm f1.4 lens)
- For those of you who are struggling to understand the whole full frame sensor and cropped sensor deal, just know that full frame = bigger, catches more light (thanks to it's extra surface area), more expensive. Cropped sensor = smaller, looks more zoomed in than full frame with a lens of the same focal length, cheaper.
- If you're looking for lenses, please also find out if your camera has a full frame or cropped sensor (or micro four-thirds sensor if that's what you have). Many camera brands sell lenses designed specifically for each of those sensors, and full frame lenses are generally more expensive as well and you definitely don't want to spend money on a lens that you can't make full use of. Also very important like Harris has mentioned, the size of your sensor also affects how zoomed in the resulting image looks, meaning that depending on the size of your sensor, the focal length of the lens you're looking for will also vary. So please do very thorough research.
Hmmm I do have a question for you. If my camera is mounted about 1m (100cm) away from me. At 15mm (stock lens) I get a pretty wide shot (but a bit too wide almost for my setup and background) So instead of a 16mm f/1.4, what do you think about something like a 22mm f/2. How would these compare vs each other. Obviously the 1.4 will be a bit more blurry I assume and have a bit more of a wider shot. But the 22mm might be the better size for me with the camera a solid distance away from me and still be a pretty nice blurry with the f/2? Also for me its about availability in my country and the price of course. The Sigma 16mm f/1.4 will cost me roughly $500 and the 22mm f/2 will cost me $260 give or take... so it is a huge difference ofcourse. What do you think?
@@ChessDoctorsOrigins With the stock lens you can definitely afford to move your camera much closer to you to restrict what it captures and keep the f-stop as low as possible. That would be your most affordable choice since you wouldn't have to buy extra gear. And since it's the stock lens, it's most likely a zoom lens too so what I'd suggest is to adjust the zoom on that lens first to roughly 22mm to see what the shot looks like so you have an estimate without having to actually buy the lens and potentially finding out that it's not the look that you want. Play around with the full range of zoom on your stock lens, play around with the camera's positioning and angle and test it until it's something you're happy with before thinking about buying lenses. I know your stock lens isn't going to have nearly the same background blur compared to even the f/2, but I'd suggest figuring out your camera's position and the kind of view you're most happy with, then look again at the different lenses available according to the focal length you want. Don't rush to buy gear.
@@mystixisme987 Yeah I hear you. Since asking the question I have done all of that :). 22mm is going to be perfect at the angle and distance from my seat at the desk and the f/2 will add the blur I need. So i already ordered the lens (was basically just wondering between 16mm f/1.4 vs 22mm f/2. But I have made my decision as the 16mm would just be too wide of a shot at the distance I am going to be using (i am quite limited for space in this small room). Thank you very much for your replay and in general the information you gave in your post!
@@ChessDoctorsOrigins Haha well I'm glad you got to come to a decision! I hope it all works out well for you :D
Hey Mystix :D
“It’s not about the size it’s about how you use it”
Now where have I heard this before...
"that's what she said"
man people spend hours learning this stuff and you simplified it.. man someone give this dude an oscar
Harris looks like he been eating good lol 🍽
JP.. You've helped me a lot on my journey and I have never commented and told you that so I just wanted to.
I appreciate your vids bro. You deserve all the success.
I film almost everything on that Sigma 16mm. I love it. It's an amazing lens. I also have the 15-45 kit lens that I used prior to the Sigma and it's ok but nowhere near as good as that Sigma. I think the Sigma is the best EF-M lens available.
Right on!
I really like my Tokina 12-24mm lens. I find it versatile for both landscape photography and filming for my UA-cam channel!
There are so many different options though, and I think these suggestions are great!
Mannn I was literally searching your channel for a video about lens yesterday!!! Found an older one and you dropped this perfect timing!!
andd I have a sigma 16mm prime in my cart from yesterday from what I learned from yesterdays video... And you just confirmed it🙏🏼🙏🏼 appreciate the content bro, got me loving working on production quality, still learning but getting better!
This is great!
Many people tried to explain this to me a lot, and I didn't understand it at all, but these 12 minutes literally explained it all. Thank you!
I honestly love how you explain things, because you know what you are talking about and it shows in how simple you make everything to be. Thanks for another amazing video!
the first 2 minutes alone has helped me understand camera lenses better than most video guides. #1 reason i love this channel is bc of how simple you make everything
Thanks Harris. This definitely helps out a bunch
A6400 for streaming, vlogging and potentially other things in future, but definitely need something like the 11/12mm and up that you recommended, and maybe something larger for photography.
Love the text document format part of the video. So simple yet it worked well
Don't think we didn't see you type the word "shart" in there.
I was dead just think that
oh hey friend
@@FlowStateGG fancy seeing you here!
P.S. you can also greet me by commenting on my own video... 😋
My wife and I were just talking about getting into photography and didn't know where to start with these basic definitions... Thanks for posting this!!!!!!
Crazy I’ve been looking for a video like this and just got back to binging this channel
I saw these graphics being made in Sams Stream! Fantastic! Also great video. Watched the stream live but was great watching it again.
Seeing a seemingly non photographer nailing all this information is crazy props to you explaining all this stuff and the research you did you're really smart!
I had to watch this a second time because I couldnt remember what the 15-45m meant ( or atleast in which direction the numbers zoom). Now I understand that the sigma 16mm 1.4f is a nice wide angle with very shallow depth of field. Perfect for that youtube look :). Great video as always @alpha gaming!
This was super informative love your work I’m starting streaming properly because of you
This is actually one of if not the best camera crash courses I've ever seen ever.
Now I just have to get an actual camera
God this video with the Nash treatment was what I needed so much. I had so many questions and virtually all are answered!
I've got an RP and an M50 that I've been using. Now, with my own Flexispot desk, I just use one camera setup. I'd have one camera for standing up and one when I'm seated, in case I was giving a presentation. I like using the Viltrox speedbooster. Because I can use EF lenses on my EF-M camera AND I get an even better aperture number with it giving the appearance of a full frame lens.
First time I've fully understood all of these numbers and your teaching method is fantastic.
So glad you're making some rock for stream beats it's the whole reason I don't use it, I really don't like what you've had made prior.
a crop sensor focal length is the focal length times the crop, w/ sony's crop sensor believe its 1.5 and cannon it's 1.6 (check owners manual to be sure). So whatever the lens focal length you multiply it by the crop factor so a 16mm on a sony crop sensor would be the equivalent of a 24mm on a full frame. It also applies to the dof as well.
That same 16mm f1.4 will still give you 1.4 stops of light, but due to crop nature and needing to pull back from the subject to get same shot you lose some of the dof. Fast and dirty way is to apply the crop factor to the aperture so 1.4 * 1.5 (crop factor) and y ou get 2.1. So essentially to frame your shot to match a full frame camera you'd be shooting at an equivalent of 2.1 f/stop so a little less dof.
Lastly that sigma lens he showed is an apsc specific lens. So while generally you can take any sony e-mount full frame lens and put it on either a full frame or apsc, the sigma being an apsc specific lens will not work with a full frame. I'm also pretty certain that with an apsc specific lens they are designed with crop factor in mind so you don't lose the dof like mentioned earlier so 1.4 is 1.4 worth of dof. Also he fails to mention that even at 1.4 on apsc you are still receiving a lot less light due the smaller sensor, which is why apsc have poor low light performance when using an equivalent lens on a full frame. If you have the extra cash instead of buying say a sony 6400 for say 1k, for 600 more you can get the a73 full frame and will serve better over all, and less headache when deciding on what glass to get.
no idea why I'm watching this as I work in video but great work! For anyone who doesn't really know how lenses work this is a great starter guide!
You somehow explained lens functionality better than any of my Digital Communications and Media teachers ever did within the 3 years that I was in school. Very helpful.
Great explanation for those who don't know anything about camera lenses! I use my photo camera as my stream camera (Sony 24-70mm F/2.8 G). Having it set to F/2.8 is ideal as I've tried my 35mm F/1.4 and I feel like its too blurry for my liking (for streaming at least).
Great guide. Literally everything I was looking to know as a person who didn't know anything about lenses
This was such a helpful video thanks harris
For a second I thought the thumbnail was the back of the iPhone 14
First thumbnail wasn't getting a good enough CTR?
It's crazy you released this video today because I just watched all of your camera videos literally an hour before you uploaded
I've done photography for over 15 years and while I got everything you were saying, it felt a lot more rambly and harder to follow than your usual stuff. Might be linked to the live nature of streaming though. Only major thing I would have added is some kind of visual queue, chart or ressource explaining that every major F jump (1.2, 1.8, 2.8, 4, 5.6, etc) is equal to half the light entering the sensor and so that going from a 1.8 to a 5.6 might seem like a small number jump but you actually have 8 times less light touching your sensor
Love this Devin Nash style video!
I use the canon 10-18 mm f/4.5-5.6 lens for streaming and I love it. I don’t have a lot of space in the room I stream in, so being able to have my camera closer to me and still be able to have a wide field of view is amazing.
this video was actually helpful. epically the prime lense part. i didnt know that.
I have the sony a6000 and planning to get the Sony a6400, this video helps tremendously with choosing budget lens options.
This was honestly your most manic video... if you’re going to explain the difference between a prime lens and a zoom, a zoom is a jack of all trades good at everything master of none, a prime is the best lens it can be at say 16mm. You also kind of just threw in the difference between an apsc sensor and full frame. A 16mm 1.4 on my a6100 is the same as a 24mm f2 on my A7iii. And yes I know most people aren’t dropping money on a full frame but I wish I bought lens that could of helped my transition into full frame. Also minimum focusing distance and sensor size are just as important as focal length for Bokeh. I bought a camera to bring my stream quality up, it got me into photography and now I’m working professionally doing that
You can also point out that the closer the focus is to the lens, the shorter the depth of field gets
u can also use speedbooster more blur with more fov
I'm so excited for streambeats rock album you don't understand.
I haveev been waitiiiiing for the rock album for ages, cause it's finally something I like which is copyright free, thx
This is litterally the ultimate guide for camera
You have the strangest and almost perfect timing when uploading this video as of yesterday I was researching how to lower my aperture on the camera. HMMM
The explanation of the aperture finally answered a question i’ve always had: how do i get a nice landscape photo with everything in detail?
Thumbnail change nice i heard u talking about it on stream :)
2:59 "The advantage is..." SHART
Harris thank you for allowing us to use your music in/on our content. I always blast Streambeats on my streams. Would you be into possibly making Reggaeton/Latin music as well?
Helpful video thank you. How did you get that "alertbox" source to look like that? The one that is in your Cam... Thats pretty cool!
Man i love all the vid you made
I've enjoyed the Devin Nash style of the video!
Any chance of getting the "Certain Shade of Blue" Album, without the crackily old film noise in the background of every song?
You are hilarious!😂
And explain tremendously.
Keep it up!🎉
Supporting with a follow.
Thank you for sharing for the info
You actually changed it lets gooo
this was super informative, thank you. Would you say the blurrier background would help or hinder a streamer that uses a green screen?
The best lenses are cinema lenses. But you have to have full frame cam to use them to fullest.
Do you think you could make a video on trying out the cheapest prime lens off of amazon maybe?!
Great info, thanks
I just got my first camera today (mirrorless Sony a6100) was in need for this video!
haha, "who ever invented the sun was really smart"
I see an open notepad,
and I thought this was Devin Nash for a second.
if you have an apsc sensor, and use a full frame lens then you need to times the focal length by 1.6x or 1.4x, i actually cant remember the exact number xD
Which camera did you use for the very last shot, and which lens?
What lights do you use the like the color ones on the wall????
I use Canon's webcam plugin and I've tried different camera modes but my depth of field doesnt seem to change no matter what aperture I use, my background stays blured, I can only see difference when I actually press to shoot and take the picture, never in the LIVE video... what am I doing wrong? LOL
lmfao "boats and hoes lyrics" is on the google search history. Best part of the video
I’m moving from a Brio to a Sony Alpha camera probably a 5100. I’m thinking I’ll get a prime wide aperture lens (f/1.4-f/1.8). I’m trying to decide on the focal length. My desk sits in the corner of my room so I have room for a wider shot, but I don’t want it too wide. Would your recommend a 16mm, 24mm, or a 30mm? I’ll be about 2-3 feet from the end of the lens. I’d appreciate your feedback!
hello did you decide about focal length? i am considering 30mm f1.4 sigma lens. would you recommend 30mm?
Can I use a 16mm 2.8 as a good vlog lens? I hope you see this
I use a Sigma 16mm f1.4 on my Sony a6000 and I love how great the shot is.
This is literally perfect. I just got a canon M50
The inventor of the sun never asked us for money to use it, what a legend.
pls test the fifine k683a
Just so you are aware, I'm not sure what song done it. But I did get a dmca on Facebook a couple days back of 22 seconds of your song sounding like something completely different 😂😂
Full circle! Watched Sam edit this yesterday on twitch hahaha
I literally thought about tweeting at Harris about what kind of lens to use yesterday...
Alpha Gaming casually reminds me to pay attention to my photography. I hear & obey 🤘🏻📸 🙏🏻
Nice work 🌠🎆✨
I'm using a 35mm f2.0 lens and a speedbooster on a MFT mount which then is equivalent to 58mm f1.4.
It's a tighter shot but my room is a mess 🤣
Now just to decide between a Canon SL3 or M50. Hmm...
I start the video:
"its not about the size-"
"ok"
I've got a DSLR camera with a 80-200mm lens and when I mount it on my desk it is way too close xD I still need to get a smaller lens to not have only my nose in view xD xD
I've been looking for a second hand x-45mm lens but they are just not available in my region...
I might have to mount my camera as far away as possible xD
Hey I hope you didn’t have any night terrors before this video was posted :,0 but this was so information ♥️
Ah, this reminds me of my film photography class from college.
This Camera border is it available in discord?
So, what's your take on which lens to use when using a greenscreen?
I don't even have a camera or anything I just like your videos 😂😂
This is great, Ludwig was right great channel for basic stuff.
Round of a plause for Sam.
9:52 Harris is a Robot confirmed
I love how you tell everyone about Cannon but show Sony lens.
what a great video.
Rock Album, Rock Album, Rock Album !!! Then we need the metal album, please.
Hello, I'm in the market for a Camera that I can use for video conferencing, live streaming, ebay listings, and pc repair video's, I'm under the understanding that a mirroless camera that is full frame, would fit the bill, but my budget is tight. meaning I have around 500 to 1000 to spend, so what is a good reliable 4k camera that comes with a lens that will get me started. there's a lot of choices out there, and I don't want sony because they are, how to say it, they are Aholes as a company, so I don't buy there products. I'm looking at cannon and Panasonic, LUMIX G7 4K Mirrorless I know is not full frame, however what is a good cannon full frame equivalent. I know this is a lot to ask but I've spent weeks looking and have run into a dead end.
i think you forgot to mention that sensor size matter too .the depth of field to get the blurriest background
you can get the lowest F-Stop Number which usually is a Prime Lenses (also usually the blurriest), (or a kit lens Works too)
,Also the further the background is the blurrier it should get And more zoom-in that's about it .
-Sensor size
-Zoom
-focal length
-further separation of background
-Lowest F-Stop Number Most of the time (f 1.8)